Libros de Bellas Artes y Aplicadas, página 23 de 248

Dry glazes, also known as matte glazes, provide ceramic artists with an alternative to conventional glossy and transparent finishes. Potters such as Lucie Rie and Hans Coper frequently used matte and opaque coatings in their work. Contemporary sculptors employ dry glazes to add texture and depth to the surface of their pieces. Still, little information has been published on matte glaze techniques until now.In Dry Glazes, artist and educator Jeremy Jernegan covers everything ceramicists need to know to create and manipulate a range of matte glazes, from satin to cratered. This compact yet complete guide contains more than 270 formulas and recipes for slips, sigillatas, vitreous englobes, oxides, and stains. Jernegan gives clear and thorough instruction on application and firing methods, including raku. He also explains safe and environmentally responsible ways to handle the chemicals involved. Dry Glazes not only contains step-by-step color photographs of test tiles and procedures; it features illustrations of works by contemporary makers who have used matte glazes to great effect.With over one hundred illustrations and an in-depth treatment of techniques, materials, and creative approaches, Dry Glazes is a smart addition to any clay worker''s library. It is a practical and inspirational resource for ceramics practitioners, instructors, and students who want to make or alter their own glazes.

This book is going to be one of the first in our exciting new ceramic series, which offers more space for both images and text, giving a more modern and contemporary feel to the books.This book is aimed at those in ceramics who wish to move into print and transfers, a very exciting area which has enormous scope for creativity. Ceramic transfers or decals are one of the prime methods of decorating industrially made ceramics. They also offer exciting creative potential for studio-based artists or designer-makers. A ceramic transfer is traditionally made by printing ceramic ink onto a special paper and allows pictures, patterns or text to be transferred onto ceramic forms - 2D and 3D. Importantly, print can achieve distinct aesthetic effects on ceramics that are not possible by using other decoration methods such as hand painting.Drawing on over twenty years of experience, Kevin Petrie offers a focused analysis of the potential of ceramic transfer printing as a creative medium. The specific materials and techniques for making versatile screen-printed ceramic transfers are explained in detail - from the ''low tech'' to the more sophisticated. Other approaches by artist researchers are also brought together in this book and recent developments with digital transfers appraised. A range of case studies shows the potential and diversity of approach in this area, which extends beyond ceramics to include printing on enamel, metal and glass.

This extensive how-to book puts you in touch with all the creative potential of the extruder.With more than 50% new material, this book features new works by artists, up-to-date information on extruders, and sixteen great step-by-step demonstrations, making it a must for anyone with an extruder in their studio.

Ceramic jewellery is an ever-growing area of the ceramic world.Although ceramic beads have been around for as long as pots have, the idea of ceramic jewellery has been making a comeback in a much more glamorous and professional form than ever before.This book shows how ceramic can be combined with other materials such as silver, gold, feathers, leather, textiles or stone to create some unique and innovative pieces. The book looks at how to source or create your own fittings and findings, the problems of design and the practicalities of joining the various elements to create a successful piece.The book is well illustrated both with practical images and beautiful photos of finished work from an international range of artists.

With more than 350 illustrations, Jewelry from Nature is a fresh, sensitive look at natural materials magically transformed by masters of fine jewelry.The vast range of materials is impressive: coral, amber, horn, ivory, shells, pearls, wood, tortoiseshell, and such exotica as feathers, shagreen and bog oak with origins from all over Europe, Asia, North and South America, Africa and the Far East. Their beauty often belies their age amber (65 million years old) and mammoth ivory (10,000 years old).Here, lavishly displayed, are superb works made by the worlds finest jewelers of the past two hundred years. Every major jeweler has created pieces of exceptional beauty, importance and style: Van Cleef & Arpels, Bulgari, JAR, Cartier (their Art Deco coral bangles are icons of the period), Tiffany, Boivin, Verdura (whose seashell brooches studded with fine stones have long been collectors items), David Webb, Schlumberger, Lalique (whose name enbodies the best in Art Nouveau), Suzanne Belperron and Hermes.Scores of modern designers are also featured (Andrew Grima, John Donald, Noma Copley) as well as artists today such as Patricia Von Musulin, Ted Muehling and Liv Blvarp, whose exquisite objects show great respect for natural materials.Including masses of information, each chapter explores the inspiration of a different material, with special profiles on designers, themes, or style icons such as Princess Grace of Monaco, Chanel and the Duchess of Windsor.

The Kiln Book is a well-established classic in the field of kiln building.This 4th edition is a fully revised and updated version, bursting with colour images of kilns in all their various stages of construction. The most comprehensive book on kiln building available, all the essential information is provided on important basics such as all types of bricks, ceramic fiber, angle iron and other building materials, chimneys, kiln design and draft and fuel choice. It covers all kiln types including gas, wood, oil, electric and various combinations, as well as being packed with plans, drawings and advice. It gives you the details and the finer points which are crucial for those building more ambitious kilns.There are many other kiln books but none so comprehensive.

Best known as one of the most widely used industrial ceramic techniques, slipcasting has become increasingly attractive to individual artists and craftspersons. Slip, a water and clay solution, is poured into porous molds. As the mold absorbs water from the slip, a layer of clay forms a cast. The excess slip is removed from the mold and the cast is stiffened, removed, dried, and fired in a kiln. Since the molds can be based on anything from delicate sculpture to found objects, slipcasting frees artists from the constraints of other ceramic techniques while allowing them to create multiples of their works.Sasha Wardell''s Slipcasting is a straightforward, practical guide for those interested in the boundless possibilities of the technique. The book contains more than one hundred color illustrations, diagrams, and slip formulas. An inspiring "Individual Approaches" chapter discusses the slipcast work of a variety of contemporary ceramicists from around the world.Award-winning ceramicist Sasha Wardell is a fellow of the Craft Potters Association and the author of Porcelain and Bone China.

Oriental Glazes offers a complete overview of the art of high fire reduction glazing, which can be notoriously difficult to master. Michael Bailey has provided in-depth research to bring a wide variety of Oriental glazes to the reader with explanations, notes, and direction where needed. He discusses recipes, chemical make-up, and troubleshooting, and examines current artists'' use of these unique glazes. A wide variety of techniques and glazes are presented, from celadons and tekmokus to the more specialized tea dust and hare''s fur.Oriental Glazes is an instructive guide that emphasizes firing in a flame kiln (using gas, oil, propane, or wood), with the oxygen supply restricted at the top end of the firing. This creates the reducing effect that brings about the changes, especially to the metallic coloring oxides copper and iron, that produce the subtle and beautiful qualities associated with the classic Far Eastern glazes.This clear and practical volume offers a starting point for beginners and a rich source of recipes and approaches to the established potter. With his logical, organized format and encouraging tone, Bailey''s handbook is a clear and comprehensive guide on how to produce these striking glazes today.Michael Bailey is a partner at Bath Potters Supplies. Both a scientist and a studio potter, he is a frequent contributor to pottery journals such as Ceramic Review.

The conservation of leather, skin and related materials is an area that, until now, has had little representation in book form. Marion Kite and Roy Thomson, of the Leather Conservation Centre, have prepared the first text of its kind which is both authoritative and comprehensive with contributions from leading specialists.This book covers all aspects of Skin and Leather Preservation, from clothing to cuir bouilli and taxidermy to bookbindings. It discusses the tools and equipment needed to transform and preserve a wide range of products including fur, feathers, parchment, fish and reptile skins.It outlines the history and developement of leather manufacture and what makes each combination of skin type and production technique suitable for a particular purpose. Most importantly, it describes how to recognise the animal species and the processing methods employed.There is significant coverage of the mechanisms of deterioration and the technical and chemical elements necessary for conservation as well as care, storage and display. Case studies round out this informative reference work.

Eusko Jaurlaritzaren Argitalpen Zerbitzu Nagusia

Después del gran éxito de Anillos y Pendientes, Collares es el nuevo volumen de la colección recopilada y comisariada por el joyero y editor colombiano Nicolas Estrada. Collares es una muestra de la

Título: Cerámica Medieval en el Norte y Noroeste de la Península Ibérica. Aproximación a su Estudio Autor: José Avelino Gutiérrez González, Ramón Bohigas Roldán (coord y ed.) ISBN/ISSN: 978-84-7719-175-9 Deposito legal: Dimensiones: 17x24cm Nº de paginas: 325 Año: 1989