Libros de Artes Escénicas, página 18 de 98

Arte, exilio y escándalo. En The Living Theatre, Arte, Exilio y Escándalo, John Tytell además de ofrecernos una trepidante crónica de unos años convulsos y apasionados nos narra la increible odisea del revolucionario grupo teatral que intento llevar la libertad artistica y personal a su maxima expresion y en cuya estela se cruzaron entre otros los poetas W. H. Auden, Jean Cocteau, A. Ginsberg, E. E. Cummings, W. C. Williams y E. Pound; los escritores J. Kerouac, Norman Mailer, Ken Kesey, A. Moravia, Gunter Grass y Jean Paul Sartre; los hombres de teatro Piscator, J.L. Barrault, Lenny Bruce, Jean Genet, Jerzy Grotowski, Peter Brook y Tennesse Williams; los pintores Jackson Pollock, Jaspers Johns, Mark Rothko, W. de Kooning, Yoko Ono, De Chirico y Dali; los artistas Al Pacino y Martin Sheen; los directores de cine J. Huston, F.F. Coppola, Pier Paolo Passolini, Bernardo Bertolucci, Louis Malle y Jean-Luc Godard; los pensadores H. Marcuse, Paul Goodman, Fritz Pearls, T. Leary, Ronald Laing y Michael Foucault; y los musicos J. Cage, Grateful Dead, Jim Morrison, John Lennon y Bob Dylan. Actualmente existe un intento de borrar la memoria historica de una epoca que, contra lo que algunos piensan, no solo no desemboco en una derrota, como se nos ha pretendido hacer creer, sino que dio forma e impulso a los espacios mas creativos de nuestro tiempo.

Con estilo claro y conciso, la trama de este nuevo libro de Andrés M. Carretero enfoca el tema social que se encierra en el mundo del tango, desde sus orígenes, hasta su consagración. En sus páginas se amalgaman los conventillos, los prostíbulos, los bailarines, los que desean iniciarse en el esotérico ritmo del dos por cuatro, cautivados desde los barrios más humildes hasta los salones más lujosos. Se han recopilado documentos, testimonios, pero sobre todo se ha investigado con mucha serenidad, la verdadera esencia de la vida del proletariado y el lumpen, que han sido el origen de nuestra música ciudadana, para poder conocer desde lo más profundo y lejano la trama vivencial del pueblo, que ha creado una música que es la manifestación alegre que da la plenitud de las cosas cotidianas hechas con la satisfacción de manifestar en el canto o el baile, la creación única e intransferible que cada tango tiene.

El mercader de Venecia y Como gustéis pertenecen al grupo de las llamadas «comedias románticas» de William Shakespeare. En ellas, con el amor como motor principal de la acción, los protagonistas alca

''Other'' Spanish Theatres challenges established opinions on modern Iberian theatre through a consideration of the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages. In this broad and detailed study, Delgado selects six subjects which map out alternative readings of a nation''s theatrical innovation through the last century. These six subjects include Margarita Xirgu, Enrique Rambal, Maria Casarest and Nuria Espert.

Gabriella Giannachi, G. Giannachi, Giannachi GabriWelcome to theatre of the 21st century, in which everything -except for the viewer can be simulated. "Virtual Theatres" is the first full-length book of its kind to offer an investigation of the interface between theatre performance and digital arts. Through discussion of a variety of artists and performers - including Stelarc, Orlan, Forced Entertainment, Merce Cunningham and Blast Theory - Gabriella Giannachi analyses the aesthetic concerns of current computer arts practices and shows how they radically question our conventional uses and definitions of time, space, place, character, identity and realness. The book not only allows for a re-interpretation of what is possible in the world of performance practice but also demonstrates how 'virtuality' has come to represent a major parameter for our understanding and experience of contemporary art and life.

Marina GrutThe Bolero School is a book for both ballet and Spanish dancers. It is a journey through the history of the fascinating country of Spain, with its vibrant culture and people. The book is a fusion of fifty years of ballet and Spanish dance experience by the author as dancer, teacher, and director of Spanish dance performances for her own company in the USA and other countries. Grut endeavors to unlock and explain the many mysteries that surround this dance form for teachers, historians and lay readers. The connection to ballet is explored, especially to the style of the 19th century as found in the Cechetti method and in the work of August Bournonville. Also explored is the Bolero School's distinction from ballet that makes it so unique.

L'image de la ballerine du Lac des cygnes a souvent résumé à elle seule la danse.Puis peu à peu, libérée du cliché de divertissement mondain, la danse est devenue un moyen d'expression aussi noble qu

Joyce MorgenrothSpeaking of Dance tells the story of how choreographers make their dances in their own words. The author has interviewed 12 distinguished and innovative American choreographers and presents in-depth conversations that focus specifically on the art of dance. The interviewees include Merce Cunningham, Meredith Monk, Bill T. Jones, Mark Morris, and Trisha Brown. The questions bring to light these masters' sources, motivations, and processes; their emotional vicissitudes; and their practical concerns in making dances. Taken cumulatively, their commentaries expose historical trends, yet their individual creative perspectives reveal a striking variety of concerns.

''Rush'' was the first group piece made by Akram Khan, already a celebrated and exciting young solo performer, whose unique Contemporary Kathak style had won critical and popular acclaim. Rush was pivotal in establishing Khan''s own company and launched him on a meteoric and international career.This book will be an invaluable resource. It provides material and information for both teachers and students to support study of the work. It will also be useful to those teaching dance at a range of other levels. The book provides an insight into the creation of Rush.Part 1 provides biographical information on the three collaborators, Akram Khan, Michael Hulls and Andy Cowton. It places Rush within the artistic context of their careers.Part 2 explores the background context of Kathak and the development of South Asian dance in the UK. A list of useful resources is provided for study of these aspects.Part 3 gives insight into the starting points for Rush and outlines the contributions of the choreography, music and lighting design.Part 4 lays out an analytical overview of Rush and suggests a range of practical and theoretical tasks for the teacher to use. These include detailed questions on each section of Rush and its elements in order to guide students through an appropriate process for making an interpretation of the work. Appendices provide further contextual information, resources and a bibliography.As with White Man Sleeps, the first Creative Insights published by Dance Books, Rush: Creative Insights provides an in-depth exploration of a single dance and its background contexts. It will be of interest to a wide range of readers including teachers and students of dance and those wanting information about new developments within contemporary or South Asian dance. For those interested in Akram Khan in particular, this is the first in-depth account of his work.

This is one of the first of a series of books featuring a unique collection of images from the Royal Opera House archives.

Ann Hutchinson GuestInitiated by the movement genius Rudolf Laban, and refined through fifty years of work by teachers here and abroad, Labanotation, the first wholly successful system for recording human movement, is now having the effect on ballet and other forms of the dance that the perfection of music notation in the Renaissance had on the development of music. Through Labanotation it is now possible to record accurately, for study and reconstruction, the great dance creations of the theater, as well as such diverse activities as time/motion studies for industry, personnel assessment and physical therapy. So comprehensive that it can indicate even facial expressions, the system is also simple enough for a child to learn easily as an integral part of athletic or dance training. Here in this revised edition - the result of international conferences, standardizing terms and symbols - is a complete exposition of Labanotation.