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Why People Lie and How to Detect ThatThe Psychology of Deception (Body Language, Verbal Cues, and Techniques to Spot Dishonesty)Lies are everywhere. From harmless white lies to elaborate deceptions, dishonesty influences relationships, workplaces, politics, and society. But what if you could see through the falsehoods? What if you could recognize deception before it misleads you?This book unveils the hidden psychology behind lying, equipping you with the skills to identify when someone is not telling the truth. With insights drawn from psychology, neuroscience, and behavioral analysis, youll learn how to decode verbal cues, interpret microexpressions, and spot nonverbal signs of deception.Inside This Book, Youll Discover:The Nature of Deception: Why We LieThe Science of Lying: How the Brain Works During DeceptionBody Language and Lies: Nonverbal Clues to Watch ForMicroexpressions: The Hidden Signals of DishonestyVerbal Deception: How Liars Manipulate WordsLies in Relationships: Spotting Red Flags in Personal LifeDeception in the Workplace: Identifying Dishonest Colleagues and BossesWhether you want to safeguard yourself from manipulation, improve your ability to read people, or simply understand why lying is so deeply ingrained in human nature, this book provides the knowledge and tools to uncover the truth in any situation.Scroll Up and Grab Your Copy Today!

Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found - what she fostered - was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the "nothing-to-hide" rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe.Why Patti Smith Matters is the first book about the iconic artist written by a woman. The veteran music journalist Caryn Rose contextualizes Smiths creative work, her influence, and her wide-ranging and still- evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smiths oeuvre, from her first album, Horses, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor, Why Patti Smith Matters rescues punks poet laureate from "strong woman" cliches. Of course Smith is strong. She is also a nuanced thinker. A maker of beautiful and challenging things. A transformative artist who has not simply entertained but also empowered millions.

A remarkable feminist history and biography that features fragments from the five-decade career of an iconic artist.Through this deeply personal take, the real significance of Faithfull as an irrepressible female icon shines through.SHINDIGExcellent . . . Pearson deserves the widest possible audience.POPMATTERSFirst as a doe-eyed ingenue with As Tears Go By, then as a gravel-voiced phoenix rising from the ashes of the 1960s with a landmark punk album, Broken English, and finally as a genre-less icon, Marianne Faithfull carved her name into the history of rock n roll to chart a career spanning five decades and multiple detours.Why, then, was Faithfull absent from the male-dominated history of the British Invasion?Putting memoir on equal footing with biographical accounts, historian Tanya Pearson writes about Faithfull as an avid fan, recovered addict and queer musician at a crossroads. Whether exploring Faithfulls rise to celebrity, her drug addiction and fall from grace as a spurned muse or her reinvention as a sober, soulful chanteuse subverting all expectations for an ageing woman in music, Pearson reaffirms the deep connection between creator and listener in this remarkable feminist history of the iconic artist.Witty, passioante, and provactive. Finally, a feminist appreciation for Marianne Faithfull.VIVIEN GOLDMAN, author of Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy RiotWith vulnerability and a smart sense of humor, Tanya Pearson exposes the profoundly misogynistic music industry that abused Marianne Faithfull . . . heroic and hiliarious.JD SAMSON, of LeTigre and MEN MUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE- Why Solange Matters by Stephanie Phillips - Why Marianne Faithfull Matters by Tanya Pearson - Why Karen Carpenter Matters by Karen Tongson

A century after his death, Gustav Mahler is the most important composer of modern times. Displacing Beethoven as a box-office draw, his music offers more than the usual listening satisfactions. Many believe it has the power to heal emotional wounds and ease the pain of death. Others struggle with the intellectual fascination of its contradictory meanings. Long, loud and seldom easy, his symphonies are used to accompany acts of mourning and Hollywood melodramas. Sometimes dismissed as death-obsessed, Mahler is more alive in the 21st century than ever before.Why Mahler? Why does a Jewish musician from a land without a name capture the yearnings and anxieties of post-industrial society? Is it the music, it is the man, or is it the affinity we feel with his productive peak - a decade when Freud, Einstein, Picasso, Joyce and Mahler reconfigured the ways we understand life on earth? In this highly original account of Mahlers life and work, Norman Lebrecht - renowned writer, critic and cultural commentator - explores the Mahler Effect, a phenomenon that reaches deep into unsuspecting lives, altering the self-perceptions of world leaders, finance chiefs and working musicians. Why Mahler? is a multi-layered exploration of the role that music plays as a soundtrack to our lives.

A PITCHFORK MUSIC BOOK OF THE YEARA radical, literary and intimate insight into one of the twentieth centurys most vital vocalists.Tongson serves up a number of astute observations about fantasy, projection, longing, normalcy, and aberrance.MAGGIE NELSONDeftly weaves memoir, history, and cultural criticism to highlight the dynamic relationship between artists and listeners.PITCHFORKIn the 60s and 70s, Americas music scene was marked by raucous excess, reflected in the tragic overdoses of young superstars such as Jimi Hendrix and Janis Joplin. At the same time, the uplifting harmonies and sunny lyrics that propelled Karen Carpenter and her brother, Richard, to international fame belied a different sort of tragedy - the underconsumption that led to Karens death at age thirty-two from the effects of an eating disorder.In Why Karen Carpenter Matters, Karen Tongson (whose parents named her after the pop icon) interweaves the story of the singers rise to fame in the 1960s and 70s with her own trans-Pacific journey between the Philippines - where imitations of American pop styles flourished - and Karen Carpenters home ground of Southern California. Tongson reveals why the Carpenters chart-topping, seemingly white-washed musical fantasies of normal love have profound significance for her - as well as for other people of colour, LGBT+ communities, and anyone outside the mainstream culture usually associated with Karen Carpenters legacy.This hybrid of memoir and biography excavates the destructive perfectionism at the root of the Carpenters sound, while finding the beauty in the singers all-too-brief life.Engrossing . . . a triumphant delight.4COLUMNSHeartfelt . . . excellent . . . breathtaking.EXCLAIM!Will resonate with readers who have never even heard of Carpenter.LITERARY HUBMUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE- Why Solange Matters by Stephanie Phillips - Why Marianne Faithfull Matters by Tanya Pearson - Why Karen Carpenter Matters by Karen Tongson

A practical investigation of how comedy works, by a well-respected practitioner and teacher. With a Foreword by Toby Jones.Comedy is recognised as one of the most problematic areas of performances. For that reason, it is rarely written about in any systematic way. John Wright, founder of Trestle Theatre and Told by an Idiot, brings a wide range of experience of physical comedy to this unique exploration of comedy and comedic techniques.The book opens with an analysis of the different kinds of laughter that can be provoked by performance. This is followed by the main part of the book: games and exercises devised to demonstrate and investigate the whole range of comic possibilities open to a performer.Why Is That So Funny? is an invaluable book for teachers and performers, and a fascinating read for anyone interested in how comedy works.

In "Why Go to College?", Clayton Sedgwick Cooper embarks on a profound exploration of the educational system and the evolving landscape of higher education. The work is characterized by a critical yet accessible literary style, weaving together persuasive arguments and personal anecdotes that stimulate readers to reconsider the purpose and value of a college degree. Through a nuanced examination of societal expectations, economic factors, and intellectual development, Cooper places the discourse within a broader socio-economic context, reflecting on the historical significance of education and its implications in a rapidly changing world. Clayton Sedgwick Cooper, a distinguished educator and writer with a lifelong commitment to the advancement of critical thought, draws from his extensive experience in academia and his observations of the challenges facing contemporary students. His background provides a rich foundation for the inquiry posed in this book, revealing the personal motivations that influenced his examination of the college experience. As a scholar, Coopers insights resonate particularly with both prospective students and educators struggling to navigate the complexities of modern education. I highly recommend "Why Go to College?" to anyone questioning the value of higher education today. Coopers thought-provoking analysis not only elucidates the benefits and drawbacks of pursuing a college degree but also inspires a deeper reflection on what knowledge, skill, and success truly mean in the 21st century.In this enriched edition, we have carefully created added value for your reading experience:- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

How is art criticism to be understood within an expanding artistic field? A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, with texts from the 18th century to the present. The editors Beate Sontgen and Julia Voss have invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism? Which styles do they employ? What makes them extraordinary? What can we learn from their writings today, and why is it important in its contemporary context?BEATE SONTGEN (*1963) is professor of art history at Leuphana University Luneburg. She studied art history, philosophy, and modern German literature in Marburg and Berlin. She is director of the DFG Research Training Group "Cultures of Critique: Forms, Media, Effects" and co-director of the program "PriMus - Doctoral Studies in Museums." JULIA VOSS (*1974) is an honorary professor at Leuphana University Luneburg. She studied art history, modern German literature, and philosophy in Berlin and London. She is herself an art critic and journalist and was deputy head of the arts section of the Frankfurter Allgemeine Zeitung.

How is art criticism to be understood within an expanding artistic field? A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, with texts from the 18th century to the present. The editors Beate Sontgen and Julia Voss have invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism? Which styles do they employ? What makes them extraordinary? What can we learn from their writings today, and why is it important in its contemporary context?BEATE SONTGEN (*1963) is professor of art history at Leuphana University Luneburg. She studied art history, philosophy, and modern German literature in Marburg and Berlin. She is director of the DFG Research Training Group "Cultures of Critique: Forms, Media, Effects" and co-director of the program "PriMus - Doctoral Studies in Museums." JULIA VOSS (*1974) is an honorary professor at Leuphana University Luneburg. She studied art history, modern German literature, and philosophy in Berlin and London. She is herself an art critic and journalist and was deputy head of the arts section of the Frankfurter Allgemeine Zeitung.

Padraig Regans poems delight in the sensual and the visual: this pamphlet is alive with the textures of paint, sweat, sugar and overripe fruit. Regan riffs on art history in a way which is playful and inquisitive Johann Zoffany drinks mojitos with David Hockney; Caravaggio outrages and compels; Queen Elizabeth I is effortfully glorious. Many poems focus on the representation of the human body, discovering alternative histories in responses to paintings where the gaze of the male artist is directed towards the male figure in queerly erotic ways.

In this magisterial book, William St Clair unfolds the history of the Parthenon throughout the modern era to the present day, with special emphasis on the period before, during, and after the Greek War of Independence of 182132. Focusing particularly on the question of who saved the Parthenon from destruction during this conflict, with the help of documents that shed a new light on this enduring question, he explores the contributions made by the Philhellenes, Ancient Athenians, Ottomans and the Great Powers.Marshalling a vast amount of primary evidence, much of it previously unexamined and published here for the first time, St Clair rigorously explores the multiple ways in which the Parthenon has served both as a cultural icon onto which meanings are projected and as a symbol of particular national, religious and racial identities, as well as how it illuminates larger questions about the uses of built heritage. This book has a companion volume with the classical Parthenon as its main focus, which offers new ways of recovering the monument and its meanings in ancient times.St Clair builds on the success of his classic text, The Reading Nation in the Romantic Period, to present this rich and authoritative account of the Parthenons presentation and reception throughout history. With weighty implications for the present life of the Parthenon, it is itself a monumental contribution to accounts of the Greek Revolution, to classical studies, and to intellectual history.

Embark on a journey through time, space, and the enduring magic of Doctor Who history.From collecting Dalek toys in 1960s South London to becoming one of Doctor Whos most influential historians, David J Howes life has been shaped by Britains beloved time-traveling hero. In this engaging memoir, Howe shares his journey from young fan to professional authority, offering unprecedented insights into Doctor Whos evolution over six decades. He takes readers behind the scenes of landmark moments in Who history, from organizing the first conventions to publishing groundbreaking books about the series. His story interweaves personal milestones with key moments in Doctor Who history, including his work with Jon Pertwee on the actors autobiography and the development of BBCs merchandise empire.More than just a fans tale, this is the story of how Doctor Who shaped British popular culture through the eyes of someone who helped guide its legacy, making it essential reading for both devoted Whovians and anyone interested in British television history.

In the fight against the Coronavirus, digital technology is playing an unprecedented role in the maintenance of daily life and economic and social activities, as well as the recovery of industries and business activities. The Coronovirus-pandemic could become a tipping point for digitalisation - a dawn of a new era - by accelerating the maturity of digital technology: What was once a nice to have could now become a crucial to have.This report analyses investment in and adoption of digital technologies by firms in the EU and the USA and provides evidence on better performance of digital firms compared to non-digital ones. The report draws from two unique sets of data, including the European Investment Bank Survey (EIBIS) 2019, and the EIBIS Start-up and Scale-up Survey 2019.

Oscar-nominated Charlotte Rampling most recently appeared in hit ITV drama Broadchurch, the BBCs London Spy and HBOs Dexter, and the feature film 45 Years.Her career has spanned popular entertainment and arthouse cinema, having starred in English, French and Italian films from 1966s Georgy Girl (opposite Lynn Redgrave), to films with French director François Ozon, including 2003s Swimming Pool.Having shied away from biographies and autobiographies ("too personal") Rampling has now written Who I Am (first published in French) a lyrical, and intimate self-portrait via reminiscences. Highly personal, packed with photographs from her personal archive, Rampling recounts her childhood and youth as the daughter of an army officer (who won a gold medal for the 4 x 400 relay in the infamous 1936 Berlin Olympics), and the memories and passions that would inspire her life and later work as an actress.Written in a style that gives a unique insight into her screen persona, it is an idiosyncratic and beguiling insight of one of the most consistently adventurous and interesting actors.

With little more than a pocket knife, a branch, and a dose of concentration, this book will show you how to whittle unique keepsakes that are fun to make, will be appreciated as gifts, or can be popular items for sale. Author Chris Lubkemann, a woodcarver since age 7, is pleased to share his lifelong love of whittling with both beginners and experienced whittlers alike in Whittling Twigs & Branches. Inside, youll find everything you need to master the basic woodworking technique called curling to create birds, trees, and flowers. With step-by-step whittling projects, helpful tips for correcting mistakes, and advice on painting and finishing, also inside is a picture gallery of finished pieces including table lamps, whimsical characters, letter openers, desk plaques, and chess sets, to give you inspiration in your own work.

Whether experienced or new to woodcarving, you are sure to appreciate the in-depth knowledge of the art form from author David Young. The book begins with information on what you need to know to start whittling including tools, materials, knife sharpening, and techniques. Next, David covers finishing your project with instructions for his simple painting technique to achieve professional-looking results. Using these techniques, youll then be ready to start whittling the 13 beautifully illustrated projects which range in difficulty, building on the skills and techniques used in each. Youll start with projects that build upon each other, adding a new technique and skill for each. You are then ready to start the next set of simple projects, further refining your whittling skills. Youre now ready for the step-up projects that include a pineapple, a vase with a rose, and a wood spirit. Each project uses a 1" x 1" x varying length block and can be completed in less than an hour. The scale of the projects and the use of minimal tools and supplies make carving the projects possible in virtually any space or location.

The approachable method of flat-plane carving is the perfect starting point for beginners to fall in love with woodcarving, or for experienced carvers to try something new! Featuring 15 projects of wood animals focusing on this accessible style of woodcarving, each project includes step-by-step instructions, full-size patterns, a brief overview on the animals significance in Scandinavian culture, helpful tips, and more. From hares, ravens, and rams to bears, reindeer, and more, learn classic Scandinavian flat-plane techniques, further your skills, and discover a new favorite carving method! Author James Miller is an award-winning Scandinavian-style carver and a contributor to the acclaimed Woodcarving Illustrated magazine.

This book is a reconsideration of the practice of whitewashing church interiors during the Protestant Reformation in the sixteenth and seventeenth centuries. It is the first detailed study of its kind which challenges the view that whitewash was always only a cheap coat of paint. Victoria George pulls together several histories: of the colour white from the biblical period to the present, and ideas about the colour white in philosophy, theology, art, and architecture from antiquity to the present. She links them to case studies of the ways in which reformers Huldrych Zwingli and John Calvin thought about colour in a careful analysis of the role of colour-thinking in their theological writings. The social meanings embodied in the word, whitewash as it entered the printed media in the 17th century is explored as part of a chapter on the history of whitewashing itself. The long-term symbolic and aesthetic implications of the practice of whitewashing are examined in the larger context of material culture; in terms of their value as a metaphor, for both the Reformed Protestant and the Catholic in opposition to them; and for the uses to which whitewash has been put over time. George proposes that the practice was not only visually transformative but held importance for religious aesthetics as an agent of change, and for an aesthetics of minimalism generally, especially evident in the twentieth and twenty-first centuries. Victoria George received an MFA from the Royal College of Art (London), an MA from The Architectural Association, and a Ph.D. from Cambridge. She has taught religion and the arts at the University of Richmond in Virginia.

In "Whitehall: Historical and Architectural Notes," W. J. Loftie presents a meticulous exploration of one of Londons most significant sites, delving into its rich history and architectural evolution. Written in a distinctly Victorian style, Lofties prose combines scholarly rigor with a narrative flair that brings to life the stories interwoven with the fabric of Whitehall. The book unearths layers of historical significance, referencing Tudor timelines, the development of governmental architecture, and the social dynamics that have shaped this area, all while employing a keen eye for detail and a passion for heritage. W. J. Loftie was not only an accomplished historian and author but also a curator and architectural scholar, which greatly influenced his perceptive approach to Whitehalls history. His background in the study of architecture, coupled with a profound interest in Londons urban landscape, allowed him to analyze the aesthetic and functional aspects of buildings, placing them within the broader context of British history. Lofties lifetime of scholarly endeavors positioned him uniquely to contribute this vital work to the field. For readers interested in the convergence of history and architecture, Lofties "Whitehall" serves as an invaluable resource. It appeals not only to history enthusiasts and architectural scholars but also to anyone seeking to understand the complex layers of modern governance and culture that have evolved within this iconic locale. Immerse yourself in Lofties insights to appreciate the grandeur embedded within the walls of this emblematic site.

When Abbot Laurence, of Westminster, looked out to the northward or north-eastward, he could see no landas far as the wall of Londonwhich did not belong to him and his house. This was the Abbot who first had leave to assume the mitre, and in 1163 he obtained from Pope Alexander II. the canonisation of Edward the Confessor. When worshippers wished to kneel at the new saints shrine they had to reach Westminster as best they could. Some, especially those who lived at Charing, or further up the hill, in what was afterwards Hedge Lane, would make their way to the Thames, the best highway in those days. In some seasons, perhaps, the water-courses, which had their origin in the Tyburn, might be dry enough to let them pass, but there were as yet no regular roads and no bridges. One of these water-courses supplied the Abbey, and one ran out where Richmond Terrace is now. We have two documents from which to draw a picture of the ground which was not yet Whitehall. First, we have the evidence afforded by the geographical features of the locality; and, secondly, we have the report of a trial which took place some sixty years ago, when, no doubt, all possible charters and grants and leases and demises were cited