Libros de Arte, página 44 de 5789

Este ensayo es una defensa vehemente del cine en cuanto lenguaje autónomo, incluso cuando se ve influido por una obra literaria preexistente. Cine y literatura comparten un tronco común, el relato, y traducen el mismo deseo de contar historias. Ser literario no consiste en basarse en una novela o texto anterior, sino en querer contar una historia al completo.

Como su título indica, el libro hace un repaso a los diversos campos que afectó la revolución juvenil que tuvo lugar en la capital británica en aquellos años. Tras la posguerra aparece una generación que creo un mercado exclusivo para los jovenes: moda, lugares de ocio, discos, radio, television... Entre la juventud de los barrios trabajadores surgio una nueva forma de vivir el fin de semana: la "vida total" Mod, que implicaba gastar el sueldo en lujosas ropas, trasnochar bailando los ultimos ritmos del otro lado del Atlantico, nuevos medios de transporte como el scooter, seguir a la plaga de grupos que imitaban el R n B negro americano y drogas para que el cuerpo aguantase tanta accion. Se da un repaso a las bandas miticas que surgieron en aquellos dias (Rolling Stones, Kinks, Animals, David Bowie, Who y un largo etcetera), a la segunda explosion Mod de finales de los 70 (Quadrophenia, Jam...) y los ecos que llegaron a Madrid durante los 80.

New Museums A survey of contemporary museum design worldwide by internationally prominent architects.Raul A Barreneche A survey of 27 innovative new museums around the world by internationally prominent architects such as Herzog + de Meuron, Steven Holl, Renzo Piano and Yoshio Taniguchi, among others Documents a wide range of museums serving many functions and includes research centres, memorials, contemporary galleries and small museums devoted to single collectors High-profile projects, including the Great Court at the British Museum, London, by Foster + Partners; the Rosenthal Center in Cincinnati, Ohio, by Zaha Hadid; and the Jewish Museum, Berlin, by Daniel Libeskind Each project is presented in depth with superior colour photographs of exteriors and interiors, plans, drawings, and descriptive text by a widely published architecture critic Includes projects in Western Europe, the United States, Israel and JapanThe lead article in the October 2004 issue of Architectural Record, devoted to contemporary museums, noted that 'museums continue to proliferate across the international landscape, leading to the conclusion that, post-Bilbao, every municipality seems to want a smash.' Certainly, following the opening of Frank Gehry's Guggenheim Museum Bilbao, museums gained a newfound cache among architects and clients. The mission and purpose of the museum is rapidly evolving: museums today are frequently more than repositories for historical art, as they can be research centres, memorials, contemporary galleries, or site-specific artworks in themselves. Often, they are all of these things at once. New Museums documents the best of new museum design and features 27 projects in 13 countries in Europe, the United States, Israel and Japan. The architects represented are among the most renowned practitioners in the world today. In addition to Gehry, they include van Berkel + Bos, Santiago Calatrava, Zaha Hadid, Kengo Kuma and Alvaro Siza, as well as lesser-known yet uniquely talented designers such as Zvi Hecker in Israel and Diener & Diener in Switzerland. An illustrated general introduction discusses well-known historical precedents, as well as current themes that are relevant to museum design: the museum as a neutral co

Como cualquier otra profesión, la del arquitecto está llena de luces y sombras. Es luminoso el fruto final, plasmado en forma de unos cuantos edificios que, en todas las edades y por todas partes, han ido dejando el rastro de sus autores, contribuyendo de modo significativo a los rasgos definitorios de las civilizaciones. Pero tambien hay una mirada de ellos destinados a su desaparicion y al olvido tras ser usados. Unos y otros sirven y serviran a las actividades de los hombres, desde las mas elementales a las mas grandiosas. A veces, el fruto final tiene nombre de autor. Muchas otras veces no lo tiene: la Arquitectura es anonima, porque la Historia es veleidosa, esta escrita por hombres; y suele ser otro tipo de hazañas, obras o acontecimientos los que merecen un lugar mas destacado que los rincones en los que solo hurgan los especialistas, y no el gran publico. Asi, la mayoria de los arquitectos debemos conformarnos con ocupar esos rincones polvorientos de los libros de Historia, y eso en el caso de llegar a ocupar alguno... La aspiracion es comprensible, pero algo pretenciosa, si se tiene en cuenta lo grande que es la humanidad.

La città di Macerata rende omaggio a Umberto Peschi, suo concittadino, con una mostra che intende documentare fedelmente la vicenda umana e artistica dello scultore, deceduto nel 1992. Il volume, catalogo dell'evento, ricostruisce il profilo artistico di Umberto Peschi, protagonista assoluto nel panorama contemporaneo a partire dagli anni Trenta, dapprima come geniale interprete del secondo futurismo, poi come tenace sperimentatore del linguaggio dell'astrazione: questa continua ricerca lo porterà a inseguire, nella stagione più matura, l'intrigante "percorso del tarlo" per ottenere dal legno, sua materia prediletta, sculture piene di spazi, aria e luce. In circa cento opere, realizzate fra 1930 e 1992, più un cospicuo numero di disegni e un corposo corredo fotografico, il volume offre una completa retrospettiva di questo straordinario "intagliatore dello spazio", come lo ebbe a definire l'amico e collega Depero.

Antonio Canal, known as Canaletto (1697- 1768), is an exceptional case in the painting of the 18th cen-tury, His artistic genius, deeply rooted in the Venetian tradition, was for landscape painting, which he reinterpreted and elevated to the levels of the European Enlightenment. The aim of the exhibition in Rome's Palazzo Giustiniani, set to be the great cultural event of 2005, is to present the most important period in Canaletto's career, the twenty years from 1726 to 1746. It was from the mid- twenties that the artist began to free himself from the gloomy, dramatic style of his early production, by means of intense experiments which led him to an increasingly rational use of perspectives, the clear presentation of details and a representation of natural, widespread luminosity, all technical conquests that were to be an inspiration for the ranks of landscape artists of later generations, such as Marieschi, Bellotto and Guardi. This new landscape vision by Canaletto contributed to the satisfaction of the tastes of enlightened European collectors - especially those of English visitors on the Grand Tour - making the artist wide-ly known and appreciated at international level. The works selected for the exhibition, from muse-ums and collections throughout the world, are the most important achievements of this event, and include such absolute masterpieces as the Festa di San Rocco from the National Gallery of London. The articles collected in the book, which is also rich in photographs, offer the reader a complete view of the figure of Canaletto, as well as an updated sum-mary of the most interesting questions

Els Premis d''Honor de l''Institut del Teate tenen la finalitat de reconèixer la trajectòria professional d''una personalitat del teatre o de la dansa en qualsevol faceta, especialtzació o modalitat.

Allí donde las barreras arquitectónicas aún no habían sido consideradas, las personas con discapacidad vivían en el espacio limitado por las paredes de sus respectivas viviendas, sin la oportunidad de dejar el lugar por diferentes barreras que lo impedian (fisicas y de comportamiento). El lugar se puede definir como ambiente agresivo. Se parte de un concepto equivocado definiendo a la persona con discapacidad por su discapacitacion y no se considera esa capacidad solamente como un aspecto de la vida de un ser humano. Por eso, el trabajo sobre requerimientos tecnicos que se presenta aqui tiene el objeto de orientar y facilitar el diseño libre de barreras para obra nueva o de remodelacion en el espacio publico o privado.

Josef Albers: To Open Eyes A fascinating study of the revolutionary painter and teacher, Josef Albers.Frederick A Horowitz and Brenda Danilowitz First book to focus on how the legendary artist/educator Josef Albers (1888-1976) influenced generations of artists, including Donald Judd, Robert Rauschenberg and Robert Mangold Incorporates rare archival material, including behind-the-scenes documentary photography of Albers' life and teaching methods at the Bauhaus, Black Mountain College and Yale Reveals Albers' formative philosophies on art, life and the nature of perception through first-hand accounts of more than 150 students and colleagues over more than 40 years Features lush colour reproductions of Albers' classic 1963 Interaction of Color taken from original press proofs Josef Albers (1888-1976) has long been admired for his progressive vision as an artist and designer who blurred distinctions between fine and applied art, but rarely has his influence as a teacher been examined with such depth and detail. The German-born artist/educator was a remarkable classroom performer whose colorful language, wit, and dramatic flair held his students spellbound and turned his lessons into high adventure. Whether at the Bauhaus in prewar Germany, Black Mountain College in rural North Carolina during the 1930s and 1940s, or at Yale in the 1950s, Albers-the-teacher was driven by one thing: the desire to open his students' eyes to a different way of perceiving art and, ultimately, life. The son of a house painter and decorator in Germany's northwest Ruhr region, Albers grew up surrounded by artisans and learned at an early age to paint, cut stone, and craft wood. Although his ambition had always been to become an artist, Albers entered teacher's training college at his father's insistence and spent his first professional year teaching six- to fourteen-year-olds in a single-classroom school. Later experience at the Koniglichen Kunstschule in Berlin's rough-and-tumble Alexanderplatz neighborhood and exposure to the city's hothouse cultural atmosphere inspired the young Albers to merge his love for art and education--a decision that would have an impact on generations of artists to come in both Europe and the U

Il volume e pubblicato in occasione della mostra "Disegnare il marmo" organizzata dal Comune di Carrara e allestita presso l''Accademia di Belle Arti dal 23 ottobre 2004 al 26 febbraio 2005. Il catalogo racconta per immagini i lavori di quaranta artisti - scultori, architetti, pittori, fotografi e designer - che hanno utilizzato il marmo con tecniche diverse, coniugando materiali come il piombo, il vetro, il mosaico cosi da generare un vero e proprio "racconto" per immagini, una sorta di "libro", prevalentemente grafico, che permette una fruizione percettiva frontale come nelle mostre di pittura. Il volume propone la documentazione del progetto disegnato da ogni singolo artista accanto alla realizzazione su tavole di marmo lunghe due metri.

Este libro está pensado para los arquitectos, para los constructores, ingenieros civiles, para los técnicos, diseñadores... En definitiva, para todas aquellas personas que de alguna manera tienen que ver con el quehacer de la arquitectura, de la construcción y, eventualmente, del diseño. Para todos ellos el concepto de empresa suele ser un concepto extraño. Las organizaciones formadas por arquitectos, ingenieros y constructores tienen que pensar en si mismos como empresas de arquitectura. Llamarse a si mismos empresarios. Por lo tanto deben incorporar al quehacer profesional aquellas herramientas de gestión que permitan realizar los proyectos y las "obras" soñadas. Este libro se dirige a los que han perdido la ingenuidad. Que mantienen la pasión por la arquitectura y conservan el talento, pero ya no esperan que sean otros los que decidan su futuro; que han decidido tomar el control de sus vidas y construir su propio "edificio profesional, económico, organizacional y empresarial". Todo independientemente de la contingencia y el entorno. Esos son los verdaderos empresarios.

First, businesses discovered quality as a key competitive edge; next came service. Now, Donald A. Norman, former Director of the Institute for Cognitive Science at the University of California, reveals how smart design is the new competitive frontier. The Design of Everyday Things is a powerful primer on how--and why--some products satisfy customers while others only frustrate them.