eBooks de Historia de la arquitectura, página 5 de 13

In "Character of Renaissance Architecture," Charles Herbert Moore provides a profound exploration of the architectural innovations that defined the Renaissance period. Through meticulous analysis, Moore delves into the aesthetic principles, structural advancements, and cultural significance that characterized this transformative era. His eloquent prose and critical eye highlight the interplay between art and science, presenting not only a historical account but also an examination of the philosophical underpinnings of Renaissance thought, particularly how they influenced architectural design. This work stands as a meticulous scholarly text, emblematic of its time and context, as it bridges the artistic aspirations of the past with the intellectual inquiries of the late 19th century. Charles Herbert Moore was a pivotal figure in the realm of architecture and its criticism, an academic deeply engrossed in the study of architectural forms and histories. His extensive background in both classical studies and contemporary architecture allowed him to bring a unique perspective to his writings. Influenced by the interplay of aesthetic and functional elements in architectural education, Moore sought to articulate the enduring impact of Renaissance architecture on modern design sensibilities. This book is highly recommended for scholars, architecture students, and enthusiasts who wish to gain a comprehensive understanding of Renaissance architectures legacy. Moores blend of historical analysis and aesthetic critique offers valuable insights, making it an essential addition to the libraries of anyone interested in the evolution of architectural thought.

El arte es un maravilloso reflejo de lo que fuimos, somos y seremos. El patrimonio artístico constituye la mayor mina de oro de la historia de la humanidad, pero muchos de sus brillantes secretos aún estan por descubrir.Fernando Siles el conocido @Itineratur en Twitter, cuyos megahilos enganchan a miles de personas traza en este libro un ameno y divertido recorrido por el espacio y el tiempo que nos lleva a algunas de las creaciones mas locas de la historia del arte. En estas paginas encontraras menhires flotantes, una mini Notre Dame en los Pirineos, el mueble mas deseado o una sorprendente Torre Eiffel de color rojo.

Este libro recoge con una visión general y unitaria, el devenir de la arquitectura occidental a través del tiempo, desde sus orígenes remotos hasta nuestra misma contemporaneidad.No es ni pretende ser una historia convencional de la arquitectura, sino una introduccion a su estudio que desvele sus claves y permita acceder a su realidad tanto al profesional como al aficionado, y especialmente a quien se acerca a la arquitectura por primera vez.

El cultivo de la ciencia entre los siglos XVII y XIX se dio a los dos lados del Atlántico, con lo que se creó un intercambio de espacios culturales. La generación y apropiación de conocimientos, en particular en el campo de las ciencias de la salud, la medicina, la cirugia, la botanica, la farmacia y la quimica, requirieron de figuras epistemicas, de instituciones, expediciones, catedras, asociaciones, publicaciones y otras estrategias que permitieran una interaccion de saberes. Interaccion con altas y bajas segun los diferentes contextos que quedaron enmarcados en los siglos señalados, entre ellos los movimientos culturales, como la filosofia ilustrada o las reformas educativas y los movimientos revolucionarios o los independentistas, entre otros. Por tanto, el eje del presente volumen, integrado por siete capitulos desarrollados cronologicamente, consiste en reflexionar sobre la circulacion del conocimiento; ubicar las rutas que han recorrido las ciencias de la salud entre Europa y America y, de manera particular, identificar a las elites letradas, a los actores cientificos; analizar el conocimiento generado y los modelos epistemicos aceptados, asi como señalar el valor de la historia institucional.

Nadie sospechaba que la menos extraordinaria de las arquitecturas, la de la casa, nuestro hogar, pasaría en poco tiempo a cambiar tanto su sentido. Si tradicionalmente esta caja cargada de hipotecas y habitaciones ha constituido el habitat mas inmediato del ser humano y su lugar de partida diario, los vertiginosos cambios a los que esta sometida desde tiempos recientes la dotan de nuevas y profundas dimensiones existenciales.¿Que puede enseñarnos la casa y sus habitaciones?. Ante cada temblor del mundo, ante cada exiguo movimiento social, la casa permite escuchar el rumor del tiempo como un autentico sismografo. Como gran deposito donde terminan abandonados los restos tecnicos o culturales de cada epoca, la casa aun cumple con su deber. Cuando la casa lucha por ser el centro desde el que reconstruir la intimidad y la cotidianidad, cualquier virulento cataclismo desvela que su capacidad de refugio, aunque olvidado, permanece intacto. Es asi como en la casa de todos los dias reside nuestra identidad como sujetos. Santiago de Molina obtuvo con Arquitectura de las pequeñas cosas el Premio Malaga de Ensayo, cuyo jurado destaco que desde la arquitectura el autor profundiza en el espacio de la casa y lo cotidiano con una mirada interdisciplinar, didactica y desmitificadora, y se exploran las funciones, los limites y el analisis de nuestra escenografia mas intima.

Este texto parte de dos viajes inesperados, físicos y conceptuales, que se repitieron con siglo y medio de diferencia. El propio viaje procuró a la autora el curso de los acontecimientos y la formacion de las ideas. Al principio no habia mucho que contar; Kahn, textos y arquitectura era el equipaje de partida. Desde aqui el escrito se construye enlazando circunstancias que van apareciendo al encontrar un nuevo compañero de viaje que llega para quedarse, Schinkel. En Londres, los Smithson abrieron las puertas a Kahn, pero Nash no recibio a Schinkel. El libro se divide en cuatro partes, Preparando el Equipaje, Ruta a Ninguna Parte, Una Aguja en un Pajar y Hoja de Ruta. El primero aporta datos que permiten a Schinkel licencia para quedarse, el segundo muestra las dificultades de transmitir una idea para la que su publico objetivo no esta preparado, la tercera busca las aportaciones que en este sentido hubo a lo largo de la historia de la critica de la arquitectura y por ultimo se plantea que una idea, como la larva de una mariposa, puede quedar oculta para despertar en un tiempo que esta preparado para aceptarla.

Lavishly illustrated and accessibly written, Classical Architecture takes the reader on a journey through the history of this iconic architectural genre, starting with an introduction to its origins in ancient Greece, through its resurgence across Europe during the Renaissance, to its influence on modern-day architectural design in locations as diverse as Shanghai and Washington DC.Written by Professor of Architecture and established author Andrew Ballantyne, and illustrated with over 100 photographs, this book will prove invaluable to anyone wanting to explore and understand this important and pervasive architectural style. Classical architecture has developed through many styles to become the backbone of western architecture. It was refined in ancient Greece mainly in sacred places. This architecture of finely modelled columns was taken up by the Romans and spread across their empire, changing on the way, so by the time the Roman empire collapsed it had become an architecture of arches and vaults. The monuments were impressive, even as ruins, and inspired imitation in later ages.

En el año 2015, Jorge Álvarez y Jorge Sotelo fundan su propio estudio de Arquitectura y Diseño tras varios años de destacada trayectoria en reconocidos despachos de índole internacional. Tras más de siete años de experiencia con su propia practica, deciden recoger de manera muy amena y cercana, los momentos mas relevantes en su carrera profesional de manera cronologica a partir de breves relatos, anecdotas y consejos que intentan dar respuesta a las inseguridades y preocupaciones principales de los estudiantes y recien titulados en Arquitectura o cualquier otra disciplina relacionada con el diseño. Las particularidades de un sector que auna creatividad y tecnica como capacidades fundamentales para alcanzar el exito, se ven entrelazadas por otros conceptos puramente cotidianos y desconocidos hasta el momento en el ambito academico sobre tecnicas de gestion, comunicacion y desarrollo de la propia disciplina por cuenta propia que estos dos arquitectos, de un modo ameno y divertido, intentan recoger a modo de manual como herramienta de apoyo para la toma de decisiones y la simplificacion de los procesos. Tras varias ponencias y clases impartidas en diferentes universidades y escuelas de diseño, este libro pretende ser un texto abierto y transparente que ahonda en las cuestiones que se suelen plantear durante el desarrollo de presentaciones y exposiciones magistrales que, generalmente, carecen de respuesta o por el contrario, se pierden en conceptos abstractos y poco funcionales.

Desde el siglo XIX, la llamada novela histórica ha sido uno de los subgéneros literarios preferidos entre los lectores. Por eso, no es extraño que estas obras narrativas y las series de reconstrucción historica en canales televisivos sean hoy fenomenos de audiencia inusitados: las nuevas generaciones tienen curiosidad y avidez por conocer el pasado, "su" pasado, el que tambien les pertenece como herederos de la tradicion de Occidente; y, si ademas, se trata de obras que despiertan la imaginacion y la fantasia, la tarea de llevarlas hasta ellos sera grata y fructifera. Tais de Atenas logra dar una colorida y vivida experiencia de la Atenas del siglo IV antes de Cristo y, a traves del relato de Tais, sacerdotisa de Afrodita, nos transporta a antiguas ciudades de la Grecia clasica y nos hace participes de la vida de la gente del comun, sus creencias, costumbres y pesares; de las ilusiones, luchas y esperanzas de una joven mujer que busca venganza para los asesinos de su familia. Anastassia Espinel, con sus intensas novelas, se convierte en una fuente de ficcion historica y es por eso que, con esta obra, primera de una trilogia, inauguramos la Serie Juvenil de nuestra Coleccion Letra x Letra, para ofrecerles a los jovenes lectores una ventana a la comprension de la historia del mundo antiguo, tan necesaria para crear un "universo" que les permita insertarse en la cultura actual.

Muitos lugares que atualmente são denominados de praças, surgiram como largos ou adros, denominação atribuída no século XV, na sociedade ocidental. Os largos eram espaços públicos sem construções ou

Introducing Britains finest examples of brutalist architecture.Brutalist architecture is more popular now than it has ever been. Imposing and dramatic, with monolithic concrete exteriors, it forms an enduring part of our post-war urban landscape. This beautifully photographed book is an authoritative survey of the finest British examples from the very late 1950s to the 1970s, from leading architectural writer Elain Harwood, following on from her acclaimed books on art deco and mid-century architecture.It features iconic public buildings like Londons National Theatre, imposing housing such as the Trellick Tower in West London and Park Hill in Sheffield, great educational institutions including the University of Sussex, and places of worship such as Liverpools glorious Metropolitan Cathedral, along with some lesser-known buildings such as Arlington House on Margates sea front.Headed up with an introduction that places British brutalism within the context of global events and contemporary world architecture, the huge range of buildings is arranged into Private Houses and Flats, Public Housing, Educational Buildings, Public Buildings, Shops, Markets and Town Centres, Culture and Sport, Places of Worship, Offices and Industry and Transport, and there is a chapter on the atmospheric brutalist sculptures and murals that dot our cities.If youre part of the increasingly large ranks of brutalism fans, or interested in late 20th-century architecture and society in general, Brutalist Britain is the book for you.

Um dos mais brilhantes críticos de sua geração, Reinhold Martin debruça-se sobre o pós-modernismo na arquitetura e analisa suas consequências, com reflexos ainda reconhecíveis na atuação de arquiteto

Los castillos y murallas han ostentado un papel crucial en el mundo de la cultura y han sido fuente de inspiración para el pensamiento y las artes.Este libro, ilustrado magistralmente por su autor, presenta al lector las fortalezas españolas, desde Loarre y Olite hasta las murallas de Avila o Sevilla, no solo como parte de la historia militar, sino tambien como obras pertenecientes al mundo de la arquitectura al que han aportado multitud de hallazgos y particularidades. Ademas, recorre y disecciona con extraordinaria sensibilidad y precision la historia de su desarrollo e influencia en lo social, economico y cultural, y su rol como grandes centros de poder.Una obra deslumbrante que, junto a los aclamados Monasterios y Catedrales, cierra una trilogia que lega al lector la mas excepcional biografia sobre las grandes obras arquitectonicas del patrimonio cultural de España.Este es realmente un texto hermoso, que deberia conocerse hasta en las escuelas. Porque evita la jerga tecnica y cualquier otro exceso academico y sus descripciones y relatos los hace siempre con esa cortesia literaria que logra seducir al lector no especializado. ANTONIO HERRERA CASADO, Real Academia de la Historia

In "Prehistoric Structures of Central America: Who Erected Them?", Martin I. Townsend embarks on an archaeological odyssey to unveil the mysteries surrounding the monumental architecture of ancient Central America. This meticulously researched work combines rich descriptive language with analytical rigor, immersing readers in a landscape where cultural heritage and historical inquiry intersect. Townsend examines various significant sites, from the enigmatic pyramids of the Maya to the colossal structures of the Olmecs, employing a multidisciplinary approach that includes archaeological evidence, historical texts, and indigenous oral traditions to highlight the cultural significance of these edifices and their builders. Martin I. Townsend, a noted archaeologist and historian with extensive fieldwork experience in Central America, draws on decades of scholarly research and a deep passion for the regions past. Influenced by the vibrant cultural tapestry and the complexity of pre-Columbian societies, Townsends commitment to understanding the origins of these structures informs both his passion and proficiency. His insights reveal not only the physical labor involved in constructing these grand works but also the social and spiritual dimensions that motivated their creation. This book is indispensable for scholars, students, and enthusiasts of archaeology, history, and anthropology. Townsends compelling narrative invites readers to engage critically with the past, fostering a deeper appreciation for the civilizations that once flourished in Central America. Discover the mysteries behind the monumental remains of this rich heritage and challenge your understanding of who erected these breathtaking structures.

In "The Seven Periods of English Architecture Defined and Illustrated," Edmund Sharpe offers a meticulous examination of English architectural styles from the Norman Conquest to the Gothic Revival. This seminal work is characterized by its clear, systematic delineation of architectural periods, accompanied by detailed illustrations that serve to enhance the readers understanding of each styles unique features. Sharpes scholarship reflects the Victorian eras burgeoning interest in historical architecture, situating the text within a context of both architectural theory and practice, as he seeks to foster an appreciation for Englands rich architectural heritage. Edmund Sharpe, a noted architect and antiquarian, was profoundly influenced by the prevailing Romantic ideals of his time, which emphasized a connection to the past and an appreciation of craftsmanship. His firsthand experience with architecture, coupled with his role as a member of the Cambridge Camden Society, positioned him well to create a work that not only documents but also celebrates the evolution of English architecture. Sharpes passion for the subject matter is evident in his thoughtful analysis and illustrative skill, showcasing his commitment to architectural education and heritage preservation. This book is an essential read for anyone interested in architecture, history, or the evolution of cultural identity in England. Sharpes authoritative voice and captivating revelations provide readers with a profound understanding of the aesthetic and academic significance of English architecture. Engaging for both scholars and enthusiasts, this work is a cornerstone text that transcends time, enriching our appreciation for the built environment.

In "An Account of Valle Crucis Abbey, Llangollen, and All the Recent Discoveries," the anonymous author presents a meticulously researched exploration of Valle Crucis Abbey, uncovering its historical significance and architectural intricacies. Written in a descriptive and objective literary style, the work synthesizes archaeological findings and historical texts, placing the abbey within the broader context of Welsh ecclesiastical history. The texts attention to local folklore and cultural narratives enriches its scholarly rigor, offering readers a vivid portrayal of the abbeys role in the regions spiritual and historical landscape. The anonymity of the author invites speculation into their identity, yet their extensive knowledge of Welsh history and architecture is undisputed. The author likely draws from a combination of personal passion, local heritage, and academic inquiry, reflecting the 19th-century scholarly interest in Gothic architecture and national identity that characterized the Romantic movement. Their commitment to unearthing the past perhaps stems from a profound reverence for Waless ecclesiastical heritage and a desire to preserve its narrative. This book is a valuable resource for historians, archaeologists, and general readers interested in Welsh history and architecture. It not only deepens our understanding of Valle Crucis Abbey but also stands as a testament to the enduring cultural importance of historical sites. Readers seeking to connect with the past will find this account both enlightening and enriching.

In The Cathedrals and Churches of the Rhine, M. F. Mansfield offers an evocative exploration of the architectural marvels dotting the banks of the legendary Rhine River. With a prose style that marries scholarly precision with lyrical grace, Mansfield delves into the rich tapestry of Gothic and Romanesque structures that have shaped Europes cultural and spiritual heritage. The narrative is enhanced by vivid descriptions and historical context, illuminating the churches roles not only as religious sites but also as reflections of regional identity and artistic achievement throughout the ages. M. F. Mansfield, an esteemed art historian with a focus on ecclesiastical architecture, draws from extensive research and personal travels along the Rhine to compose this insightful volume. His background in both theology and art history lends authority to his examination of these sacred spaces, allowing him to interpret their aesthetic and religious significance while addressing the socio-political milieu that influenced their construction. This book is an essential read for scholars, students, and lovers of architecture and history alike. Mansfields eloquent narrative and meticulous research will engage those seeking to understand the interplay between art, faith, and community along one of the most historically rich rivers in Europe.

In "Travels in South Kensington with Notes on Decorative Art and Architecture in England," Moncure Daniel Conway meticulously explores the rich tapestry of Englands decorative arts and architectural elegance, particularly focusing on the affluent South Kensington area. Employing an observational style, Conway interweaves detailed descriptions with historical context, allowing readers to appreciate the cultural significance of various art forms. This work stands out not just as a travel narrative but as a scholarly commentary on the 19th-century art movement, reflecting the Victorian ethos of aestheticism and the emerging global influence on British art and design. Moncure Daniel Conway, an American abolitionist and reformer, possessed a profound appreciation for art and its capacity to inspire social change. His background as a Unitarian minister and his exposure to transformative philosophical ideas influenced his perspective on the interrelation of art, culture, and society. Conways travels across Europe sparked his passion for highlighting the underappreciated artistry of everyday life, culminating in this in-depth analysis of South Kensington. I highly recommend "Travels in South Kensington" to anyone interested in the intersection of art, architecture, and cultural history. Conways engaging narrative offers both practical knowledge and a reflective lens on the importance of decorative arts, making it an invaluable resource for scholars, students, and arts enthusiasts alike.

In "A B C of Gothic Architecture," John Henry Parker meticulously demystifies the complexities of Gothic architecture, weaving together historical insights with practical illustrations and detailed descriptions. The book serves as both a guide and a compendium, featuring clear explanations of architectural elements such as arches, cathedrals, and the intricacies of medieval design. Parkers literary style is marked by clarity and precision, making the text accessible to both enthusiasts and scholars, while its scholarly context situates it within the Victorian eras burgeoning interest in heritage conservation and architectural study. John Henry Parker (1806-1884) was a prominent architectural historian and a key figure in the revival of Gothic architecture during the 19th century. His background in architecture and archaeology, combined with a deep appreciation for medieval craftsmanship, propelled him to pen this influential work. Parkers passion for preserving historical edifices informed his writing, as he sought to articulate the significance and beauty of Gothic structures, particularly amid the rampant industrialization of his time. For readers fascinated by architectural history or those simply looking to deepen their appreciation of Gothic structures, Parkers "A B C of Gothic Architecture" is an indispensable resource. Its engaging prose and rich visual content make it an enlightening read, inviting both novices and experts to explore the grandeur of this iconic style.

In "Annals of a Fortress," Eugene-Emmanuel Viollet-le-Duc deftly intertwines architectural critique with historical narrative, exploring the evolution of medieval fortifications in France. The book is imbued with a meticulous attention to detail, reflecting Viollet-le-Ducs expertise in Gothic architecture and his innovative style that blends vivid imagery with informative commentary. Set against the backdrop of the mid-19th century, during which there was a resurgence of interest in medieval heritage amidst the Industrial Revolution, this work serves as both a tribute to and a critical analysis of the fortifications that shaped national identity. Viollet-le-Duc, a pioneering architect and a prominent figure in the Gothic Revival movement, was driven by a profound appreciation for historical structures. His extensive travels and studies of existing fortresses not only influenced his restoration projects but also sparked a desire to document and reflect on the principles of fortification. The insights he gained from his architectural endeavors instilled in him a passion for preserving the past, which culminated in this significant literary contribution. I highly recommend "Annals of a Fortress" for readers interested in the intersection of architecture, history, and cultural memory. This text not only captures the majestic splendor of medieval fortifications but also invites readers to contemplate the broader implications of preserving cultural heritage in our rapidly changing world.