eBooks de Teoría y crítica de arte, página 2 de 276

Matiz del pétalo de Homero a Pablo. Heroico. Éxtasis del cenzontle, miel de la abeja y de la nube sube a coronar la estrella que habrá de derramarse, citlali xóchitl, xóchitl uchitelnitza, sobre la h

XIV INTERLÚDIOS PARA PIANO SOLO (SOBRE MELODIAS DA LITURGIA CRISTÃ) é mais que um livro.É um sentimento. É uma missão.É um instrumento. É uma celebração.Tamara selecionou 15 músicas tocadas/cantadas

The great Abbey of Westminster was approaching its completion; an army of masons and labourers swarmed like bees upon and around it, and although differing widely in its massive architecture, with round Saxon windows and arches, from the edifice that was two or three generations later to be reared in its place,- to serve as a still more fitting tomb for the ashes of its pious founder, - it was a stately abbey, rivalling the most famous of the English fanes of the period...

Writing the Nation displays key literary movements and the American authors associated with the movement. Topics include late romanticism, realism, naturalism, modernism, and modern literature.Contents: Late Romanticism (1855-1870) Realism (1865-1890)Local Color (1865-1885) Regionalism (1875-1895) William Dean Howells Ambrose Bierce Henry James Sarah Orne Jewett Kate Chopin Mary E. Wilkins Freeman Charles Waddell Chesnutt Charlotte Perkins Gilman Naturalism (1890-1914) Frank Norris Stephen Crane Turn of the Twentieth Century and the Growth of Modernism (1893 - 1914) Booker T. Washington Zane Grey Modernism (1914 - 1945) The Great War Une Generation Perdue (a Lost Generation) A Modern Nation Technology Modernist Literature Further Reading: Additional Secondary Sources Robert Frost Wallace Stevens William Carlos Williams Ezra Pound Marianne Moore T. S. Eliot Edna St. Vincent Millay E. E. Cummings F. Scott Fitzgerald Ernest Hemingway Arthur Miller Southern Renaissance First Wave Ellen Glasgow William Faulkner Eudora Alice Welty The Harlem Renaissance Jessie Redmon Fauset Zora Neale Hurston Nella Larsen Langston Hughes Countee Cullen Jean Toomer American Literature Since 1945 (1945 - Present) Southern Literary Renaissance - Second Wave (1945-1965) The Cold War and the Southern Literary Renaissance Economic Prosperity The Civil Rights Movement in the South New Criticism and the Rise of the MFA Program Innovation Tennessee Williams James Dickey Flannery OConnorPostmodernism Theodore Roethke Ralph Ellison James Baldwin Allen Ginsberg Adrienne Rich Toni Morrison Donald Barthelme Sylvia Plath Don Delillo Alice Walker Leslie Marmon Silko David Foster Wallace

Incisive and provocative ... a sensitive and probing critiqueThe New York TimesEssential reading ... gripping, inspirational, beautifully written and highly thought-provokingDr Helen Grrill, author of Women Cant Paint A bold reconsideration of women in art - from the Old Masters to the posts of Instagram influencersA perfect pin-up, a damsel in distress, a saintly mother, a femme fatale ...Womens identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art historys classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles.In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images - from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists - from Berthe Morisot to Beyonce, Judy Chicago to Kara Walker - have offered us new ways of thinking about womens identity, sexuality, race and power.Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of womens vision.A call to arms in a world where the misogyny that taints much of the western art canon is still largely ignoredFinancial TimesIt felt like the scales were falling from my eyes as I read it.The Herald

An analytical study of sexual depravity and "an epic of vice" were two of the critical expressions which greeted the publication of "Women in Love". Yet Lawrence regarded this novel as his best book and F. R. Leavis considered it Lawrences supreme masterpiece.

The object of the following pages will be to show, in a series of biographical sketches, a history of Womanhood under Divine culture, tending toward the development of that high ideal of woman which we find in modern Christian countries. All the characters comprised in these sketches belong to one nationality. They are of that mysterious and ancient race whose records begin with the dawn of history; who, for centuries, have been sifted like seed through all the nations of the earth, without losing either their national spirit or their wonderful physical and mental vigor.

The object of the following pages will be to show, in a series of biographical sketches, a history of Womanhood under Divine culture, tending toward the development of that high ideal of woman which we find in modern Christian countries. All the characters comprised in these sketches belong to one nationality. They are of that mysterious and ancient race whose records begin with the dawn of history; who, for centuries, have been sifted like seed through all the nations of the earth, without losing either their national spirit or their wonderful physical and mental vigor.

In this second volume of Remembrance of Things Past, the narrator turns from the childhood reminiscences of Swanns Way to memories of his adolescence. Having gradually become indifferent to Swanns daughter Gilberte, the narrator visits the seaside resort of Balbec with his grandmother and meets a new object of attention-Albertine, "a girl with brilliant, laughing eyes and plump, matt cheeks."

In the definitive biography of Sir Winston Churchill, of which this is the first of eight volumes, Randolph Churchilland later Sir Martin Gilbert, who took up the work following Randolphs death in 1968had the full use of Sir Winstons letters and papers, and also carried out research in many hundreds of private archives and public collections. The form in which the work is cast is summed up in the phrase that Randolph quotes from Lockhart: "He shall be his own biographer." The subject is presented, as far as possible, through his own words, though never neglecting the words of his contemporaries, both friends and critics.Volume I, first published in 1966, covers the years from Churchills birth in 1874 to his return to England from an American lecture tour, on the day of Queen Victorias funeral in 1900, in order to embark on his political career. In the opening pages, the account of his birth is presented through letters of his family. The subject comes on the scene with his own words in a letter to his mother, written when he was seven. His later letters, as a child, as a schoolboy at Harrow, as a cadet at Sandhurst, and as a subaltern in India, show the development of his mind and character, his ambition and awakening interests, which were to merge into a genius of our age.The narrative surrounding these letters presents facts relevant to Sir Winston and other personalities discussed, and fills in the historical background of the last quarter of the nineteenth century. Here is all the excitement of the beginning of the extraordinary career of the greatest statesman of the twentieth century.

Volume II of this magisterial eight-volume biography takes Churchills story from his entry to Parliament in 1901 to the outbreak of war in 1914. When he took his seat in the House of Commons he was twenty-six years old. An independent spirit and rebel, on his maiden speech he was cheered by the Leader of the Opposition.On 31 May 1904, three years after entering Parliament, Churchill joined the Liberals. In December 1905 he entered the government as Under-Secretary of State for the Colonies. In April 1908 he joined the Cabinet as President of the Board of Trade. On 12 September 1908 he married Miss Clementine Hozier. Their daughter Diana was born in 1909 and their son Randolph in 1911.In the years leading up to the First World War, Churchill was at the center of British political life and change. At the Home Office he introduced substantial prison reforms and took a lead in curbing the powers of the House of Lords. At the Admiralty from 1911 he helped build the Royal Navy into a formidable fighting force. He learned to fly, and founded the Royal Naval Air Service. He was active in attempts to resolve the Irish Question and to prevent civil war in Ireland.In 1914, as war in Europe loomed, Churchill wrote to his wife from the Admiralty: "The preparations have a hideous fascination for me, yet I would do my best for peace, and nothing would induce me wrongfully to strike the blow. I cannot feel that we in this island are in any serious degree responsible for the wave of madness which has swept the mind of Christendom."When war came, the fleet was ready. It was one of Churchills great achievements.

This fascinating volume opens with Churchills return to Conservatism and to the Cabinet in 1924, and, as the story unfolds, presents a vivid and intimate picture both of his public life and of his private world at Chartwell between the wars.As Chancellor of the Exchequer from 1924 to 1929, Churchill pursued a humane and constructive social policy, including the introduction of pensions for widows and orphans. The controversial return to the gold standard is examined here on the basis of new evidence; so too are Churchills efforts after the General Strike to bring peace to the coal industry. In 1927 Churchill planned and fought for a massive attack on unemployment.In this volume Martin Gilbert strips away decades of accumulated myth and innuendo, showing Churchills true position on India, his precise role (and private thoughts) during the abdication of Edward VIII, his attitude toward Mussolini, and his profound fears for the future of European democracy. Even before Hitler came to power in Germany, Churchill saw in full the dangers of a Nazi victory. And despite the unpopularity of his views in official circles, for six years he persevered in his warnings.This book reveals for the first time the extent to which senior civil servants, and even serving officers of high rank, came to Churchill with secret information, having despaired at the extent of official lethargy and obstruction. Within the Air Ministry, the Foreign Office, and the Intelligence Services, individuals felt drawn to go to Churchill with full disclosures of Britains defense weakness and kept him informed of day-to-day developments from 1934 until the outbreak of war. As war approached, people of all parties and in all walks of life recognized Churchills unique qualities and demanded his inclusion in the government, believing that he alone could give a divided nation guidance and inspiration.

This third volume of the official biography of Sir Winston Churchill contains a full account of his initiatives and achievements as wartime First Lord of the Admiralty between August 1914 and May 1915. These include his efforts to prolong the siege of Antwerp, his support for the use of air power, and his part in the early development of the tank. It shows the forcefulness with which he argued for an offensive naval policy, first against Germany, then against Turkey."What about the Dardanelles?" was the cry Churchill heard often between the two world wars. It epitomized the distrust in which he was held by both politicians and the public as a result of the naval setback at the Dardanelles in March 1915 and the eventual failure of the Gallipoli landings launched the following monthalthough Gallipoli was the ministerial responsibility of the Secretary of State for War, Lord Kitchener, and the ultimate responsibility of the Prime Minister, H.H. Asquith.Martin Gilbert examines the political crisis of May 1915, during which the Conservative Party forced Asquith to form a coalition government. The Conservatives insisted that Churchill leave the center of war policymaking for a position of increasing political isolation. In the next seven months, while the Gallipoli campaign was being fought, Churchill served as Chancellor of the Duchy of Lancaster, with no authority over military or naval policy.Resigning from the Cabinet in November 1915, Churchill was appointed Lieutenant-Colonel, commanding an infantry battalion in the trenches of the Western Front. In May 1916, he returned from the trenches, hoping to reenter political life, but his repeated attempts to regain his once-substantial influence were unsuccessful. For the final year of Asquiths premiership, Churchill held no political office, and was frustrated by his lack of power.

This volume starts with the outbreak of war in September 1939 and ends with the Japanese attack on Pearl Harbor in December 1941. In it, Martin Gilbert reveals not only how each decision was reached, but what influences lay behind it, whether of individuals or of information reaching Churchill from the most secret source of British Intelligence.Drawing on a remarkable diversity of material, including the War Cabinet and other Government records, as well as Churchills own archive, the diaries and letters of his private secretariat, and the recollections of those who worked most closely with him, Martin Gilbert reveals the full extent of Churchills personal contribution to every aspect of the struggle.On the day Hitler invaded Poland, Churchill, aged sixty-four, had been out of office for ten years. Two days later, on 3 September 1939, he became First Lord of the Admiralty, in charge of British naval policy and at the center of war direction. On 10 May 1940 he became Prime Minister, leading his nation during a time of grave danger and setbacks. His first year and a half as Prime Minister included the Dunkirk evacuation, the fall of France, the Battle of Britain, the Blitz, the Battle of the Atlantic, the struggle in the Western Desert, and Hitlers invasion of Russia.By the end of 1940, Britain under Churchills leadership had survived the onslaught and was making plans to continue the war against an enemy of unlimited ambition and ferocious will.One of Churchills inner circle said: "We who worked with Churchill every day of the war still saw at most a quarter of his daily tasks and worries." Martin Gilbert has pieced together the whole, setting in context much hitherto scattered and secret evidence, in order to give an intimate and fascinating account of the architect of Britains "finest hour."

IN LESVOSSuddenly,They decided to close the borders,all the borders.They said:For them staying where they are is more spacious.God was more merciful, he did not close his borders,he did not close his doors,he was drawing their destiny,he was drawing their fateIn the depths of the sea(Ilustraciones a todo color).

"WHEN we study the foundation of the United Provinces, says a great French writer, "we learn how a State, from an origin almost unnoticed, rapidly rose into greatness, was formed without design, and in the end belied all human forecast. Those large and wealthy provinces of the mainland which began the revolution --Brabant, Flanders, and Hainault--failed to achieve their freedom. In the meantime, a small corner of Europe, which had been won from the sea by infinite labour, and had maintained itself by its herring-fishery, rose suddenly to be a formidable power, held its own against Philip II., despoiled his successors of almost all their possessions in the East Indies, and ended by taking under its protection the monarchy of Spain".

WHEN we study the foundation of the United Provinces," says a great French writer, "we learn how a State, from an origin almost unnoticed, rapidly rose into greatness, was formed without design, and in the end belied all human forecast. Those large and wealthy provinces of the mainland which began the revolution --Brabant, Flanders, and Hainault--failed to achieve their freedom. In the meantime, a small corner of Europe, which had been won from the sea by infinite labour, and had maintained itself by its herring-fishery, rose suddenly to be a formidable power, held its own against Philip II., despoiled his successors of almost all their possessions in the East Indies, and ended by taking under its protection the monarchy of Spain".

This book uncovers the work of sculptor William Simmonds, one of the forgotten originals of the Arts and Crafts movement. Inspired by his pastoral surroundings in the Cotswolds, he played a particularly vital role in the movement between the two world wars. After the First World War Simmonds emerged as a master of woodcarving, known for his exquisite oak, pine, ebony and ivory carvings of wild and domestic creatures. He earned his living by making puppets and became Europes most renowned puppet master. His wife Eve, a well-known embroiderer in her own right, made the puppets costumes and accompanied the puppet shows on the spinet, playing early music discovered by Dolmetsch and pieces by Cecil Sharp and Vaughan Williams.Simmondss circle included the artists William Rothenstein, Edwin Abbey, John Singer Sargent and E.H. Shepard; architects Ernest Gimson, Detmar Blow, and the Barnsley brothers; potters and stained-glass artists Alfred and Louise Powell and Edward Payne; and textile printers Barron and Larcher. Poets Tagore, W.H. Davies, John Masefield and John Drinkwater; writers Max Beerbohm and D.H. Lawrence; and the musicians Lionel Tertis and Violet Gordon Woodhouse with her four husbands all played their part. This book documents that lost world and adds another dimension to the story of the extraordinary Violet Gordon-Wodehouse, who lived at Nether Lypiatt Manor a mile from Simmondss cottage.

William Lloyd Garrison was a prominent American abolitionist, journalist, suffragist, and social reformer. He is best known as the editor of the abolitionist newspaper The Liberator, which he founded with Isaac Knapp in 1831 and published in Massachusetts until slavery was abolished by Constitutional amendment after the American Civil War. He was one of the founders of the American Anti-Slavery Society. He promoted "immediate emancipation" of slaves in the United States. In the 1870s, Garrison became a prominent voice for the woman suffrage movement.

The red stallion did not appear to be hurt. The twitching of his muscles must have been caused by the cactus spikes embedded in him. There were drops of blood all over one side. Lucy thought she dared to try to pull these thorns out. She had never in her life been afraid of any horse. Farlane, Holley, all the riders, and her father, too, had tried to make her realize the danger in a horse, sooner or later.