Libros de Bellas Artes y Aplicadas, página 22 de 248

Expone, de manera accesible, las posibilidades que las ciencias ofrecen en la mejora de la investigación y la conservación de los bienes culturales para todos aquellos profesional del patrimonio o personas que quieran profundizar en el conocimiento de los bienes culturales.

Aborda la metodología y el estudio, desde el punto de vista radiográfico, de algunos de los metales arqueológicos analizados en el IPCE en colaboración con el Centro Nacional de Investigaciones Metalurgicas (CSIC). Contiene DVD con la traduccion al ingles

Este libro constituye una guía visual para la acuarela. Se dirige a todos aquellos que quieran ampliar sus conocimientos sobre el dibujo y la pintura desarrollando al mismo tiempo su creatividad personal. Su novedoso diseño, desplegado en forma de blocs, permite que el lector tenga en un mismo plano de trabajo la teoria (Bloc 1) y la practica (Bloc 2). El formato de este libro es interactivo y didactico. Por un lado, mediante explicaciones detalladas y muy bien ilustradas, se dan a conocer los materiales y las principales tecnicas de la acuarela. Por otro se proponen ejercicios practicos, desarrollados paso a paso a partir de modelos reproducidos en gran formato, para que el pintor los visualice perfectamente. Ademas, como novedad, de cada modelo se muestra su interpretacion pictorica en varias combinaciones tecnicas posibles, lo que ofrece una vision abierta y atractiva del uso de la acuarela.Todo ello hace de esta obra una herramienta muy util para pintar.

En el recinto histórico universitario de la ciudad de Alcalá, el Colegio de San Basilio, ocupó el ángulo sureste, dentro de la cerca que comprendía la población y en el área que organizó el Cardenal Cisneros para los Colegios de su Universidad a partir del ensanche del siglo XV comienzos del XVI en la Isla numero trece.

Atractiva colección de láminas de cuadros apropiada para que el artista aficionado utilice como modelo. Cada carpeta contiene 12 láminas modelo sobre un determinado tema pictórico, realizadas en distintas tecnicas: acuarela, oleo, pastel y acrilico. En el dorso de cada lamina modelo se incluye el dibujo del cuadro para aquellos que no tengan conocimientos previos de dibujo o que deseen empezar a pintar desde el primer momento . Para facilitar el proceso de traspasar el dibujo al lienzo o papel seleccionado, el dibujo se ha realizado sobre una cuadricula.

For more than 30 years, Dr. Anneliese and Dr. Wulf Crueger - guided by Saeko Ito - have devoted themselves to studying, understanding, and collecting Japanese ceramics. Today, they share their knowledge with this lavishly illustrated volume based on their own collection. The equivalent of "Roberts Museum Guide", devotees of beautiful ceramics can pick it up and use it to select and visit potters as they undertake an artistic tour of the country. Organised geographically, it goes from kiln to kiln - which in Japan may refer to a lone site or an entire ceramics region that contains hundreds of workshops. Along the way, they outline the history, development, and unique stylistic characteristics of each area's work, and the traditions that inspired it.

Innovative in concept and design, this big book is aimed at beginners and intermediates who want to learn about the basic ideas, techniques and materials used in drawing by focusing on the following aspects: basics, perspective, line and shading, and chiaroscuro.

The format, similar to an easel or stand, invites the reader to put the contents of the book into practice. This innovate design is not like anything else on the market and adapts itself perfectly to the beginners needs encouraging them to learn the secrets of each of the techniques and then to pick up the brush and paint. Even-numbered pages include step-by-step techniques with images and odd-numbered pages have a single illustration to refer to whilst painting.

This studio reference captures all the popular techniques available for embellishing clay, as well as a wealth of practical information and detailed images that lead readers through every phase of th

These highly educational handbooks form an outstanding series of reference titles on artistic themes. Conceived as a collection of pocketbook-sized fact files, each individual volume is lavishly illustrated and easy to use. Containing valuable information on the most significant artistic movements and periods in Art History, and backed up by full-colour examples of works of art, these handbooks are aimed at everyone who is interested in the theory and practice of drawing and painting.

This series is aimed at readers who already have a basic knowledge of drawing and npainting and who wish to improve their mastery of the visual arts. The design and contents of each book and order of publication published follow modern art teaching practices. Each volume is a compendium of theory, practice, special tips and expert advice, answering students and artists questions alike, clearly and comprehensively.

This series is aimed at readers who already have a basic knowledge of drawing and painting and who wish to improve their mastery of the visual arts. The design and contents of each book and order of publication published follow modern art teaching advice, answering students and artists questions alike, clearly and comprehensively.

The format, similar to an easel or stand, invites the reader to put the contents of the book into practice. This innovate design is not like anything else on the market and adapts itself perfectly to the beginners needs encouraging them to learn the secrets of each of the techniques and then to pick up the brush and paint. Even-numbered pages include step-by-step techniques with images and odd-numbered pages have a single illustration to refer to whilst painting.

Southeast Asia is known to many as a region teeming with tourist destinations, economic opportunities and ex-colonies, but a lesser known facet is its colourful and myriad cultures in which ceramics form an integral part of the social fabric. Focusing primarily on the Classical Period (8001500 CE), this book views ancient Southeast Asian culture through the lens of ceramic production and trade, influenced but not completely overshadowed by its powerful neighbour, China. In this landmark publication, which accompanied the exhibition of the same name, noted archaeologist and scholar John N. Miksic constructs a vivid picture of the development of Southeast Asias unique ceramics. Along with three contributing authors Pamela M.Watkins, Dawn F. Rooney and Michael Flecker he summarizes the fruits of their research over the last forty years, beginning in Singapore with the founding of the Southeast Asian Ceramic Society (SEACS) in 1969. The result is a comprehensive and insightful overview of the technology, aesthetics and organization, both economic and political, of seemingly diverse territories in pre-colonial Southeast Asia. It is essential reading for all those with an interest in the economic history of the region, and also for anyone who seeks a better understanding of the brilliant but too often underestimated material culture of Southeast Asia.

A versatile and interactive format, two separate books on technique and practice are combined in one book. The firstexplains the techniques and materials used and offers a range of models to choose from. The second book includes a range of step-by-step techniques using the models in the first book and offers a wide range of alternative artistic techniques. The introduction includes a manual for getting the most out of this highly adaptable book for the intermediate painter.

Hassan Massoudy's elegant calligraphy depicts the four seasons of the garden. From the icy palettes of winter to delicate spring growth, and from the dazzling sunshine and blooms of summer through the fading hues of autumn, he captures in calligraphy what countless poets have crafted with words. The proverb or quotation that inspired each artwork is handwritten in Arabic by Massoudy alongside the English texts on the facing page. Hassan Massoudy was born in Najaf, Iraq. He moved to France in 1969, where he studied at L'ecole des Beaux-Arts. His work has been exhibited throughout Europe, North Africa, and the Middle East.

Each title in this series provides the amateur with everything relating to a particular medium within the Fine Arts.From the use of colours to the tools used to apply these, each title covers a range of techniques used. With every technicalspecification imaginable, including tricks-of-the-trade, this series will enable the student to paint fluently and skilfully