eBooks de Poesía contemporánea española del XIX al XXI, página 8 de 555

La Divina Comedia, escrita por el poeta italiano Dante Alighieri entre 1308 y 1321, es una obra maestra literaria que lleva a los lectores en un viaje épico a través de los reinos del Infierno, el Purgatorio y el Paraiso. La narrativa sigue a Dante, el protagonista, mientras es guiado por el poeta romano Virgilio y, mas tarde, por su musa Beatriz, a traves de estos reinos en una busqueda de redencion y comprension espiritual.En el Infierno, Dante encuentra una representacion vivida y simbolica de los pecados humanos y sus consecuencias. El Purgatorio presenta un viaje de purificacion y penitencia, mientras que el Paraiso revela la vision celestial y la comprension ultima de la Divinidad.La Divina Comedia es mas que un poema epico; es una exploracion profunda de la teologia, la filosofia y la condicion humana. A traves de su rica simbologia y su lenguaje poetico, Dante teje una narrativa que ha dejado una huella duradera en la literatura mundial y sigue siendo objeto de estudio y admiracion por su complejidad, profundidad y significado espiritual.

Fragilidad, olvido, miedos. Esos son los lugares que bucea Algo que decir. Mientras, va tejiendo puentes entre versos y prosas transmitiendo emociones como catarsis.Esta poetisa se comparte entregando al universo memorias y encuentros, entramando resonancias que trascienden la esencia humana, uniendo pasado, presente y futuro.En esta entrega fecunda, que dibuja un pendulo entre olvidos y fragancias de amores ideales, uno se puede adentrar en un mundo de abandonos y ausencias para presenciar muertes y renacimientos, metamorfosis de emociones, o rebeldias que llevan a nuevos atardeceres.Aqui queda la invitacion a seguir estas huellas de liberacion o transformacion vital profunda con el deseo de que cada quien experimente su propio renacer.

"Yo quiero dejar asentado aquí, en tinta, y en símbolos obtenidos digitalmente, que exploré como si fuera un niño explorador, y al mismo tiempo un aviador en pleno vuelo, la bella, realista y contundente poesia de Silvana Sturich. Como lo dije al principio de este prologo, irreverente sin querer, su poesia son miles de ventanas abiertas a todos los mundos posibles. Pero agrego aqui, tambien a los imposibles. El mayor logro de un poeta es hacer que cada lector no sea igual a lo que era antes de iniciar la lectura. La poesia de Silvana logra esta transformacion, y lo hace con silencios palpables, sabidurias sin tiempo, y estridencias atronadoras."Prof. Dr. Raul A. Montenegro, BiologoProfesor Titular Plenario de la Catedra "A" Biologia Evolutiva Humana(Facultad de Psicologia, Universidad Nacional de Cordoba).Director del Campus Cordoba del Right Livelihood College (RLC).Presidente de FUNAM y Premio Nobel Alternativo 2004 (Right Livelihood Award, Estocolmo, Suecia).

Fue en los momentos más complejos de la pandemia cuando con el poeta y artista visual Leo Lobos, tomamos la decisión de realizar el Festival Internacional de Poesía, para ello nos apoyamos de la plataforma Zoom de Prolibro de la Camara Chile del Libro, y con la colaboracion del periodista, Oscar Mancilla en los aspectos tecnicos, logramos realizar tres versiones de este festival. Invitamos a poetas mujeres y hombres de gran parte de Latinoamerica, las geografias y la polifonia de voces ricas en creatividad salieron por las pantallas de los computadores. Fue realmente un desplazamiento por la vasta, rica y diversa que es nuestra poesia latinoamericana.Tenemos conciencia de la inmensidad de propuestas, de la existencia de esteticas diferentes, elementos que le dan mas riqueza a esta muestra ya que nos guia por una geografia de olores, colores, minerales, vale decir por un mundo magico en donde la palabra es un acto de resistencia y la poesia su mayor arma.

"Cuando la libertad interior supera los obstáculos de una sociedad convencional dejando intacto los valores adquiridos en una vida".Elena GiacominTrieste, Italia

La poesía norteamericana es una poesía vinculada a la naturaleza, tanto la naturaleza salvaje como la domesticada, descriptiva de la vida rural y la urbana, y de la sociedad industrializada. Una poesia casi siempre realista, de la vida diaria y lo cotidiano, tambien narrativa y anecdotica, coloquial, generalmente, con el lenguaje de todos, concreta y directa.Tambien lo mas caracteristico es el ser americana, de esa realidad nueva del Nuevo Mundo, de algo distinto a lo europeo. Su originalidad ha sido la vinculacion con la naturaleza y, a veces, la convivencia con lo salvaje. Estas traducciones podran enriquecer mucho la poesia latinoamericana. Incluso podrian contribuir a estrechar mas la union de los pueblos de las dos Americas.

Por fim o livro chegou ao fim para mim. Foram dias incríveis, na normalidade da vida. Abstinência para falar de embriaguez, cigarros, tudo bem, a vida segue e seguiu. Sibila foi embora, fiquei iludido,

Há corações que nunca descansam. Não porque não saibam amar, mas justamente porque amam demais. São corações que vivem em estado de espera, em vigília constante, como se a vida fosse escapar por entr

While the place and year of Steve Malmudes birth (Manhattan, 1940) nominally stamp him as a second-generation poet of the New York School, his hieratic, almost ideogrammatic poems, made slowly and carefully sometimes over many years are utterly distinct from those of his peers. With substantial selections from his books all but ten of Malmudes previously published poems are included here Red Carpet also gathers unpublished early work (the opening sonnet was written in 1958, when Malmudes guiding star was Robert Lowell) along with poems written after he relocated to Limerick, Maine, in 2002.

I thought to myself that I needed to sing death, perform a rite for death, write death, then bid farewell to it. The title section of Kim Hyesoons visceral Autobiography of Death consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation.

Poetry of how we shape what is lost or past, and how it shapes us. Bernard ODonoghue investigates anchorage as a place we build for ourselves out of memory and story. The Ireland of his youth is rich in colour and precise in detail, and while he acknowledges the power of the past, he also brings it into question: I wish Id never started on this story; / It may have been a dream, or maybe not . . . ODonoghues informal and at times playful tone is that of a poet disarming themselves as well as their reader. Here are the paradoxes at the heart of human nature: what we are most attached to can be, in the end, what ties us down; the reluctance to return can arise out of the fear of finding ourselves locked out.ODonoghues poems are an object lesson in how to write poetry that matters.PN ReviewThe poignancy of ODonoghues migratory imagination is . . . the perfect travelling companion.Times Literary SupplementCompelling and simple diction . . . full of gentle, sometimes undetectable flashes of humour.London MagazineAs with everything ODonoghue writes, the more you look, the more you see.Scotsman

Sinopse Meditando-se poeticamente sobre as promessas divinas ao atendimento das orações dos fiéis, este livro reúne 12 preces em forma de poemas alexandrinos, sendo 7 sonetos em diversos estilos, ant

2024 National Book Critics Circle Award for Poetry (USA)Kim Hyesoon here shapeshifts into birds as she explores trauma, grief and parting. Kim mixes folklore and mythology with contemporary psychodramatic realities as she taps into a cremation ceremony, Rimbaud, Agnes Varda, Francis Bacons portrait of Pope Innocent X, cyclones and more.

A Telegraph Book of the Year 2024In Conjurors, a major poet is revealed for the first time. Julian Orde (191774) published only in magazines during her lifetime. A friend of Stevie Smith and an intimate of Dylan Thomas and W.S. Graham, she was one of those peripheral figures who turns out to be a centre in her own right. Her evolving worlds and changing landscapes as a writer come alive in these substantial, unexpected poems. Her lyrical surrealism is prophetic and retains its charge:The speckled water rippled into minnows, Of worms and turf smelt all the fish pale morning, Earth pushed up its smell of worms through grass and wet, Through sodden leaf, mushroom and winking frog. I, on the bank, lived quick as breathing frog, Its lungs and mine puffed out Septembers thin Morning, sallow and silver, fish-filled, the sky in a river.Wherever I go in the guilty years there still Goes my innocence with me [...]William Empson celebrated her. Wonder at nature, wonder at all experience, is her note, and she gets a great deal of variety into it; also she has a beautiful ear, and a supply of unforced humour.The editor of PN Review said, Its hard to imagine the middle of the twentieth century now without Julian Orde. Carcanets recovery of her work thanks to the patient archaeology of James Keery and V. Beatson proves that the past, even the relatively recent past, is at least as rich in resource and surprise as the present.

From saints days to Halloween and the many other celebrations on the Irish calendar, this collection of poetry from Rita Ann Higgins sets a tone for all seasons.Featuring bank holiday poems as heard on RTE Radio, such as Lunasa and Coming Out of Winter, and others like My Mother Loved Me in Red, The Puca, Visiting My Father at Christmas and All Souls Day, The Long Weekend leaves no question that Rita Ann Higgins is the peoples poet.The peoples poet. Shes magic. Shes a one-off. Brendan OConnorA haunting, beautiful collection of poems that commands attention and bears witness to lifes struggle. This collection confirms Higgins as one of our greatest poets. Elaine FeeneyA work of immense thoughtfulness.Susannah Dickey

Longlisted for the Griffin Poetry Prize 2025 A Time Book of the Year 2024 A Financial Times Poetry Book of the Year 2024Sidetracks, Bei Daos first new collection in fifteen years, is also his first long poem and undoubtedly his magnum opus the artistic culmination of a lifetime devoted to the renewal and reinvention of language. As a poet, I am always lost, he once declared. Opening Sidetracks with a prologue of heavenly questions and following on with thirty-four cantos, the poem travels forward and backward along the divergent paths of the poets wandering life. From his time as a Young Pioneer in Beijing, the poem roves through the years of exile living in six countries, back to the rural construction site where he worked during the Cultural Revolution, to the sunshine tablecloth in his kitchen in Davis, California, and his emotional visit home after a thirteen-year separation (the mother tongue has deepened my foreignness). The various currents of our times rush into his lifelines, reconfigured through the vortex of experience and the poets encounters with friends, strangers and with other artists living and dead. He moves from place to place unable to return home.As the poet Michael Palmer noted: Bei Daos work, in its rapid transitions, abrupt juxtapositions and frequent recurrence to open syntax evokes the un-speakability of the exiles condition. It is a poetry of explosive convergences, of submersions and unfixed boundaries, "amid languages".

A duel on an empty island sets the course for one of the greatest romances ever told. As the lovers of legend meet, something new is born, and something eternal is revealed. Their names will forever be spoken as one. This modern retelling of Tristan and Yseult sheds a stark light on the beauty of the Celtic tale.

Simon Armitage turns Hansel & Gretel into a darkly glittering fairy tale for grown-ups. In vivid and trenchant language, he puts a contemporary spin on the tale we know from the Brothers Grimm. Here is a twenty-first century story, whose preoccupations are poverty and hunger, war and flight, a shifting dystopian landscape where nothing is quite as it seems.Text and illustration fuse beautifully to summon a nightmarish vision that nonetheless contains humour and humanity and the possibility of a more hopeful future to come.

Reeling in the face of collapsing systems, of politics, identity and the banalities and distortions of modern living, Nick Laird confronts age-old anxieties, questions of aloneness, friendship, the push and pull of daily life. At the books heart lies the title sequence, a profound meditation on a fathers dying, the reverberations of which echo throughout in poems that interrogate inheritance and legacy, illness and justice, accounts of what is lost and what, if anything, can be retrieved.Laird is a poet capable of heading off in any and every direction, where layers of association transport us from a clifftop in County Cork to the library steps in New Yorks Washington Square, from a face-off between Freud and Michelangelos Moses to one between the poet and a squirrel in a Kilburn garden. There is conflation and conflagration, rage and fire, neither of which are seen as necessarily destructive. But there is great tenderness, too, a fondness for what grows between the cracks, especially those glimpses into the unadulterated world of childhood, before the knowledge or accumulation of loss, where everything is still at stake and infinite, the darkness under the cattle grid.

Winner of the Michael Hartnett Poetry Award 2024Shortlisted for the Derek Walcott Prize for Poetry 2023Shortlisted for the Pigott Poetry Prize 2023Tara Bergins third collection, Savage Tales continues to explore original territory, bringing the riddle, song and dialogue into a series of formally inventive and blackly comic sequences. Bergins book asks us to steer our way through a chorus of exchanges and situations, as she charts the fraught course between the making of individual poems and, uneasy bedfellow of this sustained activity, an authority which is always here called into question. Dramatizing the contemporary and the classic with great wit, ingenuity and panache, Savage Tales confirms Bergin as one of the outstanding poets of our time.