eBooks de Historia de la arquitectura, página 4 de 13

Divergencies: Architecture in Latin America and Discourses of the End of the Century is a significant contribution to the critical analysis of modern architecture in Latin America. Edited by Ingrid Quintana Guerrero, this volume adds to a series of recent publications that delve deeply and rigorously into the various currents and discourses that have shaped architectural development in the region. From a perspective that challenges the previously predominant celebratory tone in regional canonical studies, this work brings together works by prominent academics who offer a fresh and critical perspective on the reasons, contexts, and outcomes of modern architecture in the southern part of the continent.

De Uruk e Babilônia até Shanghai e Lagos, passando por Bagdá, Veneza, Londres e Nova York, Ben Wilson nos conduz numa viagem pelos principais centros urbanos ao longo de milhares de anos.Durante toda

En el año 1929 Le Corbusier viaja a Buenos Aires y visita Brasil y Uruguay. De este viaje y de las impresiones recibidas trata este libro. Diez conferencias sobre la arquitectura y el urbanismo, pronunciadas en Buenos Aires y una en Rio de Janeiro. En el año 1929 Le Corbusier viaja a Buenos Aires y visita Brasil y Uruguay. De este viaje y de las impresiones recibidas trata este libro. Diez conferencias sobre la arquitectura y el urbanismo; pronunciadas en Buenos Aires y una en Rio de Janeiro. La actualidad de los escritos de Le Corbusier no deja de sorprendernos y nos hace reflexionar sobre la ciudad moderna Imperdible leer en el año 2020 sus reflexiones sobre Buenos ... Ver mas Ocultar En el año 1929 Le Corbusier viaja a Buenos Aires y visita Brasil y Uruguay. De este viaje y de las impresiones recibidas trata este libro. Diez conferencias sobre la arquitectura y el urbanismo; pronunciadas en Buenos Aires y una en Rio de Janeiro. La actualidad de los escritos de Le Corbusier no deja de sorprendernos y nos hace reflexionar sobre la ciudad moderna Imperdible leer en el año 2020 sus reflexiones sobre Buenos Aires de aquellos años en que la visito y su vision de como seria el futuro de la misma En el año 1929 Le Corbusier viaja a Buenos Aires y visita Brasil y Uruguay. De este viaje y de las impresiones recibidas trata este libro. Diez conferencias sobre la arquitectura y el urbanismo; pronunciadas en Buenos Aires y una en Rio de Janeiro. La actualidad de los escritos de Le Corbusier no deja de sorprendernos y nos hace reflexionar sobre la ciudad moderna Imperdible leer en el año 2020 sus reflexiones sobre Buenos Aires de aquellos años en que la visito y su vision de como seria el futuro de la misma

In The Stones of Venice, John Ruskin explores the intricate relationship between architecture, society, and morality, presenting a comprehensive critique of Venetian Gothic architecture. Through rich descriptions and detailed illustrations, Ruskin examines the aesthetic principles underlying the citys edifices and their cultural significance. The book stands as a manifesto for the importance of craftsmanship and beauty in architecture, juxtaposing the splendor of Venice with the emerging industrial practices of his time. Written in a highly ornate and poetic style, RuskinAos work transcends mere architectural criticism, delving into philosophical reflections on art and its moral implications, thus rooting the narrative firmly within the Victorian context of art appreciation and social critique. John Ruskin (1819-1900), a prominent art critic, social thinker, and leading figure of the Victorian era, was deeply influenced by his experiences in Venice and his passion for art. His travels in Italy profoundly impacted his understanding of aesthetic beauty and its alignment with ethical living. Ruskins advocacy for the Arts and Crafts movement, along with his fierce resistance to industrialization and mass production, is contextualized through this work, which serves not only as a celebration of Venices architectural grandeur but also as a cautionary tale against the loss of artistry in the modern world. Readers seeking a deeper understanding of the intersection between art, architecture, and morality will find The Stones of Venice an indispensable text. It invites reflection on the broader human experience and underscores the significance of preserving beauty in our environments. In a world increasingly dominated by utilitarianism, RuskinAos stirring prose and passionate arguments make this work not just relevant but essential for anyone interested in arts power to shape society.

In "The Stones of Venice," John Ruskin offers a profound exploration of architecture, art, and the moral underpinnings of society. This multi-volume work deftly combines vivid descriptions, detailed analyses, and historical insights, delving deep into the construction and aesthetics of Venetian architecture as a reflection of cultural values. Ruskin employs an evocative literary style rich in metaphor and symbolism, illuminating how the intricate details of buildings inspire both moral contemplation and societal critique. Its context emerges from the Victorian eras fascination with art and history, against the backdrop of burgeoning industrialization that threatened traditional craftsmanship. John Ruskin, a pivotal figure in the Victorian art movement, was an ardent advocate for craftsmanship and the beauty of nature, deeply influenced by his environmental convictions and a reverence for medieval artistry. His extensive travels in Europe, particularly his admiration for Venice, fueled his belief that architecture is a moral and philosophical reflection of its time. Ruskins commitment to social reform and his concern for the decline of artisan craftsmanship are evident throughout this work, as he seeks to reconnect art with ethical living. Readers seeking a rich, interdisciplinary examination of architecture and its role in society will find "The Stones of Venice" an indispensable tome. Ruskins eloquence and passionate advocacy for aesthetic and moral values resonate with contemporary issues in art and culture, making this seminal work a critical read for anyone interested in the intersections of art history, philosophy, and social criticism.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

La Alhambra, escrita por Felipe Trigo, es una obra que fusiona la prosa poética con la narrativa descriptiva, ofreciendo al lector un retrato vibrante y nostálgico de la famosa fortaleza nazarí en Granada. Trigo captura la esencia de la Alhambra a traves de un estilo lirico que presenta los paisajes, la historia y la cultura andalusi de manera envolvente. Publicada en un contexto literario marcado por el modernismo y el deseo de revalorizacion de la identidad española, la obra de Trigo se inscribe en una tradicion de escritores que, como el, se sintieron atraidos por las raices culturales del pais, aludiendo a una dulce melancolia por un pasado glorioso. Felipe Trigo fue un autor español nacido a finales del siglo XIX, cuya vida estuvo marcada por un profundo interes en la historia y la cultura de España. Su trasfondo familiar y su curiosidad intelectual lo llevaron a explorar temas de identidad y pertenencia, influencias que se reflejan en La Alhambra. Trigo tambien se destaco en el campo periodistico, lo que le permitio desarrollar un agudo sentido de observacion y una prosa accesible, caracteristicas que son palpables en esta obra. Recomiendo La Alhambra a todos aquellos que deseen sumergirse en un viaje literario que une belleza arquitectonica e intimidad emocional. Trigo logra, con su pluma, hacer sentir al lector no solo el esplendor de la Alhambra, sino tambien una profunda conexion con la historia de España. Es una invitacion constante a contemplar nuestra herencia cultural.

The architecture in Burma represents a mixture of the countrys history, politics, natural assets, religion, and superstition. Despite some recent advances toward modernization, in architectural terms, centuries of relative seclusion have caused this country to remain something of a historical timeline. Burmas resplendent temples, stately colonial edifices, and myriad of structures that comprise innumerable fishing and country villages provide an architectural window into the countrys diverse and oftentimes tumultuous history. The turbulence of the region, punctuated by dynastic squabbles, is perhaps best chronicled and understood by way of its architecture. The escalation of successional quarrels frequently resulted in new rulers packing up entire palaces and other structures and hauling these by elephant to establish a new seat of government or capital elsewhere. The vestiges of the old cities were for the most part simply left to the vicissitudes of nature.

Sobre o livro: Com esta nova edição revista e atualizada, confirma-se o papel de A modernidade superada, coleção de nove ensaios do teórico catalão Josep Maria Montaner, como uma obra de referência f

Architectural patronage was crucial for the thinking of Aby Warburg and his circle. In Hamburg the purpose-designed Kulturwissenschaftliche Bibliothek Warburg, completed in 1926, organized Warburgs remarkable library. From 1927 Warburg developed ideas about orientation in the radical transformation of a disused water tower into the Hamburg Planetarium. After the Warburg Institute transferred to London in 1933 this pattern of seminal architectural commissioning continued, including projects designed by the avant-garde practice Tecton during the 1930s, and culminating in the construction of the librarys present home at Woburn Square, Bloomsbury in 1958. Warburg Models: Buildings as Bilderfahrzeuge follows this history, using archive photographs, architectural drawings and a series of architectural models to show how the Warburg scholars projected a connection between their own physical occupancy of architectural space and their shared ideas about intellectual order, cultural survival, and memory.MARI LENDING and TIM ANSTEY are both professors of architectural history at the Oslo School of Architecture and Design. Their continuing archive-based seminar on the relationship between the Warburg Institute and architecture has developed into an exhibition and a book, not least because of the skilled participation of their model-building students.

Architectural patronage was crucial for the thinking of Aby Warburg and his circle. In Hamburg the purpose-designed Kulturwissenschaftliche Bibliothek Warburg, completed in 1926, organized Warburgs remarkable library. From 1927 Warburg developed ideas about orientation in the radical transformation of a disused water tower into the Hamburg Planetarium. After the Warburg Institute transferred to London in 1933 this pattern of seminal architectural commissioning continued, including projects designed by the avant-garde practice Tecton during the 1930s, and culminating in the construction of the librarys present home at Woburn Square, Bloomsbury in 1958. Warburg Models: Buildings as Bilderfahrzeuge follows this history, using archive photographs, architectural drawings and a series of architectural models to show how the Warburg scholars projected a connection between their own physical occupancy of architectural space and their shared ideas about intellectual order, cultural survival, and memory.MARI LENDING and TIM ANSTEY are both professors of architectural history at the Oslo School of Architecture and Design. Their continuing archive-based seminar on the relationship between the Warburg Institute and architecture has developed into an exhibition and a book, not least because of the skilled participation of their model-building students.

Birth Houses (Mammisis) are important components of late Egyptian temple complexes but have not been investigated in detail since the fundamental study of Francois Daumas published in 1958. In the meantime, new archaeological findings as well as re-evaluations of theology and piety in Greco-Roman Egypt have considerably expanded our traditional understanding of these extraordinary buildings. Therefore, reassessment of phenomena and expanded research approaches need to be undertaken. This book presents the printed versions of the lectures given by international Egyptologists at the IFAO in Cairo on March 27-28, 2019, as part of the 1st Colloquium on "Mammisis of Egypt". In the publication, criteria and reconsiderations are put up for discussion that can be decisive for the identification and definition of Mammisis. The spectrum of topics ranges from theological basics (including the significant birth cycle) and typical features, through historical development and cultic events, to the architecture of these temple buildings. Special motifs, theoretical and iconographic concepts and finally the persistence of certain rites in modern Egypt are also covered. One chapter introduces current scientific projects and their methods that are dedicated to selected mammisis or chapels (Coptos, Deir el-Medina, Edfu, Kom Ombo, Philae, Bahariya, Kellis, Jebel Barkal). Numerous illustrations complement the contributions. They contain new material from excavations that is being published for the first time.

In The Tower of London (Vol. 1 & 2), Lord Ronald Gower offers a comprehensive exploration of one of Englands most iconic historical sites. Combining meticulous research with vivid narrative prose, Gower delves into the Towers storied past, chronicling tales of intrigue, imprisonment, and royalty. His literary style reflects the 19th-century penchant for romanticism, imbuing historical events with dramatic flair while remaining anchored in factual detail. The work is situated within a broader Victorian context of national reflection and cultural identity, as Gower evokes the Towers symbolism as a monument to both monarchy and the tumultuous history of England. Lord Ronald Gower, a notable British sculptor, playwright, and biographer, was deeply connected to the arts and the historical milieu of his time. His passion for history and its preservation, along with his artistic background, undoubtedly informed his approach to this monumental work. Gowers fascination with historical subjects, combined with his commitment to detail, allows readers to appreciate the architectural and emotional nuances of the Tower, making his work a cherished addition to historical literature. Recommended for history enthusiasts and general readers alike, The Tower of London provides not only a window into the past but also a reflection on the enduring power of history in shaping national identity. Gowers dual volume is essential for anyone seeking to understand the significance of this emblematic fortress and its role in the tapestry of English heritage.

A showcase of Britains most architecturally significant shops throughout the twentieth century and beyond. 100 20th-Century Shops is a fascinating insight into the heritage of Britains changing high street and the diverse architectural styles of the 20th century. Entries in this book showcase 100 often instantly recognisable shops from across the country, from throughout the 20th century and stretching into the 21st, capturing the changing architectural styles of our beloved and rapidly disappearing retail environment.As the UKs retail landscape faces an existential crisis, now is an appropriate time to review and celebrate the architecture of our high streets. From Tudor-revival department stores and futuristic supermarkets to Art Deco shop fronts and post-war Festival style markets, the 100 shops featured here evoke a variety of design styles and traces the history and evolution of our cherished high street. The book also contains essays by respected writers Elain Harwood, Lynn Pearson, Matthew Whitfield, Kathryn A. Morrison and Bronwen Edwards on the design, development and decline of the high street over the last 100 years within a social and political context. This compelling book provides a glimpse into the wonderful shops that Britain has to offer and is a must-have for all fans of design history, architecture and retail.

Edición definitiva a partir de la traducción de la quinta edición original. Este libro tiene una historia apasionante. Aparecido originalmente en 1941, desde el principio fue todo un éxito editorial y con el tiempo se convirtio en un clasico de la historiografia de la arquitectura moderna. Ademas, el autor se preocupo de actualizar lo periodicamente, de modo que su contenido siempre incluyo la informacion mas reciente. Giedion murio en 1968, pero un par de años antes habia preparado la que seria la quinta y ultima edicion del libro. La presente edicion española tiene un caracter singular, ya que es la unica version no inglesa que recoge todas las modificaciones y ampliaciones que Giedion incorporo a la ultima revision de su libro. Ademas, al abordar esta nueva edicion se decidio volver a hacer la traduccion empezando desde cero. Para ello se ha partido de la ultima edicion norteamericana, aunque se ha recurrido a la version alemana (supuestamente la redaccion original) para resolver dudas y ambiguedades. Esta obra puede entenderse como una historia del Movimiento Moderno: desde las innovaciones de los pionero (como Eiffel o Sullivan) hasta las obras maduras de sus principales protagonistas (Gropius, Le Corbusier, Mies y Aalto). Pero ademas Giedion pretende buscar los origenes de este nuevo movimiento en la propia historia de la arquitectura, y para ello se remonta hasta el Renacimiento, con el descubrimiento de las leyes de la perspectiva, y al Barroco, con su nueva concepcion dinamica del espacio arquitectonico. Un enfasis especial se pone en el desarrollo de los nuevos materiales constructivos durante el siglo XIX, especialmente el hierro y el hormigon armado. El concepto mas trascendental introducido en el libro es el de espacio-tiempo, mediante el cual el autor explica la nueva concepcion de la arquitectura que se desarrollaria a lo largo de todo el siglo XX.

Extraordinary sites associated with the Bauhaus and modernism can be found throughout Germanypioneering architecture that has enduringly shaped our understanding of life and work, learning and living. This travel guide brings the historical and architectural traces of over 100 examples of Neues Bauen building to life, making tangible the impact of the historical Bauhaus beyond the school, its sites and its time.Along with well-known buildings, the guide features insiders tips throughout Germany, attractive illustrations, texts, practical information, and maps. The essays by Werner Durth and Wolfgang Pehnt outline the history of the Bauhauss context and its influence to the present day.The leading Bauhaus institutions in Germany have been working together as BAUHAUS KOOPERATION BERLIN DESSAU WEIMAR. They include the Bauhaus-Archiv / Museum fur Gestaltung, Berlin; the Stiftung Bauhaus Dessau; and the Klassik Stiftung Weimar.

Esta obra ofrece un nuevo enfoque de un periodo crucial de la arquitectura del siglo XX. Para ello, el autor se centra en una serie de arquitectos que no han tenido una presencia tan relevante en las historias canonicas del Movimiento Moderno.Cada capitulo ofrece una breve introduccion a la vida y obra de cada uno de los diecinueve arquitectos seleccionados y se centra en el analisis pormenorizado de una obra de referencia.La seleccion de arquitectos se ha llevado a cabo en base a la formulacion tipologica de sus programas de modernizacion sin precedentes y a su interpretacion reflexiva del funcionalismo.Prologo de la obra a cargo de Luis Fernandez-Galiano.

A 100 AÑOS DE LA BAUHAUSCon motivo de las celebraciones mundiales que se realizaran durante este año para festejar dicho acontecimiento, nos orgullecemos en presentarles este libro reedición del editado en 1958 por esta editorial, un valioso documento historico donde encontraran el pensamiento del fundador de la famosa escuela en varios articulos y conferencias durante sus tres diferentes vidas, como el mismo las llama, la de Alemania donde funda en 1919 la Bauhaus en Dessau, la de Inglaterra durante la segunda guerra y la de Estados Unidos de Norteamerica, en la Universidad de Harvard.

La hipótesis básica de este libro es que una de las dimensiones fundamentales que permiten comprender la excepcionalidad del peronismo es la de su funcionamiento discursivo. Para clarificar lo que ocurrio en los años setenta, los autores reconstruyen el conjunto de la historia del movimiento peronista desde el punto de vista de su singularidad como discurso. La primera parte del libro estudia la progresiva produccion del lugar especifico del lider como enunciador politico, desde la aparicion del coronel Peron como figura publica hasta el golpe de 1955 que interrumpio su segunda presidencia. La singularidad de la palabra de Peron como dispositivo de enunciacion permite comprender los excepcionales procesos de circulacion discursiva que caracterizaron el largo periodo del exilio, estudiado en la segunda parte. Sobre el fondo de este horizonte, la tercera analiza, en reconocimiento, la inaceptable trampa en que se encontro encerrada la juventud peronista a partir del momento en que, con el triunfo de Campora, creyo haber llegado, por fin, al poder. A lo largo de ese camino, los autores cuestionan ciertos modelos de la democracia, argumentan que el analisis del discurso es parte indispensable de todo analisis politico y muestran que el peronismo no puede entenderse simplemente como una ideologia.Es un analisis critico y polemico con motivo de la primera edicion del libro (1986), agotada desde hace mucho tiempo, Tulio Halperin Donghi saludo la obsesiva, casi maniaca voluntad de precision [a la que] debemos este deslumbrador examen, que logra hacer del discurso peronista un espejo tan fiel como relevador de un fenomeno politico que marco con un sello poderoso cuarenta años de historia argentina.

An illuminating look at a controversial architectural style and its finest examplesPost-modernism was the 1980s counter to Brutalism but fell out of fashion until its best buildings began to disappear. Now is the time to reassess its values. Historians Geraint Franklin and Elain Harwood discuss its background and key architects before celebrating Britains finest examples. Individual entries are beautifully illustrated, many with new photography, including the SIS Building made famous by James Bond, John Outrams awe-inspiring pumping station in Londons Docklands and Judge Institute in Cambridge, and the late works of James Stirling and Michael Wilford, including No.1 Poultry an extraordinary corner of the City that in 2016 became Englands youngest listed building.

In "Character of Renaissance Architecture," Charles Herbert Moore provides a profound exploration of the architectural innovations that defined the Renaissance period. Through meticulous analysis, Moore delves into the aesthetic principles, structural advancements, and cultural significance that characterized this transformative era. His eloquent prose and critical eye highlight the interplay between art and science, presenting not only a historical account but also an examination of the philosophical underpinnings of Renaissance thought, particularly how they influenced architectural design. This work stands as a meticulous scholarly text, emblematic of its time and context, as it bridges the artistic aspirations of the past with the intellectual inquiries of the late 19th century. Charles Herbert Moore was a pivotal figure in the realm of architecture and its criticism, an academic deeply engrossed in the study of architectural forms and histories. His extensive background in both classical studies and contemporary architecture allowed him to bring a unique perspective to his writings. Influenced by the interplay of aesthetic and functional elements in architectural education, Moore sought to articulate the enduring impact of Renaissance architecture on modern design sensibilities. This book is highly recommended for scholars, architecture students, and enthusiasts who wish to gain a comprehensive understanding of Renaissance architectures legacy. Moores blend of historical analysis and aesthetic critique offers valuable insights, making it an essential addition to the libraries of anyone interested in the evolution of architectural thought.