Ebooks de arte, página 91 de 1249

Ever since the signing of the Armistice in 1918, theatre has played an important part in reflecting the experience of the war to end all wars. But on the Home Front, what role did those involved with British theatre play during those tumultuous four years and three months?Till the Boys Come Home salutes British theatre in wartime, when theatres became powerful generators for escapism, for stirring patriotism, for sharing experiences of loss and joy and for raising vast amounts of charity money. It brings to life a Britain where theatre-going peaked in popularity, yet became full of the curious contradictions bred by war. Richly illustrated with original programmes, posters and ephemera, author and critic Roger Foss reveals a theatrical powerhouse, where all sections of the profession from grand Shakespearian knights to lowly concert party artistes were doing their bit, both at home and on the front line.

Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality.Uber 200 Werke der beruhmten Edition Eulenburg Partiturreihe fur Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhaltlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genieen.

La explicación del título de este libro se encuentra en las acepciones de la palabra bravo que recoge el DRAE: valiente, esforzado; fiero, feroz, embravecido; violento o áspero; porque así son el Peru y Latinoamerica y asi son los rasgos que caracterizan su cine y que se reflejan en esta compilacion de textos escritos a lo largo de varias decadas, publicados en revistas ahora de dificil acceso.

Jesús Torres nació en Zaragoza el 15 de julio de 1965. Realiza su formación académica en el Conservatorio Superior de Música de Madrid. Paralelamente realiza diversos cursos de Análisis Musical con Luis de Pablo. Entre los años 1986 y 1988 trabaja la Composicion con Francisco Guerrero.

¿Cómo influyen las lecturas en la escritura? ¿Un escritor debería ser un buen lector? ¿Se puede enseñar a escribir literatura? ¿Qué escribimos en esta época mediada por algoritmos?. En tiempos de polifonia y descentramiento de la autoridad letrada, este libro invita a repensar la escritura en sentido plural: aunque a menudo vista como una actividad solitaria, es en esencia una practica que se ejerce en comunidad. Los talleres literarios, las lecturas con las que dialoga o se alimenta lo escrito, el mientras escribo de cada texto, la materialidad del lenguaje (incluidas las normas ortograficas), la escritura en tiempos de inteligencia artificial y, por ultimo, el territorio de la imaginacion como espacio para viajar y escribir. Cada capitulo de este libro funciona como razon o como excusa para hablar del origen, los procesos, la materia y el soporte de aquello que escribimos. Para responder a las preguntas del comienzo o elaborar otros interrogantes. Y para poner en practica la propia escritura. A fin de cuentas, hacer espacio, dar lugar y sentido a eso que deseamos, pero que escasea: el tiempo de escribir.

Dive into a world of vibrant musical expression with Tico Tico by Zequinha de Abreu expertly arranged for SATB saxophone quartet by Francesco Leone.This energetic Brazilian choro blends traditional charm with modern finesse, making it a brilliant addition to any intermediate-level ensembles repertoire.This edition includes: Full score only The set of parts is available separately within our collection Rich informational cards in 9 languages: English, French, German, Italian, Spanish, Portuguese, Korean, Japanese, and ChineseThis arrangement is designed to offer flexibility and musical depth while remaining accessible and engaging for developing saxophone quartets. The multilingual notes provide valuable historical and cultural context, helping performers connect more deeply with the pieces origins and significance.Discover the magic of Tico Tico and enrich your repertoire with this timeless favorite. Explore our full collection for more inspiring works arranged with care and creativity.

A Celebrated Latin Classic for Brass Quintet.Experience the brilliance and rhythm of Tico Tico, the iconic Brazilian choro by Zequinha de Abreu, in this energetic and accessible arrangement for brass quintet, created by Francesco Leone.Tailored for intermediate-level players, this version is ideal for ensemble classes, concerts, and school performances.This edition includes the full score only. For those needing the individual parts, they are available separately in our series.Standard Instrumentation: 2 Bb Trumpets F Horn Trombone (bass clef) Tuba (bass clef) Additional Features: Informational content about the piece and its genre Notes available in five languages: English, French, German, Spanish, and Portuguese Clear formatting and balanced voicing for educational and performance use Whether youre building a concert setlist or enriching your ensembles repertoire with Latin American flair, this score brings both musical value and stylistic variety to your group.Add this classic to your brass library today and explore other flexible and engaging titles in our collection.

Un recorrido por la vida profesional de Carlos Vázquez Moreno "Tibu". Un testimonio fiel, sin edulcorar, muchas veces descarnado y emotivo, de su carrera como músico, productor discográfico y mánager de estrellas como Hombres G, Aute, El Canto del Loco ; un libro que no busca ser un mero ajuste de cuentas ni un muestrario de anecdotas. Desde la muerte de Franco hasta la actualidad, Tibu pone nombre y cara al negocio de la musica en España, ofreciendo al lector una vision, desde dentro, de como funciona, de verdad, este negocio. Nos muestra toda una vida, la suya, que ha girado alrededor de artistas, musicos y toda esa farandula que les rodea, que hasta hace muy poco volaba en pos del dinero, y que lo llevo a conocer de primera mano la oscuridad que se esconde en una celda.

Nesta obra Tia May ensina aos seus amiguinhos sobre a história de Davi e Golias. O quanto Davi foi corajoso por estar com a presença de Deus consigo e como essa Presença é poderosa para derrotar qual

Dois nomes de peso da cultura brasileira, Nei Lopes e Rui de Oliveira, se reúnem para homenagear os pioneiros do samba.Em Tia Ciata, a grande mãe do samba, somos convidados a um passeio de volta ao i

At a gathering to decide the fate of Randolph Carters estate which has been held in trust since his disappearance the mysterious Swami Chandraputra, who wears curious mittens and enveloping robes, tells Carters acquaintances of his ultimate fate. He explains that the key took Carter to a type of higher dimension. There, Carter, on an ill-defined mission (or out of sheer curiosity), travelled strange sections of the cosmos by first meeting with Umr at-Tawil, a dangerous being warned of in the Necronomicon, saying those who deal with it never return.

A step-by-step guide to Physical Theatre in both theory and practice - full of detailed exercises and inspiring ideas. In Through the Body, based on twelve years of teaching physical theatre, Dymphna Callery introduces the reader to the principles behind the work of certain key 20th-century theatre practitioners (Artaud, Grotowski, Meyerhold, Brook and Lecoq, among others) and offers exercises by which their theories can be turned into practice and their principles explored in action. The book takes the form of a series of workshops starting with the preparation of the body through Awareness, Articulation, Energy and Neutrality. A section on Mask-work is followed by further work on the body, investigating Presence, Complicite, Play, Audience, Rhythm, Sound and E-motion.The book - and the work - culminates in sections on Devising and on the Physical Text. There is also a thorough bibliography and a contact list of training courses in the UK and abroad.This book offers everything you have ever wanted to know about Physical Theatre. It is very detailed but at the same time very easy to understand. It breaks down every topic to short paragraphs which are informative and simple. A must for any theatre student or lecturer for that matter! Amazon readers review

In "Through Colonial Doorways," Anne Hollingsworth Wharton elegantly explores the intricate tapestry of colonial America through the lens of domestic architecture and sociocultural transformation. This engaging work combines vivid descriptions with meticulous historical research, drawing parallels between architectural styles and the evolving identities of the early American settlers. Whartons narrative weaves together biographical sketches and anecdotes, providing a rich context for understanding how colonial homes not only served as physical structures but also as reflections of social hierarchies and cultural influences in the early years of the nation. Anne Hollingsworth Wharton, a noted scholar of American history and architecture, has dedicated much of her career to studying the intersection of built environments and societal change. Her unique expertise and personal background, including her passion for historic preservation, inform her insightful analysis in this book. By incorporating elements of her own experiences and travels, Wharton brings an authentic voice to her scholarship, allowing readers to appreciate the significance of the historic homes that shaped Americas cultural heritage. "Through Colonial Doorways" is a must-read for anyone interested in American history, architecture, or the complex narratives of identity formation in colonial society. Whartons eloquent prose and thorough scholarship invite readers to step into the past, making the book both an enlightening resource and a captivating narrative that will resonate with historians, students, and enthusiasts alike.In this enriched edition, we have carefully created added value for your reading experience:- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

Giulio Marco Bordogni (Gazzaniga, 23 January 1789 - Paris, 31 July 1856), was an Italian tenor and teacher.He was the author of a Méthode de chant which was published in 1840, and composed many vocalizations that remained in use for over a century and today are studied by many young musicians.In these three arrangements, each instrument becomes a soloist with the exchange of phrases and accompaniment.

"Three Sisters", as all of Chekhovs most popular plays, was written near the end of his life, in 1900. "Three Sisters" was the first play that Chekhov wrote specifically for the Moscow Art Theatre, having experienced commercial success in his previous collaborations with the company, "The Seagull" and "Uncle Vanya".The play is set in a small, remote town dominated by an army base. The action takes place in the Prozorov family home over a span of several years. Born and bred in a thriving metropolis, the Prozorovs came to this small town when their father was made commander of the local army brigade. Now, the Prozorov family consists of four siblings: Olga, Masha, Andrei and Irina, the youngest. Three sisters and one brother.Both of the Prozorovs parents have died. The mother many years ago; the father precisely one year earlier, on Irinas 21st birthday. Irinas 22nd birthday is thus also the first anniversary of her fathers death. Old family friends and acquaintances drop in on the family to mark the occasion.Amongst the visitors is Colonel Vershinin, the new brigade commander, who has only recently arrived in town and becomes a spark of new potential, particularly for Masha. Each act of the play moves forward in time, charting five years in the life of the town, its soldiers, the Prozorov household and its three sisters.The characters of "Three Sisters" are outstanding examples of Chekhovian boredom, longing, and listlessness. The playwright portrays the sisters social aspirations with sensitivity and irony, using them as emblems of Russian middle-class pretensions and despair.

One of the former British writers of supernatural tales in the twentieth century, Algernon Blackwood (1869 - 1951) wrote stories in which the slow accumulation of telling details produced a foreboding atmosphere of almost unendurable tension. Blackwoods literary renown began in 1908 with the publication of a highly successful collection of stories, John Silence - Physician Extraordinary, featuring a "psychic doctor."

In "Three Hats," Arthur Shirley masterfully weaves a compelling narrative that delves into the complexities of identity and belonging. The novel is structured around the interwoven lives of its characters, each representing a distinct perspective on the themes of cultural heritage and personal transformation. Shirley employs a lyrical prose style, rich with symbolism and vivid imagery, reminiscent of postmodern literature, while still grounding the narrative in realistic dialogue and relatable scenarios. The book is set against a backdrop of contemporary societal challenges, reflecting tensions in multicultural societies, making it both timely and relevant. Arthur Shirley, a writer of diverse background and experience, draws on his own life experiences as a member of a multicultural community. His academic background in sociology and personal encounters with the challenges of cultural assimilation greatly inform the themes of "Three Hats." Shirleys previous works have often explored the fragility of identity in modern society, and this novel marks a significant evolution in his exploration of these themes, showcasing his growth as a storyteller and thinker. For readers seeking an insightful exploration of self and society, "Three Hats" offers not only a thought-provoking narrative but also an invitation to reflect on ones own identity. Shirleys deft character development and poignant prose make this book a must-read for anyone interested in the intricate dynamics of human relationships in a diverse world.

In "Three Hats," Arthur Shirley crafts a compelling narrative that intertwines the lives of three disparate characters, each represented by a unique hat that symbolizes their aspirations and struggles. The novel, marked by its vivid imagery and intricate character development, delves into themes of identity, societal expectations, and personal transformation. ShirleyAos prose combines lyrical elegance with a conversational tone, allowing readers to engage deeply with the emotional landscapes of his characters, set against a backdrop that mirrors contemporary societal issues. Arthur Shirley, an acclaimed author known for his exploration of human behavior and social dynamics, draws upon his own diverse experiences to fuel the narrative of "Three Hats." Having spent years working in various cultural settings, including education and community activism, ShirleyAos insights into the complexities of identity and the human condition weave seamlessly into the fabric of the novel. His previous works have established him as a thoughtful and empathetic observer of the human experience, and this book is a testament to his growth as a writer. I wholeheartedly recommend "Three Hats" to readers seeking a profound exploration of identity and resilience. ShirleyAos skillful storytelling and nuanced character portrayals invite reflection and connection, making this work not only a captivating read but also a mirror for our own aspirations and societal roles. Its a book that lingers long after the final page is turned.

The revised version of Jacques François Gallays Op.38, originally written for 2 French horns, is a fun and easy choice to perform in a concert as a soloist. The three grand duets are particularly splendid and virtuosic, and as such represent an excellent choice for the tuba player. Angelo Piazzini

Written for Sardigna Brass FestivalThree Dances from Terpsichore (Introduzione - Spagnola - Bransle simple de Novelle)The Terpsichore is a compendium of more than 300 instrumental dances published in 1612 by the German composer Michael Praetorius. The collection takes its name from the muse of dance.In his introduction Praetorius takes credit for arranging the music rather than composing the tunes. The collection is based on French dance repertoire of the time, although some of the tunes have been identified as coming from elsewhere in Europe, for example England and Spain.The publication was rediscovered in the twentieth century by the early music movement. Recordings include a selection performed by the Early Music Consort (which was released in 1973),and others from the New London Consort etc.