eBooks de Poesía, página 9 de 642

In "When Hearts Are Trumps," Tom Hall deftly intertwines themes of love, betrayal, and the intricacies of human relationships, creating a narrative that is both engaging and thought-provoking. Employing a rich, lyrical style reminiscent of Romantic literature, Hall immerses readers in a world where the complexities of the heart dictate the course of lives. The novel operates within a contemporary literary context, addressing societal norms and personal struggles through an innovative lens, while utilizing vivid imagery and intricate character development to evoke deep emotional responses from the audience. Tom Hall, an astute observer of the human condition, draws on his own experiences and academic background in psychology to explore the myriad ways in which love can be both a sanctuary and a weapon. His previous works have often examined the dynamics of personal relationships, yet "When Hearts Are Trumps" represents a culmination of his insights, blending heartfelt storytelling with astute psychological observations that resonate with readers on various levels. This novel is highly recommended for those who appreciate literature that delves into the emotional landscapes of its characters. HallAos nuanced exploration of love and its discontents makes it a must-read for anyone intrigued by the intersection of passion and morality. Embark on this journey through the hearts labyrinth and discover the profound truths that await within.

What Will Soon Take Place is an imaginative journey through the book of Revelation. It offers a poets view of the prophetic, not in the sense of seeking out clues to the "end times," but a means of taking this strange, fantastic book of scripture and letting it read its way into personal lives. This is not prophecy as foretelling, but forth-telling: telling us the truths of our lives in the light of Gods light. But rather than escape into some safe, heavenly realm, the poems return to our homes and meet us in the form of our neighbors, persecuted believers, and in shopping malls with vivid, edged-up language and the authority to believe and doubt at once.

What the Water Gave Me contains fifty-two poems in the voice of the Mexican painter Frida Kahlo. Some of the poems are close interpretations of Kahlos work, while others are parallels or version homages where Petit draws on her experience as a visual artist to create alternative paintings with words. More than just a verse biography, this collection explores how Kahlo transformed trauma into art after the artists near-fatal bus accident. Petit, with her vivid style, her feel for nature and her understanding of pain and redemption, fully inhabits Kahlos world. Each poem is an evocation of how art works on the pain spectrum, laced with splashes of ferocious colour. Their apparent shared sensibility makes the ventriloquism of these poems entirely unforced, and while Kahlos voice is subtly distinguished from Petits own, both women have a way of taking painful, private experiences and transmuting them, through imagery, into something that has the power of folklore. They capture the unsettling spirit of Frida Kahlo and her work perfectly. Poetry London No other British poet I am aware of can match the powerful mythic imagination of Pascale Petit. Les Murray Times Literary Supplement

A tree falls in the forest and I am/ there to make sure no one hears it./Beloved: Its not that I am/unwilling to be seized by sound,/ everyday I am undone by it. Khando Langri Our poets and authors were given the theme of Movement. They have intepreted this in many ways: movement as communication and connection, mobility, and stillness, being moved emotionally, movement within and after Lockdown, freedom of movement, and being part of a political movement. Poems, short fiction and scripts from UK Deaf, deaf and hard of hearing writers. Our theme is movement.Stories and poems fromAlison Campbell, Ayesha B. Gavin, Bryony Parkes, Charlie Swinbourne, Clare-Louise English, Colly Metcalfe, David Callin, Dee Cooke, Diane Dobson, DL Williams, Elizabeth Ward, Emma Lee, Hala Hashem, Janet Hatherley, Jay Caldwell, John Kefala Kerr, John Wilson, Josephine Dickinson, Julie Boden, Khando Langri, Ksenia Balabina, Liam ODell, Lianne Herbert, Lynn Buckle, Maggie Arbeid, Marilyn Longstaff, Maryam Ebrahim, Mary-Jayne Russell de Clifford, Melanie Jayne Ashford, Rodney Wood, Sahera Khan, Samantha Baines, Sarah Clarke, Sarah O Adedeji, Sophie Woolley, Terri Jade Donovan.

Rosie Garlands dauntless and enthralling new poetry collection, What Girls Do in the Dark, invites us to leap into deep space - across a universe where light, names, place and time become the"distance between things that stand like sisters". We venture through strange night-time transformations, between northerly points and places of being and not-being. In a twilight alive with glimmering energy, we discover not just outer-space, but inner space where the body and the self are made of infinite galaxies, illuminated for the briefest blink of a life.Garlands poetry is rooted in the realm of gothic imagination, mythology and the uncanny. It contains magnitudes and magic, feminist fables starstruck with science and astronomy. Like comets, these dazzling poems explore containment, liberation, near-misses, extinction, and ultimately, they ask what it means to escape the pull of gravity and blaze your own bright, all-consuming and astonishing path.Garland is a real literary talent: definitely an author to watch - Sarah Waters

POEMS AND ILLUSTRATIONS INSPIRED BY LOCKDOWNBefore the COVID-19 global pandemic, Dubliner Jan was working as a freelance fashion stylist and creative director. Now, she is an experienced homeschool teacher, playground chaperone, cook, cleaner, fed-up walker and kitchen disco DJ. At the height of the restrictions, Jans own internal dialogue finally tumbled onto the page. The result is this book of poems: raw, honest and funny observations on family and relationships, on feeling a bit crap and being perfectly imperfect.Jans lyrical writings offer a fresh perspective on modern life, written with humour, heart and honesty.What Day Is It? Who gives a f*ck expresses all the rage, loss,fun and love that have stunned and occupied us since March 2020.

"There is no tick box for this poem. This poem grew up on benefits. This poem pays higher rate tax. This poem isnt in an anthology. This poem doesnt have a glottal stop."Josephine Corcorans inventive and unflinching debut poetry collection asks us to consider what it is were really here for. Bold and unsentimental, her remarkable poems trace the lifelines of where weve been and where were going to, and they arent afraid to ask difficult questions of where we are now, either. Corcorans dexterity allows her to get under the skin of each poem, and to explore other lives with the same attentiveness and concision she brings to her own experiences. What Are You After is also fearlessly personal and political; these resolute poems celebrate outspoken women, working class and immigrant lives, and they refuse to look away from the harsh realities of inequality, austerity, and poverty. Throughout, the haunting texture of history, of long gone places and lost voices, is discernible just beneath the surface of the everyday present like a mirrors delicate silvering. These poems are a rare gift; tender, incisive and real.

This volume stands for the huge task of Dowdens middle lifethe translation of Goethes West-Eastern Divan. This is a poem, as Mrs. Dowden observes in the foreword, that is known to few English readers. It is the fruit of Goethes Indian Summer, the last word of his cheerful and composed philosophy of life. It was written between 1814 and 1819 and was inspired not only by Goethes correspondence with Marianne von Willemer, but also by the von Hammers translation of Hafez poems. Speaking of translations, Mr. Dowdens translation is overwhelmingly good. No man is so hard to translate as Goethe, and certainly no English writer has succeeded with him better if as well than Prof. Dowden. The best test is that many of the lines seem as inevitable as they do in the original; for instance, "that haunting felicity, always. Impossible doth seem the rose, and Inconceivable the nightingale." On the whole, the contemplation of Prof. Dowdens work leaves a certain sadness in the mind of the reader. Dowden always wanted to dedicate himself to poetry, but the necessities of life Intervened, as they so often do, and he had to choose another master. He says in a letter, "One of my afflictions is a theory that I could do my best work in verse, and the circumstance that every year my lectures lead me to accumulating a quantity of material that is pleasant property for my outer mind, but is positive injury to the soul within the soul."

Hugo Williamss new collection summons the poets past selves in order of appearance, as in an autobiography, showing in poems as clear as rock pools that the plain truth is only as plain as the props and make-up needed to stage it. Childhood and school time offer up the amateur theatricals of themselves, in poems of vertiginous retrospect; other poems itemize the professional selves of the poets actor-father Hugh Williams (by now as familiar and frequently depicted as Cezannes mountain), while the narrator - waiting to step into my fathers shoes as myself - teases out the paradoxes of identity and inheritanceAfter this searching portraiture of the poets parents, the chronology opens onto the broad secular thoroughfares of adulthood, including a limpid arrangement of pillow poems which tell the same erotic bedtime story in twelve different ways. Other poems strike out decisively along roads not taken: meticulous misremembering, sinister and fecklessly unfinished narratives about the parallel lives of desire, re-enacting lost futures and accommodating the irrepressible past as it keeps bouncing back onstage. In these fastidious and sardonic investigations of the fault-line between voice and projection, we admire once more the droll fearlessness, the art of candour as practised by Hugo Williams in this, his tenth collection of poems.

Thomas Hardys "Wessex Poems and Other Verses" is a rich tapestry of lyric poetry deeply rooted in the rural landscapes and socio-cultural nuances of southwestern England, specifically the fictionalized Wessex region. The collection showcases Hardys signature style of combining natural imagery with poignant human emotion, exploring themes of love, loss, and the inexorable flow of time. Written in a period marked by the transition from Victorian ideals to modernist sensibilities, these verses reflect a profound engagement with the changing world, blending pastoral beauty with a sense of existential inquiry. Hardy, a novelist and poet whose works often grapple with the complexities of fate and free will, was immersed in the rural life he chronicled. His background in architecture and his keen observation of human nature informed his poetic sensibility, allowing him to convey the depth of human experience through simple yet evocative language. The transition from prose to poetry in his career allowed Hardy to explore themes of emotional and psychological intricacy in a more concentrated form. This collection is highly recommended for readers seeking a profound exploration of nature and humanity conveyed through exquisite language. Hardys poetry invites readers to reflect on their own experiences amidst lifes inexorable march, making it a timeless companion for both poetry enthusiasts and general readers alike.In this enriched edition, we have carefully created added value for your reading experience:- A comprehensive Introduction outlines these selected works unifying features, themes, or stylistic evolutions.- The Author Biography highlights personal milestones and literary influences that shape the entire body of writing.- A Historical Context section situates the works in their broader erasocial currents, cultural trends, and key events that underpin their creation.- A concise Synopsis (Selection) offers an accessible overview of the included texts, helping readers navigate plotlines and main ideas without revealing critical twists.- A unified Analysis examines recurring motifs and stylistic hallmarks across the collection, tying the stories together while spotlighting the different works strengths.- Reflection questions inspire deeper contemplation of the authors overarching message, inviting readers to draw connections among different texts and relate them to modern contexts.- Lastly, our handpicked Memorable Quotes distill pivotal lines and turning points, serving as touchstones for the collections central themes.

In einer Welt voller Hektik und Oberflachlichkeit offnen diese Gedichte und Texte Turen zu den leisen, oft unentdeckten Raumen der Seele. Mit Worten, die wie Spiegel wirken, fangen sie die unsichtbaren Faden unserer inneren Welt ein - Schmerz, Hoffnung, Liebe und die Suche nach dem eigenen Kern.Dieses Werk ladt ein, innezuhalten und den eigenen Gefuhlen, Gedanken und Fragen zu lauschen. Es sind Texte fur alle, die nicht nur lesen, sondern fuhlen wollen - die nach Trost, Einsicht oder einfach einem Moment der Stille suchen."wenn worte vom himmel fallen" ist ein Begleiter fur all jene, die den Mut haben, sich selbst zu begegnen.

"Welsh Poems and Ballads" gathers a rich tapestry of poetic voices that capture the essence of Welsh identity and cultural heritage. The collection spans various forms and styles, from traditional ballads steeped in folklore to modern lyric poetry that echoes the pastoral beauty of Wales. The anthology showcases the elevation of the Welsh language in literature while exploring themes of love, nature, and social justice, contextualizing it within the broader spectrum of British literature. With contributions from esteemed poets, the work is not only a celebration of lyrical artistry but also an exploration of the tumultuous relationship between language and identity in Wales. The collection is compiled by various authors, reflecting the diversity of Taiwanese poetics across different eras. Many of the included poets have been influenced by the socio-political landscape of Wales, grappling with the complexities of national identity, language preservation, and cultural resilience. This anthology serves as a testament to the revival of Welsh literature, which has been resurgent since the late 20th century, spurred by educational initiatives and a renewed appreciation for the Welsh language. "Welsh Poems and Ballads" is highly recommended for readers seeking to immerse themselves in the lyrical beauty and cultural depth of Welsh poetry. It serves not only as a delightful read but also as a scholarly resource for those interested in the dynamics of language and identity in the poetic context. This anthology is a crucial addition to the library of any literature enthusiast or scholar.

"Welsh Poems and Ballads" is a captivating anthology that celebrates the rich tapestry of Welsh literature, spanning various themes, forms, and historical contexts. The collection showcases a diverse array of poetic styles, from the traditional meters of the Eisteddfod to the emotive narratives found in folk ballads. Thematically, the work navigates through love, nature, nationalism, and folklore, reflecting Waless unique cultural identity and its struggles throughout history. The inclusion of both classic and contemporary poets provides readers with a panoramic view of Welsh literary development, emphasizing the linguistic beauty and emotional depth inherent in the Welsh language. The anthology is edited by various scholars deeply rooted in Welsh literature, whose expertise offers readers a comprehensive understanding of the cultural and historical significances of these works. Each poem and ballad is meticulously curated to highlight the intricate connections between the verses and their socio-political contexts, illuminating the influences that shaped Welsh creativity. This collaborative effort embodies the collective voices and experiences that are intrinsic to Welsh heritage. Readers seeking to immerse themselves in the lyrical world of Wales will find "Welsh Poems and Ballads" an indispensable resource. Its blend of nostalgia and contemporary relevance makes it an essential read for anyone interested in the interplay of language, culture, and identity. Whether you are a seasoned scholar of Welsh literature or a newcomer eager to explore, this anthology invites you to experience the profound impact of Welsh poetic traditions.In this enriched edition, we have carefully created added value for your reading experience:- An Introduction draws the threads together, discussing why these diverse authors and texts belong in one collection.- Historical Context explores the cultural and intellectual currents that shaped these works, offering insight into the shared (or contrasting) eras that influenced each writer.- A combined Synopsis (Selection) briefly outlines the key plots or arguments of the included pieces, helping readers grasp the anthologys overall scope without giving away essential twists.- A collective Analysis highlights common themes, stylistic variations, and significant crossovers in tone and technique, tying together writers from different backgrounds.- Reflection questions encourage readers to compare the different voices and perspectives within the collection, fostering a richer understanding of the overarching conversation.

Weighing the Present includes poems about family and wider society, often through brilliantly evoked particular details and specific scenes from everyday life. Short linked poems, which amount almost to sequences, deal with difficult material - elegies for lost friends for instance - while still remaining somehow lifeaffirming. At the heart of the book are tender but unsentimental love poems. A new collection from Michael Laskey is always a cause for celebration.

Madison Julius Caweins "Weeds by the Wall: Verses" is a poignant collection of poems that reflects the interplay between nature and the human experience. The literary style is imbued with lush imagery and lyrical craftsmanship, typical of Caweins oeuvre, which often draws on elements of Romanticism and transcendentalism. The verses explore themes of solitude, the passage of time, and the beauty found in the commonplace, encapsulated in a rich symbolism that invites readers to ponder deeper philosophical questions. This collection places Cawein within the broader context of early 20th-century American poetry, where his exploration of the natural world is both intimate and expansive, challenging conventional boundaries of poetic form and subject matter. Cawein, a prolific poet of the American South, drew inspiration from his surroundings and personal experiences. His deep affinity for nature and its emotional resonance played a critical role in shaping his poetic voice. Having faced personal struggles and a longing for connection with the world around him, Caweins works often reflect a quest for understanding amid existential uncertainty, making "Weeds by the Wall" a significant representation of his artistic psyche and ambition. This collection is highly recommended for readers who appreciate poetry that intricately weaves the beauty of nature with profound human emotions. Caweins verses resonate on multiple levels, offering both aesthetic pleasure and contemplative depth. "Weeds by the Wall" is not just a book of poetry; it is an invitation to explore ones relationship with the world and to find solace in the unremarkable weeds that grow by the wall.

Weeds and Wild Flowers is a magical meeting of the poems of Alice Oswald and the etchings of Jessica Greenman. Within its pages everyday flora take on an extraordinary life, jostling tragically at times, at times comically, for a foothold in a busying world. Stunningly visualised and skilfully animated, this imaginative collaboration beckons us toward a landscape of botanical characters, and invites us to see ourselves among them.

"Jess-Cooke conjures (and there is a sense of enchantment or spellcasting present in the sensual figurative language utilised) precise, evocative imagery to discuss wide-ranging subjects, such as disability, feminism, the environment and motherhood, and creates a sense of travelling through experiences and environments" Ruth Stacey"The blend of heavenly and prosaic is glorious and terrifying." Judy Darley"Poems that are strong, yet empathic; steely, but compassionate. Its an extremely powerful admixture and I urge you to read it." Buzz Magazine. A brutal and pressing collection, We Have To Leave The Earth tackles gruesome yet important topics throughout her collection. The first collection playfully examines the Viking culture, with a strong temporal focus on ice in the arctic landscape. Jess-Cooke dedicates her next section to the erased voice of early feminist pioneer Josephine Butler, creating a rich history through a first person narrative. The theme of motherhood echoes from this section into the final beautiful collection as Jess-Cooke describes her own tale of motherhood and the perceptions of her autistic daughter.

Katherine Stansfield has made a name for herself both as a wryly witty poet of the everyday seen aslant and as a popular novelist of crime and fantasy. Her second poetry collection, We Could Be Anywhere by Now, is pointedly full of poems about placement and displacement. After a childhood on Bodmin Moor in Cornwall, she moved to mid Wales, and this book explores relationships between these two places along personal and linguistic lines, as well as notions of insider / outsider in Wales and England, learning languages, and the languages of learning to leave places behind. New horizons beckon: we voyage to Italy, Canada, the United States. Stansfield is never eager to pronounce but always approaches her subjects in an oblique, artful way, carefully avoiding cliche and relishing the strange, the overheard, the marginal, the accidental comedy and tragedy of the everyday."Katherine Stansfield writes poems that test language and our place in it, and show how the words that help us anchor ourselves in can suddenly cut us adrift. Perhaps thats why, whatever her subject, her words are so well-chosen, the tones so deftly-handled. These poems are multi-layered and full of surprising transitions: we never quite feel at home in them, yet wouldnt want to be anywhere else." Patrick McGuinness"Katherine Stansfields imagination uses logic and rhythm to push her poems into surprise. She dares to tackle one of the ultimate questions: daring to make a new home. Generously, her poems provide beautiful refuge for her readers." Gwyneth Lewis

We are the Weather is a mature and coherent first collection by a distinctive and compelling writer. The poems present vivid and often pungent scenes of rural life in exuberant and hardworking language, with childhood and family relationships at their heart.

Ways of Healing is an embodied collection with a distinctive and tough but tender voice. Charlotte Shevchenko Knight explores themes of longing, of loss, and of pain and its remedies. These poems are alive with their own vulnerability, are at times unnerving, and are always packed with astonishing sensations and images.