eBooks de Artes Escénicas, página 26 de 110

Maria Lúcia Levy Candeias, doutora em teatro pela USP, escolheu o autor sueco Strindberg por acreditar que sua obra mereça um estudo que mostre a amplitude e variedade de sua produção teatral, pois m

Samgoose, conosciuto anche come Cicciosam, ha una storia difficile caratterizzata da pistole e cadaveri. Attraverso un processo di redenzione, questuomo bonario cerca di liberarsi dal suo passato.Nonostante si trovi nuovamente coinvolto in eventi sconvolgenti, Samgoose intraprende finalmente una metamorfosi che lo porta a un miglioramento continuo.Il cambiamento, gia latente fin dallinizio, si manifesta gradualmente con chiarezza. Da quel momento in poi, in risposta alle situazioni contingenti, assistiamo a una trasformazione di Samgoose che, a tratti, ci svela un lato di lui che forse preferiremmo non avere accanto.

The ultimate directory to the Netflix show.This A-Z includes information on the cast, production team, influences, locations, episodes, culture and more. Everything you would want to know about Stranger Things is in this bumper guide to the popular and iconic series.Where all other Stranger Things books end, this complete A-Z is only just beginning!

In uno dei miei primi nebulosi ricordi mi rivedo assorto nellascoltare mio padre che mi racconta, prima di addormentarmi, le avventure di Moby Dick. Con gli anni sono diventato lettore, poi anche inventore di storie, ma forse quel capitano e quella balena riecheggiano ancora nelle vicende dellumile singolo che fronteggia, indaga, sfida, rincorre la multiforme e frammentaria realta quotidiana, vivendo cosi la sua anonima epopea. Attorno a questo protagonista si strutturano i seguenti brevi racconti, che spaziano cronologicamente dallinfanzia alleta adulta, e contenutisticamente dalle relazioni con i propri simili a quelle con la natura, dalle esperienze strettamente individuali alle tematiche sociali e politiche.

Storia di due amici legatissimi fin dai tempi del liceo che si allontanano a causa dellamore per la stessa donna. Si ritroveranno adulti a Minsk, in unaltra parte del mondo, dove uniranno i loro talenti per la musica e la scrittura. Da questo sodalizio artistico nascera un brano musicale di successo che li proiettera nelle classifiche mondiali. Lillusione della fama e del successo li allontanera definitivamente, fino allultimo tradimento e alla tragica conclusione.

Mark Ammern kombiniert in Storming Sprechtheater, Musik und Performance. Das Stuck spielt in einem ehemaligen Theater und richtet sich gegen die neoliberale Revolution und die Menschen, die sie betreiben bzw. erdulden. Die gesellschaftliche Veranderung wird im Gesprach bis in die Utopie, das Reich Gottes verfolgt, den Tod, das verbliebene mysterium tremendum einer scheinbar aufgeklarten Welt.Das Stuck ist sprachanalytisch inspiriert und kritisch gehalten. Die ungewohnte Sichtweise kann befremden, weil es nicht primar um psychische Ereignisse wie Denken und Bewusstsein geht, sondern direkt um Sprache und ihre Bezuge. Gleich zu Beginn wird ein relevanter Fall erortert: Worauf bezieht sich umgangssprachlich Musik, wenn nicht uber Musik, sondern uber Empfindungen gesprochen wird?Im gesamten Stuck bleibt ungewiss, ob es sich bei den Personen um Menschen oder um Aliens handelt. Im Gesprach macht sich eine Distanz zu den Menschen bemerkbar. Es konnte sich auch um Weltraumnomaden handeln, die schauen wollten, was aus den Menschen geworden ist.Die konzeptionell integrierte Musik stammt von Helge Bol und ist in ungewohnter Weise skalenbasiert. Eine unkonventionelle Choreographie von Bewegungen ist vom jeweiligen Theater zu entwickeln.

Racconti, storie e tradizioni dalla terra del Sol Levante. Unantologia ricca di fantasia, ma anche di realta; vicende personali che si uniscono allimmaginazione e allonirico. Delle storie moderne che nascono dalle viscere dalla grande tradizione giapponese dove, inevitabilmente, la magia e i sogni si intrecciano alla vita dei nostri giorni.Gli autori intendono cosi celebrare una terra e un popolo antico che vogliono mantenersi tali, pur esibendo la loro modernita.

La vita spesso e ingiusta, perfida e fa male.Soprattutto quando Pietro si accorge che il proprio corpo non e come egli vorrebbe. La sua individualita, scialba e poco attraente, persa nel grigio dei giorni, vacilla sotto il disprezzo della gente e dei colleghi a lavoro. Inizia cosi un suo personale voyage a lenfer del dolore che lo inabissera nellinfinito delle notti dove si cela dietro a qualche nickname per illudersi di una parvenza di rapporti sociali. Stanco della sua misera esistenza nulla pare pero potergli donare sollievo. Ha fame di vita. E per sopperire a questo bisogno si sfoga con il cibo mangiando fino a stare male. Anche Silvia spera che la sua vita possa cambiare. La famiglia la vorrebbe occupata nello studio del padre, immersa in una rassicurante routine, invece, lei ha necessita di unimpellente liberta per costruire il futuro con le proprie forze. Volontaria in un gattile che accoglie gatti randagi, guarda alla vita con occhi innocenti e puri. Accanto a loro si muovono Ciro e Anna. Lui, collega di Pietro e volontario al gattile, giovane napoletano alle prese con i propri tormenti interiori legati a una doppia dipendenza e a una relazione complicata. Lei, responsabile del gattile con alle spalle una sfortunata relazione sentimentale che lha segnata. Sara proprio uneffrazione al gattile a dare il la a un susseguirsi di eventi drammatici che cambiera per sempre le esistenze di tutti. Un romanzo agrodolce, sofferto e intenso. Per certi versi spietato come i pregiudizi che avvelenano la vita delle persone.

Star Begotten is a 1937 novel by H. G. Wells. It tells the story of a series of men who conjecture upon the possibility of the human race being altered, by genetic modification, by Martians to replace their own dying planet. The first (British) edition of this novel gives the title as two words: Star Begotten. The title is hyphenated in the first U.S. edition: Star-Begotten. The book readdresses the idea of the existence of Martians, which Wells had written about in The War of the Worlds (1898). The dialogue of Star Begotten makes brief references to Wellss earlier novel, referring to it as having been written by "Jules Verne, Conan Doyle, one of those fellows".

Há certos nomes na história do conhecimento, cujas ideias e insights perduram por muitos anos; poucos, porém, atravessam os séculos. O genial diretor russo, Constantin Stanislávski está completando um seculo de brilho, legado e influencia no campo das artes cenicas. O sistema, o metodo de analise, a viso cenica ampla e, sobretudo, a anteviso das possibilidades artisticas do espetaculo dramatico fizeram dele figura onipresente nos estudos teatrais. Michele Almeida Zaltron, atriz, diretora e pesquisadora, soube reconhecer a importancia vivida do mestre para nos oferecer, em Stanislavski e o Trabalho do Ator Sobre Si Mesmo, um ensaio que amplia ainda mais o entendimento contemporaneo dos estudos stanislavskianos a partir da interpretaço de uma obra fundamental do diretor, ao mesmo tempo que proporciona novas aberturas para um fazer teatral renovado e renovador.

In "Stage-Land," Jerome K. Jerome meticulously captures the vibrant essence of the theatrical world during the late 19th century, a period marked by both exuberance and tumult in the arts. Through a series of humorous essays and sharp observations, Jerome presents a satirical view of the acting profession, offering insights into the trials and tribulations faced by actors and playwrights alike. Written in his characteristic whimsical style, the text artfully blends wit with poignant commentary on the impermanence of fame and the art of performance, making it both entertaining and thought-provoking. Jerome K. Jerome, best known for his masterpiece "Three Men in a Boat," was deeply immersed in the theatrical culture of his time. His own experiences in theater, coupled with his keen intellect and penchant for humor, shaped his perspective on the stage as a microcosm of society. Jeromes background as a writer, actor, and critic lent authenticity to his observations, allowing him to engage with both the absurdities and the profundities of theatrical life from an insiders viewpoint. "Stage-Land" is a must-read for anyone intrigued by theater and its enigmatic allure. It appeals not only to those with a passion for the arts but also to readers who appreciate astute social commentary wrapped in charming prose. Jeromes unique blend of humor and insight continues to resonate, making this work a timeless exploration of the performance arts and its underlying complexities.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

The highly successful Bible for any stage manager, now in a revised edition updated in 2024.The stage manager is at the core of every successful theatre production: organising, managing and running rehearsals and performances; researching and procuring the props and furniture; and providing a creative information flow between the production and design departments.This handbook is for students, graduates and all those who aspire to stage management, whether amateur or professional, on a large or small scale. Complete with charts and helpful checklists, it takes the reader through a typical production, week by week.Other useful topics covered are: Team dynamics and job roles Theatre unions Health and Safety legislation The job market Production templates Management techniques and interpersonal skills Creativity in stage management As well as updated information and resources throughout, this new edition includes two brand new sections: New Technology in Stage Management, and Sustainability in the Production Process. There are also case studies of professional stage managers and producers working in the field.A comprehensive guide for the aspiring stage manager Alan Ayckbourn

Stage Lighting Design is a comprehensive introduction to technical theatre, tracing the evolution of lighting design from ancient drama to contemporary performance. Neil Fraser covers everything that todays designers will need to know, from the simple nuts and bolts of equipment, through to the complexity of a full lighting rig, including all aspects of the stage electrician and lighter designers roles. This revised second edition includes new material on historical development, intelligent control systems and the latest advances in LED fixtures and luminaires. Each chapter includes key exercises, now totalling 100, that enable the reader to practise their skills on a wide variety of lighting challenges. The work of current designers is showcased and analysed, with examples from complete and detailed lighting designs.Includes: Choosing and using equipment; Applying colour; Techniques for focusing; Lighting in the round and other stage layouts; Creating mood and atmosphere; Lighting effects and LED source fixtures; Planning, testing and executing a lighting design.Superbly llustrated with over 150 colour, black & white photographs and line artworks.

Stage Directions covers half a lifetime and the whole range of Frayns theatrical writing, right up to a new piece about his latest play, Afterlife. It is also a reflection on his path into theatre: the doubtful beginnings of his childhood, his subsequent scorn as a young man and, surprisingly late in life, his reluctant conversion. Whatever subjects he tackles, from the exploration of the atomic nucleus to the mechanics of farce, Michael Frayn is never less than fascinating, delightfully funny and charming. This book encapsulates a lifetimes work and is guaranteed to be a firm favourite with his legions of fans around the world.

In Stage Design - A Practical Guide Gary Thorne, a freelance theatre set and costume designer, introduces the concept of art and design for performance, drawing on his considerable experience in a wide variety of theatres. The book begins from first principles, and assumes no prior knowledge of the subject. Each chapter contains clear, concise text and informative illustrations; and concludes with practical exercises to, ensure that the reader has got the most out of the book, and stimulating exploration in both two and three dimensions. The book includes examples of the authors work and that of others in the field, illustrating the methods adopted and practised in theatre schools and the more innovative theatre companies.

This is a book about how to beat the living daylights out of another human being safely...Roger Bartlett professional fight director and Master Teacher for the British Academy of Stage & Screen Combat leads you through everything you need to know in order to create and perform unarmed stage fights that are compelling, realistic and, above all, safe.Starting with the essential concepts, including Victim Control and Reversal of Energy, you will learn how to perform all of the following moves: Slapping Punching Kicking Strangling Pulling and Pushing Falling Locking Blocking Each technique is clearly described, extensively illustrated, and accompanied by online videos demonstrating it in slow motion and at full speed. Also included are chapters on understanding and conveying your characters pain, and creating and rehearsing your own fight sequence.For those already trained in stage combat, it will serve as a comprehensive reminder of what you have learned, and supplement your ongoing training. For amateur, fringe and student companies, the book offers a thorough understanding of the practicalities of staging a fight, but also helps you to recognise when you may need to call upon the services of a qualified professional.Whatever your current level of experience, Stage Combat: Unarmed is the essential book for directors, actors, students and teachers, or indeed anyone looking to incorporate safe, effective stage fights into their productions.

In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Halls regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Days Journey into Night, the extravagant dinners in Halls Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemores brave and misrepresented decision to speak out. He would not return to the National for fifteen years.

A continuación encontrarás una serie de datos importantes para patear la ignorancia, chistes, frases deportivas, noticias deportivas y apellidos curiosos, sin orden alguno, sino así, de sorpresa, como las sorpresas que nos dan los deportes. Fueron recolectados durante varios años de mi vida de humorista. De todas maneras, leer este libro es como una competencia atletica. Si arrancas, te estare animando a que lo termines.

Spettri di Henrik Ibsen -Dallincipit del dramma:ATTO PRIMO.Unampia stanza che da sul mare. Porta a sinistra. Due porte a destra. Nel mezzo della stanza una tavola rotonda circondata da seggiole; sulla tavola libri, riviste e giornali. Sul davanti a sinistra una finestra innanzi a cui sta un sofa e un tavolino da lavoro. Nel fondo una serra a vetri, in comunicazione colla stanza. A destra della serra una porta dalla quale si esce per discendere sulla spiaggia. Dietro i vetri il fiord appare melanconico attraverso un velo di pioggia.SCENA I.ENGSTRAND e REGINA.(Engstrand se ne sta presso la porta che mena alla spiaggia. Egli ha la gamba sinistra piu corta dellaltra e sotto il piede una suola di legno. Regina con un inaffiatoio vuoto in mano, cerca dimpedirgli dentrare).REGINA (a mezza voce). Che vuoi? Non moverti. Sei tutto grondante di pioggia.ENGS. È la pioggia del buon Dio, figlia mia.REGINA. Di piuttosto una pioggia del diavolo.ENGS. Buon Gesu come parli, Regina! (fa alcuni passi zoppicando) Ascoltami, volevo dirti.REGINA. Ehi, galantuomo non fate tanto rumore col piede! Il padroncino dorme quassu, proprio sopra noi.

Salto. Nessuno senti le urla precedenti, ma solo limpatto del suo corpo contro il marciapiede. Tutti guardarono il suo corpo inerte a terra. Una pozza cremisi tinse i suoi vestiti.Era cosi buona dicevano tra le lacrime fresche. Si meritava il cielo, si lamentavano. Ma avevano reso la sua vita un inferno. Ignorando tutte le sue grida, annullando la sua essenza e censurando le sue parole. Ignorata in vita.Non ce nessunaltra come Nebun ... infelice e tradita dalla vita; accompagnata dallindifferenza e abbandonata da chi lascoltava. Cosi inizia la sua avventura verso la liberta, ma la sfortuna la persegue e rimane intrappolata a meta strada. Da sola, piu sola che mai. O forse no.