Libros de Arquitectos extranjeros, página 6 de 37

This volume addresses for the first time the forgotten contexts of the Barcelona Pavilions genesis. Habitually thought of as an abstract and isolated building, it is revealed here as a thoroughly European work, perhaps less pristine but more authentic.The expert contributors to this volume, devoted entirely to Mies van der Rohes Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilions genesis. Habitually thought of as an abstract, unpolluted and splendidly isolated building, a precursor of Miess American period, the Pavilion is revealed here as a thoroughly European work, perhaps less pristine but more authentic.Crucial to this analysis is an understanding of the immediate context, the Barcelona International Exposition. Planned as a mass spectacle in the city with the most convulsive working class in Spain, the Exposition was a propaganda exercise by the Primo de Rivera dictatorship in which the German Republic was the guest of honor. For the first time since the Great War, Germany was taking part in an international event, and needed to present itself as a thoroughly reconstructed state. Mies and Lilly Reich were commissioned to design not only the Pavilion but also a total of over one hundred thousand square feet of German stands spread throughout the Exposition, whose detailed analysis invites a far-reaching reinterpretation of the whole.More familiar but equally central is the question of the Pavilions connections with the mass media: the circumstances of its scant presence in the architectural journals and trade press, its a posteriori importance as a manifesto, and Miess relationship with the avant-garde cinema of the moment.From an approach closer to the history of architecture, the study of the national pavilions and commercial stands sheds light on the Barcelona Pavilions antecedents. The interpretation of the Miesian grid in the light of the botany books in his library gives fresh insight into Miess intellectual interests, and together with a brilliant disquisition on the idea of the classical in architecture completes this reappraisal of the Pavilion itself and of the construction culture which made it possible.Finally, thirty years on from the reconstruction of the Barcelona Pavilion, these timely and pertinent philosophical reflections on original and copy provide new tools with which to engage the architectural heritage and the actual building in Barcelona.

Richard Rogers is one of the worlds most distinguished architects, as well as a powerful and effective advocate for the role of architecture and urban design in improving everyday lives. Famous for his inside out architectural style, Rogers' unique approach to architectural design has generated such landmarks as the Pompidou Centre in Paris and the Lloyds building in London. This volume, accompanying the exhibition Richard Rogers RA: Inside Out, at the Royal Academy of Arts, explores the origins of and influences on Rogerss thinking, and explains how his wide-ranging interests inform his design process. Featuring contributions from major figures from the worlds of politics, fine art, social policy, architecture and urban design, as well as an exclusive interview with Richard Rogers by the exhibitions curator Jeremy Melvin, this book shows why his work continues to be fresh, challenging and inventive and how breaking new ground in architecture impacts on wider social and cultural fields.

A new edition of the acclaimed monograph on the legendary designer, published to coincide with the centenary of his birth. The life and work of Ettore Sottsass is more relevant than ever, with exhibitions around the world and renewed collector interest in the Memphis movement. Now available in a new format, this book, packed with beautiful images taken from the extensive Sottsass archives and including drawings and sketches from the designer's countless sketchbooks, explores his entire career from the 1940s to the 2000s, covering everything from his architectural projects and product design to his jewellery, sculpture, and graphics.

Las antiguas fábricas se suelen caracterizar por su amplitud, sus altos techos, grandes ventanales y acabados especiales. El objetivo de este libro es mostrar mediante imágenes impactantes el ambiente del estilo vintage y el desarrollo del diseño de muebles industriales.

La arquitectura tiene que ser objetiva, no puede ser conforme a lo personal. Diseñar debe ser un fenómeno de inteligencia, y diseñar de cero es un fenómeno de estupidez, porque es perder un legado de informacion disponible. Por lo tanto si el diseño es un fenomeno de inteligencia, tiene que percibir el fenomeno en que va a insertarse.El sitio es un presupuesto. No existe el sitio. El sitio (lugar) es un instrumento. Es imposible hacer casas sin tener un lapiz, y tener casas sin tener un sitio. Y el sitio es aquello que se quiere que el sea. Se intento "vender" el sitio como entidad objetiva, con frases como: "La solucion esta en el sitio". La solucion esta en la cabeza de las personas. Leonardo da Vinci decia: "El arte es cosa mental". El sitio es cosa mental. Por lo tanto, el sitio es tan importante cuanto las otras cosas que intervienen en el proyecto.Hago siempre muros. No consigo hacer solo una casa. Necesito de un centro. Puede ser una piedra o un arbol. Pero no consigo hacer una casa aislada. Porque vivi siempre con limites, no se si es un sentimiento de proteccion, u otra cosa. La casa portuguesa es la continuacion de los muros del patio y en algunos casos solo una ventana en el muro anuncia la existencia de una casa.

"• La increíble biografía de Ettore Sottsass, el polifacético diseñador y arquitecto italiano que conoció a todos sus contemporáneos, desde Hemingway a Picasso • Contiene un montón de anécdotas sobre

Revista

Revista

"El París de Le Corbusier" analiza las relaciones duales entre la ciudad y el arquitecto: la dialectica entre la ciudad real - el París donde vivía- y la ciudad ideal - el París abstracto que proyectaba-. Intenta confrontar ambos mundos para entenderlos mejor. Paris es ocasion para comprender a Le Corbusier; Le Corbusier es ocasion para estudiar Paris. Ninguno de los dos factores quiere primar sobre el otro.Le Corbusier encarna la dinamica del siglo XX en Paris. Es ahi donde vive la mayor parte de su vida, donde piensa, donde escribe, donde proyecta. La ciudad de Le Corbusier es el lugar de la realidad y el lugar de la utopia. Sus propuestas: la Villa Radieuse, la Ville Contemporaine, son a la vez un gesto profetico y una imagen poetica.La confluencia de sus ideales con la realidad de Paris plantea un dialogo enriquecedor, cuyo desarrollo se expone en este libro a traves de un discurso secuencial: Edouard, Jeanneret y Le Corbusier, atendiendo al descubrimiento de Paris por Edouard, a la dialectica que Paris, provocador de energias, establece con Jeanneret, y al Paris de las propuestas de Le Corbusier, haciendo de ellas una travesia poetica y un encuentro vital. Pues Le Corbusier no solo quiso proyectar la Ville Radieuse sino tambien vivir en ella.

ANDREA PALLADIO REMAINS THE FOREMOST ARCHITECT OF ALL TIME, NOT ONLY FOR THE INGENIOUS INNOVATIONS THAT DISTINGUISH HIS BUILDINGS, BUT ALSO FOR HIS CONTINUOUS AND METICULOUS EFFORTS AT INVESTIGATING

Comprehensive monograph on one of America's greatest living architects by award-winning author and architecture critic Robert McCarter. This in-depth monograph is devoted to one of the leading United States architects on the contemporary scene: Steven Holl (b.1947). Richly illustrated with hundreds of colour photographs and Holl's own watercolours, the book introduces the artist's personality and works, and the studio he founded in 1976, Steven Holl architects. Holl studied architecture at the University of Washington at Seattle, and later in Rome and at the Architectural Association in London. He has worked both in the United States and in Europe, and a great deal in the East, especially in Japan. His most important designs, outstanding in their respect for the cultural and historical environment in which they are set, include the Makuhari residential complex in Japan, the St. Ignatius chapel at the University of Seattle, the Museum of Contemporary Art in Helsinki and the extension of the Cranbrook Institute of Science at Bloomfield Hills in Michigan. A professor at the Graduate School of Architecture of Columbia University, Holl has held courses and given lectures in several other institutions in the United States. He has won many awards, including the Arnold W Brunner prize for architecture in 1990, and the Alvar Aalto medal in 1998. Robert McCarter has known and taught with Holl for over 30 years and provides an authoritative and personal examination of Holl and his work. A must-own book for architects as well as for students of the discipline. Richly illustrated with hundreds of colour photographs and Holl's own watercolours

UN REPASO A TODA LA OBRA DEL GENIAL ARQUITECTO INTRODUCIDA POR UNAS BREVES LÍNEAS Y UN GRAN RECORRIDO GRÁFICO CON FOTOGRAFÍAS EN COLOR, UNA A UNA, DE TODAS SUS OBRAS CONOCIDAS

OFFICE ES UNA OFICINA CREADA EN 2002 POR KERSTEN GEERS(GANTE,1975) Y DAVID VAN SEVEREN(GANTE. 1978), CON SEDE EN BRUSELAS DESDE 2006. AMBOS ESTUDIARON EN LA UNIVERSIDAD DE GANTE Y EN LA ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA DE MADRID (ETSAM).

JUMBO SERIE

DAVID CHIPPERFIELD 2006-2014 ARQUITECTO DE RECONOCIDO PRESTIGUIO, ESTE NÚMERO ENGLOBA LO MAS DESTACADO DE SU OBRE EN EL PERIODO QUE VA DESDE EL 2006 AL 2014.

This book completes the trilogy devoted to Enric Sagnier i Villavecchia and is the final touch after the publication of the architect's completeworks, followed by a pocket edition in guide-book format. It differs from the earlier volumes because it shows the interiors of a selection of his most important buildings in Barcelona. If the aim of the first book on Sagnier was to rescue him for the history of architecture, and the second has helped to raise awareness of his work, the aim of this third volume is to enable us to enjoy his work in another dimension through the artistic eye of the German photographer Candida Hofer.

TRAYECTORIA 1990-2017 SANAA

Este libro recorre la totalidad de la obra de Le Corbusier (1910-1965), desde sus primeros croquis hasta sus ultimas realizaciones, incluyendo sus últimas producciones como el Hospital de Venecia, el Centro de Investigacion Olivetti, la Embajada Francesa en Brasilia o el Edificio de Congresos en Estrasburgo. El libro divide la obra del maestro en tres apartados, en cada uno de los cuales se presentan sus obras abundantemente ilustradas y documentadas, que abarcan su produccion relativa a la Arquitectura en sus apartados de casas particulares, grandes construcciones y museos-arquitectura sacra, otro dedicado a su produccion mas artistica modulor-pintura-escultura-tapices, y por ultimo otro apartado dedicado al Urbanismo. Encuadernacion: Rustica.

Este libro tiene su origen en una exposición itinerante sobre la vida y obra del arquitecto José Antonio Coderch de Sentmenat que se inauguró en Barcelona en Marzo de 1988. El libro examina la obra de Coderch en su totalidad, desde la casa Ugalde en Caldes dEstrac (1951) a la ampliacion de la Escuela de Arquitectura de Barcelona (1978), pasando por sus edificios de vivienda como el Girasol de Madrid (1968), y edificios publicos como los Edificios Trade o el Instituto Frances (1972) ambos en Barcelona. Ademas se ofrece una reseña de los acontecimientos mas importantes de su vida y una antologia de ensayos sobre su obra. La bibliografia final y la gran cantidad de dibujos e ilustraciones permiten al lector una aproximacion en profundidad a la obra de uno de los maestros silenciosos de la llamada tercera generacion del movimiento moderno. Encuadernacion: Tela.

Contemporary architects 1 es un libro del autor VV.AA. editado por KONEMANN. Contemporary architects 1 tiene un código de ISBN 978-84-9936-277-9 y consta de 600 Páginas.