eBooks de Poesía contemporánea española del XIX al XXI, página 4 de 554

Mit Dearly veroffentlicht Margaret Atwood nach zehn Jahren erstmals wieder einen Lyrikband. Es geht darin um all das, womit sie sich, beruhmtermaen, auseinandersetzt: ob hinreiend genaue Naturbeschreibungen oder witzige Begegnungen mit Auerirdischen, ob drangende politische Fragen oder Mythen und Legenden. Klug, dabei oft verspielt sprechen die Gedichte von Abwesenheit, Altern und Ruckschau, aber auch von Neubeginn und Gluck. Dearly ist Atwood pur, voller Einsichten, Empathie und Humor.

Apresento-lhe bilhetes para viagens sombrias, necessárias, arrepiantes que, a princípio, podem parecer aterradoras e fruto de desvairos, no entanto, em suas entranhas há para além da intimidade com a morte, sobretudo, um grito pela vida ignorada, pisoteada pelas estruturas de poder que se desenrola do micro ao macro. Claro, precisara dançar com as metaforas, cinzel do embelezar textual do que aos olhos apenas parece feio... Boa leitura!

Apresento-lhe bilhetes para viagens sombrias, necessárias, arrepiantes que, a princípio, podem parecer aterradoras e fruto de desvairos, no entanto, em suas entranhas há para além da intimidade com a morte, sobretudo, um grito pela vida ignorada, pisoteada pelas estruturas de poder que se desenrola do micro ao macro. Claro, precisara dançar com as metaforas, cinzel do embelezar textual do que aos olhos apenas parece feio... Boa leitura!

Dóri Vargas Gedichte sind einzigartige Klangereignisse, die sie mit den einfachsten Mitteln schafft. Schmerz, Glück, Verlust, Verbundenheit, Freiheit, Heimat, Frausein, Muttersein, Beziehungsein: Sin

A collaboration between one of the worlds most eminent poets, Nobel Prize-winner Derek Walcott, and one of its most coveted painters, Peter Doig. Through a long-standing friendship and creative affinity the two great artists have together produced a stunning full-colour book of fifty paintings and original poems.

Basil Buntings work was published haphazardly throughout most of his life, and in many cases he did not oversee publication. This is the first critical edition of the complete poems, and offers an accurate text with variants from all printed sources. Don Share annotates Buntings often complex and allusive verse, with much illuminating quotation from his prose writings, interviews and correspondence. He also examines Buntings use of sources (including Persian literature and classical mythology), and explores the Northumbrian roots of Buntings poetic vocabulary and use of dialect.

When Stevie Smith died in 1971 she was one of the twentieth-centurys most popular poets; many of her poems have been widely anthologised, and Not Waving but Drowning remains one of the nations favourite poems to this day.Satirical, mischievous, teasing, disarming, her characteristically lightning-fast changes in tone take readers from comedy to tragedy and back again, while her line drawings are by turns unsettling and beguiling. In this wholly new edition of her work, Smith scholar Will May collects together the illustrations and poems from her original published volumes for the first time, recording fascinating details about their provenance, and describing the various versions Smith presented both on stage and page. Including over 500 works from Smiths 35-year career, The Collected Poems and Drawings of Stevie Smith is the essential edition of modern poetrys most distinctive voice.I was much further out than you thought And not waving but drowning.- Not Waving but Drowning

In the decades since his death in 1963, Louis MacNeices reputation as a poet (and, indeed, amongst poets) has grown steadily, and there are now several generations of readers in Ireland, Britain, and beyond, for whom he is one of the essential poets of the twentieth century. His work has also received increasing attention from academic writers and students. For both readers and critics, the nature of MacNeices poetic work as a whole is a matter of importance, and the second posthumous Collected Poems, entirely re-edited by Peter McDonald, attempts, for the first time, to print MacNeices poetry in groupings corresponding closely to the collections published by Faber between 1935 and 1963. This makes it easier to read the poet in the published forms in which he was read by his contemporaries. In choosing to re-create the environments of MacNeices individual volumes of poetry, moreover, this new Collected reflects the opinion that MacNeice works best in and through those separate volumes, particularly so in the brilliant return to form - and unique kinds of return on lyric form itself - of the last three collections. The texts of the poems in the new edition are based on a comparison of all printed versions, as revised in the light of the poets later thoughts. This has resulted in a large number of changes. It is hoped that the present edition presents MacNeices poetry more accurately, as well as more fully, than all previous collections. The new Collected Poems also includes, as appendices, The Last Ditch - the short book of poems which MacNeice published with the Cuala Press in 1940 - and The Revenant, a cycle of songs written for MacNeices wife, the singer Hedli Anderson, a selection of uncollected early poems, and from Blind Fireworks, MacNeices first published book of verse.

Liz Lochhead is one of the countrys leading poets. Her work has paved the way and inspired some of the most inspirational voices writing in Scotland today, including Ali Smith, Kathleen Jamie, Jackie Kay and Carol Ann Duffy. In A Handsel, the first new poems from Scotlands second modern Makar since 2016s Fugitive Colours, the poet celebrates people and those small momentous moments that encapsulate so much of her work. It is human relationships that sit at the heart of these poems; each one is a beautifully realised snapshot that explores the poets past, her friendships and revisits favourite characters from earlier collections. This landmark publication collects for the first time the poetry of Liz Lochhead. Bringing work back into print, this collected poems publishes all of the poets collections, presented in their entirety: Memo for Spring, Islands, The Grimm Sisters, Dreaming Frankenstein, The Colour of Black and White and Fugitive Colours, as well as poems from Bagpipe Muzak and True Confessions.

Combining the poignant appeal of a love story cut short with the theme of personal growth and the spiritual search for meaning, this book will help to give comfort to those who have shared the pain of bereavement. It shows them that they are not alone, and that the cycle of grieving is normal and that life does get better. Presented as a verse journal, Can I Let You Go, My Love? is more than an outpouring of one womanis experience of bereavement and life beyond grief. It is also a way of letting other people know what the bereaved are going through and so broadening understanding. The verses are full of lifeis lessons and the thoughts and feelings expressed are powerful, profound and heart-rending. It is a book that not only can be used bycounsellors and their clients (the manuscript has already been adopted as a therapeutic aid by counsellors) but is just the gift to give to a friend who has lost a loved one or who is going through a crisis in life. Can I Let You Go, My Love? was cited as an Outstanding Contender for the CRUSE Excellence in Communication Award 1997.

Combining the poignant appeal of a love story cut short with the theme of personal growth and the spiritual search for meaning, this book will help to give comfort to those who have shared the pain of bereavement. It shows them that they are not alone, and that the cycle of grieving is normal and that life does get better. Presented as a verse journal, Can I Let You Go, My Love? is more than an outpouring of one womanis experience of bereavement and life beyond grief. It is also a way of letting other people know what the bereaved are going through and so broadening understanding. The verses are full of lifeis lessons and the thoughts and feelings expressed are powerful, profound and heart-rending. It is a book that not only can be used bycounsellors and their clients (the manuscript has already been adopted as a therapeutic aid by counsellors) but is just the gift to give to a friend who has lost a loved one or who is going through a crisis in life. Can I Let You Go, My Love? was cited as an Outstanding Contender for the CRUSE Excellence in Communication Award 1997.

Gather it from memory. Let it touch the earth.In Touch the Earth, Drew Jackson continues the project he began in God Speaks Through Wombs, reflecting on the Gospel of Luke through poetry. Touch the Earth picks up in chapter nine and continues through the end of Lukes Gospel. Part protest poetry, part biblical commentary, Jackson presents the gospel story in all its liberative power. Here the gospel is the "fresh words / that speak of / things impossible."From the feeding of the multitude ("The best hosts always provide / take home containers") to the resurrection of Jesus ("the belly of mother Earth / is, indeed, a womb . . . the humus of life is where we become fully human"), this collection helps us hear the hum of deliveranceagainst all hopethats been in the gospel all along.

Between now and then, I will offer you A fist full of rock cress fresh from the bank The valley tips of garlic red with dew Cooler than shallots, a breath you can swankIn the village when you come. At noon-day I will offer you a choice bowl of cawl Served with a lovers spoon and a chopped spray Of leeks or savori fach, not used now,In the old way youll understand. The din Of children singing through the eyelet sheds Ringing smith hoops, chasing the butt of hensLynette Roberts is one of the most astonishing and brilliant poets of the twentieth century. Though published by T.S. Eliot and Faber in the 1940s and 50s her work unjustly fell off the radar for many years until the groundbreaking edition of her collected poems published by Carcanet in 2005. Twenty years on, this new edition contains an additional sixty-five previously uncollected and unpublished poems by Roberts, and a new epilogue highlighting her growing importance to our understanding of twentieth-century poetry.

Após publicar o Livro do Desassossego e a obra dos heterónimos de Fernando Pessoa – como Alberto Caeiro, Álvaro de Campos e Ricardo Reis – a Global Editora dá início a uma etapa de suma relevância do

Fotos e Versos é um livro para ler e pensar com calma, com atenção aos temas e para apaziguar ânimos.São poesias e poemas com sentimentos verdadeiros que ocorrem com todos os que vivenciam o dia a di

Esta obra tráz poemas menores (Poesias Máximas) com o objetivo de nos aproximar dos pequenos pensamentos e grandes sentimentos que deles derivam.

Talvez o poeta mais original da literatura inglesa, William Blake foi uma espécie de símbolo das manifestações socioculturais dos anos 1960 e 1970. Ao lado da psicologia de Carl Jung e Sigmund Freud,

Un único volumen que contiene toda la producción en verso de una escritora singular La obra poética de Silvina Ocampo es un continente poco explorado en la geografía de la literatura argentina. Estimulante y delicada, combina los temas sencillos y la riqueza expresiva en una asociacion felizmente innovadora. Animada a veces por una bella ternura ironica, otras por una simpatia extendida por los animales, las plantas y los enamorados, la poesia de Ocampo encontro en el interior de la lengua oficial una singularidad tan afinada como original. La disciplina del ritmo acompañada por regresos a los mismos temas en tonos distintos, la influencia de la infancia, el apunte autobiografico, la miniaturizacion y el boceto narrativo son marcas inconfundibles de una voz poetica consciente. Este volumen reune los libros de poesia de Ocampo aparecidos entre 1942 y 1984, un conjunto de traducciones para la revista Sur de 1947, mas un puñado de poemas no recogidos antes en libros, la poesia dispersa seleccionada por Noemi Ulla en 2001 y una serie de traduc-ciones ejemplares. Se completa con un conjunto de poemas ineditos aparecidos en revistas. La publicacion de esta Poesia completa en un unico volumen pone al alcance de los lectores toda la produccion en verso de esta escritora impar en la lengua española.

Vida y poesía, vida y amor vida y libertad. Esta triada, que los surrealistas comulgaron entre sueno y realidad, no es sólo una bandera de acción sino una bandeja de asombro y fascinación donde se despliega la obra poetica de Jotamario Arbelaez. Asi viene alli al desnudo "el cuerpo de ella" donde las palabras hacen el amor con la poesia; viene "el profeta en su casa" recordando para recordar "la casa de memoria vienen los santos aliñados con "zen y santidad" desfilando con sandalias en la cabeza y cien pies en la tierra; viene en "paños menores" la impudicia de un "culito de rana" para ejercer "el arte de pedirlo"; viene aquello de que "nada es para siempre, viene la ofrenda de "mi reino por este mundo". Porque ya desde sus comienzos, la poesia de Jotamario es una aventura, un desafio para correr todos los riesgos.

En esta antología, que recoge las voces de 17 poetas portuguesas actuales, hay mucho de porcelana, en la belleza de las distintas poéticas; y de bravura, en el arrojo con que estas mujeres se lanzan al ruedo concurridisimo de la poesia. Porcelana brava viene siendo un oximoron, lo que en tiempo de pleonasmos no resulta mala opcion. Mejor aun, en tiempos de afliccion para los que la poesia valiente puede ser lenitivo, cuando no ariete.Maria Quintans Ana Luisa Amaral Rosa Oliveira Maria do Rosario Pedreira Maria Joo Cantinho Ana Marques Gasto Ana Paula Inacio Renata Correia Botelho Rita Taborda Duarte Ines Fonseca Santos Filipa Leal Claudia R. Sampaio Catarina Nunes de Almeida Andreia C. Faria Beatriz Hierro Lopes Tatiana Faia Sara F. Costa.