Libros de Arquitectura, página 91 de 972

Emergent processes of formation create intensive, volatile, intricate, complex phenomena. These processes have come to define our contemporary understanding of the nature of becoming, which stands in contrast to established notions of architectural design and authorship. The design research of Roland Snooks is a speculation on the relationship between emergent processes of formation and architectural design intention, and explores the strange specificity of an architecture that is drawn out of this interaction. This research operates within a larger architectural and cultural concern for complex systems and their role in algorithmic design processes..The original methodological territory carved out from this larger milieu is the articulation of a design process in which architectural intention is embedded within emergent processes.

The cities of the world stand at a crossroads. Amidst radical social, economic, and technological transformations, will the city become a driving force of creativity, diversity, and sustainability, or will it be a mechanism of inequality, despair, and environmental decay? At this critical moment, where do the stakes lie and what are the agents of change? From the time of its birth, the city has been held together by the commons.

Starting from Radical research to contemporary design, the book collects Andrea Branzi´s work about the relationship city-design.

These title is a resulting work of the Mies Crown Hall americas Prize (MCHAP) emerge, given to the firm Pezo von Ellrichshausen for their Poli House

Modern Architecture articulated itself in specific centers of propulsion, revision and critique during the 20th century. The case of Milan is exemplary:terragni anbd Razionalismo, the reconstruction (Ponti, Rogers, Moretti, Viganó, etc..)the Tendenza of Rossi, product design, up to the current research. MCM traces this history from several contributors´points of view.

Focused on post-labor,psychopathology, and plasticity of human mind and body, this book introduces insight, critiques and propositions in the area of "self-design" ranging from design and architecture to science, media, history, philosophy, and contemporary art.

Starting from the Radical research to contemporary design, the book collects Andrea Branzis work about the relationship city-design.Starting from the Andrea Branzis reflection on the relationship civility-design, from the Radicals research on mass-production civilization to the infinite territories, the book proposes new territories able to interpret and anticipate the new dynamics of society.In particular, if the first chapters review the historical/critical works of Andrea Branzi and of Radical Movement, the last opens a new parenthesis of research, right now never expressed: the issues ignored by Modernity, like life, death, destiny and the sacred: themes which underline the new drama and the fracture between tragedy and normality, between consumerism and death, between theology and technology, between the silence of reason and the voice of an irrational reality.

Vida i obra d’un dels representants de l’arquitectura mallorquina de principis del s. XX Aquest llibre aporta estudis inèdits i també suggeriments sobre la figura de l’arquitecte Guillem Reynés i F

Posthuman,surveys the urban environments shaping the more-tahn human geographies of the early 21st century

Architecture in Effect # 2 is a substantial collection of essays emerging from the Swedish research environement of the same name.

Geostories is a manifesto on the environmental imagination presented in architectural projects that engage the planetary scale with a commitment to drawings as medium. In 12 geographic fictions, the book invites critical and speculative engagements of humanitys relations to earth and technology

In May 2015, Studio Link-Arc completed its most prominent work to date, the China Pavilion for Expo Milano 2015. The project was China´s first free-standing Expo Pavilion outside of its own borders.

Territories start off as nonphysical, often simple ideas, emerging in the physical and becoming a perpetual mixture of the two. Often formed to acquire resources, yet inherently a resource. Land is seized for economic gain, borders are traversed through changes to regulations, and new territories of control are born from land reclamation where previously none existed.

In defense of a new architectonic logic, Manuel Gausa explores a pioneer decade of decisive experiences in the turn of the millennium.Focusing on the mapping of the contemporary project and city in the turn of the millennium, this book explores the capacity of links between dynamic systems and irregular structures. Manuel Gausa defends a new underlying architectonic logic (spatial-temporal in conception) that has emerged within current culture of the informational age. In accordance with a shared terrain of inquiry, which represents a series of decisive experiences from the past twenty years, this new logic can be considered an advanced ''logic of complexity''.

In light of the increasing disengagement between urban and rural areas, this book address the interdependency of cities with ecological and technological processes outside the purview of traditional urban planning. It compiles a huge amount of essays in regards to the most important topics that cities must address today, such as their connection with global data networks, ecological cycles of resources which supersede the traditional boundaries of urbanism. For this reason, it frames investigation of contemporary urbanism on nine imminent commons grouping the urban commons into resources and technologies lead us to the arcane classification of natural resources: air, water, fire, and earth, the four elements of ancient cosmologies; and five basic technological commons based on expanded human capacities: sensing, communicating, moving, making, and recycling.

Bracket 4 [Takes Action] provokes spatial practice´s potential to incite and respond to action today. Over 28 essays and 15 projects investigate the role of design to catalyze a public, as well as fo

Twisted documents and explores an eleven-story garment factory building in Shantou, China, for the fashion label Lafayette 148. The book presents the building as an artifact of architecture, with detailed documentation of images and drawings. The book also presents essays that offer a series of distinct but interrelated responses to the many questions that arise when building a garment factory facility in contemporary China. Issues addressed range from the architectural import of the building typology, to the ecological footprint of a factory, to social and architectural concerns regarding labor as well as construction practices, to the ethics and aesthetics of factory building.

Somos del material con el que se fabrican los sueños.W. Shakespeare, The Tempest.El título del libro está tomado de la obra de teatro La Tempestad, en la que William Shakespeare afirma que todo lo que acontece en la escena no es mas que una ficcion, una iSomos del material con el que se fabrican los sueños.W. Shakespeare, The Tempest.El título del libro está tomado de la obra de teatro La Tempestad, en la que William Shakespeare afirma que todo lo que acontece en la escena no es mas que una ficcion, una ilusion, algo irreal: we are such stuff as dreams are made on. Lo mismo podria decirse de los dibujos de arquitectura; no son mas que meros sustitutos que nos permiten recordar, imaginar o soñar otra realidad. En este libro se analiza un conjunto ejemplar de dibujos de la Modernidad que han llegado a formar parte del imaginario de muchos arquitectos. En sucesivos capitulos se aborda el cambio en el modo de dibujar de Le Corbusier antes y despues de su viaje a Oriente; las influencias recibidas por Louis Kahn en los primeros años de su ejercicio profesional; las corrientes graficas en la representacion de la ciudad en Estados Unidos a comienzos de la decada de los treinta; las tecnicas de dibujo predominantes en el periodo de entreguerras en Alemania; la difusion de las nuevas ideas a traves de las exposiciones de arquitectura; el modo en que Gordon Cullen analizaba y representaba el paisaje urbano; el impacto grafico de la revista The Architectural Review; y los apuntes realizados por Joaquin Vaquero y Luis Moya en Nueva York en 1930.

The possible Mediums book will present a diverse collection of texts, drawings, and images from invited contributors. Five chapters-Histories, Figures, Objects, Parts, and Projections- group together contributors with related interests and frame the books content in relation to contemporary topics of interest.