Ebooks de arte, página 26 de 1208

Trezentos e sessenta e cinco dias. 365 chamas. Uma fogueira pra chamar de sua! "Pequenas Chamas" é mais que um livro — é uma jornada selvagem pra reacender sua vida, dia a dia, com um calor que não a

Este guia foi cuidadosamente elaborado para conduzir estudantes e profissionais farmacêuticos a um domínio sólido e completo sobre tudo o que envolve soluções — desde a teoria essencial até a prática

This volume presents a study of the thirty-four portraits in panel E Orient in the Kunsthistorisches Museum Wien. In this multi-faced object potentates from south-eastern Europe and Ottoman, Persian and African empires are represented. The small oil paintings are copies from the sixteenth century, part of Archduke Ferdinands collection of almost a thousand postcard-sized images, and are presented in the museums Munzkabinett.The portraits are explored in a participative research: Interlocutors in Vienna from different backgrounds share their reactions, impressions and questions in interviews. The appearances, production, collecting and presentation of the pictures are discussed, and the results of visits to Innsbruck, Como, Istanbul and Florence regarding the history of the portraits complete the work.While some mysteries remain unsolved, the research shows how people in contemporary Vienna interact with sixteenth-century portraits of an Orient.

Las armas de fuego son consecuencia directa de la pólvora, invento atribuido a los chinos. Al parecer el primer uso de la pólvora registrado históricamente fue en el año 1231, durante la batalla de Kuang Fen. Los soldados chinos utilizaron la polvora como elemento propulsor para sus flechas voladoras de forma similar como hoy se usa con las cañitas voladoras. A partir de ahi la pirotecnia se convirtio en un arte, que permanece hasta nuestros dias. LAS PRIMERAS ARMAS DE FUEGO Existen contradicciones sobre el uso de la polvora en occidente, ya que Roger Bacon (Inglaterra) describio sus efectos alrededor de 1250, sin embargo los primeros registros historicamente comprobados son del año 1308, cuando aparecieron los primeros cañones, conocidos como Culebrinas y Falconetes...

A obra "Conservação preventiva de edifícios históricos: princípios e práticas" apresenta um panorama do avanço da conservação preventiva no Brasil, mostrando como essa abordagem passou a integrar gra

Uma seleção de memoráveis canções compostas por autores europeus e estadunidenses ao longo do século XX.

Entre silêncios que pesam e sussurros que ninguém ouviu, nasce a história de uma menina que viu seu próprio reflexo se despedaçar. Este livro não narra apenas acontecimentos — ele atravessa emoções.

Garotas Complicadas é uma mini série onde as personagens Olívia, Ruth, Valéria e Vitória narram seus dramas e conflitos colegiais. Onde foi parar o diário de Ruth?

Firearms are a direct consequence of gunpowder, an invention attributed to the Chinese. Apparently the first historically recorded use of gunpowder was in 1231, during the Battle of Kuang Fen. The Chinese soldiers used gunpowder as a propellant for their flying arrows in a similar way as it is used today with flying canes. From then on, pyrotechnics became an art, which remains to this day. THE FIRST FIREARMS There are contradictions about the use of gunpowder in the West, since Roger Bacon (England) described its effects around 1250. The first historically verified records are from the year 1308, when the first cannons, known as Culverin and Falconet, appeared.

Matilde Marín in Pharus II. Landscapes and Photographic Fictions again embarks on a visual journey that documents and recreates lighthouses of the world. This work illuminates with reddish tones the lighthouses that are the return home - in the reverse journey to Pharus. From the southern hemisphere to the north - now the artist goes from Iceland to the southernmost south of Argentina. In this displacement with documentary images and fictional landscapes Marin presents lighthouses that are not only physical guides at sea, but by their visuality now reveal spaces of fascination and are the occasion to imagine new narratives that revitalise these symbols of memory and history. Laura Malosetti Costa expresses that the lighthouses evoke concepts and narratives such as those of the voyage, shipwreck, tragedy, and are the result of both the artists experiences and her literary readings. Adriana Musitano analyses the abyssal settings that partially duplicate the lighthouses in their reflections and observes that Marin astonishes with images that create a utopian space by creating photographic fictions that link the landscape of the Salinas Grandes of Argentina with faraway places. The lighthouses and constellations in this ebook illuminate our planet and the planisphere shows them in relation to the cardinal points, seas and continents. Marin narrates his return home and also his trip to Egypt, when he learns about the place where the first lighthouse was, Alexandria. The Lighthouses of affection are added, with photographs of her friends, remembering her.

666 MÚSICAS DE ROCK E METAL DOS ANOS 1960 ATÉ OS DIAS ATUAISApresentando 666 músicas de metal de destaque de 1960 até os dias atuais e ilustradas com capas, folhetos, pôsteres e anúncios em revistas,

Você se sente sobrecarregado por uma avalanche de informações diárias? Suas ideias parecem confusas e desorganizadas, impedindo o fluxo da sua criatividade ou a clareza nas suas decisões? É hora de v

O escopo desta publicação é trazer para a consideração dos docentes do ensino superior uma perspectiva de aula como comunidade de aprendizagem, com suas inovações nas práticas pedagógicas; uma reinve

O Pop no Vinil disponibiliza para o leitor, mais de duas centenas de letras de canções compostas pelos maiores compositores da música popular internacional em atividade no século XX.

Qual é o caminho para a salvação? Essa pergunta me perseguiu por anos, em uma jornada espiritual cheia de incertezas e falsas promessas. Em Ele e eu - Meu relacionamento com Deus , abro meu coração p

Ana é uma hacker que vive nas sombras da internet, expondo esquemas corporativos. Quando decide invadir a RUS²O — a maior corporação de inteligência artificial do Brasil — ela acredita estar apenas f

Há um momento anterior à palavra em que o silêncio já anuncia o poema. Um instante em que o olhar — hesitante, inquisidor ou rendido — se detém sobre o mundo não para dominá-lo, mas para deixar-se at

Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real. This publication offers rich intellectual insight into the relevance of this Polish artist to the threatened presenta time in which geopolitical shifts between East and West and predictions of the Club of Rome (1972) and climate scientists are becoming a worldwide reality. And here Abakanowiczs vision on nature and the human condition is explored in a uniquely inspired way: by engaging seven artists/collaboratives to reflect in deeply personal ways on their art through dialogues with historians, philosophers, and other thinkers. This "counterpoint" launches discussion around the human condition in a post-humanist time, collective identity, trauma, climate change, unending destruction of the planet, and more. Finally, the uncommon approach of this show and book demonstrates how the elder artists art and life is a lens through which not only these artists but we can reconsider our place in the world.Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real.

Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real. This publication offers rich intellectual insight into the relevance of this Polish artist to the threatened presenta time in which geopolitical shifts between East and West and predictions of the Club of Rome (1972) and climate scientists are becoming a worldwide reality. And here Abakanowiczs vision on nature and the human condition is explored in a uniquely inspired way: by engaging seven artists/collaboratives to reflect in deeply personal ways on their art through dialogues with historians, philosophers, and other thinkers. This "counterpoint" launches discussion around the human condition in a post-humanist time, collective identity, trauma, climate change, unending destruction of the planet, and more. Finally, the uncommon approach of this show and book demonstrates how the elder artists art and life is a lens through which not only these artists but we can reconsider our place in the world.Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real.

A BIOGRAFIA DEFINITIVA DE CHUCK BERRY, O LENDÁRIO ARTISTA E INVENTOR DO ROCK N ROLL"Um dos melhores livros de música do ano."― Rolling Stone"Um relato implacável, mas revelador... tão inteligente e v