eBooks de Artes Escénicas, página 24 de 110

Hay momentos en la historia del teatro en los que a investigadores y curiosos les hubiera gustado que las cámaras hubiesen registrado momentos irrepetibles ¿Dónde estaban las cámaras cuando el joven Luis Andres Caicedo Estela (Cali, 1951-1977) puso en escena sus obras de teatro? Todavia no se sabe muy bien el momento en el cual Caicedo comenzo a interesarse por el mundo del arte. Se supone que su fascinacion inicial se dio por los libros que devoraba desde su primera infancia, pero fue en los claustros escolares cuando descubrio su interes por la representacion de historias. Con el paso del tiempo, la figura de Caicedo ha ido convirtiendose en una suerte de mito juvenil colombiano, centrado en su interes descomunal por la narrativa y el cine. Gracias a los libros El atravesado, ¡Que viva la musica!, Angelitos empantanados o historias para jovencitos, Destinitos fatales, Berenice, Calicalabozo, Noche sin fortuna, El cuento de mi vida, Mi cuerpo es una celda, El libro negro u Ojo al cine, se ha construido la leyenda de su genio.

An inspiring, practical guide to working with young people on their voices, by a highly experienced teacher, actor and director.Teaching Voice is for all youth-theatre leaders, workshop facilitators, teachers or lecturers who want to help their students to develop their voices either as a component in theatre training, while rehearsing a play, or for the benefit of their personal development.It offers a step-by-step course of workshops and themed sessions, along with a series of exercises and vocal warm-ups from the tried-and-tested to the truly innovative. Included are: Full plans for two ninety-minute core sessions, laying the essential foundations of voice work: breath, diction, resonance and relaxation Seven themed workshops exploring individual aspects including projection, rhythm, the power of language, emphasis and Shakespeare Micro sessions that can be used within the structure of any session, or when time is short Further sessions to help incorporate voice work into rehearsals for a school or youth-theatre production Also included is a personal exercise plan to help you develop your own skills and confidence as a voice teacher, whatever your level of experience.Teaching Voice is an invaluable resource for anyone involved in vocal training for young people, whether youre looking for a structured programme of workshops, or simply for some fresh ideas to inspire your students.

Doce historias en primera y tercera persona, los personajes se mueven a lo largo de un hilo intentando mantener el equilibrio entre la fantasía y la realidad.

"Tartufo" es la mejpr obra de Molière y una de las joyas de la literatura francesa. Se trata de una obra costumbrista que se centra en los problemas de la época, aunque la finalidad última del autor

Among Molieres best-known works is "Tartuffe" (AKA "The Hypocrite"), written in 1664. Though "Tartuffe" was received well by the public and even by Louis XIV, its popularity was lessened when the Archbishop of Paris issued an edict lasting 5 years threatening excommunication for anyone who watched, performed in, or read the play.Molieres masterpiece Tartuffe is a story about a man who falls prey to misplaced adoration. The dramatic work presents several dramatic features which define the play as a comedy of manners. Of particular importance is Molieres satirical look at religious hypocrisy. Tartuffe, a pious fraud who pretends to speak with divine authority, has insinuated himself into the household of Orgon. When Orgon announces that his daughter Mariane is to marry Tartuffe instead of her fiance Valere, the rest of the family realizes the extent of Tartuffes influence over Orgon. Tartuffe tries to seduce Orgons wife Elmire, who traps him into revealing to Orgon his intentions toward her. Orgon throws Tartuffe out of the house, Tartuffe returns with an order of eviction for the family, and at the final moment the tables are turned and the play ends happily.

Esta obra é uma comédia para encenação teatral onde mostra toda a trama de Mané Carlota do Gogó candidato a Prefeito de Taperipicó (cidade fictícia) onde com muitas trapalhadas ele faz sua campanha e

Este libro se aventura a juntar los cuerpos, el baile y la música sobre el horizonte de experimentar, con el tango, la construcción de lazo social. Una pedagogía del movimiento en el que, sobre un mismo espacio dos cuerpos aprenden a caminar juntos. Sin palabras, sin codigos formales, en la sutilidad de una intencion que se vuelve acto asimetrico en el movimiento en relacion con los cuerpos, haciendo causa comun en el ritmo y el tiempo, por el que se llega de frase en frase que coincide con la pieza musical y en la direccion del circulo que se cierra sobre la pista por el que una montonera baila como improvisara los pasos, como si improvisara el tiempo. Y es una improvisacion...

En el año 2010 Carolina ya había participado como intérprete en una obra por Skype e imaginaba un teatro de pantallas a través de internet. Sus ideas invitaban a revisar las categorías con las que pensabamos el arte, pero ¿seria teatro?Desde entonces han pasado muchas cosas como la creacion de la plataforma Tan Cerca, experimentaciones y proyectos siempre embebidos en la riqueza desestabilizadora de aquello que corre sus perimetros. Y una certeza: la teoria debe quedarse cerca de la practica, tan cerca como pueda.Esta tesis justamente conjuga el trabajo artistico e intelectual para dar una mirada superadora. Una tesis que hace falta decirlo en una suerte de coincidencia abusiva se defendio por Zoom debido al contexto de pandemia.Asi, en dialogo con autores que han tratado la tematica, planteando la expansion del teatro y revisando la realidad de los nuevos medios de comunicacion en su interaccion con el arte, esta tesis constituye un interesante aporte en un tema en constante evolucion.Bernarda Arrillaga

Tranio, since for the great desire I hadTo see fair Padua, nursery of arts,I am arrived for fruitful Lombardy,The pleasant garden of great Italy;And by my fathers love and leave am armdWith his good will and thy good company,My trusty servant, well approved in all,Here let us breathe and haply instituteA course of learning and ingenious studies.Pisa renownd for grave citizensGave me my being and my father first,A merchant of great traffic through the world,Vincetino come of Bentivolii.Vincetinos son brought up in FlorenceIt shall become to serve all hopes conceived,To deck his fortune with his virtuous deeds:And therefore, Tranio, for the time I study,Virtue and that part of philosophyWill I apply that treats of happinessBy virtue specially to be achieved.Tell me thy mind; for I have Pisa leftAnd am to Padua come, as he that leavesA shallow plash to plunge him in the deepAnd with satiety seeks to quench his thirst.

Material complementario para aquellas aulas y grupos aficionados que quieran representar teatro. Aquellos profesores que pretendan mejorar su capacidad de comunicación en sus aulas educando la respiracion, la voz, la lectura expresiva o el dominio del gesto, encontraran aqui un instrumento adecuado que les ayudara a mejorar la atencion de sus alumnos.

A superlative account of how theatre is made, in the words of the very people who make it.In Talking Theatre, Richard Eyre uses his unrivalled access to leading theatre people to allow us to eavesdrop on the stories behind many of the most important productions and performances in the theatre of recent times:John Gielgud Peter Brook Margaret Percy Harris Peter Hall Ian McKellen Judi Dench Trevor Nunn Vanessa Redgrave Fiona Shaw Liam Neeson Stephen Rea Stephen Sondheim Arthur Laurents Arthur Miller August Wilson Jason Robards Kim Hunter Tony Kushner Luise Rainer Alan Bennett Harold Pinter Tom Stoppard David Hare Jocelyn Herbert William Gaskill Arnold Wesker Peter Gill Christopher Hampton Peter Shaffer Frith Banbury Alan Ayckbourn John Bury Victor Spinetti John McGrath Cameron Mackintosh Patrick Marber Steven Berkoff Deborah Warner Willem Dafoe Simon McBurney Robert Lepage John Johnston (Britains last Theatre Censor)A rich, stimulating treasure trove. Eyres interviews exactly hit the spot: in revealing themselves, his subjects also give the reader a panoramic view of modern theatre Michael Billington

In 1991, a new comedy hit British screens and, at first glance, it was just another sofa-based sitcom. Soon, it became clear Bottom was a masterpiece. Mixing cartoon-style slapstick, knob gags and Beckettian nihilism, it left an indelible mark on British comedy. Written by and starring comedy legends Rik Mayall and Adrian Edmondson as reprobates Richard Richard and Edward Hitler, their depraved universe unfolded over three chaotic BBC TV series, five explosive live shows and a formidable feature film.Celebrating the legacy of TVs greatest losers Richie and Eddie, this book features thorough Bottom Inspections, Bottom Nuggets, unseen photos, draft script excerpts and interviews with cast and crew sure to reignite fans love for Rik and Ades unmatched talent for toilet humour.Crafted by the creators of the popular Talking Bottom podcast Paul Tanter, Angela Pearson and Mat Brooks, this is the ultimate guide to the outrageous and unforgettable sitcom that continues to delight and disgust audiences today.

In "Tales from the Operas," a rich and varied collection, various authors delve into the dramatic narratives that unfold within some of the greatest operatic works. Each tale captures the essence of operas grand themesAilove, betrayal, tragedy, and redemptionAiwhile offering unique interpretations that enhance the readers appreciation of the musical form. The literary style is marked by lyrical prose that mirrors the emotive power of the arias, drawing on historical contexts and character studies, making each narrative a multifaceted exploration of operatic art. The contributors to this anthology are a diverse group of writers, each with their own background in musicology, literature, and performance. Their collective expertise reflects a deep-seated passion for the operatic medium, whether it springs from personal experiences in theater, academic study, or a lifelong affection for the genre. This amalgamation of perspectives allows readers to engage with the operas on a new level, exploring the stories behind the music that has captivated audiences for centuries. "Tales from the Operas" is a must-read for both opera aficionados and literary enthusiasts alike. It serves as an exquisite companion for those seeking to deepen their understanding of operatic narratives while enjoying vivid storytelling. This anthology invites readers to immerse themselves in the timeless tales that bring the operatic stage to life, making it a treasured addition to any bookshelf.

Najplodniji i najpopularniji srpski komediograf napisao je ovu autenti?nu i punokrvnu melodramu, jednu od retkih u naoj dramskoj knjievnosti. Ta uzbudljiva, potresna pri?a iz starog Beograda pokazuje kako zavist i sujeta, neodgovornost i gramzivost, gordost i sebi?nost u jednoj porodici i u sredini kojom gospodari novac mogu unititi ivot ?estitog bi?a rastrgnutog izme?u ljubavi i ose?anja dunosti.

An intensely practical handbook for actors on how to cope with text, subtext, character and situation. With a preface by Kenneth Branagh.Having helped the actor with basic vocal technique in her enormously successful book, Finding Your Voice, Barbara Houseman here shows the actor how to cope with the demands posed by the text [and the subtext] of the play itself.Full of practical exercises developed over many years of working with actors of all ages and experiences, Tackling Text [and subtext] is an indispensable handbook for any actor working with text - from acting students and young professionals, to experienced actors wanting to tackle specific problems and acting coaches wanting to discover new ways of enabling their students.If you want to improve as an actor, read this book... it helps restore the hard work of the actor as fresh, playful and fun Kenneth Branagh, from his PrefaceAn inspiring teacher... a hugely motivating force in my work Daniel RadcliffeBarbaras work starts with the voice, passes through the physical - and results in a character. Her teaching helps total performance Jude Law

Neste livreto você encontrará registros - alguns - de 10 anos de prática teatral. Não tenho a pretensão de que seja um trabalho acabado, porque as minhas observações sobre este ofício ainda estão em

Em uma cidade que nunca para, Beatriz Costa corre entre audiências, protestos e sua paixão por justiça social — sempre deixando o amor para depois. Até que um simples swipe a coloca frente a frente c

Henry Gréville, pseudonyme de Alice Marie Céleste Durand née Fleury (1842-1902), a publié de nombreux romans, des nouvelles, des pièces, de la poésie ; elle a été à son époque un écrivain à succès. F

Luna piena e confusi stati mentali, un viaggio mal vissuto ed incredibilmente vicino alla follia. Un invito, un uomo, una donna, un treno tutto in una notte...

La tragica vicenda di Mattia, un sedicenne improvvisamente travolto da un destino crudele e beffardo che, negli ultimi attimi che precedono la mezzanotte di una festosa serata di capodanno, lo priva dei suoi affetti piu intimi e cari, catapultandolo con violenza al centro di una dimensione atroce, fatta di perdita e di dolore profondo. Senza piu speranza ma al tempo stesso lottando per riuscire a vincere la morsa stretta della disperazione, il giovane protagonista del romanzo sopravvivera alla sofferenza dei giorni immediatamente successivi a quella notte di fine anno cosi cupa, soprattutto grazie allamore e al sostegno di Antonella ed Elisa. Queste due donne che hanno eta e relazioni diverse con Mattia, assumeranno entrambe un ruolo centrale nella sua vita. Unesistenza resa sempre piu vulnerabile dal succedersi degli eventi infausti e di scoperte destabilizzanti, capaci di provocare terremoti interiori e cadute vertiginose verso il fondo dellabisso, dove il buio domina incontrastato e a cui solo il tempo puo restituire un qualche spiraglio di luce.