The teabowl has become an iconic form in contemporary ceramics. Having travelled from Japan, where it was an inherent part of chanoyu, or tea ceremony, it has evolved and adapted to become something very different in the West. Revered for its associations of its past and its connotations of sophistication and simplicity, the teabowl enjoys an elevated status. Here Bonnie Kemske looks at the form as a whole, considering the history and ideas behind the original tea ceremony,,,how it moved into contemporary ceramics, and the way it is used today
Catálogo de la exposición celebrada en el Museo Nacional Centro de Arte Reina Sofía, en la que se expone una colección de 14 joyas de plata de Francisco Durrio y un conjunto de piezas de diversa índo
Truman
