eBooks de Mitología, página 18 de 23

The Argonautica Apollonius - The Argonautica is the best known work by the 3rd Century BCE Hellenistic poet and scholar, Apollonius Rhodius (Apollonius of Rhodes). It is an epic poem in the style of Homer, and tells the story of Jason and the Argonauts and their quest for the Golden Fleece. But it is Greek epic poetry updated for the tastes of a more discerning and rational Hellenistic audience. Little regarded in ancient times, it has since come to be recognised for its own intrinsic merit, and for its influence on later Latin poets."The Argonautica" has impacted our culture from the Aeneid to Star Trek. The Golden Fleece has become a byword for an unobtainable object. And who can forget Ray Harryhausens classic stop motion animation in the 1963 film "Jason and the Argonauts"?

A True Story Lucian - Lucian of Samosata (125c.180) was a Greek satirist of Syrian or Assyrian extraction, and True History is perhaps his most well-known tale. In this tale, the protagonist visits the Moon, meets extraterrestrial creatures, and takes part in interplanetary warfare. This piece of fantastical fiction parodies many works such as Homers Odyssey, and is certainly a contender for the title of earliest science fiction story.

Plato (428/427348/347 BCE) was a Greek philosopher and mathematician of the Classic Age who founded the Academy of Athens. Noted as a student of Socrates, Plato has distinguished himself as one of the founders of Western philosophy by recording the teachings of his master and his own philosophies in 35 dialogues and 13 letters (some are disputed as spurious).This collection contains the following works by Plato:All books translated by Benjamin JowettPart 1: Early DialoguesThe ApologyCritoCharmidesLachesLysisEuthyphroMenexenusIonGorgiasProtagorasMenoPart 2: Middle DialoguesEuthydemusCratylusPhaedoPhaedrusThe SymposiumTheaetetusParmenidesPart 3: Late DialoguesSophistStatesmanPhilebusTimaeusCritiasPart 4: The RepublicI: Of Wealth, Justice, Moderation, and their OppositesII: The Individual, the State, and EducationIII: The Arts in EducationIV: Wealth, Poverty, and VirtueV: On Matrimony and PhilosophyVI: The Philosophy of GovernmentVII: On Shadows and Realities in EducationVIII: Four Forms of GovernmentIX: On Wrong or Right Government, and the Pleasures of EachX: The Recompense of LifePart 5: The LawsBooks IXII

The Songs of Bilitis Pierre Louys - "First published in Paris in 1894, this purports to be translations of poems by a woman named Bilitis, a contemporary and acquaintance of Sappho. This caused a sensation, not only because finding an intact cache of poems from a completely unknown Greek poet circa 600 B.C. would be a miracle, but because of its open and sensitive exploration of lesbian eroticism. Actually Bilitis never existed. The poems were a clever forgery by Pierre Lous--the ""translator""; to lend weight, he had even included a bibliography with bogus supporting works. Lous actually did have a good command of the classics, and he salted Bilitis with a number of quotations from real poets, including Sappho, to make it even more convincing.Just because this is a fake does not detract from its literary value. And just because it was written by a man did not prevent it from acquiring cultural significance for Lesbians. In fact, one of the earliest organizations of Lesbians in the United States was called the Daughters of Bilitis (although this could have been because it was a reference that would elude most people).About Author:Pierre Lous (December 10, 1870 June 6, 1925) was a French poet and writer, most renowned for lesbian and classical themes in some of his writings. He is known as a writer who "expressed pagan sensuality with stylistic perfection."

The Lost Lemuria W. Scott-Elliot - The general scope of the subject before us will best be realized by considering the amount of information that is obtainable about the various nations who compose our great Fifth or Aryan Race. From the time of the Greeks and the Romans onwards volumes have been written about every people who in their turn have filled the stage of history. The political institutions, the religious beliefs, the social and domestic manners and customs have all been analyzed and catalogued, and countless works in many tongues record for our benefit the march of progress. Further, it must be remembered that of the history of this Fifth Race we possess but a fragment-the record merely of the last family races of the Keltic sub-race, and the first family races of our own Teutonic stock.

Prometheus Bound Aeschylus - Prometheus Bound is an Ancient Greek tragedy. In antiquity, it was attributed to Aeschylus, but now is considered by some scholars to be the work of another hand, and perhaps one as late as c. 430 BC. Despite these doubts of authorship, the plays designation as Aeschylean has remained conventional. The tragedy is based on the myth of Prometheus, a Titan who defies the gods and gives fire to mankind, acts for which he is subjected to perpetual punishment.The play is composed almost entirely of speeches and contains little action since its protagonist is chained and immobile throughout. At the beginning, Kratos (Authority), Bia (violence), and the smith-god Hephaestus chain the Titan Prometheus to a mountain in the Caucasus, with Hephaestus alone expressing reluctance and pity, and then departing. According to the author, Prometheus is being punished not only for stealing fire, but also for thwarting Zeuss plan to obliterate the human race. This punishment is especially galling since Prometheus was instrumental in Zeuss victory in the Titanomachy.The Oceanids appear and attempt to comfort Prometheus by conversing with him. Prometheus cryptically tells them that he knows of a potential marriage that would lead to Zeuss downfall. A Titan named Oceanus commiserates with Prometheus and urges him to make peace with Zeus. Prometheus tells the chorus that the gift of fire to mankind was not his only benefaction; in the so-called Catalogue of the Arts (447-506), he reveals that he taught men all the civilizing arts, such as writing, medicine, mathematics, astronomy, metallurgy, architecture, and agriculture.Prometheus is then visited by Io, a human maiden pursued by a lustful Zeus; the Olympian transformed Io into a cow, and a gadfly sent by Zeuss wife Hera has chased Io all the way from Argos. Prometheus forecasts Ios future travels, telling her that Zeus will eventually end her torment in Egypt, where she will bear a son named Epaphus. He says one of her descendants (an unnamed Heracles), thirteen generations hence, will release him from his own torment.Finally, Hermes the messenger-god is sent down by the angered Zeus to demand that Prometheus tell him who threatens to overthrow him. Prometheus refuses, and Zeus strikes him with a thunderbolt that plunges Prometheus into the abyss.

Personal Recollections of Joan of Arc Mark Twain - Personal Recollections of Joan of Arc, by the Sieur Louis de Conte is an 1896 novel by Mark Twain which recounts the life of Joan of Arc. It is Twains last completed novel, published when he was 61 years old. Mark Twains work on Joan of Arc is titled in full Personal Recollections of Joan of Arc, by the Sieur Louis de Conte who is identified further as Joans page and secretary. The work is fictionally presented as a translation from the manuscript by Jean Francois Alden, or, in the words of the published book, "Freely Translated out of the Ancient French into Modern English from the Original Unpublished Manuscript in the National Archives of France".De Conte is a fictionalized version of Joan of Arcs page Louis de Contes, and provides narrative unity to the story. He is presented as an individual who was with Joan during the three major phases of her life - as a youth in Domremy, as the commander of Charles army on military campaign, and as a defendant at the trial in Rouen. The book is presented as a translation by Alden of de Contes memoirs, written in his later years for the benefit of his descendants.

Antony and Cleopatra William Shakespeare - Antony and Cleopatra follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatras suicide during the Final War of the Roman Republic. The major antagonist is Octavius Caesar, one of Antonys fellow triumviri and the future first emperor of Rome. The tragedy is a Roman play characterised by swift, panoramic shifts in geographical locations and in registers, alternating between sensual, imaginative Alexandria and the more pragmatic, austere Rome.

Mito e realidade colidem no regresso de Sherrilyn Kenyon ao mundo dos Predadores da NoiteOs Dragões sempre acompanharam os humanos desde o princípio dos tempos. Illarion é um desses Dragões e há sécu

The Real History Of The Rosicrucians Arthur Edward Waite - This is Arthur Edward Waites study of the elusive Rosicrucians, a secret society of which the first public notice was in early 17th century Germany. Was this an actual organization, or just a fantasy? No actual Rosicrucians ever surfaced, but there was plenty of documentation about them. The problem is that these documents are, for the most part, obviously fictional. In time, a mythology grew up around the Rosicrucians. Today there are groups which claim the name. These date at the most to the late 19th century, although they usually claim pro forma to go back as far as Egypt or Atlantis. The Rosicrucians have also been woven by conspiracy theorists into their web alongside the Freemasons, Illuminati, Templars, and so on, even though there is not a shred of evidence for this.

Instável por definição, o domínio de Eros está fadado à incerteza: sobre cada noite de amor sempre pode pesar a ameaça de ser a última. Daí que a fantasia da permanência ocupe a imaginação dos amante

The Age of Chivalry Thomas Bulfinch - The Bulfinch version of myth, published for genteel Americans just as the first studies of mythography were appearing in Germany, presents the myths in their literary versions, without unnecessary violence, sex, psychology or ethnographic information.

The Cyclops Euripides - When Odysseus arrives he meets Silenus and offers to trade wine for food. Being a servant of Dionysus, Silenus cannot resist obtaining the wine despite the fact that the food is not his to trade. The Cyclops soon arrives and Silenus is quick to accuse Odysseus of stealing the food, swearing to many gods and the Satyrs lives (who are standing right beside him) that he is telling the truth. His son, a younger and more modern Satyr, tries to tell the truth to the Cyclops in an attempt to help Odysseus. After an argument, the Cyclops brings Odysseus and his crew inside his cave and eat some of them.

The Bustan Sadi - If among the twenty-two works with which Sadi enriched the literature of his country the Gulistan rank first in popularity, the Bustan (lit. "Garden") may justly claim equal precedence in point of interest and merit. No comprehensive translation of this important classical work has hitherto been placed before the reading public, but it cannot be doubted that the character of its contents is such as to fully justify the attempt now made to familiarize English readers with the entertaining anecdotes and devotional wisdom which the Sage of Shiraz embodied in his Palace of Wealth. This is the name which he applies to the Bustan in an introductory chapter, and it is.one which springs from something more than a poets fancy, for the ten doors, or chapters, with which the edifice is furnished lead into a garden that is indeed rich in the fruits of knowledge gained by a wide experience of life in many lands, and earnest thought.Born in Shiraz, Iran, in 1184, Sdi (pseudonym of Muslih-ud-Din Mushrif ibn Abdullah) is considered one of the major medieval Persian poets. He traveled widely, through regions of what is today Syria, Turkey, Egypt and Iraq. Vignettes of gritty caravan and street scenes give life to his tales. In old age he returned to Shiraz, and composed his two best-known works, the poetic Bustan, or Orchard (in 1257), and the prose Gulistan, the Rose Garden (in 1258). He died in 1283 or possibly 1291.

The Age of Fable Thomas Bulfinch - Thomas Bulfinch collected and interpreted the legends of the world for everyday people, so that those who lacked extensive schooling could still understand the mythological allusions that fill classic and contemporary literature.Bulfinchs Mythology began as three separate volumes in the 1850s and 60s. Bulfinch published "The Age of Fable, or Stories of Gods and Heroes" in 1855 and then moved on to publish two more collections: "The Age of Chivalry, or the Legends of King Arthur" in 1858; and "Legends of Charlemagne, or Romance of the Middle Ages" in 1863. When Bulfinch died in 1867, the three volumes were combined and retitled Bulfinchs Mythology and reprinted in 1881. It has remained one of the most trusted English-language interpretations of Greek and Roman mythology, Arthurian legend, and medieval romance ever since.

Legends of Charlemagne Thomas Bulfinch - This is the third and last part of Bulfinchs Mythology, the previous two being The Age of Fable, or Stories of Gods and Heroes, and The Age of Chivalry, or Legends of King Arthur. Chapters include: The Peers, Or Paladins; The Tournament; The Siege Of Albracca; Adventures Of Rinaldo And Orlando; The Invasion Of France; Bradamante And Rogero; Astolpho And The Enchantress; The Orc; Astolphos Adventures Continued, And Isabellas Begun; Medoro; Orlando Mad; Zerbino And Isabella; Astolpho In Abyssinia; The War In Africa; Rogero And Bradamante; The Battle Of Roncesvalles; Rinaldo And Bayard; Death Of Rinaldo; Huon Of Bordeaux; and, Ogier, The Dane.

Parmenides Plato - This Plato is an English translation of one of the more challenging and enigmatic of Platos dialogues between Socrates and Parmenides and Zeno of Elea, that begins with Zeno defending his treatise of Parmenidean monism against those partisans of plurality. Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Platos immediate audience.

Heracles Euripides - Euripides Heracles is an extraordinary play, innovative in its treatment of the myth, bold in its dramatic structure, and filled with effective human pathos. The play tells a tale of horror: Heracles, the greatest hero of the Greeks, is maddened by the gods to murder his wife and children. But this suffering and divine malevolence are leavened by the friendship between Heracles and Theseus, which allows the hero to survive this final and most painful labor. The Heracles raises profound questions about the gods and mortal values in a capricious and harsh world.

Andromache Euripides - Clinging to the altar of the sea-goddess Thetis for sanctuary, Andromache delivers the plays prologue, in which she mourns her misfortune (the destruction of Troy, the deaths of her husband Hector and their child Astyanax, and her enslavement to Neoptolemos) and her persecution at the hands of Neoptolemos new wife Hermione and her father Menelaus, King of Sparta. She reveals that Neoptolemos has left for the oracle at Delphi and that she has hidden the son she bore him (whose name is Molossos) for fear that Menelaus will try to kill him as well as her.

The Aeneid Virgil - Fleeing the ashes of Troy, Aeneas, Achilles mighty foe in the Iliad, begins an incredible journey to fulfill his destiny as the founder of Rome. His voyage will take him through stormy seas, entangle him in a tragic love affair, and lure him into the world of the dead itself--all the way tormented by the vengeful Juno, Queen of the Gods. Ultimately, he reaches the promised land of Italy where, after bloody battles and with high hopes, he founds what will become the Roman empire. An unsparing portrait of a man caught between love, duty, and fate, the Aeneid redefines passion, nobility, and courage for our times. Robert Fagles, whose acclaimed translations of Homers Iliad and Odyssey were welcomed as major publishing events, brings the Aeneid to a new generation of readers, retaining all of the gravitas and humanity of the original Latin as well as its powerful blend of poetry and myth. Featuring an illuminating introduction to Virgils world by esteemed scholar Bernard Knox, this volume lends a vibrant new voice to one of the seminal literary achievements of the ancient world.