eBooks de Estética, página 2 de 9

Nas páginas deste livro, intitulado Reflexões Filosóficas sobre a Alma Humana , o autor Evan do Carmo nos convida para uma jornada filosófica através de temas universais que permeiam a rica tapeçaria

Intelectual precoz, fervorosa política, comprometida con el sufrimiento ajeno, atada a la realidad de su época no solo por sus ideas, sino también por sus manos y su corazón, Simone Weil era, además, una buscadora de la belleza. O, mas bien, una admiradora de ese misterio, como ella misma la definio, aunque ello no le impidio tratar de comprenderla y registrarla en sus escritos.En un ejercicio de busqueda apasionada, Pau Matheu, filosofo y experto en la obra de Simone Weil, ha seleccionado y traducido pasajes que la intelectual francesa dedico a la belleza: a describirla, a observarla, a intuirla, a intentar asirla para luego dejarla libre, como corresponde. Una recopilacion distinta, unica y exquisita que nos acerca a Weil de un modo singular y, con suerte, trae algo de redencion a los años oscuros que le toco vivir.

Esta edición recoge las tres obras que Ramsay dedicó a temas de estética, traducidas por primera vez al castellano: Ensayo sobre el ridículo (1753), Diálogo sobre el gusto (1754) e Investigación sobre la villa sabina de Horacio (inedita en vida del autor). Su lectura conjunta proporciona una sintesis de los principales temas de estetica y teoria del arte europeos de la segunda mitad del siglo XVIII. Por un lado, Ramsay fue el primero en problematizar filosoficamente el gusto, cuya desconfianza ante este le condujo a priorizar la mimesis aristotelica, generando toda la reflexion posterior sobre la norma del gusto; por otro, su conocimiento de los restos y de las teorias historicas de la Antiguedad grecorromana hizo que denigrara a los romanos ante los griegos, alineandose con Winckelmann y dando lugar a la encendida critica de Piranesi.

"A música, em Wittgenstein, como propusemos, demonstra também a importância que o filósofo dá ao aspecto relacional e à forma, pois ela pode ser pensada sob a forma lógica em uma perspectiva essencia

En Ensayo sobre el gusto en las cosas de la naturaleza y el arte —publicado póstumamente en el volumen VII de la Encyclopédie (1777) y ampliado con fragmentos añadidos en la edición de las Œuvres com

O Danilo poeta incorpora, nas linhas desse ensaio o escritor de prosa que não admite reduções do movimento de seu lápis pelos grilhões academicistas, apesar de acadêmico ele mesmo, doutorando em Lite

Walter Paters "Marius the Epicurean" is a profound exploration of the philosophical and aesthetic dilemmas faced by its titular character in the tempestuous milieu of ancient Rome. Written in a richly descriptive and impressionistic style, the novel engages deeply with themes of hedonism, beauty, and the search for meaning amidst moral ambiguity. Pater immerses readers in a lush landscape of sensory experiences and intellectual reflections, capturing the essence of Epicurean thought while also critiquing its limitations against the backdrop of a decaying empire. The narrative delicately balances lush prose with thoughtful insights, marking it as a significant contribution to late 19th-century literature that anticipates modern existential concerns. Walter Pater (1839-1894) was an influential English essayist and critic, notably linked with the Aesthetic Movement and the pre-Raphaelite circle. His philosophical approach, particularly his emphasis on art for arts sake, reflects his own engagement with the tensions between beauty and morality. Paters scholarly background in Renaissance studies played a crucial role in shaping Mariuss character as he navigates the ethical considerations of pleasure and intellect amidst the cultural decline of Rome. Readers seeking a nuanced and evocative exploration of philosophical inquiry embedded within a narrative rich with historical context will find "Marius the Epicurean" a compelling read. Paters distinctive prose and profound ideas invite deep reflection, making this work not only a significant literary achievement but also a thought-provoking journey into the interplay of art, philosophy, and life itself.

Luiz Bandeira está agora introduzindo-se no terreno das Letras e da Filosofia, sendo este livro a sua primeira obra publicada. Nela, ele se propõe a elucidar os problemas relativos às artes visuais e

In "The Philosophy of Fine Art," Georg Wilhelm Friedrich Hegel delves into the intricate relationship between art, philosophy, and the unfolding of human spirit. Spanning three volumes, Hegel articulates a comprehensive framework that positions art as a manifestation of the Absolute Spirit, evolving through historical contexts and aesthetic paradigms. His dialectical method, characterized by a synthesis of opposing ideas, presents art not merely as an object but as a dynamic process that reflects the cultural and intellectual milieu of its time. Hegels prose, while dense and philosophical, is imbued with a passion for art that invites readers to explore the depths of beauty and meaning within cultural artifacts. Hegel, an influential German philosopher and a key figure in German Idealism, emerged from a background steeped in history, theology, and metaphysics, which profoundly shaped his thoughts on aesthetic theory. His intellectual journey through the tumultuous political landscape of early 19th-century Europe also fed into his contemplation of arts role in societal development. Experiencing various forms of art from classical to contemporary, Hegels observations are suffused with a belief in arts capacity to express the ethical life of its time. This seminal work is essential for both students and scholars of philosophy and the arts, providing a rich, philosophical explorative ground for understanding the evolution of aesthetics. Readers seeking to unravel the complexities of arts significance within human culture will find Hegels profound insights a compelling and transformative experience.

"Three Lectures on Aesthetic" is an insightful work by Bernard Bosanquet, an English philosopher and political theorist of the late 19th and early 20th centuries. This work reflects his belief that aesthetics can reconcile the natural and the supernatural worlds.

On the Sublime and Beautiful is a treatise on aesthetics written by Edmund Burke. It introduces a comprehensive elucidation for distinguishing the beautiful and the sublime into their own respective

This insightful work explains what art represents and how to judge a good piece of art. With discussion on art, philosophy, history, and psychology, Hippolyte Taine developed the notion of understanding art through the historical circumstances during its creation. In addition, Taine talks about literature and the qualities that make a text a gem. The book comprises an application of the experimental method to art, in the same way, it is done in science. The author precisely describes art by social influences and other causes. Humanity at different periods and locations, climate, and other conditions furnish the truths on which the theory rests. It is a must-read for anyone interested in understanding a piece of art, examining it by details and the whole picture.

In "Three Lectures on Aesthetic," Bernard Bosanquet embarks on an exploration of the nature of aesthetics as a philosophical discipline, deftly situating his analysis within the broader context of idealist philosophy. Bosanquets lectures elucidate the complex interplay between beauty, art, and human perception, emphasizing the role of the observer as an active participant in experiencing art. His literary style is marked by a nuanced sophistication, reflective of the late 19th and early 20th-century aesthetic discourse, engaging with contemporaries such as Tolstoy and Ruskin, while arguing crisply against their more simplistic interpretations of arts purpose and value. Bosanquet, an influential figure in British idealism, was deeply interested in the intersection of philosophy and art, informed by his extensive education and close associations with the London School of Philosophy. His background in logic and ethics contributes richly to his arguments, enabling him to approach aesthetics not just as an artistic phenomenon but as a vital element of comprehensive human experience. This intellectual milieu, characterized by a lingering Romantic sensibility, undoubtedly shaped his innovative perspectives on artistic expression. "Three Lectures on Aesthetic" is a compelling read for anyone interested in the philosophical underpinnings of art and beauty. Bosanquets incisive insights challenge readers to reconsider their perceptions of aesthetics, making it a vital resource for students and scholars alike. This book not only enriches the field of aesthetics but also serves as a profound reflection on the human condition through the lens of art.

In "The Idea of Progress," William Ralph Inge examines the philosophical and cultural evolution of the concept of progress from antiquity to the modern era. Inges engaging prose blends historical analysis with philosophical inquiry, challenging the reader to reconsider the linear narratives of human development. This work stands in context with the early 20th-century debates surrounding modernity, industrialization, and the moral implications of progress, offering insights into how these dynamics shape human thought and societal structures. William Ralph Inge, an esteemed Anglican priest, theologian, and writer, provides a unique perspective influenced by his scholarly background and deep engagement with the intellectual currents of his time. Inge, who served as a professor at Kings College London, witnessed the dramatic changes of a rapidly industrializing world. His reflections are infused with existential contemplation, as he grapples with the tensions between faith, skepticism, and the burgeoning belief in progress that characterized the era. This book is a thought-provoking read for anyone interested in the philosophy of history and the transformative ideas that have shaped modern thought. Inges incisive arguments challenge complacency and prompt readers to contemplate the implications of progress on their own lives and society at large.

Hubo un tiempo en que los tatuajes se asociaban a personajes de entornos marginales, como marineros, presidiarios o freaks. Eran una provocadora declaración de intenciones: «He vuelto desde otro luga

Espejo crítico de nuestro tiempo, el arte contemporáneo juega un papel crucial para cuestionar nuestra realidad histórica y plantear los problemas filosóficos de la sociedad actual. Por medio de un estilo ameno y elegante, y valiendose de ensayos que parten del arte y recorren otras disciplinas, Pol Capdevila nos sumerge en algunos de los dilemas filosoficos acerca del tiempo y nos muestra como afectan al desarrollo de nuestras vidas y de nuestra cultura. Espectros del tiempo penetra en debates trascendentales sobre nuestro tiempo historico, tales como la tirania del reloj, la aceleracion de nuestras sociedades, el desvanecimiento del pasado y la sensacion generalizada de un fin de la historia. En un constante dialogo filosofico con el arte contemporaneo, Pol Capdevila recorre las contradicciones y crisis de sentido de las sociedades contemporaneas, haciendo participe al lector de las dimensiones de la tragedia. ¿Por que la experiencia del presente ha perdido su consistencia? ¿Podran el pasado, el presente y el futuro articular una relacion productiva, que permita hacer avanzar la historia? ¿Podemos entender el tiempo como algo que se construye colectivamente, en lugar de padecerlo bajo la forma de una dramatica finitud? A traves de un enfoque que combina la hermeneutica del arte y la filosofia del tiempo, Espectros del tiempo es una obra fundamental para entender la relacion entre el arte, la historia y nuestra experiencia temporal en la sociedad contemporanea.

O primeiro volume da Estética, monumental obra de György Lukács publicada em 1963, é leitura imprescindível para a compreensão do pensamento lukacsiano sobre o fenômeno artístico.A edição brasileira

Organizada por José Paulo Netto, a obra busca celebrar e trazer para o debate do século XXI o monumental livro História e consciência de classe: estudos sobre a dialética marxista, de György Lukács,

¿Por qué hoy en día gusta tanto «lo pulido»? Porque no daña, no ofrece resistencia. Lo bello digital constituye el espacio de lo igual, que no tolera ninguna extrañeza, ninguna alteridad, ninguna neg

En «Espacios afectivos», Laura Quintana se enfrenta a estas y a otras preguntas en un diálogo fecundo con Damián Pachón, quien con agudeza lee entre líneas las obras anteriores de la autora para ensa