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One family. One cursed house. One hundred years.A unique, ambitious, and witty gothic horror puzzle-box, exploring over a century of hauntings across a single house in the North of England. Perfect for fans of Andrew Michael Hurley and Catriona Ward.Delfling Hole, a small country cottage nestled in a dark, wet corner of the Peak District. Home to many. Grave to many more. You could say that it has seen better days, but thats not really true. Is it?1819.A young doctor arrives in a small village to help with a smallpox outbreak, but when his wife takes against an old friend of his who comes to stay at their house, he begins to believe she may be possessed.1946.A young girl takes part in a seance as her father lies dying upstairs, but as she and her siblings summon the ghosts of war, they realise they may have welcomed something terrible into their home.1987A tabloid newspaper, desperate to exploit a local story of a man living in a haunted house, takes things much too far, with devastating consequences.2023.After the death of her mother, Vee discovers that Delfing Hole has been left to her. But she doesnt want it. Who would? Returning to the house that served up so many nightmares to her as a child, she soon discovers that she may hold the key to stopping them once and for all.But after more than a century of horrors, is Delfing Hole ready to give up so easily?A searing and ambitious take on the haunted house novel, this is a wildly inventive debut about one working class family, haunted across generations, marking the arrival of an extraordinary new voice in horror.

What Does It Mean to Be Human in the Age of AI? With all the hype and speculation around artificial intelligence, its most profound effects have yet to be revealed. The bigger question is not just what AI is doing to our jobs but to our soulsour relationships with God and one another.In Godlike Power, Russell Haitch cuts through the noise to tell the story of three core developments: the push to humanize machines, drawing us into emotional bonds with AIs; the drive to mechanize people, rooted in Enlightenment reason and the Industrial Revolution; and how God became human, so that humans could become more like Godand how techno-religion proposes a rival path to divinity. These three stories offer contrasting religious visions. Haitch argues we are now confronted with two rival paths to divinity, and we must choose the right one. Godlike Power argues that the third storythe Christian story of real people becoming like Godoffers the timeless and hopeful vision we need, allowing us to journey into the age of AI on a path that leads to life.AI is the latest chapter in humanitys Promethean quest for godlike power. But it is also a story about our perennial quest for intimacy. Even as AI technology rapidly changes, Haitch argues we need wisdomsomething more than superintelligenceto attain the power and love we long for.With Godlike Power, you can wisely examine AI through a theological lens, enabling you to engage thoughtfully and responsibly with how AI is reshaping our understanding of identity, truth, and what it means to be human.

Where is Charles Simonds? Throughout the 1970s, his diminutive Dwellings, tiny architectural ruins of an imaginary civilization, could be found throughout the crumbling infrastructure of downtown New York. Preoccupied with the relationship between the grown and the built, the archaeological and the urban, Simonds shared friendship and ideas with Gordon Matta-Clark and Robert Smithson. Like Lucy Lippard, with whom he lived during that decade, Simonds believed in combining art and activism, always preferring what he called the "real world" to the art world. Yet despite taking part in many of the seminal exhibitions and art events of 1970s New York, Simonds has left few traces on art history. In order to explain Simondss absence while simultaneously arguing for his central place within it, Jules Pelta Feldman reconsiders the decades self-conception, finding that Simonds exemplifies much of what has been ignored in 1970s artand much of what establishes it as a unique period of experimentation and possibility.

Where is Charles Simonds? Throughout the 1970s, his diminutive Dwellings, tiny architectural ruins of an imaginary civilization, could be found throughout the crumbling infrastructure of downtown New York. Preoccupied with the relationship between the grown and the built, the archaeological and the urban, Simonds shared friendship and ideas with Gordon Matta-Clark and Robert Smithson. Like Lucy Lippard, with whom he lived during that decade, Simonds believed in combining art and activism, always preferring what he called the "real world" to the art world. Yet despite taking part in many of the seminal exhibitions and art events of 1970s New York, Simonds has left few traces on art history. In order to explain Simondss absence while simultaneously arguing for his central place within it, Jules Pelta Feldman reconsiders the decades self-conception, finding that Simonds exemplifies much of what has been ignored in 1970s artand much of what establishes it as a unique period of experimentation and possibility.

A dark and unsettling queer adult horror from the award-winning author of The City Beautiful. Perfect for fans of Eric LaRocca and Stephen Graham Jones.Ten years ago, the quiet mining town of Coalfield, Pennsylvania was thrust into the national spotlight when a boy at a local foster home was found brutally murdered. After the foster mother was arrested on suspicion of murder, the four remaining children were dragged in front of a court to explain what truly happened. There, Elliot Wolffjust eight years-oldtestified.What emerged were disturbing tales of child abuse, the sacrifice of animals and infants, and strange rituals performed in the woods and mines of the town. And the Dragon, always the Dragon, a specter who lurked in the shadows of the home.Now on the cusp of adulthood, Elliot is still struggling to move on from the trial. He still finds his thoughts circling Coalfield, thoughts that he pours into writing music or drowns out with various substances.Then, he is approached by Dean Corvin, a washed-up grindhouse director filming a documentary on the Satanic Ritual Abuse allegations at Coalfield. While sitting in front of a camera and rehashing his trauma is the last thing Elliot wants to do, Dean makes him an offer he cant refuse, an offer that might finally allow Eliot to escape his aunts stifling house and start over somewhere far away.But Elliot isnt the only survivor joining the documentary: the other survivors are there, too, and each one has different memories of what happened.The first few days of filming are strange, with bizarre dreams and memories resurfacing that he had long thought lost to time. As Elliot begins to reenact his final days at Coalfield Childrens Home, he begins to wonder if there may be a grain of truth to the lies he told on the stand. If something sinister and otherworldly really did happen to them.If the Dragon is still out there, and intends to keep the past buried.

A thought-provoking and comprehensive look at uncovering the root causes of persistent racial inequalities in the workplace, Dr Carlton Brown begins by examining the history of racial discrimination and how it has shaped the societal context in which organisations operate. He argues that despite concerted efforts towards diversity and inclusion, organisations often fail to create equitable spaces for people of colour. He highlights the paradoxical nature of these failures, where organisations simultaneously praise themselves for progress while maintaining deeply ingrained racial hierarchies. He exposes the prevalent racial biases, discrimination, and exclusionary practices that persist within many organisations, revealing the disconnect between intention and reality. He highlights how these issues not only hinder the personal and professional growth of individuals from marginalised communities but also impedes the overall success and progress of organisations. A comprehensive look at the state of race-relations in the workplace The Race Paradox is a perfect guide to understanding why discussing race and addressing it in the workplace is vital in todays world.

In this edge-of-your-seat high fantasy, a petty thief on the run from her all-seeing god is unwillingly drawn into a murder conspiracy when she finds herself cursed.Brimming with unpredictable gods, unreliable narrators, and heart-stopping suspense, this gripping Sapphic standalone is perfect for fans of Six of Crows and The Priory of the Orange Tree.Annethe Tavery fell in love with a god. Now, he hunts her in a twisted game of cat and mouse. If she so much as thinks of him, her past, or even her real name, it will call him like a beacon to her. So she runsstraight to a port town, where a failed pickpocketing attempt leaves her with a nasty curse.Theres only one way to free herself: do the bidding of the nobleman she tried to rob. Annethe soon finds herself embroiled in a murder plot amongst the dangerous world of godboundnobles whose pacts with gods have twisted them in horrifying ways. If Annethe doesnt complete the noblemans task, the curse will rot her from the inside out. But the longer she stays, the more chance there is that her god will find herand he isnt the only one looking.Before him, before all the death and pain and running, there was a woman. A woman Annethe lovedand who her god killed. Now, the scraps of Calika Korskas body are held together by her own pact with an unstable god. And both of them are broken, angry, and hell-bent on revenge.

Labours greatest ever Prime Minister is seen afresh in this concise and illuminating account. Attlees government did not simply respond to hardship; it reshaped the state, creating the NHS, extending welfare and redefining the relationship between citizen and country.As Jason Cowley, former editor of the New Statesman, attests, Attlees revolution was understated, but its effects proved enduring a reminder that long-lasting social and political change are more achievable than we often think.

A captivating and terrifying literary body horror set on the east coast of England about desire, the male gaze, and the gory lengths we will go to satisfy our hunger. Perfect for readers of Lucy Rose and Monika Kim.Sussex, 1994. 19-year-old Tim helps run his family winery in the remote Oldscoombe valley. Since his mother left two years ago, Tim has nobody but his short-tempered father and delinquent older brother. He staves off loneliness by holding funerals for roadkill and lusting after his neighbours beautiful, unattainable wife until the summer he stumbles across a secret.Theres a woman hiding at the bottom of the well near Tims house. Shes beautiful. Shes soaked in blood. She says shes killed a man. Tim must only feed her, clothe her, and keep her safe. Infatuated, Tim steals gifts for her while his older brother takes the blame; straining relations with the only family he has left.Over time, her requests escalate from wine to live animals, which alter her appearance in horrifying ways. When she eats a chicken, feathers sprout from her neck. When she eats a centipede, her spine splits; she grows more legs. Tim realises that, with the right diet, he could sculpt her to the image of his wildest fantasies...As the power balance shifts, the line between pet and prisoner starts to blur. The woman demands a human sacrifice whose identity she can consume. And Tim must choose: the unsuspecting woman he covets, or the mother who abandoned him and broke his heart.

Sparks fly in the kitchen in this second cosy and charming novel set in the small town of Leaford, from the author of The Tangled Life of Tabitha Grey.With her ten-year plan well underway, everything seems to be working out for twenty-eight year old Cressida Nash. Her boyfriend Alistair has just proposed, her baking business is picking up, and despite not living together yet, she is grateful for her independence.That is until the flat below Cressidas is rented out to amateur drummer Mickey, and the late nights of loud music and disturbed sleep begin to catch up to her. What seemed like a small inconvenience at first eventually turns into a nightmare neighbour situation, and Cressida and Mickey continue to clash.But after the stress piles up for her biggest baking job yet, and she finds herself drifitng further from Alistair and his vision for their future, there is only one person who steps up to help with the workload... Mickey. Between hours in the kitchen and run-ins at home, Cressida and Mickey begin to form an unlikely partnership where they may just have more in common than they anticipated...

The hairs are always buried much deeper than you think.. Where the natural collides with the supernatural, these vivid stories situate us at the permeable border between fantastical and mundane. A teenage swimmer tries to remove an ingrown hair that takes on a life of its own. A town grapples with an uncontrollable growth of moss. A horror soundtrack haunts its composer. Testing the boundary between fantasy and reality, Oliver stretches the imagination to its limits in a collection which places the physical body, human connection and the truth at its centre. These tales navigate guilt, grief and explore the nature of victimhood. Olivers honest voice penetrates human truths while ghosting narratives with the uncanny. Journey to the outer limits of bodily awareness as characters dive deep to confront their truth.

The companion novel to People Watching, this follows Milos younger sister, Nadia, and the Kablukov siblings childhood friend and next-door-neighbor, Aleks, who co-owns MANs Brewery with Nadias eldest brother, Nik.Nadia has known Aleks all her life. She knows hes sweet and generous, and that hes far too good for her. Aleks knows things about Nadia that shes told no one else. And he knows his lifelong feelings for her are totally inappropriate now hes technically her boss in the brewery that he and the Kablukov siblings are trying so hard to get off the ground. Nothing can happen.So obviously it makes total sense for Aleks to offer Nadia his spare room. Its just a house-share relationship. But for how long...?

Rebellion and ruin await in the gripping second installment of Evan Leikams debut fantasy series, perfect for fans of Joe Abercrombie, R.F. Kuang, and Nicholas Eames.The king is dead. Shes still alive. The revolution is yet to come... The riveting adventure continues in the sequel to Evan Leikams breakout fantasy debut Anji Kills a King.Anji has survived a dozen different deaths. The king is dead, her family is dead, the fabled mercenaries of the Menagerie are deadand shes still here, the price that was on her head now jingling as coins in her own pocket.In the wake of her journey, the city she once called home has changed, and a revolution is brewing in a camp on the riverbank. A revolution Anjis new windfall was meant to fund, and still could if she can forgive them for being willing to throw her life away to do it. But building a bright new kingdom wont be as simple as cutting one kings throat... and in a city of dark alleys and desperate times, her path will take her to shadowy places she never could have expected.

Internationally recognized as a socially important work of gay literature Roger Austen. Originally published in Europe in the 50s to avoid prosecution for obscenity, The Gaudy Image is one of the most important lost gay novels. Set in New Orleans and featuring a colourful cast of louche but loveable characters, the story follows Titania aka Thomas Schwartz through the backstreets, bars and club of the French Quarter in search of the perfect lover the Gaudy Image. A beautifully written story that is both elegant and caustically humorous, erotic and sympathetic

I want, through this written record, to articulate what a rich blessing it is to be a fisherman. And I sense that there may somewhere be a mystery that has yet to be uncovered: a great and hidden truth lying at the heart of the anglers experience, a truth both simple and profound, the power and the importance of which are felt only by fishermen, because it is the irresistible summons of this shy and beautiful truth that takes hold of them, driving them to fish-filled waters in search of their happiness. Laurence Catlow, July 2001Once a Flyfisher is a sporting diary which follows the events of a season on the beautiful rivers of Yorkshire, Cumbria, Shropshire and Scotland.As he fishes through the summer months, the authors views unfold: forthright, at times extremely funny, unexpectedly moving and always thought-provoking.

Em um tempo de pressa, exaustão parental e excesso de informações, educar com consciência e propósito tornou-se um desafio urgente, e também uma oportunidade transformadora.Sob coordenação editorial

Stopgap Measures presents an exciting selection of essays, interviews and shorter pieces on the work of American artist Mike Kelley (19542012) written over more than three decades by the noted art historian and cultural critic John C. Welchman. Kelleys provocative career gave rise to some of the most conceptually and materially diverse work of recent times in performance, writing, painting, drawing, sculpture, banners, multimedia installation, appropriated objects and images and video, as well as numereous collaborations. This volume includes reflections on specific works, and features a signature series of pathbreaking essays on Kelleys innovations in photography and writing as well as explorations of major themes in his practice, research and thinking: physical comedy and verbal humor; memory; popular culture, dress-up and Americana; the uncanny; imaginative projection and dark fantasy; appropriation and giving; authorship and self-construction; and the artists littleremarked upon negotiation with the histories of and ideas about Asia. The book concludes with new essays on Kelleys engagement with animals and the nonhuman; and on the refrain disappearances that punctuate Kelleys career set in relation to specters of social catastrophe and nuclear annihilation.

Stopgap Measures presents an exciting selection of essays, interviews and shorter pieces on the work of American artist Mike Kelley (19542012) written over more than three decades by the noted art historian and cultural critic John C. Welchman. Kelleys provocative career gave rise to some of the most conceptually and materially diverse work of recent times in performance, writing, painting, drawing, sculpture, banners, multimedia installation, appropriated objects and images and video, as well as numereous collaborations. This volume includes reflections on specific works, and features a signature series of pathbreaking essays on Kelleys innovations in photography and writing as well as explorations of major themes in his practice, research and thinking: physical comedy and verbal humor; memory; popular culture, dress-up and Americana; the uncanny; imaginative projection and dark fantasy; appropriation and giving; authorship and self-construction; and the artists littleremarked upon negotiation with the histories of and ideas about Asia. The book concludes with new essays on Kelleys engagement with animals and the nonhuman; and on the refrain disappearances that punctuate Kelleys career set in relation to specters of social catastrophe and nuclear annihilation.

The Trinity is revealed at last, but the key to unlocking its power remains unknown. Tor and Alyssa are surrounded by danger. Old enemies return, and a new threat is looming: a god has installed himself on the throne and is determined to kill Tor and those he loves.The battle lines are drawn for the final confrontation between the two most powerful sentients ever to walk the land. Was Tor doomed from the start, or can he protect Tallinor from its ultimate enemy?

In this fascinating novel, one of the masters of impossible crime fiction takes on one of the greatest criminals of all time. Sticking scrupulously to the facts, Paul Halter explores the Jack the Ripper murders and offers his own theories about the identity of the monster, what drove him, and how he was able to vanish under the noses of the police during the spree of escalating horror which sent the citizens of fog-ridden London into paroxysms of fear in the autumn of 1888.But the year before Saucy Jacky began his reign of terror, someone started to investigate an astonishing impossible murder committed in the country village of Blackfield nine years earlier. That, too, involved a monstrous murderer who slaughtered witnesses and vanished under the noses of his pursuers. Is there a connection with the Ripper cases which followed?Paul Halter, who has been fascinated by Jack the Ripper from a tender age, won the coveted French Prix du Roman dAventures in 1988 and the prestigious Japanese Hunkaku Mystery Award 2005 for Le Brouillard Rouge (The Crimson Fog).