eBooks de Artes Escénicas, página 33 de 110

A performance para rua é criada através de camadas sobrepostas que incorporam a cidade e seus habitantes, a arquitetura, o cenário revelado, trilha sonora, diferentes elementos, objetos, equipamentos e os corpos dos performers, isso resulta numa experiencia onirica. As intervençes cenicas urbanas Sombras na arquitetura so formadas pela mesma materia dos sonhos. Por isso no-narrativa, um quase cinema, nem isso e nem aquilo. Coisa efemera que transforma o ambiente/espaço urbano, mas desaparece quando as luzes dos refletores se apagam. O publico que vivenciou a aço acorda para a realidade, retorna para sua jornada cotidiana com aquelas imagens/sombras na memoria, com aquela experienciapara contar e tentar desvendar o significado daquele sonho que vivenciou na cidade junto com os outros moradores que passavam naquele exato momento naquela rua.

Only what is open and searching is active and alive. You, the actor, must learn to find security in insecurity, certainty in uncertainty, to trust that this will lead to discovery and growth.In What Actors Do, revered theatre director Mike Alfreds explores the wellspring of the actors craft, tracing a pathway to creative freedom through the thickets of competing methodologies and confusing paradoxes that you will face throughout your training and career.How do you give life to a character that both is and isnt yourself? How can you be childlike and open in your work without becoming childish? How, when you know whats coming next, can you still be spontaneous?Frank, uncompromising and full of sharply focused insights, this book will help you strip away the inhibitions and habitual thinking that can shackle our imaginations. It will show you how to generate truthful performances by trusting your inner creativity and remaining radically open, responsive and present in every moment.Mike Alfreds has been directing plays for more than seventy years. In the 1970s he founded Shared Experience, and has since worked for the National Theatre, Shakespeares Globe, the Royal Shakespeare Company and also extensively abroad. He is hugely respected within the profession, and is the author of two previous books, Different Every Night and Then What Happens?If I was allowed to train again to be an actor, but I was only allowed one teacher, it would have to be Mike Alfreds. To me he is a genius when it comes to acting and storytellingMark Rylance

"Proserpine and Midas", composed in 1820 while the Shelleys were living in Italy, is a collection of two plays written by famous Romantic era writer Mary Shelley and her husband Percy Bysshe Shelley for children. Mary wrote the blank verse drama and Percy contributed with lyric poems to the work. Whether the plays were ever intended to be staged is a point of debate among scholars.

Ludvig Holberg (1684-1754) is to Danish theatre what playwrights such as Shakespeare, Moliere, Ibsen, Strindberg are to their national stages and the world stage. During his lifetime, Holberg was a major figure in European literature and thought. In Denmark, his work forms the backdrop to writers such as Sren Kierkegaard, Hans Christian Andersen, Karen Blixen. The quality of Holbergs writing, the universality of his themes, his understanding of stage and auditorium, more than qualify him to resume his place on the international stage.This third volume in a series of new translations presents Holbergs philosophical essay on the popular (but not with the authorities) masked entertainment of his day, the masquerade. Two plays then wittily expose and explore subtle negotiations around identity, gender, class, generation, each with particular focus on the mask as means of unmasking codes and conventions.Epistle 347 is a philosophical take on the carnivalesque masquerade as being truer than the social roleplays, under the paradoxical maxim that "strictly speaking we are not truly masked except when bare faced".In the play Masquerade, a patriarchal master of his house sees his hierarchical world order under threat from the young generation and even his own wife! enjoying useless masked amusements. At the other end of the scale, the servant pays no heed to rules and hierarchies. Ultimately, however, they are all but pawns in a game of chance.In the ironic harlequinade The Invisibles, a young gentleman falls in love with an invisible (masked) lady. This noble case of amour causes the servant Harlequin to reassess his own wholesome, sensual relationship to his sweetheart Columbine and he finds their amour sadly lacking any sophistication. His ensuing high-flown attempts at imitating aristocratic courtesy cast an ambiguous light on the cultured protocols. It is up to female intelligence to remove the mask from the illusion."I never tire of reading Holbergs plays."(Henrik Ibsen, 1869)

O Espetáculo Baú de Ideias surgiu ao término do ano de 2005 com textos da Cia. Teatral Luminart e esteve em cartaz durante os anos de 2006 a 2008 atingindo mais de 20.000 espectadores durante este periodo no Teatro Zanoni Ferrite (Antigo Paulo Setubal) e Martins Penna (ambos na Zona Leste de So Paulo). O espetaculo era todo formado de esquetes de humor criadas pelos integrantes do grupo, sendo estas esquetes escolhidas na data da apresentaço, e nunca uma apresentaço era igual a anterior, o que causava sempre o efeito de surpresa nos espectadores, e criou uma serie de fs do espetaculo, do grupo, e dos atores tambem. Neste livro que voce tem agora em mos esto as esquetes criadas, dirigidas e encenadas por mim que fui o autor e mentor de todo o projeto. Cada ator, e autor era livre para criar suas ideias e estas no eram de forma alguma vinculada ao Bau de Ideias. Todas estas esquetes aqui inseridas so de humor, sendo algumas com personagens bem arquetipicos e muitas vezes com personagens bem caricatos, e podem ser utilizados para estudos dirigidos de teatro, assim como ate para suas proprias encenaçes, desde que citada a fonte e o autor avisado no e-mail jago44@msn.com Espero que todos possam se divertir muito lendo esse livro, assim como me diverti ao longo desses anos escrevendo, dirigindo e colocando vida a todos esses personagens.

Uma criança soterrada há quarenta dias e dois homens afundados na terra em uma tentativa desesperada de salvá-la. Um jantar em família para comemorar o aniversário de uma mãe, supostamente falecida,

Catálogo construído a partir dos melhores filmes produzidos no século XX.

In "The Dance: Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D," an anonymous Antiquary presents an extensive exploration of dance through the ages, meticulously documenting its evolution across diverse cultures and historical epochs. This scholarly work is enriched with vividly detailed illustrations that not only depict dance forms but also contextualize them within their corresponding societal frameworks. The blend of historical analysis and artistic representation makes for an engaging narrative style that appeals to both specialists and lay readers alike, offering insights into the integral role that dance has played as a cultural expression throughout history. The anonymity of the author, an Antiquary, serves to heighten the works intrigue, suggesting a passionate individual steeped in historical research and the performing arts. The depth of historical knowledge and appreciation for cultural nuances reflects a lifetime of dedication to uncovering the threads that bind humanity through movement. It is likely that their own experiences in dance or a fascination with its cultural significance motivated the compilation of such an extensive record. This illuminating volume is highly recommended for scholars, dance enthusiasts, and cultural historians eager to understand dance as both an art form and a vital social practice. "The Dance" serves as a rich tapestry that weaves together the past and present, providing readers with a deeper appreciation for the complexities and beauty of this universal language.

Catálogo cinematográfico.

Nada está tão ruim que não possa piorar é um esboço teatral escrito pelo filósofo José Chadan, no qual figuras antológicas como Fausto, Don Juan e Dom Quixote estão na Barca dos Tolos (embarcação dei

Um povoado com suas tradições, uma propriedade de cavalos de raça e o sobrenatural. Tudo mudara de aspecto quando crime inexplicáveis começam a aparecer confundindo a cabeça dos camponeses do local e

A luta contra o mal se tornou constante na pequena cidade. Porém a cidade precisa de um representante da Lei, já que muitas mortes acontecem, e John e Piter iram encontrar um aliado.............. Magias, lutas. Buscar as Bestas para, ento tentar o Checkmate.

Maicon é recém-formado seu objetivo é trabalhar com Audiovisual, mas ele mora em uma pequena cidade no Interior de São Paulo. Seus amigos são: Pedro e Julieta, Pedro é muito pessimista, não acredita

Esperança Garcia foi uma escravizada que aprendeu a ler e escrever com padres Jesuítas. Quando esses foram expulsos para Portugal, ela é obrigada a deixar o marido e vai ser cozinheira na fazenda Poçes, administrada pelo Capito Antonio Vieira, onde sofre muitos abusos e maus tratos, motivando-a a escrever uma carta ao governo da Provincia de So Jose do Piaui, pedindo por ela, seus filhos e suas amigas escravizadas. Carta essa que levou a OAB a eleva-la a primeira advogada do Brasil.

A pequena cidade está infestada por vampiros, mas alguns deles lutam pela ordem da cidade no mundo da violência. Então entre prazer, amor, ódio a vingança é a marca registrada do senhor John, a caçad

In August 1947, an émigré Austrian opera impresario launched the Edinburgh International Festival of Music and Drama to heal the scars of the Second World War through a celebration of the arts. At the same time, a socialist theatre group from Glasgow and other amateur companies protested their exclusion from the festival by performing anyway, inventing the concept of fringe theatre.Now the annual celebration known collectively as the Edinburgh Festival is the largest arts festival in the world, incorporating events dedicated to theatre, film, art, literature, comedy, dance, jazz and even military pageantry. It has launched careers from Peter Cook and Dudley Moore in Beyond the Fringe to Phoebe Waller-Bridge with Fleabag mirrored the political and social mood of its times, shaped the city of Edinburgh around it and welcomed a huge all-star cast, including Orson Welles, Grace Kelly, Yehudi Menuhin and Mark E Smiths The Fall and many many more.This is its story.

Sequels are not always a bad thing. They dont have to be terrible. We can all think of great sequels. But for every good sequel there are a host of truly terrible sequels. Sequels to films that didnt even need a sequel, sequels that were rushed into production with no script, sequels so preposterously belated no one could even remember the original film. If there is one constant in the world of film it is unnecessary and terrible sequels. So, lets lift the veil over the most misguided and inept sequels ever produced and explore the worst sequels of all time!

Quintessência é um espetáculo solo que foi apresentado por David Ferr. Tem como tema o autoconhecimento. Mantras, apelos e orações completas, fazem parte desta obra, que é o texto do espetáculo na in

A ANDORINHA E O BEIJA-FLOR A história de duas almas gêmeas que se reencontram num futuro onde o Planeta Terra está irreconhecível. Será ficção ou realidade? É possível um amor transcender a forma, o

In "Monarchs of Minstrelsy, from Daddy Rice to Date," Edw. Le Roy Rice embarks on a comprehensive exploration of the minstrel tradition that shaped American popular entertainment. This seminal work delves into the lives and careers of key figures in the minstrel genre, from the pioneering Daddy Rice to subsequent performers, highlighting the evolution of performance styles, themes, and racial dynamics. Rices meticulous research is complemented by his lyrical prose, making the book an insightful examination of a complex cultural phenomenon that intersects with American history, entertainment, and race relations. Edw. Le Roy Rice, a noted scholar in American folk culture and popular music, draws from his extensive background in the performance arts to illuminate the nuances of minstrelsy. His keen awareness of the socio-cultural implications surrounding these entertainersAimany of whom navigated the constraints of their era while influencing public perceptions of race and identityAiprovides a critical framework for understanding the legacy of this often-controversial genre. This book is highly recommended for scholars, students, and enthusiasts of American theater, music history, and cultural studies. Rices analysis offers a compelling narrative that invites readers to reflect on the complexities of minstrelsy and its lasting impact on American culture. Engaging and informative, this work will enrich the understanding of both the performers artistry and their societal significance.