Libros de Arte, página 43 de 5789

The Austrian artist Egon Schiele (18901918) is renowned for his intensely confrontational portraits, self-portraits, erotic images, and allegories. What is less well known today is that Schiele was also a talented and prolific landscape painter. These fascinating landscapes, however, are now gaining the attention of scholars and the art world. Indeed, Landscape at Krumau (1916) by Schiele recently sold at auction in London for about $20 million. In this beautifully illustrated and engaging book, Kimberly A. Smith provides the first full examination of Schieles landscapes and townscapes, offering a new approach to and insights into the artists work and motivations. Diverging from the conventional interpretation that Schieles paintings are revelations of the artists psychology and emotional experience, Smith focuses instead on how his landscapes relate to the political, social, and historical conditions in early-twentieth-century Austria. As Smith argues, Schieles extraordinary landscape paintings are marked by a dialectic of resignation and renewal and convey the character of Viennese modernism itself. Kimberly A. Smith is assistant professor in the Art Department at Southwestern University in Georgetown, Texas.

A comprehensive introduction to dance as an art form for new dancers.

Álvarez Mora, Alfonso; Castrillo Romón, María A.

El viejo Madrid medieval fue una villa con una población de gran culto religioso, como lo demuestran las iniciales diez iglesias de que dispuso antes de poblarse los primeros barrios extramuros, a los que se sumaron otras cuatro, sin contar los mas de cincuenta conventos fundados antes de 1800. Pero poco nos queda de aquellas antiquisimas y queridas iglesias con las que generaciones enteras de madrileños convivieron. Los distintos avatares del tiempo, tales como restauraciones, cambios urbanisticos que provocaron su demolicion, la desamortizacion, robos, incendios o ruina las maltrataron hasta casi hacerlas desaparecer. A pesar de todo, la huella de su historia no puede borrarse. Leyendas, tradiciones, ubicaciones estrategicas, curiosidades y mucho mas se han dado cita en las viejas iglesias madrileñas, siendo imperdonable su olvido. Las tiene aqui...

Una de las grandes riquezas del Caribe, poco mencionadas sin embargo y que nos produce un profundo deleite, es su música. Este valor inmaterial tiene detrás suyo una historia de conquista, esclavitud, defensa de identidades y luchas libertarias. Es esta musica el punto de encuentro entre las comunidades de Africa y America, ademas de que constituye los movimientos artisticos mas importantes de los reinos de España y Portugal, porque cuando se escuchan las formas de acompañamiento musical y del canto para la improvisacion de la decima espinela en Canarias y en Am erica, la tonada del punto guajiro cubano, del galeron del Oriente venezolano, de la guajira andaluza, el zapateado jarocho, el punto canario o la mejorana panameña, entre muchos otros, no cabe duda de que estamos ante un lenguaje compartido que nos hace mirar a la region de una manera distinta.

Este libro es un estudio detallado de una de las mejores obras de Antoni Gaudí. El Park Güell es un lugar donde la naturaleza y la arquitectura conviven en armonía. Aunque fue concebido por Antoni Ga

A través de sus 80 páginas mostramos las fantásticas fotografías que Brancusi saca de esculturas, autorretratos y vistas del taller. El escultor se sirve de la cámara no sólo para realizar un inventario de su produccion como artista, sino tambien como verdadero medio de expresion.Incluye una detallada biografia.

Este ensayo es una defensa vehemente del cine en cuanto lenguaje autónomo, incluso cuando se ve influido por una obra literaria preexistente. Cine y literatura comparten un tronco común, el relato, y traducen el mismo deseo de contar historias. Ser literario no consiste en basarse en una novela o texto anterior, sino en querer contar una historia al completo.

New Museums A survey of contemporary museum design worldwide by internationally prominent architects.Raul A Barreneche A survey of 27 innovative new museums around the world by internationally prominent architects such as Herzog + de Meuron, Steven Holl, Renzo Piano and Yoshio Taniguchi, among others Documents a wide range of museums serving many functions and includes research centres, memorials, contemporary galleries and small museums devoted to single collectors High-profile projects, including the Great Court at the British Museum, London, by Foster + Partners; the Rosenthal Center in Cincinnati, Ohio, by Zaha Hadid; and the Jewish Museum, Berlin, by Daniel Libeskind Each project is presented in depth with superior colour photographs of exteriors and interiors, plans, drawings, and descriptive text by a widely published architecture critic Includes projects in Western Europe, the United States, Israel and JapanThe lead article in the October 2004 issue of Architectural Record, devoted to contemporary museums, noted that 'museums continue to proliferate across the international landscape, leading to the conclusion that, post-Bilbao, every municipality seems to want a smash.' Certainly, following the opening of Frank Gehry's Guggenheim Museum Bilbao, museums gained a newfound cache among architects and clients. The mission and purpose of the museum is rapidly evolving: museums today are frequently more than repositories for historical art, as they can be research centres, memorials, contemporary galleries, or site-specific artworks in themselves. Often, they are all of these things at once. New Museums documents the best of new museum design and features 27 projects in 13 countries in Europe, the United States, Israel and Japan. The architects represented are among the most renowned practitioners in the world today. In addition to Gehry, they include van Berkel + Bos, Santiago Calatrava, Zaha Hadid, Kengo Kuma and Alvaro Siza, as well as lesser-known yet uniquely talented designers such as Zvi Hecker in Israel and Diener & Diener in Switzerland. An illustrated general introduction discusses well-known historical precedents, as well as current themes that are relevant to museum design: the museum as a neutral co

Modern House 3 is an overview of the most innovative houses built around the world in recent years, following the highly successful publication of Phaidons Modern House (1993) and Modern House 2 (2000). This book presents 33 houses in 15 countries, by both distinguished architects and up-and-coming young designers, including David Adjaye (London), Tadao Ando (Japan), Shigeru Ban (Japan), Carlos Ferrater (Spain), Sean Godsell (Australia), Kengo Kuma (China), Richard Meier (United States), and Julie Snow (Canada), among others.