eBooks de Historia general del arte, página 12 de 40

In "Hans Holbein," Arthur B. Chamberlain offers a nuanced exploration of the life and work of the eminent 16th-century artist renowned for his striking portraiture and intricate detail. Chamberlains scholarly approach delves into the intertwining themes of art and politics during the Renaissance, using a blend of vivid prose and rigorous analysis. He situates Holbeins craft within his historical context, revealing how the artists works served not only as aesthetic pursuits but also as powerful political statements during a time of social upheaval and religious transformation in Europe. Arthur B. Chamberlain, a distinguished art historian and critic, has spent over two decades researching Renaissance art, bringing a wealth of knowledge and an analytical lens to his subject. His deep appreciation for Holbeins artistry stems from his earlier studies of the cultural shifts of the period, which have often influenced his interpretations of the intersections of art, identity, and power. Chamberlains passion for elucidating the complexities of artistic expression underpins his exhaustive examination of Holbeins contributions to both art and society. For scholars, art lovers, and general readers alike, "Hans Holbein" is an indispensable resource that not only celebrates the life of a master painter but also contextualizes his influence within the broader narrative of European art history. Chamberlains articulate prose and thorough research invite readers to engage with Holbeins work on a deeper level, making this book a compelling addition to the library of anyone interested in Renaissance artistry or the evolution of portraiture.

In "Maiolica," C. Drury E. Fortnum presents a comprehensive treatise on the ancient art of tin-glazed pottery, known as maiolica, that flourished during the Renaissance in Italy. Fortnums meticulous scholarship is evident in his detailed examination of the techniques, motifs, and cultural significance of maiolica ware, blending historical narrative with vivid descriptions of the ceramics. His literary style is marked by clarity and precision, making complex artistic concepts accessible to both scholars and enthusiasts. The book not only serves as a historical account but also situates maiolica within the broader context of Italian art, tracing its evolution and influence on European ceramics. Fortnum, a prominent English archaeologist and art historian of the late 19th century, brings a profound understanding of the Italian Renaissance to his work. His extensive travels across Italy and keen interest in art history inspired him to explore maiolica as a vital cultural artifact. His unique perspective is informed by his background in archaeology, allowing him to weave together artifacts and artistry in a way that illuminates both their aesthetic and historical importance. "Maiolica" is an essential read for anyone interested in the confluence of art and history. Fortnums authoritative voice guides readers through the intricate world of Renaissance ceramics, making this book an invaluable resource for artists, historians, and collectors alike. By illuminating the beauty and craftsmanship of maiolica, Fortnum invites us to appreciate the artistic expressions of a bygone era.

Descubra las obras de arte que se atrevieron a ser diferentes, que arriesgaron reputaciones y que pusieron en peligro carreras profesionales. Las fascinantes historias que hay detrás de la creación, la recepcion y el legado de 50 obras transgresoras. Desde Las bañistas (1853), de Gustave Courbet, hasta la Fuente (1917), de Marcel Duchamp, Antropometria sin titulo (1960), de Yves Klein, La cena (1974-1979), de Judy Chicago, pasando por el Cristo del pis (1987), de Andres Serrano, y El amor esta en la papelera (2018), de Banksy, en estas paginas hallara egos enormes, feministas ortodoxas, reclusos superdotados, espiritistas, anticonsumistas, activistas, satiricos y mucho mas. Al contar la historia del arte contemporaneo a traves de obras que fueron verdaderamente disruptivas y explicar el contexto en el que se creo cada una, este libro pone de relieve la esencia del arte contemporaneo, cuestiona y desafia las expectativas de forma constante."Todo acto de creacion es, ante todo, un acto de destruccion". Pablo Picasso

In "The Earlier Work of Titian," Claude Sir Phillips offers a meticulously researched exploration of the Venetian master Titians formative years and his groundbreaking contributions to Renaissance art. Phillips employs a critical eye, dissecting various elements of Titians style, from his innovative use of color and light to his dynamic compositions. The text is enriched with a wealth of illustrations, contextualizing the artworks within the socio-political landscape of 16th-century Venice, and situating Titian in the broader narrative of art history. This scholarly examination provides invaluable insights into how Titians earlier works laid the foundation for his later masterpieces, making it an essential resource for both art historians and enthusiasts alike. Claude Sir Phillips, a prominent art historian and curator, was deeply influenced by the rich cultural heritage of the Italian Renaissance. His extensive studies and previous scholarly work on Venetian painting inform his authoritative analysis in this volume. Phillipss passion for art history is evident in his thorough methodologies and his keen ability to draw connections between artists and their environments, making his insights particularly compelling in the context of Titians early career. This book is highly recommended for readers seeking to deepen their understanding of Titians artistry and the historical context in which he thrived. Whether you are a seasoned scholar or a curious newcomer to Renaissance art, "The Earlier Work of Titian" provides a profound appreciation for an artist who defined an era and left an indelible mark on the world of art.

In "Turner," W. Cosmo Monkhouse crafts a meticulous exploration of the life and work of J.M.W. Turner, one of Britains most celebrated landscape painters. The book is distinguished by its lyrical prose and scholarly insight. Set against the backdrop of the burgeoning 19th-century art scene, Monkhouse delves into Turners innovative techniques and his profound influence on modern art. The text combines biographical detail with critical analysis, offering readers not merely an account of Turners art, but a vivid portrait of the artists evolving vision and the tumultuous historical context in which he created his masterpieces. W. Cosmo Monkhouse was a notable art critic, poet, and biographer whose deep engagement with the arts informed his writings. His background in literature and his passion for visual arts allowed him to employ an analytical yet poetic approach in "Turner." Having been profoundly influenced by Turners works and their representations of light and landscape, Monkhouse possessed the unique ability to articulate the significance of Turners innovations while encapsulating the emotional resonance of his art. This scholarly biography is an essential read for art enthusiasts and students alike, offering insightful perspectives that enhance the appreciation of Turners work. Monkhouses meticulous research and elegant narrative create an illuminating experience for anyone seeking to explore the life of an artist who redefined the boundaries of painting.

Um retrato da beleza, verdade e bondade presentes nas manifestaçes culturais brasileiras.Poucos temas so to fundamentais para o Brasil de hoje como a capacidade de os cristos brasileiros, sobretudo em sua expresso evangelica, lidarem com as ricas e desafiadoras complexidades da cultura nacional. Projetado como o maior grupo religioso nacional a partir da proxima decada, como os evangelicos podem compreender e se relacionar com a cultura brasileira e seu legado historico? A resposta pode definir em grande medida os horizontes da vida dos brasileiros nas proximas geraçes.O livro Arte e espiritualidade: o cristo e a cultura brasileira apresenta de forma inovadora como os cristos podem se relacionar com a cultura nacional a partir de um olhar que considera tanto as possibilidades civilizacionais da fe crist quanto as realidades historico-culturais que formam a naço brasileira. A partir de uma atitude de escuta, dialogo e critica, a cultura nacional e apresentada por meio de tres eixos centrais: os personagens que a construiram, os interpretes que a pensaram e os artistas que criaram seus contornos esteticos.Os autores (dois academicos e um artista) tocam em temas to variados quanto a situaço historica e atual das mulheres, dos negros e dos indigenas no Brasil, ate os contornos da arte barroca, moderna e contemporanea produzidas em nossa naço, passando pelas interpretaçes do carater nacional por mentes brilhantes como Gilberto Freyre, Raymundo Faoro e Mario de Andrade. Como guias maravilhados e feridos pelo proprio Deus, Rodolfo Amorim, Marcos Almeida e Davi Lago passeiam por entre as trilhas dessas paisagens nacionais, escutam muitas historias e conversam com seus leitores buscando apresentar um mapa crucial para se caminhar nos espaços conturbados e promissores de nossa vida comum.Uma obra que reflete sobre como os artefatos artisticos e culturais alimentam a imaginaço brasileira e contribuem para sua formaço identitaria, e como isso se relaciona com o conceito teologico de graça comum.

Elias Rogent i Amat (1821-1897) fue una destacada figura de la vida académica, política y cultural barcelonesa de la segunda mitad del siglo XIX, alcanzando gran prestigio nacional e internacional con trabajos como la direccion de la restauracion del monasterio de Ripoll, de gran simbolismo politico, o la direccion de la Exposicion Universal de 1888. Catedratico y director de la Escuela de Arquitectura, sera pionero en el estudio de los edificios medievales como metodo para encontrar una arquitectura nacional propia de gran influencia en la siguiente generacion de arquitectos como Gaudi, Domenech i Montaner o Puig i Cadafalch, entre otros.De entre las obras de Rogent destaca el edificio de la Universidad de Barcelona, diseñado y construido a lo largo de mas de 20 años (1861-74) siendo uno de los mejores ejemplos del paso del academicismo imperante en la primera mitad del siglo XIX al naciente regionalismo de la segunda mitad del mismo siglo, en la frontera temporal de lo que hoy llamamos, de forma abusiva, modernismo.El presente libro nos introduce en el momento historico en que se cruzan autor y edificio con el retorno de la Universidad a Barcelona, el desarrollo de nuevas teorias en arquitectura y la construccion de edificios representativos en el naciente Ensanche barcelones. Siguiendo una metodologia similar a una guia para un visitante imaginario, y apoyado por dos centenares de fotografias e ilustraciones, el libro nos permite admirar en un viaje descriptivo por sus paginas el delicado trabajo de los artesanos y artistas que participaron en el proceso constructivo y decorativo de la Universidad, dirigidos por un Rogent que consigue la creacion de una obra integral.Elias Rogent y el edificio de la Universidad de Barcelona es el segundo numero de una coleccion de autor que quiere dar visibilidad a los grandes arquitectos que han quedado oscurecidos, y muchas veces olvidados, por la toda poderosa Barcelona de Gaudi. Sirva, pues, este trabajo de divulgacion para dar a conocer el edificio de la Universidad de Barcelona y a uno de Los Otros arquitectos, en este caso de Elias Rogent i Amat.

En el momento crítico previo a su expulsión de España, la Compañía de Jesús desplegó un consciente y meditado uso de la imagen con fin adoctrinador y mnemotécnico. De acuerdo con esta estrategia y con el objetivo de obtener su beatificacion, se construyo la personalidad del padre Santiago mediante palabras e imagenes retratos o, en sus honras funebres, jeroglificos que lo representaban equiparandolo a santos jesuitas que se multiplicaron a su muerte, junto con episodios milagrosos narrados en su biografia. Se publico entonces la que habria sido su obra postuma, Las empresas de la eternidad, que Santiago habria utilizado en las predicas de los ejercicios espirituales que dirigio para tratar del concepto de eternidad y del peligro de afrontarla tras morir en pecado. Asi mismo, se estudia a los grabadores protagonistas de este despliegue iconico en la Cordoba del setecientos.

Trata-se de poesias oriundas de observações do comportamento humano e de experiências pessoais, não havendo preocupação de buscar palavras rebuscadas, sendo valorizado o melhor entendimento do possív

O amor tem das suas complexidades, ninguém sabe dizer como é amar, mas todos sabem quando estão amando, e aí, meu caro, você entende. O seu caso é amor?

Toda jornada tem um fim, só que no final de cada aventura existe um convite para uma nova jornada e o Livro Vermelho de Lara é isso.

In "The Story of Spanish Painting," Charles H. Caffin delivers a thorough and engaging exploration of Spanish art, tracing its evolution from the medieval period through the modern era. Caffins prose is marked by clarity and enthusiasm, using vivid descriptions and a chronological structure that allows readers to grasp the cultural and historical contexts influencing key masterpieces and artists. He skillfully interweaves aesthetic analysis with biographical insights, providing a rich landscape of the social, political, and religious factors that shaped Spains artistic legacy, including influential figures like Velazquez, Goya, and Picasso. Caffin, a noted American art critic and historian, possessed a profound understanding of European art movements, informed by his studies in both England and America. His appreciation for visual art, coupled with his academic prowess, led him to dive into the rich tapestry of Spanish painting, a subject often overshadowed by the more widely recognized Italian Renaissance. His background in criticism and his travels throughout Spain endowed him with a unique perspective that vividly animates the narratives he presents. This book is an essential read for art lovers and scholars alike. Caffins insights provide not only a visual understanding of the works but also an emotional connection to their creators and the environment in which they were produced. For anyone wishing to deepen their understanding of Spanish cultural history through art, Caffins work is indispensable.

In "Giotto and his Works in Padua," John Ruskin embarks on an intricate exploration of the artistic legacy of Giotto di Bondone, situating the painter within the larger tapestry of Italys Gothic and Renaissance transitions. Written in a rich, sartorial prose reminiscent of the Romantic era, the book offers detailed perceptions of Giottos frescoes in the Scrovegni Chapel. Ruskin meticulously analyzes themes of divine intervention and human emotion, while employing a keen observational style that intermingles art criticism with a deep philosophical inquiry into beauty, morality, and spirituality, thereby providing a rejuvenating context to the artists work during the early 14th century. John Ruskin, a prominent Victorian critic and social thinker, devoted his intellectual and artistic endeavors to championing the Gothic revival and critiquing industrial society. Influenced by his own affinity for nature and beauty, as well as contemporaneous socio-economic turmoil, Ruskins passion for art and architecture is palpably evident in this text. His travels throughout Italy, during which he immersed himself in the works of the old masters, galvanized his understanding of how art and society intertwine, leading to this profound tribute to Giotto. "Giotto and his Works in Padua" is essential for both art historians and enthusiasts alike, offering a compelling lens through which to appreciate Giottos pivotal role in art history. Ruskins insights not only enhance our understanding of the aesthetics of the period but also inspire a broader dialogue about the enduring significance of artistry in our lives today. With this book, readers are invited to observe the intersections of art, humanity, and spirituality in a richly illuminating manner.

Henry Bryan Binnss "Botticelli" is a profound exploration of the life and work of the illustrious Renaissance painter Sandro Botticelli. Drawing on a rich tapestry of historical context, Binns meticulously examines Botticellis artistic evolution, delving into his masterpieces such as "The Birth of Venus" and "Primavera." Written in a descriptive yet engaging literary style, the book offers insights into the cultural milieu of 15th-century Florence, highlighting how political, religious, and philosophical currents influenced Botticellis artistic vision. Binnss analysis of stylistic elements and iconography provides a comprehensive understanding of the painters enduring legacy in the art world. Born in 1845, Henry Bryan Binns was an esteemed art critic and scholar whose scholarly pursuits were undoubtedly shaped by his passion for art history and the Renaissance. His extensive background in teaching and writing about art grants him a unique perspective when approaching Botticellis oeuvre. Binnss commitment to elucidating the intricacies of visual art is evident throughout the book, as he combines biographical details with astute criticism, presenting a holistic view of Botticelli not just as an artist but as a cultural icon. "Botticelli" is a must-read for anyone interested in Renaissance art or the evolution of Western artistic traditions. Binnss in-depth analysis and accessible prose make this work an invaluable resource for scholars and casual readers alike, inviting them to appreciate the beauty and complexity of Botticellis artistry.

In "Ancient Art of the Province of Chiriqui, Colombia," William Henry Holmes meticulously examines the rich artistic heritage of the Chiriquí region, revealing intricate details about the pre-Columbian cultures that once thrived there. Holmes employs a descriptive and analytical literary style, integrating ethnographic insights and archaeological observations to present a comprehensive overview of ceramics, figurines, and decorative motifs. The book is contextualized within the broader narrative of Central American art history, providing a vital resource that connects the local artistry to regional trends and cultural practices across time. William Henry Holmes, an esteemed figure in American archaeology and a pioneer of the Smithsonian Institution, draws on his extensive fieldwork and his background in geology and art history to illuminate the importance of Chiriquis artistic legacy. His work is informed by a profound understanding of indigenous cultures, influenced by his dedication to preserving the fragile stories embedded in ancient artifacts and his escalating interest in cultural expressions that have shaped human history. This remarkable work is a must-read for scholars, art historians, and enthusiasts of pre-Columbian studies, as it not only showcases the aesthetic beauty of Chiriqui art but also encourages readers to appreciate the intricate narratives of human creativity and resilience that continue to resonate in contemporary culture.

A construção do ciúme na ficção de Marcel Proust e de Machado de Assis - um ensaio inédito de Silviano Santiago; a artista Aline Motta comenta seu A água é uma máquina do tempo (selo Círculo de Poema

Este livro descreve as diferentes situaçes encontradas pelo ATOR Peregrino Brasileiro quando se dirige para Santiago de Compostela ou Finisterra em terras espanholas que terminam em terrenos galegos. A interpretaço de cada texto ou Rapido Aforismo RA, como identificamos as ideias colocadas, sera dependente de como o Ser Humano que permeia como Sujeito o Objeto, o Caminho, percebe a Historia da Arte que trata do tema mitico de peregrinar e a mensagem mistica da propria peregrinaço. Encontro nestas linhas a oportunidade de uma contraposiço entre imagem e a forma, entre o descrever e o criar, a busca da evoluço sem revoluço, pois "el Camino es una excelente metafora sobre la vida. (...) El Camino de Santiago, camino por antonomasia, ofrece no solo el sentido de la peregrinacion o del viaje, [NA no tempo, o ANTES ] tambien la riqueza que, a lo largo de la historia, florecio a su vereda y amparo: arte, paisaje y diversidad [ NA no espaço, o DURANTE ], leyendas, comunicacion entre los pueblos, idea que subyace, como fondo, en una forma de SER y SENTIR que se forjo a lo largo de este itenerario. (...) Es verdad que tambien hay tantos caminos como caminantes o peregrinos. [ NA na materia, o DEPOIS ]." ( 2002, El Camino de Santiago, Edilesa/Guias, Leon, Espanha ). Opto no trabalho por ideias que partem de concepçes datadas e de convençes estruturadas, numa conjugaço da Historia dos Sistemas Culturais ou dos Simbolos encontrados ao longo de um CSC onde torna-se impossivel separar o contexto do conteudo, aquele SER do TER, que no teatro da vida, como AUTOR, pode ser saudado com um Merde, Jo Ha Kyu ou, simplesmente, BOA SORTE...PEREGRINO TIBOR SIMCSIK...

Dedé Ribeiro exibe faces distintas de sua dramaturgia. Em Bolo no casamento, ressalta as implicações psicológicas das imposições sociais. Em AeroPlano, mergulha nas armadilhas dos relacionamentos. No

Passados cem anos de sua morte, a obra e a personalidade de Max Weber não perderam nada de seu fascínio. Sérgio da Mata oferece ao leitor uma densa introdução a temas e questões fundamentais de um do

O presente livro visa trazer para o público brasileiro uma análise da presidência de Donald John Trump. Através do estudo de sua política doméstica e externa, torna-se possível entender como o conser