Christopher Hampton

While her bullying and unfaithful boyfriend, Dave, is reporting in Iraq, Ann seizes the opportunity to change the locks and take up with her infinitely more considerate colleague Patrick. But Patrick proves no match against savagery and charisma when Dave comes crashing home, determined to win back his girl. First staged at the Royal Court Theatre, London, in 1976, this updated version demonstrates that, in love, our instinct for making the wrong decisions remains as sharp as ever. Treats was revived at the Garrick Theatre, London, in February 2007, following a tour to Windsor, Malvern, Bath and Richmond.

This first collection of Hamptons work includes The Philanthropist, which premiered at the Royal Court Theatre in 1970 and went on to become one of the Courts longest-running West End transfers. The volume also contains Treats, Savages and Hamptons deeply affecting drama about the relationship of the French poets Rimbaud and Verlaine, Total Eclipse.

The scandalous reputation of Lacloss novel, first published in 1782, is based on its chilling portrayal of the mannered decadence and sexual cynicism of the French aristocracy in the last years of the ancien regime. Christopher Hampton has made a masterful adaptation for the stage of the conspiracy to corrupt a young girl barely out of her convent.Les liaisons dangereuses was premiered by Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, on 24 September 1985, and won Christopher Hampton the Evening Standard Award for Best Play and the Laurence Olivier Award for Best New Play in 1986.

I had no idea what was going on. Or very little. No more than most people. So you cant make me feel guilty. Brunhilde Pomsels life spanned the twentieth century. She struggled to make ends meet as a secretary in Berlin during the 1930s, her many employers including a Jewish insurance broker, the German Broadcasting Corporation and, eventually, Joseph Goebbels. Christopher Hamptons play is based on the testimony she gave when she finally broke her silence to a group of Austrian filmmakers, shortly before she died in 2016. Maggie Smith, alone on stage, plays Brunhilde Pomsel. Christopher Hamptons play is drawn from the testimony Pomsel gave when she finally broke her silence shortly before she died to a group of Austrian filmmakers, and from their documentary A German Life (Christian Krones, Olaf Muller, Roland Schrotthofer and Florian Weigensamer, produced by Blackbox Film & Media Productions).

A remote 18th-century Hungarian castle is the setting for a dramatic meeting. Forty-one years after a tragic event two former friends must confront each other in a devastating bid to lay the past to rest. Betrayal, love, truth and friendship all come to the fore in this unforgettable play based on Sandor Marais bestselling novel.Embers premiered at the Duke of Yorks Theatre in Londons West End in February 2006.

The old man started to talk about the trial. He blamed everyone involved, including the teacher, i.e. me. In his view the root cause of the problem was that everybody involved - teachers, parents, boys - behaved as if God no longer existed. A schoolteacher is denounced and accused of sabotage of the Fatherland when he reprimands a student for making a racist remark. The class petition against him. A murder follows. During the trial, the teacher decides to risk everything by telling the truth. Published in 1937, Jugend Ohne Gott is the penultimate novel by Odon von Horvath. It was judged by Thomas Mann to be the best novel of recent years. This powerful evocation of everyday life in the shadow of fascism also garnered praise from Hermann Hesse, Franz Werfel and Joseph Roth, who called Horvath the most clear-sighted chronicler of his age. Christopher Hamptons adaptation of Youth Without God was commissioned by and performed in Vienna at the Theater in der Josefstadt in 2009. On its tenth anniversary, the play receives its UK premiere at The Coronet Theatre, London.

Este libro contiene el guión original de la película Las Amistades Peligrosas, exitoso largometraje que fue dirigido por Stephen Frears.

4th March, 1865: On the night of his second inauguration, a few weeks before his assassination, Abraham Lincoln meets the veteran black abolitionist Frederick Douglass in the White House to discuss the prospect of extending the vote to black men who have served in the soon to be victorious Union armies. 4th March, 1965: In the White House, Lyndon Johnson, anxious to introduce a new Voting Rights Act, is briefed by his sinister and "unfirable" FBI director, J. Edgar Hoover, on the imminent Selma to Montgomery march, led by Dr. Martin Luther King, Jr.. It is a demonstration prompted by a state troopers murder of the young activist Jimmie Lee Jackson, in Marion, Alabama, following a rally in support of voter registration in Perry County. In his ambitious new play, commissioned by the Guthrie Theater, Minneapolis as the centrepiece of a retrospective of his plays and films, Christopher Hampton traces a line which runs from the last days of a brutal Civil War to the high-water mark of the Civil Rights movement and on, all the way to the present day; and considers the agonisingly slow healing of a wound, universal, but especially deep and painful in America: racism.Appomattox premiered at the McGuire Proscenium Stage in the Guthrie Theater on 5 October, 2012.

Theres this monstrous idiot - this monstrous elected idiot - who keeps telling his fellow-idiots to throw my books on a bonfire and beat me up in the street. Vienna, 1934. Stefan is a successful author - widely read, universally admired, and translated into every language. His is the life of the wealthy playboy, enjoying only the finest luxuries, the toast of cultured European society. Only two things cloud his prospects: the rise of the Nazi Party, and the sudden appearance of a woman who he must know but cannot for the life of him remember. Christopher Hamptons adaptation of the short story by Stefan Zweig (1881-1942) received its English Language premiere at Hampstead Theatre, London, in June 2024.

"És la meva obra favorita. És el consens general aquí [a la Gran Bretanya]que és la millor de les meves obres de teatre. Així que li tinc molt dafecte. Mai se sap en el moment—algunes obres milloren

A lot of my plays begin as comedies and mutate in the course of the evening, because my instinct is that you have to welcome the audience in and make sure theyre sitting comfortably before you can give them an adequate punch on the jaw. Since the acclaimed London premiere of his first play in 1966, Christopher Hampton has established himself as one of Britains most prominent, and least predictable, dramatists. From his best-known play, Les Liaisons Dangereuses, and its Oscar-winning film version, Dangerous Liaisons, to personal and critical favourites like Total Eclipse and Tales from Hollywood; from his films as writer-director (Carrington, Imagining Argentina) to his work as screenwriter-for-hire (Mary Reilly, The Quiet American); from translations (Art) to musicals (Sunset Boulevard), Hampton eloquently - and entertainingly - explores his varied career with interviewer Alistair Owen, and discusses its recurring theme: the clash of liberal and radical thought, exemplified by his most recent play, The Talking Cure, about the fathers of psychoanalysis, Jung and Freud.