Libros de música, página 85 de 879

El catálogo de The Kinks es uno de los más eclécticos y consistentementebrillantes de la música popular de nuestro tiempo.En él cohabitan con naturalidad el music hall, el blues, el jazz ola música hindu, como tambien lo hacen las canciones pop masredondas y los albumes conceptuales mas ambiciosos. Ray Davieses, por otro lado, un letrista consumado. Diestro delineante deestampas costumbristas y combativas de la sociedad britanica,tambien reflexiona con encomiable finura sobre el conflicto entreindividuo y colectividad y el paso del tiempo.The Kinks: musica,cultura y sociedadrelata detalladamente la trayectoria del grupode Muswell Hill, haciendo extensas paradas en sus veinticuatroalbumes de estudio, y la enmarca en su contexto musical, sociopoliticoy cultural. Sustentado en un amplio corpus documental,con especial atencion a la prensa de epoca estadounidense,britanica y de otros paises europeos, este libro pretende, en fin,llevar al lector a una mejor comprension y a un aprecio mas solidodel singular talento de Ray Davies y The Kinks.

This book tracks every move in this great band's career. With the help of band members, the author has reconstructed The Kinks' meteoric rise to fame in the early '60s through its dissolution and revival in the '70s, stadium success in the '80s, and an apparently final breakdown in the late '90s. From this chronicle emerges the story of a band often at odds with an industry going in the opposite direction. The book also profiles Ray Davies, one of the most gifted songwriters in popular music. The book's easy-to-browse, day-by-day format details the band's entire concert history, all known recording sessions, its broadcast history, and all records issued in the U.S. and the U.K. 160 color and black-and-white photos are also featured in this glorious portrait of one of the most influential bands of the British Invasion and beyond.

In 1967, Luciano Pavarotti was an up-and-coming young tenor with a voice far more impressive than his stage technique or presence. So Decca, his record company, told him, 'Luciano, you're a real nice guy. So you need a real bastard to do your publicity.' Enter Herbert Breslin. The two of them hit it off right away and thus began a professional association and a friendship that lasted over 36 years. The King and I is the story of that relationship, during which Breslin guided what he calls, justifiably, 'the greatest career in classical music', moving Pavarotti out of the opera house and onto the concert (and world) stage, and into the arms of a huge mass public. How he and Pavarotti changed the landscape of opera is one of the most significant and entertaining stories in the history of classical music. Herbert Breslin relates this story in a candid, take-no-prisoners, witty fashion that is often hysterically frank and profane. Read about how Pavarotti transported a whole restaurant to China as he was worried that he wouldn't like the food, and learn about the succession of 'secretaries' which eventually led to the breakdown of his first marriage. He also provides a portrait of his

Nigel Douglas, one of the most versatile figures in international opera, has produced the perfect book for all lovers of this extravagant, enthralling art form. Ranging across several continents and as many centuries, this lavish volume begins with the prima donna and her male counterpart, examining the lives of some of operas most colorful performers. Douglas also provides lively commentary on the filming and recording of opera, controversial directors, venues both fabulous and not, the pleasures and pitfalls of the singing life, and those quintessentially operatic topics: drink and seduction. Boldly mixing musical history, biography, gossip, and anecdote, Nigel Douglas has brilliantly captured the pleasures of opera.

This fully revised and updated edition is an inside look at all the places where jazz and blues live, from national clubs to unmarked holes in the wall, in 25 cities and the Mississippi Delta. With city-by-city listings for clubs, festivals, musicians'' homes, historic theaters, record stores, and radio stations--and with brief histories of the music in each particular city--Bird''s guide is an essential "where-to" for jazz and blues fans everywhere. Photos. Where did Charlie Parker first play with Dizzy Gillespie? What are the coolest clubs in Chicago? Which city has the largest jazz museum? Where is Howlin'' Wolf buried? The answers can be found in "The Da Capo Jazz and Blues Lover''s Guide to the U.S.," an insiders look at all the places where jazz and blues live, from national clubs to unmarked holes in the wall, in twenty-five cities and the Mississippi Delta. With the most up-to-date listings for festivals, historic theaters, record stores, and radio stations-plus anecdotes from club owners and musicians--this is the essential "where-to" for jazz and blues fans everywhere.