G.K. Chesterton, página 6 de 36

G.K.Chesterton - «Me dirijo al hombre de la calle, escéptico pero también comprensivo, y mi única esperanza, bastante vaga por cierto, es que si abordo la biografía de este gran santo por el lado lla

A light-hearted collection of poems featuring G. K. Chestertons classic wit and cheer, Wine, Water, and Song celebrates drink in all its forms, lampooning ideas of prohibition that were on the rise in 20th century London. Chesterton makes a merry satire of local politics and English traditions, with poems including Wine and Water, where he imagines a wine cellar aboard Noahs Ark, and The Logical Vegetarian, where he sings the virtues of a liquid diet. For fans of Chesterton and poetry that provokes, this book is a perfect collection of clever rhymes and outspoken English humour.

"Father Brown: The Complete Mystery Series" by G. K. Chesterton encapsulates a unique blend of mystery and philosophical inquiry, following the keen observations of a humble parish priest as he unearths the hidden motives behind a series of intricate crimes. Chestertons distinctive use of ironic prose and vivid imagery is evident throughout the narrative, reinforcing themes of faith, morality, and human nature amidst the vividly rendered criminal landscapes of early 20th-century England. Rooted in the burgeoning detective fiction genre, these stories transcend mere whodunits, engaging with allegorical elements that invite readers to contemplate the broader mysteries of existence and the duality of man. G. K. Chesterton (1874-1936), known for his sharp wit and unorthodox perspectives, was heavily influenced by his own spiritual journey and the social issues of his time. His experiences as a journalist and public intellectual allowed him to delve deeply into the human condition, shaping Father Brown into a character who embodies compassion and insight. This unique priest-detective reflects Chestertons belief in the redemptive quality of mystery and the complexity of sin and virtue, making his stories both entertaining and thought-provoking. This comprehensive collection is a must-read for those who appreciate well-crafted narratives infused with philosophical depth. Chestertons Father Brown not only entertains but also challenges readers to examine their own morals, making it an essential addition to any literary enthusiasts library.

In 1921, the great essayist G. K. Chesterton embarked on a lecture tour of America. Stepping from the boat in New York, Chesterton was still grieving the loss of his brother, yet soon the industry and ideologies of the US would strike inspiration in Chesterton and produce a creative outpouring now assembled into this collection of essays. What I saw in America charts the English writers impressions of American idealism: on democracy and freedom, but also capitalism, prohibition, and slavery. Chesterton captures the essence of 1920s America and sets it against his own English sensibilities, giving readers an extraordinary glimpse into the history of these two sovereign nations.

This is the second volume of stories featuring the most unlikely detective in literature - now the basis for a major BBC TV adaptation starring Mark Williams. The ingenious amateur detective Father Brown is put to the test again in this second collection of stories, which sees him solve cases featuring bandits, traitors, voodoo and murder, wrong-footing his opponents at every turn with his characteristic blend of mischievous humour and uncanny understanding of human foibles. G. K. Chesterton was born in 1874. He attended the Slade School of Art, where he appears to have suffered a nervous breakdown, before turning his hand to journalism. A prolific writer throughout his life, his best- known books include The Napoleon of Notting Hill (1904), The Man Who Knew Too Much (1922), The Man Who Was Thursday (1908) and the Father Brown stories. Chesterton converted to Roman Catholicism in 1922 and died in 1938.

In George Bernard Shaw, G. K. Chesterton crafts a compelling exploration of the celebrated playwright and critic, offering astute insights into Shaws complex character and formidable intellect. Chestertons literary style blends wit and profundity, employing a conversational yet authoritative tone that navigates through Shaws major works and philosophical stances. Drawing from a wealth of cultural and historical context, Chesterton adeptly frames Shaw as a pivotal figure in the transformation of modern theatre, emphasizing his role as a social reformer and a provocateur who challenged conventional morals and artistic norms. Chesterton himself, renowned for his keen observations and opposing views, was deeply influenced by Shaws audacity and influence in the literary world. Their shared roots in the same era of British thought allowed Chesterton to engage with Shaw in a unique way, nurturing a rich dialogue that comments not only on Shaws contributions but also on the broader currents of early 20th-century thought and artistry. The interplay of their ideas serves to amplify the thematic concerns both writers shared, particularly regarding social justice and individualism. This book is not merely a biography; it is an invitation into the vibrant intellectual landscape of its time. Readers seeking to understand the dynamics between two literary giants will find Chestertons work illuminating and enriching. Recommended for scholars, theatre enthusiasts, and anyone intrigued by the intersection of literature and social critique.

Step into an English realm of knights, elves, and priestly sermons. The Wild Knight and Other Poems, by G. K. Chesterton, is a masterful collection of poems that trace themes of morality, fairy tales, and religion. An early work by one of the 20th centurys most influential writers, this book of poems comes alive with pagan and Christian imagery intertwined. A profoundly thoughtful work that bears multiple readings and gives an earnest glimpse into the mind of Chesterton. Featuring works such as Chord of Colour, The Donkey, and The Ballad of the Battle of Gibeon, The Wild Knight and Other Poems will inspire philosophers and artists alike. A perfect collection for readers of Philip Pullmans The Good Man Jesus and The Scoundrel Christ or Simon Armitages The Owl and the Nightingale.

This is the fourth collection of Father Brown stories featuring the ingenious amateur detective. Ahead of a new series of the popular BBC adaptation starring Mark Williams, all five of Chesterton's original Father Brown books have been republished with charming and collectible Penguin covers. 'You see, I had murdered them all myself...I had thought out exactly how a thing like that could be done, and in what style or state of mind a man could really do it. And when I was quite sure that I felt exactly like the murderer myself, of course I knew who he was.' Unassuming super-sleuth Father Brown has such brilliant powers of deduction that he knows more about crime than the criminals themselves. In this fourth volume of stories, the shabby priest unravels the most baffling conundrums involving, among others, a flying fish, a man with two beards and the Worst Crime in the World. G. K. Chesterton was born in 1874. He attended the Slade School of Art, where he appears to have suffered a nervous breakdown, before turning his hand to journalism. A prolific writer throughout his life, his best- known books include The Napoleon of Notting Hill (1904), The Man Who Knew Too Much (1922), The Man Who Was Thursday (1908) and the Father Brown stories. Chesterton converted to Roman Catholicism in 1922 and died in 1938. "Chesterton knew how to make the most of a detective story". (Jorge Luis Borges).

'It would not be fair to record the adventures of Father Brown, without admitting that he was once involved in a grave scandal...It happened in a picturesque Mexican road-house of rather loose repute...' After many years in the priesthood, Father Brown knows human nature and is not afraid of its dark side. In this fifth and final series of mysteries, the clerical mastermind confronts slander, passion, radical politics, superstition, high crimes and misdemeanours, outwitting some quite extraordinary and villainous adversaries on the way. G. K. Chesterton was born in 1874. He attended the Slade School of Art, where he appears to have suffered a nervous breakdown, before turning his hand to journalism. A prolific writer throughout his life, his best- known books include The Napoleon of Notting Hill (1904), The Man Who Knew Too Much (1922), The Man Who Was Thursday (1908) and the Father Brown stories. Chesterton converted to Roman Catholicism in 1922 and died in 1938. "Chesterton knew how to make the most of a detective story". (Jorge Luis Borges).

Queens and Emperors, artists and poets, priests and politicians: all are subject to G. K. Chestertons collected biographies. Varied Types spans the streets of London, travels to the edges of the British empire and doubles back into the depths of history. In a series of essays, Chesterton paints the portraits of Englands most influential figures, from Walter Scott to Lord Tennyson, and favours each with his authoritative wit. This continuation of the collection Twelve Types adds eight spectacular essays, featuring Queen Victoria, Alfred the Great, John Ruskin, Elizabeth Barrett Browning, and many more.A superb collection for readers of Chesterton which dives deep into the history of classic English literature.

In "The Flying Inn," G. K. Chesterton weaves a richly satirical narrative that critiques the encroachment of a dull rationalism on society and its traditions. Set in an alternate England where the government introduces restrictive measures against alcohol and traditional cultures, the tale follows the spirited journey of an innkeeper and a roguish poet as they traverse the land with a portable bar. Chestertons stylistic hallmarkcharacterized by sharp wit, whimsical dialogue, and vivid imageryencapsulates the tension between orthodoxy and progressivism while painting a vibrant tableau of early 20th-century life and its absurdities, thus situating the work within the broader context of Englands cultural and political shifts during that era. Chesterton, a prolific writer and noted social critic, drew upon his own experiences of the rapid societal changes of his time, which often inspired his exploration of themes revolving around faith, tradition, and personal liberty. His background as a journalist and a public intellectual fueled his passion for debating perceived injustices, allowing him to channel both humor and provocation into a narrative that celebrates the joys of conviviality amidst the threat of sterility. Readers seeking both amusement and reflection on the role of tradition in modern life will find "The Flying Inn" an indispensable addition to their literary collection. Through its delightful characters and engaging story, Chesterton invites us to ponder the value of preserving cultural identity, making this work a resonant exploration of themes that remain relevant today.

Manalive concerns Innocent Smith, a mysterious man who arrives as the new tenant at Beacon House, a London boarding establishment. This man is accompanied by a great wind and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon and helps several other tenants to accomplish some great deeds. However, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. Before Smith can be taken to a jail or an asylum, one of the tenants declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press. Although things do not look good for Smith, evidence presented to the court will throw a new light on his convictions.

Cuatro personajes que han formado un extraño e incomparable Club. Los cuatro relatos siguen el mismo esquema: se ha cometido un crimen y la dificultad de la investigación no será tanto descubrir al culpable como averiguar cual ha sido su movil. Han cometido sus crimenes con el unico proposito de evitar un crimen aun peor. Legalmente son culpables, pero moralmente podrian ser inocentes.

Una recopilación de artículos aparecidos en Illustrated London News por primera vez traducidos al español.Acerca de Chesterton dijo alguna vez Jorge Luis Borges que no hay una página suya que no encierre una sorpresa o una felicidad. Lo que no tiene nada de extraño si consideramos a Borges el autor hispanico mas influido por Chesterton, pero que tambien resulta sumamente aleccionador si tenemos en cuenta que Borges es, quizas, y aun sin quizas, el mas grande autor de todo el siglo XX. Avowals and Denials, Monstruos y logica, es una recopilacion de articulos aparecidos originalmente en Illustrated London News, revista en la que Chesterton colaboro semanal mente durante mas de veinte años, y publicados en 1934 por la casa inglesa Methuen&Co. Esta es, tardia pero felizmente, la primera vez que se publican traducidos al español. A.L.Gilbert Keith Chesterton (1874-1936) es conocido, sobre todo, entre el gran publico, por sus relatos policiales del padre Brown y por su novela El hombre que fue Jueves, pero el gran escritor ingles destaco en todos los generos literarios, especialmente en el menos convencional y menos cerrado (tal como convenia a su peculiarisima personalidad humana y artistica), el ensayo, lo que en su caso no es sino hablar de periodismo. Porque el siempre polemico y polemista Chesterton fue s...

La asamblea del señor Copa: la apariencia más terrible sólo es un ejercicio malabar. El paraíso de los bandidos: un romántico secuestro puede ocultar otro delito. El duelo del doctor Hirsch: una conspiracion denunciada lleva a un duelo de armas, pero el militar renuncia a batirse con el sabio. El hombre del pasaje: tres testigos ven a un asesino de distinta forma. El error de la maquina: utilizar un detector de mentiras no es una prueba absoluta. La cabeza del Cesar: ¿quien puede saber que falta una moneda en una gran coleccion de numismatica? El fin de los Pendragon: una torre de madera y un velero que regresa, otra maldicion familiar. El dios de los gongos: realmente es extraño que el dueño de un hotel sienta temor de su cocinero. La ensalada del coronel Gray: una secta hindu puede servir para los fines de un amante. El extraño crimen de John Boulnois: cuando Abel mata a Cain sin saberlo. El cuento de hadas del Padre Brown: la avaricia del principe Otto no es miedo, pero sus precauciones seran la orden de su muerte.

En 1918, G.K. Chesterton viajó junto a Horace Plunkett a Irlanda, con la difícil misión de lograr la colaboración irlandesa en el esfuerzo bélico contra Alemania, en los meses finales de la Gran Guerra. La aguda inteligencia de Chesterton supo ver las grandes caracteristicas de la nacion irlandesa, herida tras la represion de la Rebelion de Pascua (y que pronto alcanzaria su independencia). Un campesinado que habia logrado hacerse de nuevo propietario de la tierra, un espiritu, el irlandes, penetrante, amante de las letras, ingenioso, familiar, pero tambien belicoso, y con un gran espiritu de familia, o mas bien, de clan. Impresiones irlandesas forma parte, junto a Lo que vi en Estados Unidos, La Nueva Jerusalen o La Resurreccion de Roma, del conjunto de libros de viajes de Chesterton y se traduce, ahora, por primera vez al español, con una excelente introduccion de Dermot Quinn, profesor de la Seton Hall University (New Jersey).

Esta obra, escrita en Londres en 1904, y cuya trama transcurre en la misma ciudad en 1984, es simultáneamente una fantasía futurista, una sátira política, un cuento profético, y una novela desbordante de poesía, inteligencia, aventuras, y humor. En ella, dos personajes contrapuestos y complementarios libran, cada uno a su manera, una batalla contra la inercia de una época que ha perdido la fe en las revoluciones. No sé si El Napoleón de Notting Hill habrá sido o será en alguna época, o en nuestro tiempo, una novela al gusto de las mayorías. En su día exaltó, y hoy y siempre exaltará, al máximo, a quienes tengan hambre y sed de utopía. Bajo el manto regio de la imaginación de Chesterton se ocultan los fundamentos de un humanismo y un romanticismo radicales.

La Nueva Jerusalén es uno de los libros de viajes de Chesterton, junto a “Lo que vi en los Estados Unidos” e “Impresiones irlandesas”, publicado en esta editorial. Chesterton fue un viajero singular.