G.K. Chesterton, página 4 de 37

Here you will find the complete Father Brown stories in the chronological order of their original publication.- The Innocence of Father Brown- The Wisdom of Father Brown- The Donnington Affair- The Incredulity of Father Brown- The Secret of Father Brown- The Scandal of Father Brown- The Mask of Midas

Quizás la más famosa obra de Chesterton que, en palabras de Borges, «no encierra una sola página que no ofrezca una felicidad»GILBERT KEITH CHESTERTON (1874-1936) ejemplifica como pocos la idea común

Basil Grant, Horne Fisher, Gabriel Gale, Mr. Pond, el padre Brown... una verdadera galería de personajes excéntricos, diversamente locos, pero alumbrados por la llama del genio, todos ellos dados al sutil arte de resolver asesinatos o misterios aparentemente sin solucion. Pero no solo comparten el ingenio o la propension a la paradoja: de alguna manera, todos ellos son Chesterton, mascaras o avatares del autor, por medio de los cuales nos invita a reflexionar sobre la condicion de la sociedad o sobre la naturaleza humana. El presente volumen recoge once relatos de crimen y misterio extraidos de las obras detectivescas de G.K. Chesterton y, no solo nos ofrece un amplio retrato de cada uno de estos personajes que forman su peculiar galeria de investigadores, sino tambien, como es habitual en el autor, una sabia combinacion de destreza en la exposicion y en la ambientacion, suspense, humor e ingenio.

Periodista, filòsof, crític literari, orador, novel·•lista... L’escriptor anglès G. K. Chesterton (1874-1936) és una figura polifacètica, complexa, molt interessant. Sílvia Coll-Vinent fa una tria de

Ensayos y artículos de diversa índole, siempre desde el punto de vista del genial escritor inglésLa sal de la vida (The spice of life) fue publicado por vez primera en 1964 y es una muy lograda miscelanea reunida por su secretaria e insigne chestertoniana, Dorothy Collins. Los articulos proceden de muy diversas publicaciones a lo largo de mas de veinte años y el que da titulo al volumen fue escrito por Chesterton solo tres meses antes de su muerte. Para Dale Ahlquist, reconocido biografo de nuestro autor, este es quizas el mas organico y mejor organizado de los libros postumos de Chesterton. En el se reunen, junto con los habituales ensayos polemicos sobre temas de actualidad como la educacion o la escritura de novelas de detectives, otros de caracter mas literario que nos hablan, como solo G. K. (y Borges) saben hablarnos, de Shakespeare, Esopo, Alicia en el pais de las maravillas, Samuel Pepys o Charlotte Bronte, por citar solo unos pocos nombres.La sal de la vida (The spice of life) fue publicado por vez primera en 1964 y es una muy lograda miscelanea reunida por su secretaria e insigne chestertoniana, Dorothy Collins. Los articulos proceden de muy diversas publicaciones a lo largo de mas de veinte años y el que da titulo al volumen fue escrito por Chesterton solo tres meses antes de su muerte. Pa...

La Nueva Jerusalén es uno de los libros de viajes de Chesterton, junto a “Lo que vi en los Estados Unidos” e “Impresiones irlandesas”, publicado en esta editorial. Chesterton fue un viajero singular.

In "Heretics," G. K. Chesterton presents a series of provocative essays that challenge the prevailing intellectual currents of early 20th-century thought. With his characteristic wit and incisive reasoning, Chesterton critiques the dogmas of modernism, liberalism, and other philosophical trends, advocating for a return to a more orthodox and whimsical view of life. His literary style is marked by paradox, humor, and a spirited defense of traditional beliefs, drawing on a diverse array of subjects from literature to psychology. This work stands as a vital contribution to the literature of faith and rational inquiry, illuminating the tensions between skepticism and belief in an age increasingly dominated by empiricism and materialism. G. K. Chesterton, an influential English writer, lay theologian, and social critic, drew inspiration from his own journey of faith and literary exploration. Born in 1874, Chestertons background in art and literature enabled him to engage deeply with complex societal issues, often contrasting the vitality and richness of faith with the starkness of modern nihilism. His experiences and encounters with various thinkers provided the impetus for "Heretics," marking his foray into public intellectual discourse and establishing him as a defender of traditional Christian values. "Heretics" serves not only as a powerful critique of contemporary thought but also as a clarion call for readers to reassess their own beliefs. Recommended for those intrigued by philosophy, theology, and literary criticism, this book promises to challenge presuppositions and inspire rigorous reflection. Chestertons eloquence and incisive arguments make this work a timeless exploration of the intellectual battles that rage within the human heart.

In "A Miscellany of Men," G. K. Chesterton presents a collection of essays that delve into a rich tapestry of human experience, illustrating his signature blend of wit and wisdom. The work, written in Chestertons characteristic exuberant style, employs vivid imagery and incisive argumentation to explore diverse topics, from philosophy to the nature of man. The literary context of this collection situates it within the early 20th century, a time marked by social upheaval and philosophical questioning, inviting readers to ponder the complexities of humanity through Chestertons thought-provoking lens. G. K. Chesterton, an English writer, philosopher, and theologian, became a prominent figure in literary circles due to his keen insights and distinctive voice. His background in journalism and his deep-rooted interest in the mysteries of faith and humanity profoundly influenced his writings. The essays in this collection reflect his admiration for the commonplace and his belief in the extraordinary potential of the human spirit, shaped by his experiences in a rapidly changing world. "A Miscellany of Men" is an essential read for those seeking to understand the interplay between humanitys virtues and vices. Chestertons engaging prose and philosophical musings invite readers to reflect on their perceptions of the world, making this collection a timeless exploration of the intricacies of being human.

G. K. Chestertons collection, "Poems," showcases the authors profound ability to weave intricate themes of faith, wonder, and the human experience into lyrical verse. Characterized by his masterful use of wit and paradox, Chestertons poetry invites readers into a world where the ordinary transforms into the extraordinary. The collection reflects the rich tradition of English literature, influenced by Victorian sentiments yet simultaneously embracing modern themes, creating a bridge between the two eras. His vivid imagery and playful yet philosophical tone underscore a quest for meaning amidst the chaos of life, making this work a crucial reflection of its time. G. K. Chesterton (1874-1936), a prolific writer, philosopher, and theologian, brought a unique perspective to early 20th-century literature. His deep Catholic faith and sharp intellect motivated him to explore the spiritual dimensions of existence, often challenging the conventions of society through his writing. The roots of Chestertons distinctive style can be attributed to his wide-ranging interests, including theology, philosophy, and social commentary, which significantly influenced his poetic voice and thematic concerns. For readers seeking a thought-provoking blend of imagination and insight, "Poems" is an essential exploration of lifes complexities, rendered in Chestertons engaging and accessible style. This collection not only showcases Chestertons poetic prowess but also serves as a testament to his enduring relevance in discussions about morality and the human condition.

In "The Club of Queer Trades," G. K. Chesterton crafts a collection of short stories that deftly intertwine elements of detective fiction, satire, and philosophical inquiry. The book introduces a unique protagonist, the resourceful and inquisitive detective Basil Grant, who navigates a series of bizarre and whimsical cases. The stories are enriched by Chestertons trademark wit and clever prose, presenting an exploration of human eccentricity while simultaneously critiquing contemporary societal norms and the limitations of conventional reasoning. Set against the backdrop of early 20th-century British society, the narratives invite readers to ponder the absurdities of life through a lens of playful yet profound inquiry. G. K. Chesterton (1874-1936) was a prolific writer known for his strong Christian beliefs, journalism, and philosophical essays. His experiences as a reporter and his deep engagement with social issues informed his writing, leading to a distinctive worldview that valued imagination and paradox. Chestertons belief in the importance of myth and narrative culminated in this work, showcasing his fascination with the peculiar and the unorthodox in life and art. "The Club of Queer Trades" is a compelling read, perfect for those who appreciate clever storytelling that simultaneously entertains and provokes thought. Chestertons ability to blend humor with profound insights grants readers both laughter and contemplation, making this collection an essential exploration of the curious intricacies of human nature.

In Magic, G. K. Chesterton explores the intersection of the mundane and the mystical, weaving together essays that illuminate the enchantment hidden within everyday life. Through a blend of whimsical prose and profound philosophical inquiry, Chesterton delves into the nature of magic as it manifests in various cultural contexts, examining its capacity to reveal the wonder in the ordinary. The literary style is distinctly Chestertonianrichly rhetorical, filled with paradoxes, and imbued with a playful tone that invites the reader to reconsider familiar assumptions, making it a compelling read amidst the early 20th-century backdrop of skepticism and scientific rationalism. G. K. Chesterton, a prominent English writer, and thinker, was known for his keen observations on faith, society, and the human experience. His own background in journalism and literary criticism, along with a lifelong fascination with the supernatural and the absurd, informed his approach to Magic. His conversion to Christianity and deep appreciation for tradition lend a unique perspective on the concept of magic, intertwining it with themes of spirituality and wonder. This book is highly recommended for readers intrigued by the intersection of philosophy and literature. Chestertons rich language and insightful observations will resonate with those seeking to rediscover the magic in their own lives, urging them to look beyond the veil of the ordinary and embrace the fantastical elements often overlooked in modern society.

In "The Barbarism of Berlin," G. K. Chesterton critiques the cultural and moral ramifications of the burgeoning modernity in early 20th-century Europe, particularly focusing on the ascendance of German nationalism and militarism. Through a blend of incisive satire and eloquent prose, Chesterton juxtaposes the civilizational achievements of Western culture with the barbaric tendencies he perceives in the political ideologies of his time. The book serves not only as a series of essays but also as a gripping commentary on the philosophical and ethical implications of war, invoking themes of loyalty, identity, and the soul of a nation in Crisis. Chestertons distinctive literary style engages readers through wit and paradox, making complex ideas accessible while inviting deep reflection on moral integrity in times of turmoil. G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, and journalist who cultivated a reputation for his provocative ideas and formidable intellect. His keen insights into society, religion, and human nature stem from a diverse background in literature and a lifelong confrontation with modernism, often opposing prevailing ideologies. This book emerged from his passionate defense of the values of civilization amidst the looming threat of World War I, positioning him as a defender of Christian and traditional values during an era of upheaval. "The Barbarism of Berlin" is an essential read for those seeking to understand the philosophical undercurrents of pre-War Europe and the cultural discourse that underpinned it. Chestertons engaging narrative style and thought-provoking arguments make this work not only a historical artifact but also a timeless reflection on human values in the face of barbarism. This book invites readers to reflect on the moral quandaries of their own times and challenges them to consider what it truly means to be civilized.

In George Bernard Shaw, G. K. Chesterton crafts a compelling exploration of the celebrated playwright and critic, offering astute insights into Shaws complex character and formidable intellect. Chestertons literary style blends wit and profundity, employing a conversational yet authoritative tone that navigates through Shaws major works and philosophical stances. Drawing from a wealth of cultural and historical context, Chesterton adeptly frames Shaw as a pivotal figure in the transformation of modern theatre, emphasizing his role as a social reformer and a provocateur who challenged conventional morals and artistic norms. Chesterton himself, renowned for his keen observations and opposing views, was deeply influenced by Shaws audacity and influence in the literary world. Their shared roots in the same era of British thought allowed Chesterton to engage with Shaw in a unique way, nurturing a rich dialogue that comments not only on Shaws contributions but also on the broader currents of early 20th-century thought and artistry. The interplay of their ideas serves to amplify the thematic concerns both writers shared, particularly regarding social justice and individualism. This book is not merely a biography; it is an invitation into the vibrant intellectual landscape of its time. Readers seeking to understand the dynamics between two literary giants will find Chestertons work illuminating and enriching. Recommended for scholars, theatre enthusiasts, and anyone intrigued by the intersection of literature and social critique.

Father Brown returns in his fourth collection of stories, and his sidekick Flambeau makes a return as well, although only in the two framing stories at the beginning and end of the collection. In the intervening ten stories, Father Brown is alone, and investigating mysteries involving objects as varied as mirrors, literal goldfish (made out of gold), and a suit of armor. As always, his investigations also provide him an opportunity to expound on the nature of evil, the differences between a charlatans representation of the supernatural and the real thing, and the opportunities for thieves and murderers to repent of their deeds.

In "The Ball and the Cross," G. K. Chesterton presents a profound exploration of faith, reason, and the eternal conflict between belief and skepticism. The narrative follows the tumultuous encounters of two main charactersan atheist and a Catholicas they engage in spirited debates that oscillate between philosophical discourse and passionate confrontations. Chestertons signature wit shines through in this allegorical tale, rich with his trademark paradoxes and vivid imagery, set against the backdrop of early 20th-century England. The novel acts as a microcosm of the greater theological struggles of its time, making it a compelling commentary on the modern dilemma of faith versus rationalism. G. K. Chesterton, a prolific writer and thinker, was deeply influenced by the socio-political climate surrounding him. His own conversion to Catholicism informs the philosophical underpinnings of this work, reflecting his passion for defending traditional beliefs in an era increasingly skeptical of religion. Known for his sharp intellect and ability to craft engaging narratives, Chesterton draws upon his extensive knowledge of literature, theology, and history to enrich the characters and themes within the novel. "The Ball and the Cross" is highly recommended for readers interested in the dynamic interplay between belief systems. Chestertons eloquent prose and incisive observations invite readers to ponder the depths of their own convictions amidst a captivating tale of conflict and resolution.

Cuatro personajes que han formado un extraño e incomparable Club. Los cuatro relatos siguen el mismo esquema: se ha cometido un crimen y la dificultad de la investigación no será tanto descubrir al culpable como averiguar cual ha sido su movil. Han cometido sus crimenes con el unico proposito de evitar un crimen aun peor. Legalmente son culpables, pero moralmente podrian ser inocentes.

In "A Short History of England," G. K. Chesterton presents a compelling narrative that distills the vast tapestry of English history into a succinct yet rich account. His literary style is characterized by a blend of wit, paradox, and a reflective tone, immersing readers in a narrative that is both engaging and thought-provoking. Chesterton navigates through the significant events and figures of English history, from its ancient roots to the complexities of modernity, all while maintaining a critical perspective on national identity and cultural evolution in the context of Europe. G. K. Chesterton, a prolific author, philosopher, and journalist, was deeply influenced by his Roman Catholic faith and an appreciation for tradition. His understanding of history was not simply as a collection of dates and figures, but as a living narrative that shapes contemporary thought. Chestertons incisive observations about the nature of society and morality inform this work, making it a product of his time yet timeless in its insights. This book is an essential read for anyone seeking to understand the evolution of English identity and its historical significance. Chestertons unique approach invites readers to reflect on their own perceptions of history, encouraging them to engage with the complexities and intricacies of Englands past.

Father Brown, full-time Catholic priest and part-time amateur detective, returns in this third collection of short stories by G. K. Chesterton. Unlike the first two collections, this time Father Brown is investigating alone; his sidekick, the former criminal Flambeau, is nowhere to be seen. Father Brown has to solve a murder (including his own!) in each story, and since several also appear to involve the supernatural, he has ample opportunity to elaborate on his thoughts concerning it.