Ebooks de arte, página 14 de 1244

A play about the political transition in Catalonia. A play about memory. A play about our recent silenced stories and those unforgettable violent and difficult times. This play follows a group of friends who live in a small town, a place like any other. They observe and participate in historical changes while their own lives are disrupted. These friends secretly perform theater in a cold ramshackle garage, while the former regime change transforms the political, social and emotional realities of their lives. This play is based on the novel "Dies Meravellosos" by Jordi Coca.

Nina is not a saint, not really. But neither is she a leading criminal figure, something of which the policemen who seize a large quantity of narcotics from her seem to have been convinced instead, arresting her and taking her to jail, where her stay will prove to be extremely harsh because of the sexual abuse inflicted on her by other inmates.At least until the bosss woman takes a fancy to her....

I love to capture woman s light both with flashs and in nature light.

Brief history of womens fashion and its role in society over the centuries.The beginning of the movement for gender equality and its relationship with fashion.Womens fashion is much more than just clothes and accessories; Throughout history, it has been a powerful tool for expression, affirmation of identity and reflection of the social values of each era. Since ancient times, women have used fashion as a form of non-verbal communication, conveying messages about their social position, status and even their aspirations. In this chapter, we will briefly explore the history of womens fashion and how it intertwines with the quest for gender equality.The history of womens fashion dates back to the beginnings of humanity, where the first signs of decorations and adornments already demonstrated a concern with appearance and the differentiation of social roles between men and women. As civilizations progressed, womens clothing became increasingly complex and diverse, reflecting the beliefs, values, and hierarchies of the societies in which these women lived.In the Middle Ages, for example, womens fashion was heavily influenced by religion and the social expectations of the time. Womens clothing was often exuberant, with tight corsets and voluminous skirts, symbolizing their position as a social ornament. However, this opulence was also a restriction, as fashion imposed limitations on womens mobility and comfort.With the emergence of the Enlightenment in the 18th century and the beginning of the Industrial Revolution, womens fashion underwent significant changes. The emphasis on reason and social progress led to a greater demand for practical and functional clothing. The so-called "Amazon costume" gained popularity, representing a break from the overly ornate dresses of the past. This period also saw the beginning of the suffrage movements, which sought womens right to vote and equal civil rights.In the 20th century, womens fashion witnessed a true revolution. The two World Wars had a profound impact on the way women dressed, as many took on traditionally masculine roles while men were at the front. This culminated in the emergence of the feminist movement in the 1960s and 1970s, which challenged gender norms and sought equality in many aspects of life, including fashion.In this context, fashion became a form of protest and political expression for many women. The wearing of pants by women, for example, was initially seen as an affront to social norms, but it soon became a symbol of female empowerment and the fight for gender equality.Since then, womens fashion has been a platform to express the diversity and complexity of female identities. Brands and designers have engaged in campaigns that promote inclusion, diversity and breaking gender stereotypes. The gender equality movement has driven the creation of clothing and accessories that transcend traditional norms and allow women to feel comfortable and confident in their own skin.Thus, womens fashion has evolved as a mirror of society, reflecting its transformations, struggles and achievements. The movement for gender equality and fashion are intrinsically linked, both seeking to deconstruct rigid standards and open space for womens freedom, autonomy and empowerment . Throughout this ebook , well explore how womens fashion and the gender equality movement influence each other, shaping and redefining our perception of femininity, empowerment , and equality.Learn Much More...

In "Women Painters of the World," various esteemed art historians and scholars collaboratively present a comprehensive survey that celebrates the profound contributions of female artists throughout art history. The book artfully intertwines biographical sketches with critical analyses, covering a diverse array of styles, movements, and cultural contexts. Its meticulously researched narrative spans centuries, delving into not only the artistry but also the societal challenges that women faced in an often patriarchal art world. The text is richly illustrated, offering visual insights that amplify the words, showcasing masterpieces alongside lesser-known works that warrant renewed attention. The compilation reflects the philanthropic and scholarly pursuits of its authors, who are passionate advocates for gender equality in the arts. Their commitment stems from a recognition of the historical marginalization of women artists and a desire to rectify that narrative through accurate representation. By drawing on archival research and contemporary voices, the authors present an enlightening perspective that encourages scholars and enthusiasts alike to confront the frequently overlooked legacy of women in the painting tradition. "Women Painters of the World" is a must-read for anyone interested in art history, feminism, and the complex interplay between gender and creativity. It serves as an invaluable resource for scholars, students, and art lovers alike, inviting readers to appreciate not only the artistry but the extraordinary resilience of women who have shaped the visual landscape across cultures and epochs.

Incisive and provocative ... a sensitive and probing critiqueThe New York TimesEssential reading ... gripping, inspirational, beautifully written and highly thought-provokingDr Helen Grrill, author of Women Cant Paint A bold reconsideration of women in art - from the Old Masters to the posts of Instagram influencersA perfect pin-up, a damsel in distress, a saintly mother, a femme fatale ...Womens identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art historys classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles.In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images - from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists - from Berthe Morisot to Beyonce, Judy Chicago to Kara Walker - have offered us new ways of thinking about womens identity, sexuality, race and power.Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of womens vision.A call to arms in a world where the misogyny that taints much of the western art canon is still largely ignoredFinancial TimesIt felt like the scales were falling from my eyes as I read it.The Herald

An analytical study of sexual depravity and "an epic of vice" were two of the critical expressions which greeted the publication of "Women in Love". Yet Lawrence regarded this novel as his best book and F. R. Leavis considered it Lawrences supreme masterpiece.

Orry-Kelly created magic on screen, from Casablanca and The Maltese Falcon to Some Like It Hot. He won three Oscars for costume design. He dressed all the biggest stars, from Bette Davis to Marilyn Monroe. Yet few know who Orry-Kelly really was - until now.Discovered in a pillowcase, Orry-Kellys long-lost memoirs reveal a wildly talented and cheeky rascal who lived a big life, on and off the set. From his childhood in Kiama to revelling in Sydneys underworld nightlife as a naive young artist and chasing his dreams of acting in New York, his early life is a wild and exciting ride. Sharing digs in New York with another aspiring actor, Cary Grant, and partying hard in between auditions, he ekes out a living painting murals for speakeasies before graduating to designing stage sets and costumes. When he finally arrives in Hollywood, its clear his adventures have only just begun.Fearless, funny and outspoken, Orry-Kelly lived life to the full. In Women Ive Undressed, he shares a wickedly delicious slice of it.

This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. The collection covers all levels of difficulty from easy (volume 1) to medium (volume 2) to difficult (volume 3) and is an indispensable addition to lessons and concerts.

This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. The collection covers all levels of difficulty from easy (volume 1) to medium (volume 2) to difficult (volume 3) and is an indispensable addition to lessons and concerts.

This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. The collection covers all levels of difficulty from easy (volume 1) to medium (volume 2) to difficult (volume 3) and is an indispensable addition to lessons and concerts.

E. F. Ellets "Women Artists in All Ages and Countries" serves as a pioneering exploration of the contributions made by female artists throughout history. This comprehensive work intertwines art history with social critique, effectively illustrating how women have shaped artistic expression across diverse cultures and epochs. Ellets literary style is marked by a meticulous attention to detail and a rich narrative that draws on both historical documentation and anecdotal evidence. As a reflective commentary on the historical marginalization of women in the arts, this book situates its analysis within contemporary feminist discourse, making it a seminal text for understanding the intersection of gender and creativity. E. F. Ellet was a trailblazer in championing womens voices not only in the arts but also in literature and education. Her first-hand experiences, as a woman navigating a male-dominated intellectual landscape, informed her commitment to reviving the recognition of womens contributions to art. ElletAos scholarly insights reflect her deep understanding of gender dynamics in the historical context, as she passionately argues for the recognition and appreciation of womenAos artistic legacies. This book is highly recommended for scholars, art enthusiasts, and anyone interested in the evolution of gender roles within the arts. ElletAos compelling narrative not only educates but also inspires, highlighting how the artistic achievements of women continue to resonate in contemporary society. Dive into this invaluable resource to appreciate the rich tapestry of womens creativity across the globe.

My photographs want to be a tribute to the femininity and sensuality that every woman has within herself

The object of the following pages will be to show, in a series of biographical sketches, a history of Womanhood under Divine culture, tending toward the development of that high ideal of woman which we find in modern Christian countries. All the characters comprised in these sketches belong to one nationality. They are of that mysterious and ancient race whose records begin with the dawn of history; who, for centuries, have been sifted like seed through all the nations of the earth, without losing either their national spirit or their wonderful physical and mental vigor.

The object of the following pages will be to show, in a series of biographical sketches, a history of Womanhood under Divine culture, tending toward the development of that high ideal of woman which we find in modern Christian countries. All the characters comprised in these sketches belong to one nationality. They are of that mysterious and ancient race whose records begin with the dawn of history; who, for centuries, have been sifted like seed through all the nations of the earth, without losing either their national spirit or their wonderful physical and mental vigor.

About the BookSurasundaris on the walls of Rani-ki-Vav remind us that sensuality is the doorway to spirituality, that growth and fertility are as important as piety and devotion, that even before we undertake dhyana of the deity in the sanctum or in different parts of the vav we must saturate our mind with the beautiful so that we can attain the state of serenity and purnatva.Sensually evocative, beautiful from tresses to the toes, with eyes downcast, surasundaris are an expression of unsurpassed grace. They are a reminder that a woman is the most adorned expression of prakriti, that to indulge in it is to affirm our senses and enrich our mind, but the aesthetic journey does not stop there. The contemplative viewer will see the surasundari as a poem and a song, where every limb and every gesture are the lyrics, the texture of the stone is the rhythm, where metaphor is the key that will unlock the many meanings and suggestions.The stepwell in Patan is perhaps the most admired structure of its kind and is a testament to the imagination and skill of the sthapati and as we walk through its many-tiered pavilion we almost hear the hushed voices of the queen and her retinue that stayed there away from menacing eyes and sweltering heat. Come, tread softly, as you are entering a hallowed space of beauty.About the AuthorHarsha V. Dehejia has a double doctorate, one in medicine and other in ancient Indian culture, both from Mumbai University. He is also a member of the Royal College of Physicians of London, Glasgow and Canada all by examination. He is a practising Physician and Professor of Indian Studies at Carleton University in Ottawa, Canada. His main interest is in Indian aesthetics.

Max ORells "Woman and Artist" explores the intricate relationship between femininity and artistry in the socio-cultural context of late 19th-century Europe. Through a series of captivating essays, ORell adopts a conversational literary style, employing wit and keen observation to challenge the societal norms that dictate the roles of women and artists. He delves into the emotional and intellectual struggles faced by women pursuing art, interweaving anecdotes with broader philosophical reflections, thus positioning the work as a crucial commentary on gender and creativity within the burgeoning feminist discourse of its time. Max ORell, a prominent French writer and humorist, was deeply influenced by the burgeoning movements advocating for womens rights and artistic freedom during his lifetime. His experiences traveling and lecturing across Europe exposed him to a diverse array of perspectives on gender, culminating in a profound understanding of the obstacles women artists faced. ORells commitment to social reform and his own artistic inclinations is evident in his empathetic portrayal of his subjects, marking him as an early champion of womens voices in the arts. "Woman and Artist" is a seminal work that not only enlightens readers about a pivotal era in feminist history but also resonates with contemporary discussions on gender and art. ORells insightful perspective invites readers to reconsider established narratives and celebrate the contributions of women in the artistic sphere. This book is essential for scholars, art enthusiasts, and anyone interested in the intersection of gender and creativity.

In "Woman and Artist," Max ORell delivers a profound exploration of the artistic psyche through the dual lenses of gender and creativity. This work, set against the backdrop of late 19th-century societal norms, employs a striking blend of wit and incisive commentary, reflecting ORells knack for dissecting cultural paradigms. His literary style, characterized by a conversational tone infused with humor, engages readers in a dialogue about the complexities and limitations imposed on women artists during this era, positioning the book at the intersection of feminism and art criticism. Max ORell, a French author known for his keen observations and cultural critiques, often drew from his experiences in England and France. His insights into societal constructs, fueled by his own encounters with artistic communities, illuminate the struggles faced by women in a male-dominated field. ORells background as a lecturer and a traveler enriched his perspective, allowing him to fuse personal anecdotes with broader social analysis. "Woman and Artist" is a must-read for anyone interested in the evolution of womens roles in the arts, as it challenges conventional narratives while celebrating the resilience of female creativity. ORells adept storytelling not only informs but also invites reflection, making this text invaluable for scholars, artists, and advocates of gender equality alike.

In dem Buch Wolf Wonder. Eine Kunstgeschichte dokumentiert die Kunsthistorikerin Susanne Ursula Meyer das Leben und Schaffen des deutschen zeitgenossischen Malers Wolf Wonder. An Hand von Interviews und Bildanalysen entsteht ein lebendiges und detailliertes Portrat des Kunstlers und seiner Position in der Bildenden Kunst. Dabei werden auch aktuelle Bereiche der heutigen Kunst wie Politik, Psychologie und Naturwissenschaften nicht ausgespart. Wo stehen wir, wo kommen wir her, und wo wollen wir hin? Mit 108 farbigen Abbildungen.

Wolf Vostell (Leverkusen, 1932-Berlín, 1998), artista multimedia, desarrolló su vida y su obra entre sus estudios de Alemania (Colonia, Berlín) y Extremadura (Malpartida de Cáceres, donde fundó un museo). A partir de los años cincuenta fue pionero en Europa de los nuevos comportamientos artisticos como happening, fluxus, video-arte bajo el principio estetico Arte=Vida/Vida=Arte. Importante epigono del arte dadaista, del surrealista y de un expresionismo propio, su principio generador se baso en la tecnica del de-coll/age y la utilizacion del hormigon como configurador de una nueva obra, uniendo o ensamblando elementos despegados, o desechos previamente recogidos de nuestra civilizacion de consumo, para crear metaforas de la violencia belica, del sexo, de la muerte y de otros fenomenos que nos rodean, y desarrollar un arte moral.