eBooks de Teatro, página 7 de 418

A phrase we used to use: it is the best gift the British people have given to themselves. Because it is. No one else has done this. The NHS belongs to us. Over eighteen months Michael Wynne interviewed nurses, doctors, paramedics, historians, policy makers and politicians up and down the country, gathering an unrivalled collection of testimonies from those connected to every aspect of the NHS. In a this verbatim play, he gives voice to unheard perspectives on its past, present and possible future.Who Cares premiered at the Royal Court Theatre, London, in April 2015 in the run up to the General Election.

A short play exploring the expectations and responsibilities of being an artist and a woman.Jessica Sians play White Lead was first performed at Hampstead Theatre, London, in November 2016, as part of the Women Centre Stage Festival produced by Sphinx Theatre, demonstrating the range, depth and richness of womens writing for the stage.The play is also available in Women Centre Stage, a collection of eight short plays selected by Sue Parrish, Artistic Director of Sphinx Theatre. All the plays included in this volume offer a wide variety of rewarding roles for women, and are perfect for schools, youth groups and theatre companies to perform. Other writers included in the collection include Winsome Pinnock, Timberlake Wertenbaker and April De Angelis.

OLD GODS TIME (MARCH 2023), SEBASTIAN BARRYS STUNNING NEW NOVEL, AVAILABLE TO PRE-ORDER NOW Whistling Psyche A dark night, an old waiting room and two supposed strangers eager to reach their destinations. In the cold hours that rest between nightfall and daybreak, silent questions prompt unexpected revelations. Two souls share a passion for reform, but only one - Miss Nightingale - has been honoured. The other, Dr Barry, would never receive the same acclaim, but notoriety came after death and for a very different reason . . .Whistling Psyche premiered at the Almeida Theatre, London in May 2004.Fred and Jane explores the deep and sustaining friendship between two nuns, Anna and Beatrice, as they recall the trials and joys of religious life.This is Barry at his best: evocative, gentle, suffused with the beauty of the simple and the joy of turning the strange into the familiar.Sunday TribuneA rare delight. A clear-running joy.Sunday IndependentA triumph in its own right.RTEFred and Jane premiered at Bewleys Cafe Theatre, Dublin in 2002.

Its 1955 and the Pallas Players, an all-female theatre company, are putting on a play: Whisky Galore.They transport us back to 1943 on the Scottish islands of Great and Little Todday, where the whisky supply has dried up because of the war, leaving tensions running high. Relief seems to be at hand when a ship carrying 50,000 bottles of whisky is wrecked just offshore. Then its every thirsty man for himself as the islanders try to rescue as many bottles as possible before stuffy Captain Waggett of the Home Guard can put a stop to their fun.Philip Gouldings stage adaptation of Compton Mackenzies comedy classic is a tribute to the feisty all-female touring theatre companies of the post-war years. First performed in a touring production by Oldham Coliseum Theatre, Hull Truck Theatre and New Vic Theatre, Whisky Galore combines rollicking physical theatre, panto and farce, with an array of hilarious characters for any female-led theatre company.This edition includes an introduction by Philip Goulding, notes on the characters, and the original music by Alan Edward Williams that accompanied the premiere production.

Imagine youre scared for your adult sibling. Theyre on the brink and you want to keep them safe. You think theyre mentally ill but they think theyre just leftwing.To make the right choices together youll need to know the right things. The big question: how do you know if you know the right things?Where Sat the Lovers is about codes, hallucinations, Isaac Newton, war crimes, seeing meaning where theres none and vice versa. Its about facing an overwhelming world and trying to make sense of it all.Created by Carys D. Coburn with MALAPROP Theatre, it was first staged at Project Arts Centre, Dublin, as part of the 2021 Dublin Fringe Festival, directed by Claire OReilly.

A painful and painfully funny play about being very young and in love and coping with serious illness at the same time.Rachel and Peter are seventeen. They have been going out for six months. Its loves young dream. Then Rachel gets ill seriously ill. She doesnt want her mum to fuss; she doesnt want Alice to pretend shes her best friend; and she certainly doesnt want Alices boyfriend telling bad jokes at her bedside. The only person she wants is Peter, but Peter doesnt know what it is that he wants.Jack Thornes play When You Cure Me is a bittersweet and poignant tale of love and misunderstanding and discovering that what you say and do can be very different from what you think and feel.When You Cure Me was first staged at the Bush Theatre, London, in 2005.

In May 1926, Britain grinds to a halt, as workers down tools for the General Strike.With the printing presses shut down, the only sources of news are the governments British Gazette, edited by Chancellor of the Exchequer Winston Churchill, and the independent, fledgling British Broadcasting Company, led by John Reith. The stage is set for a fierce battle over control of the news and who gets to define the truth.Jack Thornes When Winston Went To War With The Wireless is a gripping play about the birth of a great British institution and its efforts to stay impartial. It premiered at the Donmar Warehouse, London, in June 2023, directed by Katy Rudd, with Stephen Campbell Moore as Reith, Adrian Scarborough as Churchill, and Haydn Gwynne as Stanley Baldwin.Jack Thorne never ceases to stimulate and entertainEvening Standard

Go on then: lock the doors and see what happens. Show me how much power you really have.When We Have Sufficiently Tortured EachOther breaks through the surface of contemporary debate to explore the messy, often violent nature of desire and the fluid, complicated roles that men and women play. Using Samuel Richardsons novel Pamela as a provocation, six characters act out a dangerous game of sexual domination and resistance.When We Have Sufficiently Tortured Each Other premiered at the National Theatre, London, in January 2019.

"When We Dead Awaken" is the final play of Henrik Ibsen, encapsulating his profound exploration of existential themes and the human condition. Written in 1899, this poignant work employs a symbolist style, blending realism with allegorical elements to investigate the complexities of identity, art, and the inevitability of mortality. Centered around the encounter between a sculptor and the women in his life, Ibsen crafts a narrative steeped in metaphysical inquiry, prompting readers to reflect upon the nature of awakening and the consequences of creative endeavor in a world fraught with societal constraints. Henrik Ibsen, often hailed as the father of modern drama, drew from his own experiences and societal observations when crafting his plays. His struggles with personal identity and the moral dilemmas of artistic expression in a rapidly changing world profoundly influenced his later works. Ibsens own conflicts with societal expectations and his longing for authenticity resonate through the characters and themes of "When We Dead Awaken," reflecting a culmination of his philosophical and artistic journey. This remarkable play is highly recommended for those exploring the intersections of art, identity, and mortality. Ibsens rich characterizations and thought-provoking dialogue make it a must-read for scholars and enthusiasts of modern literature alike, inviting readers to confront their own awakenings as they navigate the intricacies of life.

In "When We Dead Awaken," Henrik Ibsen explores the intricate relationship between art, identity, and the human condition through the lens of a reflective and symbolic narrative. This late-career play is characterized by Ibsens hallmark realism intertwined with existential themes, showcasing the struggles of the protagonist, an aging artist named Rubek, who grapples with his past and purpose in life. Ibsens nuanced dialogue and evocative imagery invite readers to ponder the nature of authenticity and the artistic vocation, presenting a poignant critique of societal expectations and personal fulfillment amid the backdrop of a seemingly idyllic retreat. Henrik Ibsen, often heralded as the father of modern drama, revolutionized theatrical narratives by embedding deep psychological insight within his characters. Having witnessed the restrictive societal norms of 19th-century Norway, Ibsens own frustrations with artistic expression and personal freedom profoundly influenced his later works. "When We Dead Awaken" serves as a culmination of these themes, intricately connecting the authorAos personal struggles to universal questions regarding life, love, and existential despair. This compelling play is recommended for readers interested in the undercurrents of artistic struggle and the philosophical inquiries that define human existence. IbsenAos profound explorations of identity and the significance of self-discovery render this work essential for anyone seeking to understand the interplay between art and life in the context of modern existential thought.

A group of teenagers, their lives shaped by billions of seemingly random events going back to before they were born, come together onstage to share stories about their past, their present, and what might lie ahead.When This Is Over is a uniquely personal, theatrical celebration of hope, possibility and imagination. Its about how we can work with chaos, and embrace our collective imagination as we prepare for a deeply uncertain future together.Originally conceived by Company Three and developed alongside more than fifty other youth theatres across the UK When This Is Over is a play designed to be created and performed by teenage casts, drawing directly on their own life experiences and the stories they want to tell. As with Company Threes widely performed youth-theatre play Brainstorm, the script is a blueprint for an amazing theatrical adventure.This published edition contains a series of exercises and activities for schools, youth-theatre groups and community companies to create and perform their own unique productions, and also features the complete script of Company Threes version, which was performed at The Yard, London, in 2022.When This Is Over was named Community Project of the Year at The Stage Awards, and Outstanding Drama Initiative at the Music and Drama Education Awards.

But deep down, we all know the only thing I did wrong was be a girl who spoke up. A girl who refused to stay silent. And Im still not gonna stay silent, because this stuff is too important to keep ignoring.When social media goes into a frenzy over pictures of a girl at a party, Louises teacher lectures all the schoolgirls on taking more responsibility for their actions. Enraged that its them getting reprimanded and not the boys who took the pictures Louise wages war on the schools systemic misogyny.But when she threatens popular boy Scott, risking his claim to the School Captain title, things escalate horribly; a website appears, objectifying the girls and shaming them for their actions.Natalie Mitchells play When They Go Low explores everyday feminism, consent and the changing face of teenage sexuality in an online world. Is it always true that when they go low, we should go high?Written specifically for young people, the play formed part of the 2018 National Theatre Connections Festival and was premiered by youth theatres across the UK. It offers rich opportunities for a large cast of all genders, with particularly strong roles for young women.

and all the sins of his father and his forefathers came out of his body, through the pores of his skin, in the form of crows.When a son returns home after being accused of a violent crime, a mother is forced to confront the ghosts of her past when the crows visit.Inspired by true events in modern-day India, Anupama Chandrasekhars play When the Crows Visit explores the themes of Ibsens Ghosts and the cyclical nature of oppression.This dark and thrilling play premiered at Kiln Theatre, London, in October 2019, directed by Artistic Director Indhu Rubasingham.

In "What will they say at Brompton? A Comedetta, in One Act," J. Stirling Coyne masterfully weaves a succinct narrative that captures the complexities of social interactions and familial obligations in Victorian society. This one-act play, rich with witty dialogue and sharp observations, showcases Coynes skill in blending comedic elements with poignant commentary on societal expectations. Written during a time when the middle class began asserting its values and norms on public life, the work reflects the eras preoccupation with reputation and the pervasive influence of social judgment. Coyne, an English playwright and writer celebrated for his exploration of everyday life and social mores, draws upon his experiences in a society on the brink of change. His background in parody and humor enables him to critique the superficiality of Victorian customs while engaging audiences with light-hearted jests. "What will they say at Brompton?" underscores Coynes adeptness at examining the interplay between personal desires and societal pressures, making it a notable contribution to comedic literature of the time. This delightful yet incisive play is a must-read for those interested in Victorian theater, societal satire, and the evolution of comedic narratives. Coynes ability to instigate laughter while provoking thought makes this work essential for aficionados of drama, providing not only entertainment but also a reflective lens on the eras cultural dynamics.

In "What Will They Say at Brompton? A Comedetta, in One Act," J. Stirling Coyne presents a witty exploration of societal expectations and the fragility of reputation in Victorian England. This sharp comedic work, characterized by its brevity and clever dialogue, deftly satirizes the conventions of the era, revealing the absurdities and pressures that drive individuals to maintain a faade in their public lives. Coynes use of the one-act format enhances the immediacy of the narrative, allowing for rapid character development and a punchy denouement that leaves a lasting impression on the audience. J. Stirling Coyne was a prominent figure in the Victorian theatrical scene, known for his keen insight into social mores and dynamics. His experience as a playwright and an actor provided him with a unique lens through which to observe the societal pressures that dictated behavior and moral conduct. This background, coupled with his evident mastery of comedic form, informs "What Will They Say at Brompton?" and positions it as a critical commentary on the eraAos hypocrisy. Readers seeking an engaging blend of humor and social commentary will find CoyneAos work both entertaining and thought-provoking. "What Will They Say at Brompton?" serves as a reminder of the timeless nature of societal pressures and the humor that can be found in our attempts to navigate them.

A viciously funny and intelligently provocative play about family, friendship and faith, adapted by the author from his Pulitzer-finalist short story.NOMINATED FOR BEST WRITER IN THE STAGE DEBUT AWARDS 2025Who in your life would you trust to keep you alive? And who do you know who would risk their own life for yours?Debbie and Lauren were best friends until Lauren became ultra-Orthodox, changed her name and moved to Jerusalem. More than twenty years later, husbands in tow, their Florida reunion descends with painful but hilarious inevitability into an argument about parenthood, marriage, friendship and faith.If you really want to ensure a Jewish future, you should be like me. Good, old-fashioned afraid.Nathan Englanders serious comedy, adapted for the stage from his Pulitzer-finalist short story, received its European premiere at the Marylebone Theatre, London, in October 2024.

I was a storm. I was also a man entirely alone in a storm. There were forces beyond my control and I was one of them. 1968. Midlands MP Enoch Powell has something to say. Something he feels needs to be said. Something that could divide Britain forever.1992. Rose Cruickshank, a black Oxford academic, wants answers. Powells Rivers of Blood speech, with its controversial words about immigration, shattered her childhood and now she is driven to confront both the man who made the speech and her own troubled identity. Will a meeting with Enoch resolve the conflicts that are tearing her and the country apart? Chris Hannans powerful play, What Shadows, is a searing look at identity and immigration within a bitterly divided country. It premiered at Birmingham Repertory Theatre in 2016, in a production directed by Roxana Silbert and starring Ian McDiarmid as Enoch Powell. The play was revived at the Royal Lyceum Edinburgh in 2017, before transferring to Park Theatre, London.

A short play by Timberlake Wertenbaker about an English schoolgirl who is befriended online by an Afghan girl after her brother is killed while on active duty in Afghanistan.What is the Custom of Your Grief? was first performed at the Octagon Theatre, Bolton, in March 2015, as part of the 2015 Women Centre Stage Festival.The play is also available in Women Centre Stage, a collection of eight short plays selected by Sue Parrish, Artistic Director of Sphinx Theatre. All the plays included in this volume offer a wide variety of rewarding roles for women, and are perfect for schools, youth groups and theatre companies to perform. Other writers included in the collection include Winsome Pinnock, Georgia Christou and April De Angelis.

A sometimes comic, sometimes heartbreaking journey into the world of autism.Sandra is looking for love. Gordon is seeking acceptance. Simon just wants these parents to stop talking for two minutes so he can get on with teaching their kids.And Casper? Casper is not here.Jody ONeills play What I (Dont) Know About Autism mixes narrative, song, dance and direct address to explore this contentious and often misunderstood subject matter.Inspired by the writers own experiences with autism, the play celebrates autistic identity whilst offering deeper insight and understanding to non-autistic audiences.What I (Dont) Know About Autism was co-produced by Jody ONeill and the Abbey Theatre, Dublin, in association with The Everyman, Cork, and Mermaid County Wicklow Arts Centre, Bray. It was first performed, with all relaxed performances and a cast of autistic and non-autistic actors, on the Abbeys Peacock Stage, in February 2020, before touring.The play won the Best Theatre Script Award at the 2021 Writers Guild of Irelands Zebbie Awards.