Libros de Literatura en otros idiomas, página 8 de 7463

"I barboni sono randagi scappati dalle nostre case, odorano dei nostri armadi, puzzano di ciò che non hanno, ma anche di tutto ciò che ci manca. Perché forse ci manca quell''andare silenzioso totalme

Duels at dawn, fierce battles with pirates and impossible rescues - these are the deeds that forged the legend of Zorro. But where did the man begin? In southern California, in the late 18th century: Diego de la Vega is a child of two worlds, his father an aristocratic Spaniard, his mother a Shoshone warrior. Growing up he witnesses the brutal injustices dealt to Native Americans. Later, following the example of his fencing master, the young Diego joins a secret movement devoted to helping the powerless. His first steps on the road to heroism have been taken. But a great rival will emerge from the ranks of the cruel oppressors. How will Zorro defeat him? And will his childhood sweetheart Isabel claim the prize she so longs for - his true love?

A swashbuckling adventure story that reveals for the first time how Diego de la Vega became the masked man we all know so well. Born in southern California late in the eighteenth century, he is a child of two worlds. Diego de la Vega’s father is an aristocratic Spanish military man turned landowner; his mother, a Shoshone warrior. Diego learns from his maternal grandmother, White Owl, the ways of her tribe while receiving from his father lessons in the art of fencing and in cattle branding. It is here, during Diego’s childhood, filled with mischief and adventure, that he witnesses the brutal injustices dealt Native Americans by European settlers and first feels the inner conflict of his heritage. At the age of sixteen, Diego is sent to Barcelona for a European education. In a country chafing under the corruption of Napoleonic rule, Diego follows the example of his celebrated fencing master and joins La Justicia, a secret underground resistance movement devoted to helping the powerless and the poor. With this tumultuous period as a backdrop, Diego falls in love, saves the persecuted, and confronts for the first time a great rival who emerges from the world of privilege. Between California and Barcelona, the New World and the Old, the persona of Zorro is formed, a great hero is born , and the legend begins. After many adventures – duels at dawn, fierce battles with pirates at sea, and impossible rescues – Diego de la Vega, a.k.a. Zorro, returns to America to reclaim the hacienda on which he was raised and to seek justice for all who cannot fight for it themselves.

"[ZORRO is] beautiful and disturbing and profound, and anyone who tells you it isn't is clearly immune to whatever part of the normal human being thrills to feats of derring-do, and has clearly forgotten also what it's like to fashion a makeshift cape from an old shirt, to use a tie as a cummerbund, a stick as a sword, and to recreate scenes from a favourite comic, film or and old black-and-white TV series. They're probably a literary critic."

"Until that moment Diego had not been conscious of his dual personality, one part Diego de la Vega, elegant, affected, hypochondriac, and the other part El Zorro, audacious, daring, playful." Born in southern California late in the 18th century, he is a child of two worlds. Diego de la Vega's father is an aristocratic Spanish military man turned landowner; his mother, a Shoshone warrior. Diego learns from his maternal grandmother, White Owl, the ways of her tribe while receiving from his father lessons in the art of fencing and in cattle branding. It is here, during Diego's childhood, filled with mischief and adventure, that he witnesses the brutal injustices dealt Native Americans by European settlers and first feels the inner conflict of his heritage. At the age of sixteen, Diego is sent to Barcelona for a European education. In a country chafing under the corruption of Napoleonic rule, Diego follows the example of his celebrated fencing master and joins "La Justicia," a secret underground resistance movement devoted to helping the powerless and the poor. With these tumultuous times as backdrop, Diego falls in love, saves the persecuted, and confronts for the first time a great rival who emerges from the world of privilege. Between California and Barcelona, the New World and the Old, the persona of Zorro is formed, a great hero is born and the legend begins. After many adventures-duels at dawn, fierce battles with pirates at sea, and impossible rescues-Diego de la Vega, a.k.a. Zorro, returns to America to reclaim the hacienda on which he was raised and to seek justice for all who cannot fight for it themselves.

A swashbuckling adventure story that reveals for the first time how Diego de la Vega became the masked man we all know so well. Born in southern California late in the eighteenth century, he is a child of two worlds. Diego de la Vega’s father is an aristocratic Spanish military man turned landowner; his mother, a Shoshone warrior. Diego learns from his maternal grandmother, White Owl, the ways of her tribe while receiving from his father lessons in the art of fencing and in cattle branding. It is here, during Diego’s childhood, filled with mischief and adventure, that he witnesses the brutal injustices dealt Native Americans by European settlers and first feels the inner conflict of his heritage. At the age of sixteen, Diego is sent to Barcelona for a European education. In a country chafing under the corruption of Napoleonic rule, Diego follows the example of his celebrated fencing master and joins La Justicia, a secret underground resistance movement devoted to helping the powerless and the poor. With this tumultuous period as a backdrop, Diego falls in love, saves the persecuted, and confronts for the first time a great rival who emerges from the world of privilege. Between California and Barcelona, the New World and the Old, the persona of Zorro is formed, a great hero is born , and the legend begins. After many adventures – duels at dawn, fierce battles with pirates at sea, and impossible rescues – Diego de la Vega, a.k.a. Zorro, returns to America to reclaim the hacienda on which he was raised and to seek justice for all who cannot fight for it themselves.

Agurtzane Intxaurragak idatzitako bi testu dakartzagu liburu honetan: Hitzak (2012) eta Zorretan (2024). Bi obrak hamabi urteko tartean eginak diren arren, badituzte puntu komunak ere: emakumeari historikoki lotu izan zaizkion rolen zama eta hartaz askatzeko tentsio kontzientea, oihartzun egiten duena egun jendartean bizi ditugun kezka ugariekin; bi obrak publikoaren tripak eta bihotzak zeharkatzen dituen gizatasun zorrotz batek lotzen ditu, hunkidura edonoren bizitzaren oihartzunekin lotzeko abileziarekin. Horiez gain, Intxaurragaren egile ahotsa errekonozitu daiteke bietan, denboran gertuago idatzita baleude bezala, eta bada istorioa egituratzeko eta bertan umore zipriztinak dramarekin harilkatzeko joera komun bat. Hitzek egiten gaituzte, hitzek sortzen dute nahi genukeen mundua, eta bi obra hauek mundu hobeago bat egiten laguntzen digutelakoan gaude.

Kutsidazu bidea, Ixabel, euskaldun berriaren epopeia arrakastatsua idatzi ondoren, hizkuntzarekin jolasean aritzea bururatu zaio Joxean Sagastizabali. 500 sarrera baino gehiago agertzen dira liburuan. Lotsarik gabe poesiatzat saltzeko moduko puskarik bada hiztegi honetan. Aforismo modukorik ere bai. Komiki tankerakoak ez gutxi. Antzerki-esketxak, ipuin-pasadizoak, elezahar tankerakoak… Bestalde, atal bakoitzak igarkizun baten tankera hartzen du. Baina ororen gainetik, behin baino gehiagotan irribarrea sorrarazten duen liburua da Sagastizabalena.

Sie wei alles von dir: deine beste Freundin. Und genau das macht sie so gefahrlich ...Rachel Walsh, Kriminalreporterin des Nachrichtensenders National News Network, wird zu einer Pressekonferenz der Polizei in Brighton entsandt. Als sie den Konferenzraum betritt, sieht sie auf einem Poster neben dem Podium das Bild ihrer altesten, besten Freundin vor sich: Clara O''Connor. Clara, mit der Rachel drei Tage zuvor in einer Bar verabredet, die dort jedoch nie aufgetaucht war ... Ein bitterboses und hochspannendes Debut mit tiefen psychologischen Einsichten in eine Frauenfreundschaft auf dem schmalen Grat zwischen grenzenlosem Vertrauen und abgrundtiefem Hass.Manipulativ, bedrohlich, duster - psychologische Spannung vom Allerfeinsten!

ICH WILL ZUSEHEN, WIE SIE STERBEN.Hauptkommissar Claudius Zorn und der dicke Schroder in todlicher Gefahr!In einer Winternacht wird ein Mensch vor die S-Bahn gestoen. Niemand beobachtet den Mord, die Polizei geht von Selbstmord aus. Auch Hauptkommissar Claudius Zorn schenkt dem Vorfall keine Beachtung. Er ist damit beschaftigt, seinen ehemaligen Kollegen Schroder zu uberreden, wieder sein Partner zu werden. Was jedoch weder Zorn noch Schroder ahnen: Der Tater ist ganz in ihrer Nahe. Und hat eine Reihe neuer Opfer im Visier. Menschen, die den beiden Ermittlern nahestehen Der vierte Fall fur Hauptkommissar Claudius Zorn und den dicken Schroder

Hauptkommissar Claudius Zorn und der dicke Schroder Auge in Auge mit einem irren Morder - der elfte Band der Kult-Thriller-Serie von Bestsellerautor Stephan Ludwig.Ein nackter Mann lauft mit einem Holzkreuz auf der Schulter durch die Stadt. Er ist ausgemergelt, sein Mund wurde mit Garn zugenaht. Als die Polizei den Mann aufgreift, reicht er einen Timer an Hauptkommissar Zorn und Schroder weiter. Der Countdown besagt, dass noch knapp elf Stunden verbleiben. Doch was passiert dann, um vier Uhr nachts?Am nachsten Morgen wissen die Ermittler es: Der Mann ist tot, er wurde gekreuzigt, neben der Leiche ist ein umgedrehtes A aufgemalt.Wahrend Zorn und Schroder sich noch den Kopf zerbrechen, ob ihnen der Morder eine Botschaft senden will, wird ihnen erneut ein Timer zugespielt. Sie haben noch genau zwolf Stunden. Zwolf Stunden, bis wieder ein Mensch sterben wird. Nur wer? Und wo? Als sie zu einem Hochhaus in der Sudstadt gerufen werden, machen sie sich auf das Schlimmste gefasst - zu Recht.

"I barboni sono randagi scappati dalle nostre case, odorano dei nostri armadi, puzzano di ciò che non hanno, ma anche di tutto ciò che ci manca. Perché forse ci manca quell''andare silenzioso totalme

Duels at dawn, fierce battles with pirates and impossible rescues - these are the deeds that forged the legend of Zorro. But where did the man begin? In southern California, in the late 18th century: Diego de la Vega is a child of two worlds, his father an aristocratic Spaniard, his mother a Shoshone warrior. Growing up he witnesses the brutal injustices dealt to Native Americans. Later, following the example of his fencing master, the young Diego joins a secret movement devoted to helping the powerless. His first steps on the road to heroism have been taken. But a great rival will emerge from the ranks of the cruel oppressors. How will Zorro defeat him? And will his childhood sweetheart Isabel claim the prize she so longs for - his true love?

A swashbuckling adventure story that reveals for the first time how Diego de la Vega became the masked man we all know so well. Born in southern California late in the eighteenth century, he is a child of two worlds. Diego de la Vega’s father is an aristocratic Spanish military man turned landowner; his mother, a Shoshone warrior. Diego learns from his maternal grandmother, White Owl, the ways of her tribe while receiving from his father lessons in the art of fencing and in cattle branding. It is here, during Diego’s childhood, filled with mischief and adventure, that he witnesses the brutal injustices dealt Native Americans by European settlers and first feels the inner conflict of his heritage. At the age of sixteen, Diego is sent to Barcelona for a European education. In a country chafing under the corruption of Napoleonic rule, Diego follows the example of his celebrated fencing master and joins La Justicia, a secret underground resistance movement devoted to helping the powerless and the poor. With this tumultuous period as a backdrop, Diego falls in love, saves the persecuted, and confronts for the first time a great rival who emerges from the world of privilege. Between California and Barcelona, the New World and the Old, the persona of Zorro is formed, a great hero is born , and the legend begins. After many adventures – duels at dawn, fierce battles with pirates at sea, and impossible rescues – Diego de la Vega, a.k.a. Zorro, returns to America to reclaim the hacienda on which he was raised and to seek justice for all who cannot fight for it themselves.

"[ZORRO is] beautiful and disturbing and profound, and anyone who tells you it isn't is clearly immune to whatever part of the normal human being thrills to feats of derring-do, and has clearly forgotten also what it's like to fashion a makeshift cape from an old shirt, to use a tie as a cummerbund, a stick as a sword, and to recreate scenes from a favourite comic, film or and old black-and-white TV series. They're probably a literary critic."

"Until that moment Diego had not been conscious of his dual personality, one part Diego de la Vega, elegant, affected, hypochondriac, and the other part El Zorro, audacious, daring, playful." Born in southern California late in the 18th century, he is a child of two worlds. Diego de la Vega's father is an aristocratic Spanish military man turned landowner; his mother, a Shoshone warrior. Diego learns from his maternal grandmother, White Owl, the ways of her tribe while receiving from his father lessons in the art of fencing and in cattle branding. It is here, during Diego's childhood, filled with mischief and adventure, that he witnesses the brutal injustices dealt Native Americans by European settlers and first feels the inner conflict of his heritage. At the age of sixteen, Diego is sent to Barcelona for a European education. In a country chafing under the corruption of Napoleonic rule, Diego follows the example of his celebrated fencing master and joins "La Justicia," a secret underground resistance movement devoted to helping the powerless and the poor. With these tumultuous times as backdrop, Diego falls in love, saves the persecuted, and confronts for the first time a great rival who emerges from the world of privilege. Between California and Barcelona, the New World and the Old, the persona of Zorro is formed, a great hero is born and the legend begins. After many adventures-duels at dawn, fierce battles with pirates at sea, and impossible rescues-Diego de la Vega, a.k.a. Zorro, returns to America to reclaim the hacienda on which he was raised and to seek justice for all who cannot fight for it themselves.

A swashbuckling adventure story that reveals for the first time how Diego de la Vega became the masked man we all know so well. Born in southern California late in the eighteenth century, he is a child of two worlds. Diego de la Vega’s father is an aristocratic Spanish military man turned landowner; his mother, a Shoshone warrior. Diego learns from his maternal grandmother, White Owl, the ways of her tribe while receiving from his father lessons in the art of fencing and in cattle branding. It is here, during Diego’s childhood, filled with mischief and adventure, that he witnesses the brutal injustices dealt Native Americans by European settlers and first feels the inner conflict of his heritage. At the age of sixteen, Diego is sent to Barcelona for a European education. In a country chafing under the corruption of Napoleonic rule, Diego follows the example of his celebrated fencing master and joins La Justicia, a secret underground resistance movement devoted to helping the powerless and the poor. With this tumultuous period as a backdrop, Diego falls in love, saves the persecuted, and confronts for the first time a great rival who emerges from the world of privilege. Between California and Barcelona, the New World and the Old, the persona of Zorro is formed, a great hero is born , and the legend begins. After many adventures – duels at dawn, fierce battles with pirates at sea, and impossible rescues – Diego de la Vega, a.k.a. Zorro, returns to America to reclaim the hacienda on which he was raised and to seek justice for all who cannot fight for it themselves.

Agurtzane Intxaurragak idatzitako bi testu dakartzagu liburu honetan: Hitzak (2012) eta Zorretan (2024). Bi obrak hamabi urteko tartean eginak diren arren, badituzte puntu komunak ere: emakumeari historikoki lotu izan zaizkion rolen zama eta hartaz askatzeko tentsio kontzientea, oihartzun egiten duena egun jendartean bizi ditugun kezka ugariekin; bi obrak publikoaren tripak eta bihotzak zeharkatzen dituen gizatasun zorrotz batek lotzen ditu, hunkidura edonoren bizitzaren oihartzunekin lotzeko abileziarekin. Horiez gain, Intxaurragaren egile ahotsa errekonozitu daiteke bietan, denboran gertuago idatzita baleude bezala, eta bada istorioa egituratzeko eta bertan umore zipriztinak dramarekin harilkatzeko joera komun bat. Hitzek egiten gaituzte, hitzek sortzen dute nahi genukeen mundua, eta bi obra hauek mundu hobeago bat egiten laguntzen digutelakoan gaude.

Kutsidazu bidea, Ixabel, euskaldun berriaren epopeia arrakastatsua idatzi ondoren, hizkuntzarekin jolasean aritzea bururatu zaio Joxean Sagastizabali. 500 sarrera baino gehiago agertzen dira liburuan. Lotsarik gabe poesiatzat saltzeko moduko puskarik bada hiztegi honetan. Aforismo modukorik ere bai. Komiki tankerakoak ez gutxi. Antzerki-esketxak, ipuin-pasadizoak, elezahar tankerakoak… Bestalde, atal bakoitzak igarkizun baten tankera hartzen du. Baina ororen gainetik, behin baino gehiagotan irribarrea sorrarazten duen liburua da Sagastizabalena.

Sie wei alles von dir: deine beste Freundin. Und genau das macht sie so gefahrlich ...Rachel Walsh, Kriminalreporterin des Nachrichtensenders National News Network, wird zu einer Pressekonferenz der Polizei in Brighton entsandt. Als sie den Konferenzraum betritt, sieht sie auf einem Poster neben dem Podium das Bild ihrer altesten, besten Freundin vor sich: Clara O''Connor. Clara, mit der Rachel drei Tage zuvor in einer Bar verabredet, die dort jedoch nie aufgetaucht war ... Ein bitterboses und hochspannendes Debut mit tiefen psychologischen Einsichten in eine Frauenfreundschaft auf dem schmalen Grat zwischen grenzenlosem Vertrauen und abgrundtiefem Hass.Manipulativ, bedrohlich, duster - psychologische Spannung vom Allerfeinsten!

ICH WILL ZUSEHEN, WIE SIE STERBEN.Hauptkommissar Claudius Zorn und der dicke Schroder in todlicher Gefahr!In einer Winternacht wird ein Mensch vor die S-Bahn gestoen. Niemand beobachtet den Mord, die Polizei geht von Selbstmord aus. Auch Hauptkommissar Claudius Zorn schenkt dem Vorfall keine Beachtung. Er ist damit beschaftigt, seinen ehemaligen Kollegen Schroder zu uberreden, wieder sein Partner zu werden. Was jedoch weder Zorn noch Schroder ahnen: Der Tater ist ganz in ihrer Nahe. Und hat eine Reihe neuer Opfer im Visier. Menschen, die den beiden Ermittlern nahestehen Der vierte Fall fur Hauptkommissar Claudius Zorn und den dicken Schroder

Hauptkommissar Claudius Zorn und der dicke Schroder Auge in Auge mit einem irren Morder - der elfte Band der Kult-Thriller-Serie von Bestsellerautor Stephan Ludwig.Ein nackter Mann lauft mit einem Holzkreuz auf der Schulter durch die Stadt. Er ist ausgemergelt, sein Mund wurde mit Garn zugenaht. Als die Polizei den Mann aufgreift, reicht er einen Timer an Hauptkommissar Zorn und Schroder weiter. Der Countdown besagt, dass noch knapp elf Stunden verbleiben. Doch was passiert dann, um vier Uhr nachts?Am nachsten Morgen wissen die Ermittler es: Der Mann ist tot, er wurde gekreuzigt, neben der Leiche ist ein umgedrehtes A aufgemalt.Wahrend Zorn und Schroder sich noch den Kopf zerbrechen, ob ihnen der Morder eine Botschaft senden will, wird ihnen erneut ein Timer zugespielt. Sie haben noch genau zwolf Stunden. Zwolf Stunden, bis wieder ein Mensch sterben wird. Nur wer? Und wo? Als sie zu einem Hochhaus in der Sudstadt gerufen werden, machen sie sich auf das Schlimmste gefasst - zu Recht.