Novedades del último mes en eBooks de Historia del arte

La pintura holandesa del Siglo de Oro constituye uno de los momentos más singulares y revolucionarios de la historia del arte. Lejos de los grandes relatos mitológicos y religiosos que dominaron la tradicion italiana y flamenca, los artistas holandeses del siglo XVII volvieron su mirada hacia lo cotidiano: la vida domestica, los paisajes, los oficios, la intimidad burguesa y la naturaleza. Este "realismo" termino reivindicado por los criticos del siglo XIX fue, durante mucho tiempo, mal comprendido, hasta que autores como Theophile Thore-Burger, Hippolyte Taine y Eugene Fromentin le otorgaron un nuevo valor intelectual y estetico, demostrando que estas obras expresaban la identidad profunda de una nacion. El libro "explora este proceso de revalorizacion" y examina como estos criticos, influidos por las ideas de Hegel, interpretaron la pintura holandesa como la manifestacion del espiritu de una epoca. Su defensa del "ver por si mismo", centrada en la observacion directa de las obras, transformo para siempre la forma de estudiar el arte del siglo XVII y permitio rescatar a maestros que hoy consideramos fundamentales, como "Johannes Vermeer", antes casi desconocido. A partir de alli, el texto profundiza en la compleja relacion entre "realidad y apariencia", abordando como las escenas de genero, los paisajes y las naturalezas muertas esconden significados morales, politicos y simbolicos. La pintura holandesa no solo retrata la vida, sino que medita sobre ella: revela costumbres, construye identidades y produce "efectos de realidad" que impactan tanto en los espectadores del siglo XVII como en los de hoy. Con claridad y rigor, el libro muestra como esta tradicion pictorica disuelve la antigua oposicion entre realismo e idealismo, entre naturaleza e ideal, proponiendo nuevas formas de interpretar lo visible. A traves del analisis de autores clave, de la iconologia y de debates esteticos, esta obra invita a redescubrir un arte que convirtio lo cotidiano en una fuente inagotable de sentido. "Un recorrido profundo y accesible por una de las escuelas mas influyentes de la modernidad."

Em Vestidos para Obedecer , Josué Duarte desvenda a história da Mocidade Portuguesa, a organização juvenil do Estado Novo, revelando como a farda se tornou um instrumento de controlo social e polític

Dark, intense, and relentlessly powerful, Macbeth portrays the devastating consequences of unchecked ambition. Shakespeares gripping tragedy follows a nobleman whose desire for power leads to moral collapse and madness. With its haunting imagery and psychological tension, the play remains one of the most compelling studies of power and corruption in literature. A timeless drama of fate and human weakness.

Emotionally devastating and psychologically rich, Othello examines how jealousy and manipulation can destroy trust and love. Shakespeares tragedy presents a powerful exploration of race, loyalty, and betrayal, driven by one of literatures most chilling villains. The plays emotional intensity and moral complexity continue to resonate with readers and audiences worldwide. A masterful portrait of human vulnerability.

Na fictícia Santo Antônio de Pádua, Vicente Volpin é uma espécie de Fiódor Karamázov com sangue vêneto, que trata as mulheres como predador e batiza os filhos com nomes bíblicos - conferindo-lhes alc

This book is the first major study of Edita Schuberts art published outside Croatia. Edita Schuberts body of work is strikingly diverse, spanning pioneering explorations of natural ecology in the 1970s to bold paintings in the spirit of the transavantgarde in the 1980s. She also created performance art on the streets of Dubrovnik and created installations that invited viewers into her world. Her later worksself-portraits of various kindsoffer profound meditations on memory, identity, and mortal- ity. Working in her studio in the Institute of Anatomy in Zagreb, she once compared her art with the practice of dissection, a precise and purposeful science which reveals the hidden territories of the human body. Often her subject was herself. The breadth of her artistic output seems to anticipate the "post-medium" condition of contemporary art. Yet when viewed together, strong lines of connection and continuity emerge, revealing a deeply intimate and single-minded vision of art.Edita Schubert (19472001) was an exceptionally prolific and inventive artist, active from the early 1970s until her untimely death at the age of 54 in 2001. A significant figure in Croatian and Yugoslav art, she exhibited at the Venice Biennale and the Biennale of Sydney and in galleries in Austria and the US, as well as frequently throughout Yugoslavia. Yet today, her art remains relatively little known.

This book is the first major study of Edita Schuberts art published outside Croatia. Edita Schuberts body of work is strikingly diverse, spanning pioneering explorations of natural ecology in the 1970s to bold paintings in the spirit of the transavantgarde in the 1980s. She also created performance art on the streets of Dubrovnik and created installations that invited viewers into her world. Her later worksself-portraits of various kindsoffer profound meditations on memory, identity, and mortal- ity. Working in her studio in the Institute of Anatomy in Zagreb, she once compared her art with the practice of dissection, a precise and purposeful science which reveals the hidden territories of the human body. Often her subject was herself. The breadth of her artistic output seems to anticipate the "post-medium" condition of contemporary art. Yet when viewed together, strong lines of connection and continuity emerge, revealing a deeply intimate and single-minded vision of art.Edita Schubert (19472001) was an exceptionally prolific and inventive artist, active from the early 1970s until her untimely death at the age of 54 in 2001. A significant figure in Croatian and Yugoslav art, she exhibited at the Venice Biennale and the Biennale of Sydney and in galleries in Austria and the US, as well as frequently throughout Yugoslavia. Yet today, her art remains relatively little known.

Olá, meu nome é Ana Beirão. E quero partilhar com vocês um bocado da minha história! Já escrevo poesia desde os meus 12 anos onde cada verso era melodia na minha cabeça. E onde cresco ao escrever cad

This volume presents a study of the thirty-four portraits in panel E Orient in the Kunsthistorisches Museum Wien. In this multi-faced object potentates from south-eastern Europe and Ottoman, Persian and African empires are represented. The small oil paintings are copies from the sixteenth century, part of Archduke Ferdinands collection of almost a thousand postcard-sized images, and are presented in the museums Munzkabinett.The portraits are explored in a participative research: Interlocutors in Vienna from different backgrounds share their reactions, impressions and questions in interviews. The appearances, production, collecting and presentation of the pictures are discussed, and the results of visits to Innsbruck, Como, Istanbul and Florence regarding the history of the portraits complete the work.While some mysteries remain unsolved, the research shows how people in contemporary Vienna interact with sixteenth-century portraits of an Orient.

Garotas Complicadas é uma mini série onde as personagens Olívia, Ruth, Valéria e Vitória narram seus dramas e conflitos colegiais. Onde foi parar o diário de Ruth?

Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real. This publication offers rich intellectual insight into the relevance of this Polish artist to the threatened presenta time in which geopolitical shifts between East and West and predictions of the Club of Rome (1972) and climate scientists are becoming a worldwide reality. And here Abakanowiczs vision on nature and the human condition is explored in a uniquely inspired way: by engaging seven artists/collaboratives to reflect in deeply personal ways on their art through dialogues with historians, philosophers, and other thinkers. This "counterpoint" launches discussion around the human condition in a post-humanist time, collective identity, trauma, climate change, unending destruction of the planet, and more. Finally, the uncommon approach of this show and book demonstrates how the elder artists art and life is a lens through which not only these artists but we can reconsider our place in the world.Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real.

Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real. This publication offers rich intellectual insight into the relevance of this Polish artist to the threatened presenta time in which geopolitical shifts between East and West and predictions of the Club of Rome (1972) and climate scientists are becoming a worldwide reality. And here Abakanowiczs vision on nature and the human condition is explored in a uniquely inspired way: by engaging seven artists/collaboratives to reflect in deeply personal ways on their art through dialogues with historians, philosophers, and other thinkers. This "counterpoint" launches discussion around the human condition in a post-humanist time, collective identity, trauma, climate change, unending destruction of the planet, and more. Finally, the uncommon approach of this show and book demonstrates how the elder artists art and life is a lens through which not only these artists but we can reconsider our place in the world.Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real.

Há um momento anterior à palavra em que o silêncio já anuncia o poema. Um instante em que o olhar — hesitante, inquisidor ou rendido — se detém sobre o mundo não para dominá-lo, mas para deixar-se at

The Power of Void" explores the invisible forces that shape cinematic emotion through space, silence, and visual minimalism.Blending filmmaking theory with visual philosophy, the book presents a new framework that redefines the role of emptiness in directing. Across twenty-one chapters, it examines how distance, light, color, stillness, and spatial tension guide the viewers perception and construct the emotional architecture of a scene.Drawing from psychological principles and cinematic practice, the book reveals how the void becomes an active expressive toolshaping narrative rhythm, character presence, and the deeper layers of meaning within an image.Whether you are a filmmaker, writer, artist, or student of visual storytelling, this work opens a fresh perspective on the unseen elements that give cinema its power.

O livro Arte, Mulher e Cidade: no necessariamente nesta ordem investiga a reivindicaço da cidade pelas mulheres por meio da arte. Ele apresenta artistas que utilizam os muros como forma de se apropriar do espaço urbano e outras que utilizam as telas para representar as mulheres na cidade, em seu cotidiano. So abordados os trabalhos de Priscila Rooxo, Simone Siss e Leoa, que destacam em suas obras a mulher, a arte e a cidade. Elas tem trabalhos diferentes entre si, mas cada uma apresenta pistas de caminhos possiveis para incluir a presença da mulher, do seu corpo e de sua voz nas cidades.Ao longo do livro, tambem e debatido como o Instagram assume diferentes funçes de apoio a essas mulheres, permitindo que registrem os seus trabalhos, se organizem em redes e gerem identificaço com outras mulheres, abrindo caminhos para construir uma cidade mais acolhedora para elas.

Esta obra é resultado da compilação de crônicas escritas ao longo de quase dez anos no meu Blog. Fundado em 2011, o Dando a cara a tapa sempre foi um espaço dedicado ao retrato e à análise da realida

Sinopse: O mundo é um sistema que adoece, e a poesia é o bisturi para a sua cura. Em Caderno de Crises e Liberdades: Poemas sobre a sociedade e a alma contemporânea , José Moreira desnuda o tecido cí

Em um tempo em que o sagrado é manipulado e a fé é usada como bandeira ideológica, A Fé e a Farsa se levanta como um estudo lúcido e corajoso sobre a contaminação espiritual das ideias políticas. Com

Em Mulheres, Terra e Memória, Jéssica Callegari de Castro conduz o leitor por um emocionante resgate das histórias de vida das camponesas que ajudaram a construir Xanxerê, em Santa Catarina. Com deli

BIOLOGIA UNIFICADA ROMANTIZADA No princípio, antes que tempo, espaço ou memória existissem, havia apenas a Luz de Órion: uma chama primordial, viva e consciente. Dela brotava a essência que deu orige