eBooks de Poesía contemporánea española del XIX al XXI, página 2 de 554

To introduce John Lydgates landmark poem the Troy Book to students and non-specialist readers, the editor has selected the essential passages from the poem and bridges any gaps with textual summaries. Also included are an introduction, gloss, notes, and a glossary. John Lydgate, a monk of the great Benedictine abbey of Bury St. Edmunds in Suffolk, began composing the poem, an ambitious attempt at recounting the Trojan War in Middle English, in October 1412 on commission from Henry, Prince of Wales (later King Henry V), and completed it in 1420. The poem is an interesting study for those interested in medieval approaches to classical sources, as well as for its often contradictory and complicated take on contemporary chivalry.

This volume is the first affordable, modern collection of all eleven of the known Middle English Gawain tales, and aims to make these texts accessible to a wider, contemporary audience. These poems-The Wedding of Sir Gawain and Dame Ragnelle, Sir Gawain and the Carle of Carlisle, The Avowyng of Arthur, The Awyntrs off Arthur, The Knightly Tale of Gologras and Gawain, The Greene Knight, The Turke and Sir Gawain, The Marriage of Sir Gawain, The Carle of Carlisle, The Jeaste of Sir Gawain, and King Arthur and King Cornwall-are united by their common concern with the theme of chivalry. Sir Gawain was by far the most popular of Arthurs knights in medieval England, and the verses collected here offer a window not only into English views on Gawain but also attitudes towards the knightly ideal and chivalry. Incorporating glosses and introductions for each text as well as an extensive glossary, this edition is excellent for students of Middle English romance.

Scottish poet William Dunbar is usually considered one of the most important figures of fifteenth-century British literature, and may lay claim to being the finest lyric poet writing in English in the century and half between the death of Chaucer in 1400 and the appearance of Tottels Miscellany in 1557. Dunbars poems offer vivid depictions of late medieval Scottish society and serve up a striking pageant of colorful figures at the court of James IV (r. 1488-1513), with which he was associated for much of his adult life. The poems are remarkable both for their diversity and variability and for their multiplicity of voices, styles, and tones. The great variety of poems within Dunbars canon includes religious hymns of exaltation, moral poems on a wide range of serious themes, comic and parodic poems of extreme salaciousness and scatological coarseness, general satires against the times, and satires with much more specific targets, often a single individual. This edition of eighty-four poems attributed to Dunbar includes extensive background material and explanatory notes that are sure to be of interest to students and Dunbar enthusiasts alike. The edition is rounded out with textual notes, an index of first lines, and a glossary.

Oton de Granson, slain in a duel in 1397, was a knight, diplomat, and poet, who lived an active, almost storybook life at or near the center of many of the most important events in the last half of the fourteenth century. He was almost certainly a personal friend to both Chaucer and Eustache Deschamps and among the first and most successful of the poets who were also courtiers. This new translation makes Gransons poetry available again to English readers.

Exhaustiva investigación histórico literaria que ofrece una selección que respeta la circunstancia que tuvo cada autor, su ilusión y sus creencias, abarcando así más de mil autores con su entorno historico, la respectiva noticia biografica, critica literaria, conceptos y explicacion de la obra. Con mas de un millar de poemas que marcan el itinerario de la poesia colombiana a partir de 1497, año de llegada del primer europeo al pais.

A produção literária de Martin Wylde Carter (1927-1997) é icônica na Guiana e amplamente disseminada como hino aos anos de resistência dos povos nativos da região caribenha em suas lutas pela indepen

Esta coletânea celebra o caráter transformador da literatura de Sérgio Vaz, o poeta da periferia. A Coleção Sérgio Vaz contém seus quatro livro mais uma camisa, em tamanho único, personalizada com o

Nuevo tomo de la exhaustiva investigación histórico-literaria que ofrece una selección que respeta la circunstancia que tuvo cada autor, su ilusión y sus creencias, abarcando así más de mil autores con su entorno historico, la respectiva noticia biografica, critica literaria, conceptos y explicacion de la obra. Incluye mas de un millar de poemas que marcan el itinerario de la poesia colombiana a partir de 1497, año de llegada del primer europeo al pais.

A obra completa do poeta, jornalista e sociólogo Alberto da Cunha Melo (1942–2007), um dos maiores nomes da Geração 65 de poetas pernambucanos. Experimentador radical do estilo literário, mas sem esq

Here, for the first time, is a fully scrutinized text of Eliots poems, carefully restoring accidental omissions and removing textual errors that have crept in over the full century in which Eliot has been so frequently printed and reprinted. The edition also presents many poems from Eliots youth which were published only decades later, as well as others that saw only private circulation in his lifetime, of which dozens are collected for the first time. The first volume respects Eliots decisions by opening with his Collected Poems 1909-1962 in the form in which he issued it, shortly before his death fifty years ago. There follow in this first volume the uncollected poems from his youth that he had chosen to publish, along with such other poems as could be considered suitable for publication. The Poems of T. S. Eliot is a work of enlightening scholarship that will delight and inform all those who read Eliot for pleasure, as well as all those who read with pleasure and for study. Here are a new accuracy and an unparalleled insight into the marvels and landmarks from The Love Song of J. Alfred Prufrock and The Waste Land through to Four Quartets.

The Poems of T. S. Eliot is the authoritative edition of one of our greatest poets, scrupulously edited by Christopher Ricks and Jim McCue. It provides, for the first time, a fully scrutinized text of Eliots poems, carefully restoring accidental omissions and removing textual errors that have crept in over the full century in which Eliot has been so frequently printed and reprinted. The edition also presents many poems from Eliots youth which were published only decades later, as well as others that saw only private circulation in his lifetime, of which dozens are collected for the first time. To accompany Eliots poems, Christopher Ricks and Jim McCue have provided a commentary that illuminates the creative activity that came to constitute each poem, calling upon drafts, correspondence and other original materials to provide a vivid account of the poets working processes, his reading, his influences and his revisions. The first volume respects Eliots decisions by opening with his Collected Poems 1909-1962 in the form in which he issued it, shortly before his death fifty years ago. There follow in this first volume the uncollected poems from his youth that he had chosen to publish, along with such other poems as could be considered suitable for publication. The second volume opens with the two books of poems of other kinds that he issued, Old Possums Book of Practical Cats and his translation of Perses Anabase, moving then to verses privately circulated as informal or improper or clubmanlike. Each of these sections is accompanied by its respective commentary, and then, pertaining to the entire edition, there is a comprehensive textual history recording variants both manuscript and published. The Poems of T. S. Eliot is a work of enlightening scholarship that will delight and inform all those who read Eliot for pleasure, as well as all those who read with pleasure and for study. Here are a new accuracy and an unparalleled insight into the marvels and landmarks from The Love Song of J. Alfred Prufrock and The Waste Land through to Four Quartets

In late 2013, preeminent Hebrew poet Tuvia Ruebner published his fifteenth poetry collection, which he titled Last Ones. But it was not his last; he continued writing and publishing, even into the summer of his death in 2019. The translated poems in Now at the Threshold: The Late Poems of Tuvia Ruebner are from Ruebners final three collections, poems all written from 2014 onward, after the poets 90th birthday. Translated into English by award-winning translator Rachel Tzvia Back, these late and last poems both celebrate lifes enduring small graces and converse quietly-even negotiate- with death. With love and loss ever intertwined, and a protesting voice still fierce, this collection offers the reader illuminating and beautiful poetry from a great humanist and a great poet. The Interim World: The Poetics of Tuvia Ruebner From Love to Loss and Back Again: The Tragic Story of Israeli Poet Tuvia Ruebner

On the Surface of Silence offers for the first time in English the final poems of Lea Goldberg, pre-eminent and central poet of modern Hebrew poetry. These extraordinary texts, composed in the last years and even last days of the poets life and published posthumously after her untimely death, exhibit a level of lyrical distillation and formal boldness that mark them as distinctive in the poets oeuvre. Often employing a fragment-like structure, where the unspoken is as present and forceful as the spoken, stripped of adornments and engaging the reader with an uncompromising, even disarming, directness, Goldbergs last poems enact and manifest a poetics of intrepid truth-telling. The play between revelation and concealment, the language precision and the unflinching end-of-life gaze transform these texts into powerfully moving, and often surprising, poems. The book itself, in the original format as masterfully edited by Tuvia Ruebner and with drawings by Goldberg herself interspersed among the poems, is a significant and beautiful artifact of modern Hebrew culture. This bilingual edition, with translations by award-winning translator Rachel Tzvia Back, brings us poems from a singular poetic voice of the 20th century - poems which will enrich, reflect, and stir the readers heart.

A Times Literary Supplement , Telegraphand Financial TimesBest Book of 2025The glorious gathering-in of his achievement that is The Poems of Seamus Heaney, edited with meticulous care and luminous clarity. . . allows us for the first time to see his dozen formal collections as only the most visible peaks in a constantly rolling range of creativity. Fintan OToole, ObserverThis book is a landmark. [and] lets us see Heaneys work, whose ripples we are still learning to navigate, for the colossal achievement it is, and it reminds us that Heaney is not only a keeper but an enricher of the word-hoard. Philip Terry, GuardianThis is the long-awaited, definitive edition of Seamus Heaneys poetry. It encompasses all the poems Heaney published in his lifetime as well as the small number that appeared after his death: twelve single volumes, from Death of a Naturalist (1966) to Human Chain (2010), and those poems published in pamphlets, journals and magazines or with limited circulation. In addition, the book includes a selection of unpublished material chosen by the poets family.It is a body of work that, in its entirety, resounds with the lyrical beauty and ethical depth cited by the Nobel committee: poems which exalt everyday miracles and the living past.Critical introductions to each collection and notes that illuminate the history and development of the poems make this the essential volume for admirers of Heaneys work.Heaneys voice, by turns mythological and journalistic, rural and sophisticated, reminiscent and impatient, stern and yielding, curt and expansive, is one of a suppleness almost equal to consciousness itself. Helen VendlerMore than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of. John CareyHis is "closeup" poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does. John BanvilleThese poems find - in the dowsers gift and the childs perception of the world - images of the marvellous that are also wonderfully grounded. . . Heaney is a poet who deserves to be read in entirety. Jamie McKendrickFor Heaney, there were marvels enough in this world, and never mind the next. Ordinary objects and places - a sofa, a wireless, a satchel, a gust of wind, the sound of rain - were sanctified. Blake Morrison

Loss defines the crossbeams and chronicles of Tuvia Ruebners life. Born in 1924 into a semi-secular Jewish family in Slovakia, Ruebner was also born into the catastrophe that would follow-the extermination of European Jewry and of his own family in the Holocaust. Hitler became chancellor of Germany on Ruebners ninth birthday. Six years later, the race-laws enacted in Slovakia banned all Jewish students from school, and Ruebners formal education ended with ninth grade. His involvement in the Socialist-Zionist youth movement bought him a ticket out to Palestine and, in 1941, the seventeen-year-old bid his family farewell at the Pressburg Bratislava train station, unaware that he would never see them again. The disasters of the twentieth century swept Ruebner from Europe to Israel, from German to Hebrew, from the familiar to the strange. Despite his truncated formal education, he became a poet and man of letters in Israels fledgling intellectual community alongside other Jewish immigrant-refugee-survivors like Ludwig Strauss, Werner Kraft, Lea Goldberg, and Dan Pagis, eventually gaining international esteem as professor of comparative literatures at Haifa University and as translator of Nobel prize winner S.Y.Agnons stories into German. Ruebners early work in Israel took shape in German, the language he spoke to his lost beloveds and the language of Kafka, Hoelderlin, and Rilke, whose work he loved, a language that protected him from the overwhelming strangeness of his new land and life. He began composing poetry in Hebrew in the 1950s, beginning a life-long relationship with the newly-revived ancient tongue. The result: fifteen poetry collections in Hebrew, from The Fire in the Stone in 1957 to Last Ones in 2013, a poetic oeuvre that has received countless awards and accolades in Israel and Europe alike and has established Ruebner as an elder of the tribe. Ruebners poetry offers us an exquisite and indispensable voice of the twentieth century. His little sister, murdered in Auschwitz, and his youngest son, who disappeared in South America, wander unceasingly through his poems. Beyond the personal losses, the devastation of the century informs all of his work. Textual rupture and fragmentation echo historical rupture and fragmentation. The wonder of Tuvia Ruebner is that, after a lifetime of loss and tragedies, he remains open to the possibility of happiness. This openheartedness accommodates the many paradoxes and conflicts of life and infuses his poetry with an enduring and encompassing compassion for the lost and for the living alike. Rachel Tzvia Backs graceful translations of select poems representative of Ruebners seven-decade poetic trajectory are ever-faithful and beautifully attuned to the Hebrew originals, even as they work to create a new music in their English incarnations. Her comprehensive introduction and annotations supply the context in which these poems were produced. This first-ever bilingual edition, published as Ruebner marks his 90th birthday, gives readers in both Hebrew and English access to stunning poetry that insists on shared humanity across all border lines and divides.

Obra de referencia para conocer y apreciar lo mejor de la actual producción poética de México.Un ambicioso proyecto editorial que reúne, por primera vez en un solo volumen, a 167 voces de la lírica nacional mas reciente.La presente obra constituye un compendio amplio y diverso de la produccion poetica de Mexico durante las ultimas decadas. Son autores nacidos entre 1951 y 1987 que, en conjunto, constituyen una muestra representativa del vigor, dinamismo y originalidad que distingue a la actual produccion poetica de nuestro pais. Juan Domingo Arguelles, gran conocedor del genero y poeta el mismo, ofrece esta antologia para uso y disfrute de estudiantes, maestros y publico en general. La seleccion de autores y obras permite hacerse una idea justa de la diversidad y calidad que la poesia ha tenido en nuestra tierra.

Poemas à Profissional Técnico de Segurança do Trabalho é uma coletânea de poemas que celebram e exploram a vida, desafios e responsabilidades dos profissionais técnicos de segurança no local de traba

Este é um livro de 490 páginas. Na tradição judaico-cristã, o número 490 carrega uma conotação espiritual profunda. Baseando-se no simbolismo bíblico do número sete, que representa a perfeição, a com

Pensamentos de um Jovem, expressos através de poemas e poesias, que mostram os conflitos internos, sonhos e sentimentos borbulhante numa mente juvenil.

I am a new European author of a book divided into two volumes that will cost 18 euros each to purchase in a digital PDF format. Each volume s title is the same as above, and it focuses on global events, especially those occurring in the United States of America, a nation experiencing enormous unrest, and in Europe. I had intended to write only one book, but I was carried away and had to split it into two. I communicate my ideas and the realities of what is actually occurring in the world around us in a way that is politically incorrect, as I am not the type of person who likes walking on eggshells unless I deem it necessary. Political correctness is something I vehemently oppose in every sense of the word. Political correctness should only be used in the context of international relations within the political and corporate worlds. To fully express our freedoms, political correctness should be removed from all public discourse. It is possible to conduct debates without violating decorum through the use of political incorrectness. Political correctness gone mad hinders communication by limiting what we may say, think, write, and do. The rise of political correctness gone mad has a very Orwellian feel to it. I know that political correctness, in small doses, aims to foster balance in how we communicate with one another, but sadly, this goal has been perverted and exploited to the point of madness and to shield those who find offence in just about everything. I was inspired to publish my own opinions and the truthswhich left-wing politics likes to refer to as conspiracy theories since they concern them and their transgressionsby what is occurring around the globe, particularly in the United States. My two books are not for anyone who is easily offended, insulted, or micro aggressed. Your comments, no matter how bizarre or sane they may seem, are always welcome, without any guarantee that I will agree with them. Your feelings regarding the topics I am covering in my books are of very little concern to me. If you are a snowflake who is triggered easily by other peoples opinions and the truth, I suggest that you do not read my works, but it is ultimately up to you to make that choice since they are extremely alluringeven to people who practise political correctness to the hilt.