Ebooks de arte, página 102 de 1252

In Edgar Allan Poes "The Thousand-and-Second Tale of Scheherazade", Scheherazade tells a story to the king that includes scientific and technological wonders, deviating from traditional themes. Her description of inventions and discoveries, although fantastic, is met with incredulity, leading to an unexpected outcome.

The original 36 Dramatic Situations was written in in French by Georges Polti in the 1850s. Polti synthesised all drama as belonging to combinations of 36 situations. In the book he illustrates each situation with examples from classical and French theatre. When Mike Figgis used the book as an aid in putting together a treatment for a film, he found that his landscape of creativity had altered quite radically and ideas came forth with relative ease.He realised that Poltis book was system of reference which could be a powerful tool for writers. So he began updating all of the references, moving the focus away from theatre and focussing primarily on cinema. In the first half, each Dramatic Situation is laid out under the 36 headings. The specific Situation is then explained more fully, followed by an example from a specific film, accompanied by an explanation of how the device is used in the film. In the second half of the book there are a series of charts which analyse 150 great films (of all genres) based on the 36 situations.

Richard Hannays boredom with London society is soon relieved when the resourceful engineer from South Africa is caught up in a web of secret codes, spies, and murder on the eve of WWI. When a neighbor is killed in his flat, Richard, suspected, decodes the journal, runs to the wilds of his native Scotland in disguises and local dialects, evades Germans and officials...

It was the misfortune of Germany in the sixteenth and seventeenth centuries that, with most of the conditions requisite for the formation of national unity, she had no really national institutions. There was an emperor, who looked something like an English king, and a Diet, or General Assembly, which looked something like an English Parliament, but the resemblance was far greater in appearance than in reality. The Emperor was chosen by three ecclesiastical electors, the Archbishops of Mentz, Treves and Cologne, and four lay electors, the Elector Palatine, the Electors of Saxony and Brandenburg, and the King of Bohemia. In theory he was the successor of the Roman Emperors Julius and Constantine, the ruler of the world, or of so much of it at least as he could bring under his sway. More particularly, he was the successor of Charles the Great and Otto the Great, the lay head of Western Christendom. The Emperor Sigismund, on his death-bed, had directed that his body should lie in state for some days, that men might see that the lord of all the world was dead.We have chosen your grace, said the electors to Frederick III., as head, protector, and governor of all Christendom. Yet it would be hard to find a single fragment of reality corresponding to the magnificence of the claim...

It was the misfortune of Germany in the sixteenth and seventeenth centuries that, with most of the conditions requisite for the formation of national unity, she had no really national institutions. There was an emperor, who looked something like an English king, and a Diet, or General Assembly, which looked something like an English Parliament, but the resemblance was far greater in appearance than in reality. The Emperor was chosen by three ecclesiastical electors, the Archbishops of Mentz, Treves and Cologne, and four lay electors, the Elector Palatine, the Electors of Saxony and Brandenburg, and the King of Bohemia. In theory he was the successor of the Roman Emperors Julius and Constantine, the ruler of the world, or of so much of it at least as he could bring under his sway.

Chris Chibnalls Doctor Who era is regarded by many (though obviously not all) to have been a complete disaster.But is this fair?Lets take a deep dive into the Chris Chibnall/Jodi Whittaker era of the iconic series and examine the highs and lows of Chris Chibnalls Doctor Who...Includes a guide to all the episodes of the Chris Chibnall Doctor Who era.

The official retrospective for the British cinematic masterpiece The Third Man, directed by Carol Reed, written by Graham Greene, and starring Joseph Cotton and Orson Welles, on its 75th anniversary.On its release in 1949, Carol Reeds atmospheric film noir thriller The Third Man instantly became a classic, winning the Palm dOr at Cannes, a BAFTA for Best British Film, and the Oscar for Best Cinematography. Featuring some of cinemas most memorable set pieces and quotable lines, the films war-torn Viennese locations quickly etch themselves in the memorythe vast sewers, the Ferris wheel, the tree-lined cemetery. It marks one of those unusual conjunctions of script, director, subject, cast, and settingand, of course, musicin which everything works. In time for the movies 75th anniversary, this beautiful, illustrated book comprehensively covers the making of the movie, acknowledged as the masterwork of many of its key players: Carol Reed as director; cast members including Joseph Cotton and Orson Welles; novelist/screenwriter Graham Greene; and composer of the instantly recognizable zither score Anton Karas. The battle for ownership of the film between US producer David O. Selznick and the British producer Alexander Korda, which developed into protracted legal proceedings, is explored, as is the lasting influence the movie has had on modern filmmakers, such as Martin Scorsese. This stunning book features original versions of the script and behind-the-scenes photography making it a must-have for any film fan.

It is much easier to understand and remember a thing when a reason is given for it, than when we are merely shown how to do it without being told why it is so done; for in the latter case, instead of being assisted by reason, our real help in all study, we have to rely upon memory or our power of imitation, and to do simply as we are told without thinking about it. The consequence is that at the very first difficulty we are left to flounder about in the dark, or to remain inactive till the master comes to our assistance.Now in this book it is proposed to enlist the reasoning faculty from the very first: to let one problem grow out of another and to be dependent on the foregoing, as in geometry, and so to explain each thing we do that there shall be no doubt in the mind as to the correctness of the proceeding. The student will thus gain the power of finding out any new problem for himself, and will therefore acquire a true knowledge of perspective.

1Here, children, is a Theatre. A Theatre is a big Playhouse where actors Actsometimes. It is a pretty building, is it Not? It costs two big Dollars to get into a Theatre but People are always in a Great Hurry to get out. This is right, as it Helps the actors to act. When you go to a theatre you should always Cry as Loud and as Long as you can. It gives great Pleasure to all the People, and makes your Mother feel Good.2Oh, see the Press Agent! Is he not a wonderful Thing? Next to the Theatre, he is the most Important Thing in the Business. He is much Greater than the Manager, but he does not get so much Money. The Press Agent always tells the Truth, and loves to give away Free Tickets. Do not offer him a Drink or a Cigar, because he will surely refuse, and then You will feel Badly.3The Man looks Anxious. He is a Manager, and he thinks the Treasurer is Swiping his Money. Fie on the Treasurer! The Poor Manager has so little money that He can only take one Drink at a Time. Ask the Manager for tickets. He will pay for them out of his own Pocket. He is such a Charitable man. Try to be like the Manager, little children, and when you grow Up, you will always be without Money. Money is a great Curse...

In 1974, a low-budget, no-star horror movie was unleashed on the world, causing panic among the censors and provoking glee from its intended audience. The Texas Chain Saw Massacre is still as powerful today as when it was first seen almost thirty years ago, and will return to the screens in a high profile remake this Halloween. Now, in this long-awaited companion to Tobe Hoopers groundbreaking film, Stefan Jaworzyn gives us the inside story of one of the most successful, controversial and influential horror films ever made, as well as in-depth coverage of the three sequels, various documentaries and other movies also based on the life of serial killer Ed Gein. Packed with exclusive interviews, rare and unseen pictures, and with a foreword from the chainsaw-wielding Leatherface himself, Gunnar Hansen!

The story of Michel Thomas reads like a thriller in which adventure and heartbreak combine to produce a unique form of wisdom. Until his death in 2005, he taught languages to ghetto kids, heads of industry and movie stars in a matter of days, succeeding even with people who considered themselves hopeless linguists. To those who have been taught by him, he seemed to be a miracle worker with a magical gift for unlocking the secret powers of the mind.This unique understanding was gained under extreme circumstances. Stateless in Vichy France at the beginning of the Second World War, he was incarcerated and starved in a concentration camp at the foot of the Pyrenees. Forced into slave labour in a coal mine in Provence, he avoided being sent to Auschwitz by hiding within the confines of a deportation camp for six weeks.He escaped death to join the Secret Army of the Resistance. He was arrested and interrogated by Klaus Barbie, Butcher of Lyon, whom he deceived into releasing him, and was later re-arrested by the French Gestapo and tortured. He held out by entering a psychological state in which he no longer registered pain and after six hours of torture, his tormentors threw him into a cell and he survived to re-join the Resistance. After the Allies invaded France he joined the American forces, fought his way into Germany and was with the troops who liberated Dachau. He personally interrogated the camps hangman and oversaw his handwritten confession.At the end of the war he became a Nazi-hunter. Working for American Counter Intelligence he posed as a Nazi himself to infiltrate and expose underground networks of SS men dedicated to the return of a Fourth Reich.In spite of the fact that his entire family had been murdered in Auschwitz, and many close friends killed in combat, at the very end of the war he staged an elaborate gala evening in Munich which he called a Reconciliation Concert. Using German musicians, and in defiance of strict Allied non-fraternisation laws, he brought friend and foe together in the belief that there had to be a different and better future.Author Christopher Robbins has dug deep to explore and substantiate the details of the Michel Thomas story. He has authenticated every episode through camp records, Vichy documents, Resistance papers, US Army reports and hundreds of hours of interviews with this extraordinary man. The result is one of the most inspirational stories of the 20th century.

Explosion at Munition Works in the Northern District: Many Fatalities. The working man told me about it, and added some dreadful details. Corpses so terribly maimed that coffins had been kept covered; faces mutilated as if by some gnawing animal. . . . I took a tram to the location of the disaster; a raw and hideous shed with a walled yard about it, and a shut gate. The roof was quite undamaged -- this had had been a strange accident. There had been an explosion of sufficient violence to kill work-people in the building, but the building itself showed no wounds or scars.

Explosion at Munition Works in the Northern District: Many Fatalities. The working man told me about it, and added some dreadful details. Corpses so terribly maimed that coffins had been kept covered; faces mutilated as if by some gnawing animal. . . . I took a tram to the location of the disaster; a raw and hideous shed with a walled yard about it, and a shut gate. The roof was quite undamaged -- this had had been a strange accident. There had been an explosion of sufficient violence to kill work-people in the building, but the building itself showed no wounds or scars.

The Tenant of Wildfell Hall Anne Bronte - Anne Brontes second novel, published in 1848, tells the story of the young widow, Helen Graham, who takes up residence at Wildfell Hall with her son and servant. What -- or who -- is she hiding from?A mysterious young widow calling herself Helen Graham arrives at Wildfell Hall and immediately arouses her new neighbors suspicions with her unconventional opinions and the attention she draws from the local bachelors. One of her admirers, a farmer named Gilbert Markham, readily offers his friendship but has second thoughts about Helens reclusive conduct and the gossip it excites. When Helen allows Gilbert to read her diary, he discovers the reason behind her secretive behavior a disastrous marriage to a neer-do-well, whom she ultimately flees in defiance of the legal lack of rights for wives.

The Tenant of Wildfell Hall is the second and final novel by the English author Anne Bronte It was first published in 1848 under the pseudonym Acton Bell. Probably the most shocking of the Brontes novels, it had an instant and phenomenal success, but after Annes death her sister Charlotte prevented its re-publication. The novel is framed as a series of letters from Gilbert Markham to his friend and brother-in-law about the events leading to his meeting his wife. A mysterious young widow arrives at Wildfell Hall, an Elizabethan mansion which has been empty for many years, with her young son and servant. She lives there in strict seclusion under the assumed name Helen Graham and very soon finds herself the victim of local slander. Refusing to believe anything scandalous about her, Gilbert Markham, a young farmer, discovers her dark secrets. In her diary, Helen writes about her husbands physical and moral decline through alcohol, and the world of debauchery and cruelty from which she has fled. This novel of marital betrayal is set within a moral framework tempered by Annes optimistic belief in universal salvation.[2] The Tenant of Wildfell Hall is mainly considered to be one of the first sustained feminist novels.[3] May Sinclair, in 1913, said that the slamming of Helens bedroom door against her husband reverberated throughout Victorian England. In escaping her husband, Helen violates not only social conventions, but also English law (font. Wikipedia)

Vitruvius Pollios "The Ten Books on Architecture" stands as a seminal text in the canon of architectural literature, offering a comprehensive treatise that intricately weaves theory, philosophy, and practical guidance. Composed in the first century BC, this work reflects the literary style of classical rhetoric rife with detailed explanations and systematic organization. Vitruvius, addressing a Roman audience, elucidates design principles, the scientific foundations of architecture, and the essential relationship between human life and architectural forms, underscoring the importance of proportion and symmetry in the built environment. Vitruvius himself was an accomplished architect and engineer, likely influenced by the tumultuous political landscape of Ancient Rome and the intertwining of architecture with civic identity. His experiences in military engineering and observations of preceding Hellenistic styles informed his views on institutional and residential design, emphasizing functionality and aesthetic harmony. Vitruvius sought to codify architectural practices of his day, ensuring that knowledge would be preserved for future generations. Readers interested in architecture, engineering, or classical history will find "The Ten Books on Architecture" invaluable, as it not only serves as a manual for practitioners but also as a philosophical exploration of space-making. Its enduring principles resonate across the centuries, providing insights into the essential elements of design, thereby securing its place as a cornerstone text that remains relevant in contemporary discourse on architecture.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In The Ten Books on Architecture, Vitruvius Pollio meticulously explores the principles of architecture, intertwining practical knowledge with philosophical insights. This seminal work is notable for its structured approach, dividing its teachings into ten distinct books that cover topics ranging from materials and construction techniques to the ideal proportions and aesthetic considerations of buildings. Written in the 1st century BCE, Vitruviuss treatise stands out not only for its technical rigor but also for its literary elegance, embodying the classical spirit of Roman thought that valued knowledge, utility, and beauty in harmonious proportions. Vitruvius, a Roman architect and engineer, drew upon his extensive experience in military and civil engineering, offering a unique perspective that reflects the challenges and innovations of his time. His background in architecture, combined with the broader cultural milieu of the Roman Republic, informed his belief in architecture as a reflection of moral and civic values. This confluence of theory and practice is a testament to Vitruviuss commitment to elevating the field of architecture into a respected discipline. I wholeheartedly recommend The Ten Books on Architecture not only to students and practitioners in the field but also to anyone interested in the enduring principles of design and harmony. Vitruviuss timeless insights continue to resonate, making this work essential reading for understanding the foundations of Western architecture.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

The architect should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory. Practice is the continuous and regular exercise of employment where manual work is done with any necessary material according to the design of a drawing. Theory, on the other hand, is the ability to demonstrate and explain the productions of dexterity on the principles of proportion.

The Temptation of Saint Anthony by Gustave Flaubert is a dramatic poem in prose (often referred as a novel) by the French author Gustave Flaubert published in 1874. Flaubert spent his whole adult life working fitfully on the book.In 1845, at age 24, Flaubert visited the Balbi Palace in Genoa, and was inspired by a painting of the same title, then attributed to Bruegel the Elder (now thought to be by one of his followers). Flaubert worked at the subject in three versions, completed in 1849, 1856 (with extracts published at that time) and 1872, before publishing the final version in 1874.It takes as its subject the famous temptation faced by Saint Anthony the Great, in the Egyptian desert, a theme often repeated in medieval and modern art. It is written in the form of a play script, detailing one night in the life of Anthony the Great, during which he is faced with great temptations. Saint Anthony: The protagonist. He is tempted by many characters and objects to stray from his belief that isolation is the truest form of worship. Ammonaria: One of his sisters friends, Anthony is drawn into a battle between his desire for her and his desire to remain holy before God in his isolation. He is distraught that he cannot control his body.

In Rome a man commits suicide by cutting his veins in the bathtub. In San Francisco, a woman throws herself off her balcony. Two dramatic events, apparently distant between them. Betta is trying to pick up the pieces of her life when Mark, from San Francisco shows up with some very disturbing news: the two suicides, her husband and his sister have one common denominator. It seems that behind these desperate gestures hides a sort of instigator: Dioniso. They intercept and lure emotionally fragile subjects through social network, dragging them along a path that leads them to their death. Betta and Mark, with the help of the suicide girl, Andrea, an expert hacker leads them on a personal chase, taking them around Europe where they follow the trail of breadcrumbs left by Dioniso. Meanwhile, a dark and tentacular force is on their tracks, transforming them from hunters to prey. What is hiding behind the tragic death of two people? The answer to that question is as disturbing as it is incredible. Something that the world is not yet ready to accept.PUBLISHER: TEKTIME