eBooks de Mitología, página 17 de 23

Plato was a philosopher in Ancient Greece. He was an essential figure in the development of philosophy, especially the Western tradition, and he founded the Academy in Athens, the first institution of higher learning in the Western world.Platos dialogues have been used (and are still used) to teach a range of subjects, including philosophy, logic, ethics, rhetoric, religion and mathematics. His lasting themes include Platonic love, the theory of forms, the five regimes, innate knowledge, among others. His theory of forms launched a unique perspective on abstract objects, and led to a school of thought called Platonism.This collection contains the following works by Plato:Early WorksApologyCharmides, or TemperanceCritoEuthyphroGorgiasHippias, LesserHippias, GreaterIonLachesLysisProtagorasTransitional WorksCratylusEuthydemusMenoParmenidesPhaedoPhaedrusSymposiumThe RepublicMiddle WorksTheaetetusLate WorksCritiasLawsPhilebusSophistStatesmanTimaeusWorks of Disputed AuthorshipAlcibiades I & IIEryxiasMenexenusTheages

Diversos filmes narram de certa forma o passado, criando uma narrativa histórica fílmica. Contudo, alguns deles não possuem essa intenção na esfera criativa, embora em seus discursos haja a presença

Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creatures hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.Frankenstein, an instant bestseller and an important ancestor of both the horror and science fiction genres, not only tells a terrifying story, but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation genetic engineering, and bio-terrorism, these questions are more relevant than ever.A masterpiece. Phillip PullmanOne of the most original and complete productions of the day. Percy Bysshe ShelleyThe greatest paradox and most astonishing achievement of Mary Shelleys novel is that the monster is more human than his creator. This nameless being, as much a modern Adam as his creator is a modern Prometheus, is more lovable than his creator and more hateful, more to be pitied and more to be feared, and above all able to give the attentive reader that shock of added consciousness in which aesthetic recognition compels a heightened realization of self. Harold Bloom

O xamanismo da abelha talvez seja o mais antigo e enigmático ramo do xamanismo. Ele existe no mundo todo – onde quer que existam colmeias. Seus instrumentos de cura – como o mel, o pólen, própolis e

The Burden of Isis is a compelling anthology that intertwines the voices of various authors, each contributing unique narratives that explore the multifaceted themes of femininity, divinity, and resilience through the lens of the ancient Egyptian goddess Isis. The collection showcases an impressive range of literary styles, from lyrical prose to provocative poetry, reflecting the rich tapestry of cultural interpretations surrounding Isis. Set against the backdrop of contemporary issues such as gender inequality and the quest for identity, this anthology not only revives the historical significance of Isis in mythology but also illuminates her relevance in todays socio-political landscape. The authors featured in this anthology hail from diverse backgrounds, bringing their personal experiences and scholarly insights to the fore. Their collective exploration of Isis stems from a shared interest in mythology as a means of understanding the complexities of womanhood and power. By delving into the goddesss narrative, the contributors confront the societal burdens placed on women, offering fresh perspectives informed by their individual journeys through history, art, and culture. The Burden of Isis is a must-read for anyone interested in feminist discourse, mythology, or literature that challenges the status quo. By engaging with this anthology, readers will not only find a celebration of the divine feminine but also a thought-provoking commentary on the modern struggles faced by women, making it a significant contribution to both literary and cultural studies.

Thought-provoking and charmingly rendered.GuardianImagine a world where seductive male sirens lure brave heroines to their death, where Icara and her mother fly too close to the sun, and where beautiful men are forced to wed underworld queens...For thousands of years, Greek myths have been told and retold. In these stories, brutality and bravery are reserved for men, while women are wicked witches or helpless maidens. Today, these myths continue to shape our ideas about justice, tragedy and what makes a heros journey. Karrie and Jonathan love these stories, and have found a way to breathe new life into them by making one crucial change...Following the incredible success of Gender Swapped Fairy Tales they have taken that same simple step. They havent rewritten the stories in this book. They havent reimagined the endings, or reinvented characters. What they have done is switch all the genders.Youll be enchanted by the refreshing world this swap creates - and thunderstruck by the new characters youre about to discover.

Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creatures hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.Frankenstein, an instant bestseller and an important ancestor of both the horror and science fiction genres, not only tells a terrifying story, but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation genetic engineering, and bio-terrorism, these questions are more relevant than ever.A masterpiece. Phillip PullmanOne of the most original and complete productions of the day. Percy Bysshe ShelleyThe greatest paradox and most astonishing achievement of Mary Shelleys novel is that the monster is more human than his creator. This nameless being, as much a modern Adam as his creator is a modern Prometheus, is more lovable than his creator and more hateful, more to be pitied and more to be feared, and above all able to give the attentive reader that shock of added consciousness in which aesthetic recognition compels a heightened realization of self. Harold Bloom

Esse volume narra a história das principais divindades, o surgimento do mundo - cosmogonia - o nascimento e a sucessão dos deuses até a geração de Zeus, familiarizando o leitor com as características

A história fascinante do monge camponês de origens hu- mildes que se veio a tornar um dos homens mais poderosos na corte russa, motivou ódios e conspirações e cuja trágica morte precipitou o fim da g

In "The Babylonian Legends of the Creation," E. A. Wallis Budge offers an extensive examination of ancient Mesopotamian cosmology through a collection of myths that illuminate the cultural and theological landscape of early civilization. The book deftly intertwines an array of creation myths, primarily focusing on the Enuma Elish, and employs a meticulous philological approach that showcases Budges adept translations of cuneiform texts. His literary style reflects a deep reverence for the source material, placing these legends within their historical and archaeological context while engaging with contemporaneous comparative mythology. Through this work, Budge not only recounts narratives of divine creation but also reveals their significance in shaping societal values and religious beliefs among the Babylonians. E. A. Wallis Budge, a towering figure in Egyptology and Assyriology, was profoundly influenced by his extensive travels and academic pursuits, which included his tenure at the British Museum. His passion for ancient languages and cultures is reflected in his scholarly endeavors, notably in compiling and translating a wealth of Sumerian and Akkadian texts. Budges commitment to preserving the wisdom of ancient civilizations culminates in this work, showcasing his aspiration to foster a greater understanding of humanitys mythic heritage. Readers interested in ancient mythologies, religious studies, or the foundations of human cultural narratives will find "The Babylonian Legends of the Creation" to be an invaluable addition to their library. The book not only serves as a rich source of knowledge but also invites reflection on the universal themes of creation and divine agency that resonate across cultures and time.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

E. A. Wallis Budges "The Book of the Dead" serves as a profound translation and commentary on ancient Egyptian funerary texts, encapsulating the belief systems surrounding death and the afterlife in ancient Egypt. Written in a scholarly yet accessible style, Budge deftly intertwines the original hieroglyphs with English translations, offering a detailed exposition of the spells and rituals intended to guide the deceased through the Duat, or underworld. The work not only highlights the rich tapestry of Egyptian mythology but also reflects the broader literary context of early 20th-century Egyptology, where scholars sought to revive and interpret ancient wisdom in a modern setting. Budge, a pioneering Egyptologist, spent years in Egypt, acquiring firsthand knowledge of its archaeological treasures and language. His extensive background with hieroglyphs and passion for ancient cultures fueled his desire to illuminate these sacred texts for both scholars and enthusiasts alike. His work emerged during a period of significant interest in Egypt, influenced by the prevailing fascination with mysticism, antiquity, and archaeological discoveries that characterized the Victorian and Edwardian eras. "The Book of the Dead" is essential for anyone interested in ancient religions, mythology, or Egyptology. Budges comprehensive exploration not only enriches the understanding of ancient texts but also invites readers to reflect on the universal human concerns regarding mortality and the afterlife. This book remains a cornerstone for scholars and a gateway for general readers into the enchanting world of ancient Egyptian beliefs.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

The Younger Edda, also known as Snorres Edda or The Prose Edda, is a cornerstone of Old Norse literature that meticulously preserves the rich tapestry of Norse mythology and poetic tradition. This seminal text, composed in the early 13th century, reflects a shift towards prose narrative in a culture steeped in oral tradition, presenting myths, gods, and heroic legends through an accessible yet sophisticated literary style. Its structure combines various elements, including mythological tales, wisdom literature, and metrical verse analysis, effectively serving both as a literary anthology and an educational guide for aspiring poets of the era. Written by the Icelandic historian and poet Snorri Sturluson, The Younger Edda emerged from a context of profound political and cultural change. Sturluson himself was deeply intertwined with the ruling chieftains of his time, and his work aimed to preserve the sagas and skaldic traditions amid the decline of pagan beliefs. As a scholar well-versed in both Christian and Norse influences, Sturlusons duality captures the tensions present in medieval Nordic society, making his insights invaluable for understanding this pivotal period. I wholeheartedly recommend The Younger Edda to anyone interested in Norse mythology, medieval literature, or cultural history. This work not only serves as an essential reference for scholars but also engages general readers with its rich narratives and explorations of heroic ethos. By delving into Sturlusons text, readers will find themselves navigating the depths of a fascinating mythic world that continues to resonate across generations.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

Plato was a philosopher in Ancient Greece. He was an essential figure in the development of philosophy, especially the Western tradition, and he founded the Academy in Athens, the first institution of higher learning in the Western world.Platos dialogues have been used (and are still used) to teach a range of subjects, including philosophy, logic, ethics, rhetoric, religion and mathematics. His lasting themes include Platonic love, the theory of forms, the five regimes, innate knowledge, among others. His theory of forms launched a unique perspective on abstract objects, and led to a school of thought called Platonism.This collection contains the following works by Plato:Early WorksApologyCharmides, or TemperanceCritoEuthyphroGorgiasHippias, LesserHippias, GreaterIonLachesLysisProtagorasTransitional WorksCratylusEuthydemusMenoParmenidesPhaedoPhaedrusSymposiumThe RepublicMiddle WorksTheaetetusLate WorksCritiasLawsPhilebusSophistStatesmanTimaeusWorks of Disputed AuthorshipAlcibiades I & IIEryxiasMenexenusTheages

The Hittite ritual for the Ancient Gods (CTH 446) is one of the most interesting and complex in the Hittite ritual corpus. It describes a series of ritual procedures and recitations to be performed over two days with the goal of cleansing a house contaminated by impurity resulting from bloodshed. Summoned for the task are the Ancient Gods, Netherworld deities of the Hurrian-Hittite tradition. The present study provides an updated critical edition of this remarkable ritual, which is complemented with philological notes and commentary. Additionally, the volume investigates the nature and origins of the composition against the broader background of the Hittite ritual corpus.

Plato was a philosopher in Ancient Greece. He was an essential figure in the development of philosophy, especially the Western tradition, and he founded the Academy in Athens, the first institution of higher learning in the Western world.Platos dialogues have been used (and are still used) to teach a range of subjects, including philosophy, logic, ethics, rhetoric, religion and mathematics. His lasting themes include Platonic love, the theory of forms, the five regimes, innate knowledge, among others. His theory of forms launched a unique perspective on abstract objects, and led to a school of thought called Platonism.This collection contains the following works by Plato:Early WorksApologyCharmides, or TemperanceCritoEuthyphroGorgiasHippias, LesserHippias, GreaterIonLachesLysisProtagorasTransitional WorksCratylusEuthydemusMenoParmenidesPhaedoPhaedrusSymposiumThe RepublicMiddle WorksTheaetetusLate WorksCritiasLawsPhilebusSophistStatesmanTimaeusWorks of Disputed AuthorshipAlcibiades I & IIEryxiasMenexenusTheages

Early Greek philosophy John Burnet - When traditional view of the world & the customary rules of life had broken down, the Greeks began to feel the needs which philosophies of nature & of conduct seek to satisfy.Note on the 4th EditionPreface to 3rd EditionIntroductionNote on the SourcesTHE MILESIAN SCHOOLSCIENCE & RELIGIONHERAKLEITOS OF EPHESOSPARMENIDES OF ELEAEMPEDOKLES OF AKRAGASANAXAGORAS OF KLAZOMENAITHE PYTHAGOREANSTHE YOUNGER ELEATICSLEUKIPPOS OF MILETOSECLECTICISM & REACTION

E. M. BerensThe Legends of Ancient Greece and Rome is a comprehensive and meticulously researched collection of myths and legends from the ancient civilizations of Greece and Rome. Written in a clear and scholarly style, this book delves into the rich tapestry of stories that have inspired countless works of literature and art throughout history. Berens not only retells these tales with vivid detail but also provides insightful commentary on their significance and enduring relevance in the literary canon of Western civilization. This book serves as a valuable resource for students of classical literature and mythology, offering a gateway to the foundational stories that continue to captivate audiences today. E. M. Berens, a respected scholar of classical antiquity, brings his expertise and passion for the subject to bear in this masterful compilation of ancient myths. His deep understanding of the cultural and historical context in which these stories originated shines through in his engaging and informative writing. Readers with an interest in mythology, ancient history, or literature will find The Legends of Ancient Greece and Rome to be a captivating and enlightening read worthy of their attention.In this enriched edition, we have carefully created added value for your reading experience:- A comprehensive Introduction outlines these selected works unifying features, themes, or stylistic evolutions.- A Historical Context section situates the works in their broader erasocial currents, cultural trends, and key events that underpin their creation.- A concise Synopsis (Selection) offers an accessible overview of the included texts, helping readers navigate plotlines and main ideas without revealing critical twists.- A unified Analysis examines recurring motifs and stylistic hallmarks across the collection, tying the stories together while spotlighting the different works strengths.- Reflection questions inspire deeper contemplation of the authors overarching message, inviting readers to draw connections among different texts and relate them to modern contexts.- Lastly, our handpicked Memorable Quotes distill pivotal lines and turning points, serving as touchstones for the collections central themes.

The Hymns of Orpheus Thomas Taylor - The Orphic Hymns are a set of pre-classical poetic compositions, attributed to the culture hero Orpheus, himself the subject of a renowned myth. In reality, these poems were probably composed by several different poets. Reminiscent of the Rig-Veda, the Orphic Hymns contain a rich set of clues about prehistoric European mythology. This translation by Thomas Taylor, a British neo-Platonist classicist, is of additional interest for its introduction and extensive footnotes, which discuss in great detail Taylors philosophy.

Tamburlaine the Great Part 2 Christopher Marlowe - "Tamburlaine the Great (published in 1590) is a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur (Tamerlane/Timur the Lame, d. 1405). Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyds The Spanish Tragedy, it may be considered the first popular success of Londons public stage. Marlowe, generally considered the best of that group of writers known as the University Wits, influenced playwrights well into the Jacobean period, and echoes of the bombast and ambition of Tamburlaines language can be found in English plays all the way to the Puritan closing of the theatres in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, is still acknowledged. Whereas the real Timur was of Turkic-Mongolian ancestry and belonged to the nobility, for dramatic purposes Marlowe depicts him as a Scythian shepherd who rises to the rank of emperor. Part 1 opens in Persepolis. The Persian emperor, Mycetes, dispatches troops to dispose of Tamburlaine, a Scythian shepherd and, at that point, a nomadic bandit. In the same scene, Mycetes brother Cosroe plots to overthrow Mycetes and assume the throne. The scene shifts to Scythia, where Tamburlaine is shown wooing, capturing, and winning Zenocrate, the daughter of the Egyptian king. Confronted by Mycetes soldiers, he persuades first the soldiers and then Cosroe to join him in a fight against Mycetes. Although he promises Cosroe the Persian throne, Tamburlaine reneges on this promise and, after defeating Mycetes, takes personal control of the Persian Empire. Author Christopher Marlowe, also known as Kit Marlowe (26 February 1564 30 May 1593), was an English playwright, poet and translator of the Elizabethan era. Marlowe was the foremost Elizabethan tragedian of his day. He greatly influenced William Shakespeare, who was born in the same year as Marlowe and who rose to become the pre-eminent Elizabethan playwright after Marlowes mysterious early death. Marlowes plays are known for the use of blank verse and their overreaching protagonists. A warrant was issued for Marlowes arrest on 18 May 1593. No reason was given for it, though it was thought to be connected to allegations of blasphemy a manuscript believed to have been written by Marlowe was said to contain ""vile heretical conceipts"". On 20 May, he was brought to the court to attend upon the Privy Council for questioning. There is no record of their having met that day, however, and he was commanded to attend upon them each day thereafter until ""licensed to the contrary"". Ten days later, he was stabbed to death by Ingram Frizer. Whether or not the stabbing was connected to his arrest remains unknown. Of the dramas attributed to Marlowe, Dido, Queen of Carthage is believed to have been his first. It was performed by the Children of the Chapel, a company of boy actors, between 1587 and 1593. The play was first published in 1594; the title page attributes the play to Marlowe and Thomas Nashe. Marlowes first play performed on the ...

Tamburlaine the Great Part 1 Christopher Marlowe - Tamburlaine the Great Part 1 by Christopher MarlowePart 1 opens in Persepolis. The Persian emperor, Mycetes, sends troops to get rid of Tamburlaine, a Scythian shepherd and, at that point, a nomadic bandit. In the same scene, Mycetes brother Chosroes plots to overthrow Mycetes and take the throne.The scene shifts to Scythia, where Tamburlaine is shown courting, capturing and conquering Zenocrates, the daughter of the Egyptian king. Confronted by the soldiers of Mycetes, he convinces first the soldiers and then Chosroes to join him in a fight against Mycetes. Although he promises Chosroes the Persian throne, Tamburlaine reneges on this promise and, after defeating Mycetes, takes personal control of the Persian Empire.Now a powerful figure, Tamburlaine turns her attention to Bajazeth, emperor of the Turks. He defeats Bajazeth and his tributary kings, capturing the emperor and his wife Zabina. The victorious Tamburlaine keeps the defeated ruler in a cage and feeds him the leftovers from his table, freeing Bajazeth only to use him as a stool. Bajazeth later kills himself on stage by banging his head against the bars after hearing of Tamburlaines upcoming victory. After finding his body, Zabina does the same.Having conquered Africa and appointed himself emperor of that continent, Tamburlaine sets his sights on Damascus, a goal that places the Egyptian sultan, his future father-in-law, directly on his path. Zenocrates begs her future husband to spare her father. He obeys, making the sultan a tributary king instead. The show ends with the marriage of Tamburlaine and Zenocrate, who is crowned Empress of Persia.