eBooks de Psicoanálisis, página 6 de 60

Vamik Volkan puts himself on his couch and tells his fascinating life story as an international psychoanalyst who has seen and studied humans in many parts of the world to renowned writer, scriptwriter, and director Ferhat Atik. Born to Turkish parents in Cyprus in 1932, Vamik moved to the US in 1957 where he still resides today. Over the past half century, his career has flourished in ways few could have foreseen. He has founded many worthwhile organisations and initiatives and has taken his research and work into real-world international relations. Therefore, any book about Vamik Volkan cannot limit itself to mere biography; it is also a professional guide, the life of a professor and his real-life stories, a means towards understanding humanity, societies, memories and modes of psychological treatment. Within, are many influential and widely accepted concepts that Dr Volkan introduced to the wider world. Ferhat Atik carried out exhaustive research involving many hours of interviews with Dr Volkan as well as reading and digesting all forty-two of his book. Once Atik had mastered the minutiae of Dr Volkans works, the interviews were transcribed and they became the backbone of the book. Dr Volkans first-hand accounts are throughout this thoughtful and empathetic biography and he has also written a foreword. This collaborative biography is full of fascinating insight into a modest man whose work took him to some of the most combative and volatile parts of the world, where his interventions had positive, real-world effects for us all. Professionals working within his field and also those outside will find it full of inspiration and innovation - a riveting read for anyone with an interest in international relations, which should be us all in these uncertain times.

The Kleinian Development derives from lectures delivered at the Institute of Psychanalysis, London, and the Tavistock Clinic (1965-78). It is divided into three volumes that examine, in turn, the writings of Sigmund Freud, Melanie Klein, and Wilfred Bion.

The Kleinian Development derives from lectures delivered at the Institute of Psychanalysis, London, and the Tavistock Clinic (1965-78). It is divided into three volumes that examine, in turn, the writings of Sigmund Freud, Melanie Klein, and Wilfred Bion.

The Kleinian Development derives from lectures delivered at the Institute of Psychanalysis, London, and the Tavistock Clinic (1965-78). It is divided into three volumes that examine, in turn, the writings of Sigmund Freud, Melanie Klein, and Wilfred Bion.

The Kleinian Development derives from lectures delivered at the Institute of Psychanalysis, London, and the Tavistock Clinic (1965-78). It is divided into three volumes that examine, in turn, the writings of Sigmund Freud, Melanie Klein, and Wilfred Bion.

The Kleinian Development derives from lectures delivered at the Institute of Psychanalysis, London, and the Tavistock Clinic (1965-78). It is divided into three volumes that examine, in turn, the writings of Sigmund Freud, Melanie Klein, and Wilfred Bion.

The Kleinian Development derives from lectures delivered at the Institute of Psychanalysis, London, and the Tavistock Clinic (1965-78). It is divided into three volumes that examine, in turn, the writings of Sigmund Freud, Melanie Klein, and Wilfred Bion.

The contents of this book represent a series of experiments in dramatizing Bions A Memoir of the Future, the primary one being an unfinished film begun in India in the 1980s and directed by Kumar Shahani, epic artfilm maker, most of whose films have been produced in Hindi. The film was inspired and initiated by Bombay psychoanalyst Udayan Patel, and sponsored by the Roland Harris Educational Trust. The cast of actors included Jalal Agha, Tom Alter, Robert Burbage, Nicholas Clay, Neil Cunningham, Carol Drinkwater, Peter Firth, Nigel Hawthorne, Shona Morris, Jonathan Page (as a child), Angela Pleasence, Juliet Reynolds, and Alaknanda Samarth. The filmscript and a commentary are here included, together with a narrative poem written for Alaknanda Samarth who played the Ayah of Bions childhood, and a playscript written for Tom Alter who played the Father. The play is due to be first performed in Bombay and Delhi in February 2016. An appendix reprints a psychoanalytic study of the Memoir by Donald Meltzer, who was closely involved in the production of the original film. The book is illustrated by screenshots from the film and the ebook contains video extracts.

This book is one of a short series on the teaching of post-Kleinian psychoanalysis, with a companion volume on Teaching Meltzer.

This book is one of a short series on the teaching of post-Kleinian analysis, with a companion volume on Teaching Bion.

Aiming to theoretically re-establish clinical practice, Green revisits the very foundations of the analytic method. He traces a new map of the psychoanalytic field, now redefined by the predominance of non-neurotic structures, and follows the Freudian technical model centered on the notion of transference, and the post-Freudian model emphasizing countertransference (or the "analysts desire"). From this innovative perspective, Green distinguishes the myths from the realities of the analytic process, questions the extension of the concept of countertransference, reevaluates the technical articulations of interpretation and construction, and reformulates the relationships between repetition, memory, and elaboration. This volume closes with three essays on functioning at the limits of analyzability, including the remarkable theoretical-clinical study: "Sexuality in non-neurotic structures". The essays in this book were selected by Green in dialogue with Fernando Urribarri to make them accessible to a wider readership. They reflect the post-1974 elaborations and conclusions drawn from Greens extensive clinical experience treating and supervising analytic work. They are a testament to Greens determination to extend Freudian theory to adapt to contemporary clinical challenges, while consistently remaining within the Freudian paradigm. This is the perfect book to launch the pivotal French Psychoanalysis: Contemporary Voices, Classical Texts series. Filled with fresh ideas, it is essential reading for all psychoanalytic clinicians, academics, and trainees.

Aiming to theoretically re-establish clinical practice, Green revisits the very foundations of the analytic method. He traces a new map of the psychoanalytic field, now redefined by the predominance of non-neurotic structures, and follows the Freudian technical model centered on the notion of transference, and the post-Freudian model emphasizing countertransference (or the "analysts desire"). From this innovative perspective, Green distinguishes the myths from the realities of the analytic process, questions the extension of the concept of countertransference, reevaluates the technical articulations of interpretation and construction, and reformulates the relationships between repetition, memory, and elaboration. This volume closes with three essays on functioning at the limits of analyzability, including the remarkable theoretical-clinical study: "Sexuality in non-neurotic structures". The essays in this book were selected by Green in dialogue with Fernando Urribarri to make them accessible to a wider readership. They reflect the post-1974 elaborations and conclusions drawn from Greens extensive clinical experience treating and supervising analytic work. They are a testament to Greens determination to extend Freudian theory to adapt to contemporary clinical challenges, while consistently remaining within the Freudian paradigm. This is the perfect book to launch the pivotal French Psychoanalysis: Contemporary Voices, Classical Texts series. Filled with fresh ideas, it is essential reading for all psychoanalytic clinicians, academics, and trainees.

A highly original, convivial dialogue between two leading psychoanalysts invites the reader to pause and reflect on current transformations and emotional affects in a changing world. Two analysts of different generations dialogue openly on the psychoanalytic experience, the relationship between patient and analyst, and the setting that continually comes to life in the session. Key themes discussed include social changes, the need to emotionally tune in to the distrust of todays patients, online therapies, public mental health services, and new forms of sexuality and relationships. The heart of the book deals with major changes in psychoanalysis, whereby how to talk to patients and how to approach them is just as important as what is said in the consulting room. The limited use of technical terms promotes the books usability in every chapter and makes it accessible to every type of reader. Where technical terms are inescapable, a useful glossary is provided to explain these key concepts, providing clarity and understanding of the psychoanalytic field. The perfect book to illuminate the continuing contribution of psychoanalysis to the world.

A highly original, convivial dialogue between two leading psychoanalysts invites the reader to pause and reflect on current transformations and emotional affects in a changing world. Two analysts of different generations dialogue openly on the psychoanalytic experience, the relationship between patient and analyst, and the setting that continually comes to life in the session. Key themes discussed include social changes, the need to emotionally tune in to the distrust of todays patients, online therapies, public mental health services, and new forms of sexuality and relationships. The heart of the book deals with major changes in psychoanalysis, whereby how to talk to patients and how to approach them is just as important as what is said in the consulting room. The limited use of technical terms promotes the books usability in every chapter and makes it accessible to every type of reader. Where technical terms are inescapable, a useful glossary is provided to explain these key concepts, providing clarity and understanding of the psychoanalytic field. The perfect book to illuminate the continuing contribution of psychoanalysis to the world.

This book is one of a series that record Donald Meltzers clinical seminars and supervisions, which were conducted in various countries on a regular basis over many years. Despite his interest in the theoretical advances of psychoanalysis made during what he termed The Kleinian Development, Meltzer believed that clinical supervision was the only way to teach psychoanalytic practice. In effect he treated supervision as an art form just as he regarded psychoanalysis as an art form. The library of his supervision work, almost all recorded outside the UK, thus forms a valuable teaching model for future practitioners, as well as demonstrating Meltzers wealth of insight into both character development and analytic technique.

En este volumen pueden encontrarse los siguientes textos de C. G. Jung: Sobre lo inconsciente; Alma y tierra; El hombre arcaico; El problema anímico del hombre moderno; Sobre el problema amoroso del estudiante universitario; La mujer en Europa; El significado de la psicologia para el presente; Acerca de la situacion actual de la psicoterapia; Prologo al libro Reflexiones sobre la historia actual; Presente y futuro; Un mito moderno. De cosas que se ven en el cielo; La conciencia moral; El bien y el mal en la Psicologia Analitica; Prologo al libro de Toni Wollf Studien zu C. G. Jungs Psychologie; El significado de la linea suiza en el espectro de Europa; El amanecer de un mundo nuevo; Reseña de H. Keyserling La revolution mondiale et la responsabilite de lesprit; Complicaciones de la psicologia norteamericana; El mundo ensoñador de la India; lo que la India puede enseñarnos; Apendice: Nueve comunicaciones breves.

Este livro traz textos selecionados de vários números da revista Publicações Científicas do Centro de Estudos Psicanalíticos Mãe-Bebê-Família e outros artigos que foram sendo produzidos ao longo dos

This moving memoir opens a door into the life of a young girl growing up in a psychoanalytic household. It offers insight into not only the expectations of girlhood in upper-class New York in the 1950s, but also the burgeoning psychoanalytic community at that time with particular focus on the brilliant Gregory Zilboorg. Caroline Zilboorg draws on her memories of growing up in a what she calls a psychoanalytic household, and on a wealth of privately held scrapbooks and photographs. She recounts pivotal experiences from her birth in New York City in 1948 through the death of her father in 1959. Both chronological and reflective, the memoir tells the story of a girlhood shaped by the attitudes of the period towards femininity and masculinity, attachment and differentiation, as well as an account of her brief psychoanalysis with Margaret Mahler in 1955. The chronological narrative is placed throughout within the context of the long-term impact on the authors personal and professional life, and the book includes 21 previously unpublished images selected from her personal archives. This exceptional memoir is an homage to Freud, an intimate account of childhood and coming of age, and a privileged glimpse of a particular moment in psychoanalytic history. It is highly recommended to psychoanalysts, historians, and those interested in the lives of others.

This moving memoir opens a door into the life of a young girl growing up in a psychoanalytic household. It offers insight into not only the expectations of girlhood in upper-class New York in the 1950s, but also the burgeoning psychoanalytic community at that time with particular focus on the brilliant Gregory Zilboorg. Caroline Zilboorg draws on her memories of growing up in a what she calls a psychoanalytic household, and on a wealth of privately held scrapbooks and photographs. She recounts pivotal experiences from her birth in New York City in 1948 through the death of her father in 1959. Both chronological and reflective, the memoir tells the story of a girlhood shaped by the attitudes of the period towards femininity and masculinity, attachment and differentiation, as well as an account of her brief psychoanalysis with Margaret Mahler in 1955. The chronological narrative is placed throughout within the context of the long-term impact on the authors personal and professional life, and the book includes 21 previously unpublished images selected from her personal archives. This exceptional memoir is an homage to Freud, an intimate account of childhood and coming of age, and a privileged glimpse of a particular moment in psychoanalytic history. It is highly recommended to psychoanalysts, historians, and those interested in the lives of others.

The films of David Lynch are sometimes said to be unintelligible. They confront us with strange dreamscapes populated with bizarre characters, obscure symbols and an infuriating lack of narrative consistency. Yet despite their opacity, they hold us transfixed. Lynch, who once told an interviewer, "I love dream logic," would surely agree with Sigmund Freuds famous claim that "before the problem of the creative artist, psychoanalysis must lay down its arms." But what else might the two agree on? Rather than presuming to fill in what Lynch leaves open by positing some forbidden psychosexual reality lurking behind his trademark red curtains, this book instead maintains a fidelity to the mysteries of his wonderful and strange filmic worlds, finding in them productive spaces where thought and imagination can be set to work. With contributions from scholars, psychoanalysts, cinephiles, and filmmakers, this collection of essays explores potential affinities and disjunctions between Lynch and Freud. Encompassing themes such as art, identity, architecture, fantasy, dreams, hysteria and the unconscious, Freud/Lynch takes as its point of departure the possibility that the enterprise in which these two distinct investigators are engaged might in some sense be a shared one.