(Galway, Irlanda, 1981) es una ensayista y poeta bilingüe que escribe sus obras tanto en inglés como en irlandés. Es autora de seis poemarios que, en sus propias palabras, exploran temas como «el nacimiento, la muerte, el deseo y lo doméstico». Su obra poética la ha hecho merecedora de reconocimientos como la Seamus Heaney Fellowship y la Lannan Literary Fellowship, así como del Premio Ostana y el Premio Rooney de Literatura Irlandesa, entre otros. Su primer libro de prosa, Un fantasma en la garganta, publicado en Irlanda en 2020 y traducido a quince lenguas, fue elegido Libro del Año en los Irish Book Awards, ganó el Premio James Tait Black y el Premio Foyles a mejor libro de no ficción, y fue finalista de otra media decena de premios, entre ellos el Folio Prize y el Premio Nacional de la Crítica en Estados Unidos.
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La vida de Doireann Ní Ghríofa está marcada por la crianza de sus hijos, aún pequeños: tomas, papillas que preparar, lavadoras, viajes de ida y vuelta al colegio en coche… Días extenuantes con listas
A true original. In this stunningly unusual prose debut, Doireann Ní Ghríofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers centuries apart. In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem. Eibhlin Dubh Ni Chonaills Caoineadh Airt Ui Laoghaire, famously referred to by Peter Levi, Professor of Poetry at Oxford University, as the greatest poem written in either Ireland or Britain during the eighteenth century. In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story. A Ghost in the Throat is a devastating and timeless tale about one woman freeing her voice by reaching into the past and finding anothers.
From the author of A Ghost in the Throat, an unforgettable book - both history and ghost story - that will leave you gasping by its final page.In the city of Cork, a derelict Victorian mental hospital is being converted into modern apartments. One passerby has always flinched as she passes the place. Had she lived in another time, she too might have found herself held within those walls.Now, she notices a sign: FOR SALE.It is the first of many signs. Guided by an irresistible impulse, she follows them. Soon, she is trespassing, stealing, absconding from the routine of mother, spouse, daughter, as she uncovers a chorus of startling voices: those of the women who knew this place best. They murmur from archives and old records. They haunt from stairwells and walls. In them - and in one figure in particular -- she may find meaning and solace, righteous anger, salvation even. Or her final vanishing?A work of sublime intensity and tenderness, Said the Dead breaks the boundaries between worlds -- past and present, imagined and real, fact and fiction -- to make something new and lasting: an experience full of danger, full of love and full of truth.Praise for the work of Doireann Ni GhriofaThe effect is electric, like seeing a ghost returned to life.New Statesman Obliterates every clear definition of genre and form . . . Astounding and utterly fresh.Irish IndependentLush, lyrical prose that dazzles readers from the get-go . . . sumptuous, almost symphonic, in its intensity.Sunday TimesPast versus present, blood versus milk, birth versus death . . . dichotomies abound, but the questions of womens lived experiences and who history remembers link them all.Paris Review
La vida de Doireann Ní Ghríofa está marcada por la crianza de sus hijos, aún pequeños: tomas, papillas que preparar, lavadoras, viajes de ida y vuelta al colegio en coche… Días extenuantes con listas
A true original. In this stunningly unusual prose debut, Doireann Ni Ghriofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers centuries apart. In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem.In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story. A devastating and timeless tale about one woman freeing her voice by reaching into the past and finding another's.