eBooks de Estética, página 9 de 10

In "Ion," Plato presents a compelling dialogue that interrogates the nature of artistic inspiration and the role of the poet within society. Set in the backdrop of Ancient Greece, the text is characterized by PlatoAos typical Socratic method, engaging the reader through dialectical reasoning and philosophical inquiry. The work delves into the distinction between knowledge and inspiration, particularly in the context of poetry, positing that poets are not true creators of knowledge but rather channels of divine inspiration, echoing the eras debate on the value and purpose of art in moral and intellectual life. Plato, a pivotal figure in Western philosophy, was profoundly shaped by his experiences in the political and cultural turbulence of Athens. His interactions with notable contemporaries such as Socrates and the Sophists, alongside his disillusionment with democracy, fueled his exploration of ideal forms and the pursuit of truth. "Ion" reflects these philosophical concerns, particularly his critical assessment of the role of poets in influencing public thought and virtue. This book is a must-read for anyone interested in the intersections of art, ethics, and philosophy. PlatoAos nuanced arguments invite readers to reconsider preconceived notions of creativity and its societal implications, making it essential for students, scholars, and anyone passionate about the philosophical underpinnings of literature.

Immanuel Kants "Critique of Judgement" serves as a pivotal exploration into the realms of aesthetics and teleology, bridging the gap between his earlier critical works in epistemology and ethics. In this profound text, Kant articulates the faculties of human judgment, particularly how we perceive beauty and the sublime, while contemplating the role of purpose in nature. His meticulous examination is deeply rooted in Enlightenment thought, interweaving philosophical rigor with empirical observations, making it a seminal piece in understanding the convergence of reason and sensibility in human experience. Kant, a central figure in modern philosophy, wrote this critique as part of his larger project to delineate the limits and scope of human cognition. Influenced by the shifting paradigms of his time, he sought to address the tension between rationality and the subjective experience of beauty. His commitment to elucidating the nature of aesthetic judgment reflects his desire to engage with the moral implications of art and nature, revealing his broader philosophical inquiries regarding autonomy and human dignity. Highly recommended for scholars and enthusiasts of philosophy alike, "Critique of Judgement" invites readers to contemplate the intricacies of aesthetic experience and our understanding of natures purpose. Kants arguments challenge us to consider how beauty and purpose intertwine in our lives, making this work an essential read for anyone seeking to grasp the foundations of modern philosophical thought.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

A natureza da arte descreve as hipóteses, as teorias e os experimentos produzidos nos últimos sessenta anos por pesquisadores associados ao campo investigativo da cognição, todos tendo em comum uma m

Neste livro, a autora procura seguir a pista indicada por Cassirer, segundo a qual o pensamento de Shaftesbury antecipa o Romantismo, mas sem remontar como ele sua origem aos moralistas de Cambridge, e sim a leitura que Shaftesbury faz de Plato e do dialogo antigo. Percorre ento, no primeiro capitulo, a ligaço entre o "Soliloquio" e a herança classica deixada pelas poeticas de Horacio e Aristoteles. No segundo capitulo, explana a viso platonica da poesia, a poesia em Plato e o dialogo socratico, explorando a relaço entre o dialogo e a herança platonica. No terceiro capitulo apresenta a contribuiço de Shaftesbury para a historia da filosofia, ao apresentar o romance como um novo genero filosofico e moral, e tambem para a literatura, ao reelaborar o dialogo socratico com romance, e reinventar os fundamentos que esto na origem da formaço do romance moderno.

A socióloga María Luisa Amigo Fernández de Arroyabe parte de uma pergunta muito simples para discutir as relações entre teoria do ócio e estética: a apreciação da arte como lazer é importante para o

No seu mais famoso ensaio, Walter Benjamin analisa como as mudanças operadas pela modernidade com o advento da fotografia e do cinema (e as transformações trazidas pelas respectivas técnicas) mexem c

This is a book to which the attention of students of art theory and criticism, and all those interested in the important application of psychoanalysis to other fields of study, should be drawn. Psychoanalytic Aesthetics rethinks the classical account of the relation between art and madness, creativity and psychoneurosis, and the distinction between the primary and secondary processes. It covers a great deal of ground and reviews many psychoanalytic writers (predominantly of the British tradition) on aesthetics, as well as many of the aestheticians using a psychoanalytic background. It is well written and there is an impressive grasp of the many writers covered. More than this, the book is also a work of psychoanalytic scholarship, being a masterly overview of psychoanalytic schools of thought, and an in-depth study of the British object-relations schools. It amply achieves its overriding goal to demonstrate that the work of the British School presents a significant contribution to psychoanalytic aesthetics and criticism, updating Freud, Kris and the classical contributions to the field. It is therefore potentially a very useful source book for future scholars of both psychoanalysis and of aesthetics.

This is a book to which the attention of students of art theory and criticism, and all those interested in the important application of psychoanalysis to other fields of study, should be drawn. Psychoanalytic Aesthetics rethinks the classical account of the relation between art and madness, creativity and psychoneurosis, and the distinction between the primary and secondary processes. It covers a great deal of ground and reviews many psychoanalytic writers (predominantly of the British tradition) on aesthetics, as well as many of the aestheticians using a psychoanalytic background. It is well written and there is an impressive grasp of the many writers covered. More than this, the book is also a work of psychoanalytic scholarship, being a masterly overview of psychoanalytic schools of thought, and an in-depth study of the British object-relations schools. It amply achieves its overriding goal to demonstrate that the work of the British School presents a significant contribution to psychoanalytic aesthetics and criticism, updating Freud, Kris and the classical contributions to the field. It is therefore potentially a very useful source book for future scholars of both psychoanalysis and of aesthetics.

It has become commonplace to associate art and aesthetic experience with the category of ambiguity. Indeed, when we talk about art, we cannot do without the dynamic force of ambiguity just as the aesthetic itself cannot do without it. The great efforts to disambiguate aesthetic practices and their associated theories and contexts would eliminate arts unique ability to reshape our knowledge of the world, our sensory encounters with it, and our moral or political positions in it.The essays collected in this volume present different perspectives on this central category and develop interdisciplinary connections. Contributors include Frauke Berndt, Joy H. Calico, Stephan Kammer, Lutz Koepnick, Verena Krieger, Richard Langston, Rachel Mader, Lily Tonger-Erk, Gabriel Trop, and Thomas Wortmann.

Em um conjunto heterogêneo de textos, a autora questiona o sentido do tempo e da liberdade, apresentando análises a respeito de temas contemporâneos como o humanismo no século XXI, literatura, divers

Época: virada alemã entre os séculos XVIII e XIX, "a época de Goethe e Schiller". Sob a contestação da hegemonia do Iluminismo e do classicismo, alguns jovens pensadores — como os irmãos Schlegel, No

Toda a obra de Deleuze - e suas elaborações sobre a filosofia de diferentes épocas e campos variados, como as ciências, as artes e a literatura - é abordada nesse livro essencial. O professor Roberto

Em 1870, o jovem professor de filologia clássica Friedrich Nietzsche proferiu na Universidade da Basiléia um curso por ele intitulado "Introdução à tragédia de Sófocles". As anotações que restaram de

Com uma abordagem filosófica ampla e rigorosa, além do esmero que caracteriza suas obras, Roberto Machado investiga a formação do pensamento sobre o trágico desde o seu surgimento na modernidade até

A estética surgiu como disciplina quando a arte (e a natureza) ainda pareciam fontes privilegiadas de sabedoria e conhecimento ético. Esse horizonte, no entanto, mudou nos últimos duzentos anos, com a afirmaço do pensamento cientifico e tecnologico. Nesse livro, a autora toma como base as ideias de pensadores como Aristoteles, Plato, Kant e Hegel e apresenta os conceitos fundamentais da estetica e os problemas que eles colocam hoje

As reflexões de Friedrich Schiller (1759-1805) sobre os efeitos da cultura estética na formação do homem, desenvolvidas na correspondência com o Príncipe de Augustenburg em 1793, são apresentadas nes

Schopenhauer afirmava que o princípio do mundo é a Vontade, e não a Razão, ao contrário dos filósofos alemães de sua época. Nesse livro, Jair Barboza delineia a sua filosofia, marcada pelo pessimismo

Nada menos do que uma história e uma crítica do conceito de estética no pensamento ocidental moderno, sendo analisada a visão estética dos principais filósofos europeus desde o século XVIII, como Kan

O primeiro volume da Estética, monumental obra de György Lukács publicada em 1963, é leitura imprescindível para a compreensão do pensamento lukacsiano sobre o fenômeno artístico.A edição brasileira

Organizada por José Paulo Netto, a obra busca celebrar e trazer para o debate do século XXI o monumental livro História e consciência de classe: estudos sobre a dialética marxista, de György Lukács,