Ebooks de arte, página 20 de 1251

This book is a reconsideration of the practice of whitewashing church interiors during the Protestant Reformation in the sixteenth and seventeenth centuries. It is the first detailed study of its kind which challenges the view that whitewash was always only a cheap coat of paint. Victoria George pulls together several histories: of the colour white from the biblical period to the present, and ideas about the colour white in philosophy, theology, art, and architecture from antiquity to the present. She links them to case studies of the ways in which reformers Huldrych Zwingli and John Calvin thought about colour in a careful analysis of the role of colour-thinking in their theological writings. The social meanings embodied in the word, whitewash as it entered the printed media in the 17th century is explored as part of a chapter on the history of whitewashing itself. The long-term symbolic and aesthetic implications of the practice of whitewashing are examined in the larger context of material culture; in terms of their value as a metaphor, for both the Reformed Protestant and the Catholic in opposition to them; and for the uses to which whitewash has been put over time. George proposes that the practice was not only visually transformative but held importance for religious aesthetics as an agent of change, and for an aesthetics of minimalism generally, especially evident in the twentieth and twenty-first centuries. Victoria George received an MFA from the Royal College of Art (London), an MA from The Architectural Association, and a Ph.D. from Cambridge. She has taught religion and the arts at the University of Richmond in Virginia.

In "Whitehall: Historical and Architectural Notes," W. J. Loftie presents a meticulous exploration of one of Londons most significant sites, delving into its rich history and architectural evolution. Written in a distinctly Victorian style, Lofties prose combines scholarly rigor with a narrative flair that brings to life the stories interwoven with the fabric of Whitehall. The book unearths layers of historical significance, referencing Tudor timelines, the development of governmental architecture, and the social dynamics that have shaped this area, all while employing a keen eye for detail and a passion for heritage. W. J. Loftie was not only an accomplished historian and author but also a curator and architectural scholar, which greatly influenced his perceptive approach to Whitehalls history. His background in the study of architecture, coupled with a profound interest in Londons urban landscape, allowed him to analyze the aesthetic and functional aspects of buildings, placing them within the broader context of British history. Lofties lifetime of scholarly endeavors positioned him uniquely to contribute this vital work to the field. For readers interested in the convergence of history and architecture, Lofties "Whitehall" serves as an invaluable resource. It appeals not only to history enthusiasts and architectural scholars but also to anyone seeking to understand the complex layers of modern governance and culture that have evolved within this iconic locale. Immerse yourself in Lofties insights to appreciate the grandeur embedded within the walls of this emblematic site.

When Abbot Laurence, of Westminster, looked out to the northward or north-eastward, he could see no landas far as the wall of Londonwhich did not belong to him and his house. This was the Abbot who first had leave to assume the mitre, and in 1163 he obtained from Pope Alexander II. the canonisation of Edward the Confessor. When worshippers wished to kneel at the new saints shrine they had to reach Westminster as best they could. Some, especially those who lived at Charing, or further up the hill, in what was afterwards Hedge Lane, would make their way to the Thames, the best highway in those days. In some seasons, perhaps, the water-courses, which had their origin in the Tyburn, might be dry enough to let them pass, but there were as yet no regular roads and no bridges. One of these water-courses supplied the Abbey, and one ran out where Richmond Terrace is now. We have two documents from which to draw a picture of the ground which was not yet Whitehall. First, we have the evidence afforded by the geographical features of the locality; and, secondly, we have the report of a trial which took place some sixty years ago, when, no doubt, all possible charters and grants and leases and demises were cited

Published on the Palomares disasters 50th anniversary, this new documentary photobook questions the legacy of the worst nuclear weapons accident in history. With over 100 color images shot over five years in Almeria, White Sepulchres records the aftermath of four U.S. nuclear bombs dropped in Palomares on 17 January 1966, making it the most radioactive town in Europe. Publicado en el año del 50 aniversario del desastre de Palomares, este nuevo fotolibro documental cuestiona el legado del peor accidente con armas nucleares de la historia. Con mas de 100 imagenes a color tomadas a lo largo de cinco años en Almeria, White Sepulchres registra las secuelas de cuatro bombas nucleares norteamericanas que cayeron el 17 de enero de 1966, y que hicieron de Palomares el pueblo mas radioactivo de Europa.

White Fang is a novel by American author Jack London (1876-1916) - and the name of the books eponymous character, a wild wolfdog. First serialized in Outing magazine, it was published in 1906. The story takes place in Yukon Territory and the Northwest Territories, Canada, during the 1890s Klondike Gold Rush and details White Fangs journey to domestication. It is a companion novel (and a thematic mirror) to Londons best-known work, The Call of the Wild, which is about a kidnapped, domesticated dog embracing his wild ancestry to survive and thrive in the wild.

In "Whistling as an Art," Agnes Woodward delves into the intricate craft of whistling, elevating it from a mere pastime to a respected form of artistic expression. Drawing upon a rich tapestry of historical references and personal anecdotes, Woodward explores various techniques, styles, and cultural significances of whistling across different societies. The literary style is characterized by its lyrical prose and vibrant imagery, immersing readers in the sounds and rhythms of this often-overlooked art form, while its context situates whistling within broader discussions of music and performance in contemporary society. Agnes Woodward, a passionate musician and cultural historian, has dedicated her career to exploring the intersections of sound and society. Her extensive research into folk traditions and the anthropology of sound has provided her with unique insights into the nuances of auditory expression. Woodwards personal journey with whistlingstemming from her childhood experiences and evolving through her formal musical traininghas instilled in her a profound respect for this simple yet complex form of vocalization, which she now shares with readers through her work. For anyone intrigued by the subtleties of music, performance, or the overlooked corners of cultural expression, "Whistling as an Art" is a must-read. Woodwards engaging exploration not only informs but also inspires readers to appreciate the beauty and skill inherent in whistling, encouraging a reevaluation of its place in the pantheon of artistic endeavors.

In "Whistling as an Art," Agnes Woodward meticulously explores the intricate relationship between whistling and musical expression, illuminating its historical and cultural significance. Through a compelling blend of narrative and analysis, Woodward delves into various whistling techniques, from folk traditions to contemporary interpretations, employing rich descriptions and a lyrical style that captivates the readers imagination. The book situates whistling within broader artistic trends, engaging with themes of identity, innovation, and the evolving nature of music, facilitating a deeper understanding of this often-overlooked vocal art form. Agnes Woodward, a prominent ethnomusicologist and musician, draws upon her extensive background in folk music and acoustic traditions to inform her writing. Her travels across diverse cultures have allowed her to gather firsthand experiences of whistling in various contexts, inspiring her to write this comprehensive treatise. Woodwards academic rigor, combined with her personal passion for the art, infuses the book with authenticity and depth, inviting readers to appreciate whistling beyond its surface charm. "Whistling as an Art" is an essential read for musicians, cultural enthusiasts, and lay readers alike. Woodwards engaging prose not only educates but also invites a newfound appreciation for whistling as a legitimate form of artistic expression, making the book a valuable addition to both personal libraries and cultural studies curricula.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

A Unique Blend of Magic and Reality: Whispers Through Time offers readers a captivating combination of fantasy, mystery, and historical intrigue. With time manipulation, ancient prophecies, and a small-town setting, the book creates an immersive world where reality and magic collide in unexpected and powerful ways.An Engaging, Relatable Protagonist: Sophia, the main character, is a strong, yet relatable young woman who grapples with the weight of an ancient responsibility. Readers will connect with her journey of self-discovery, courage, and the emotional burden of protecting her town, making her story compelling and heartfelt.An Epic Adventure of Personal Growth: The story goes beyond just fantasyits a journey of personal transformation. As Sophia learns to control the Hourglass and restore balance to her world, readers will be inspired by her resilience, strength, and her ability to confront difficult challenges.A Rich, Vivid World: From the quaint, mysterious town of Alderhaven to the deep, magical forest that holds hidden secrets, the setting is fully realized, drawing readers into a world filled with wonder, danger, and ancient mysteries. The atmosphere is rich with detail, making it easy to escape into the story.A Gripping Story of Time and Fate: With themes of time manipulation, destiny, and the fight against unraveling history, Whispers Through Time offers a suspenseful and intriguing plot that keeps readers on the edge of their seats. The unraveling mystery and unfolding danger will keep readers hooked from the first page to the last.Appeals to Fans of Both Fantasy and Historical Fiction: Whether youre a fan of fantasy, history, or even a blend of both, Whispers Through Time delivers the best of both worlds. The intricate details about the towns past, the magical artifacts, and the battle against time make it a story for fans of epic fantasy as well as those who appreciate historical layers woven into a modern narrative.

Uma Reunião de 16 contos inéditos de Odair J. Alves. Contos cujo os temas vão de simples situações do dia-a-dia à situações inusitadas e às vezes até mesmo surrealistas. Histórias que tem como princi

A DAZED BOOK OF THE YEARA landmark social history of British rap and grime - from the artists and communities who created and were shaped by the music, to the listeners who found a sense of identity and home within it. WITH A NEW FOREWORD BY GARY YOUNGERemarkable.GUARDIANSublime.NEW STATESMANEssential.THE WIREPioneering.MOJOEkpoudom has written the book Ive been waiting to read . . . Intimate and illuminating.CALEB AZUMAH NELSON, author of Open Water and Small WorldsBrims with life and reverberates, long after you have closed its pages, with a quiet, lasting power.JIMI FAMUWERA, EVENING STANDARD*** Something is happening in Britain, trembling the tracks as it unfolds. Recent years have borne witness to underground genres leaking out from the inner cities, going on to become some of the most popular music in the nation.In this groundbreaking social history, journalist Aniefiok Ekpoudom travels the country to paint a compelling portrait of the dawn, boom and subsequent blossoming of UK rap and grime. Taking us from the heart of south London to the West Midlands and South Wales, he explores how a history of migration and an enduring spirit of resistance have shaped the current realities of these linked communities and the music they produce. These sounds have become vessels for the marginalised, carrying Black and working-class stories into the light.Vividly depicted and compassionately told, Where We Come From weaves together intimate stories of resilience, courage and loss, as well as a shared music culture that gave refuge and purpose to those in search of belonging. Ekpoudom offers a rich chronicle of rap, identity, place and, above all, the social and human condition in modern Britain.

When We Dead Awaken, first published in 1899 as "Naar vi dde vaagner", is the final theatrical drama written by Norwegian playwright Henrik Ibsen. Set at a Norwegian spa during the wintertime, the story is told in three acts, and charts the existential ruminations of professor and famed sculptor Arnold Rubek as he reunites with his former muse, Irene von Satow. Desperate to recapture the glory of his past inspirations, Rubek must also reconcile his relationship with his estranged wife, Maia. Often called one of Ibsens most confessional works, the play touches on themes of despair, mortality, legacy, nostalgia, artistic expression, petrification, rekindled romances, and ultimately, the acceptance of death. Some scholars believe the play is a biographical blend of Ibsens own life with that of his contemporary, Auguste Rodin.

"When The Saints Go Marching In" traditional, arranged for Saxophone Quartet SATB/AATB (intermediate level - written solos) by Francesco Leone. Set of parts (5): Bb Soprano, Eb Alto, Bb Tenor and Eb Baritone Saxophones (included Alto instead Soprano). Score available in series. Audio demo available on www.glissato.it.

"When The Saints Go Marching In" traditional, arranged for Saxophone Quartet SATB (intermediate level - written solos) by Francesco Leone. Score: Bb Soprano, Eb Alto, Bb Tenor and Eb Baritone Saxophones. Parts available in series.Audio demo available on www.glissato.it.

In "When the Movies Were Young," Linda Arvidson masterfully chronicles the nascent days of American cinema, intertwining a rich tapestry of historical context with a vivid narrative style that emulates the playful simplicity of early silent films. Her analysis deftly navigates the evolution of film techniques and storytelling, illuminating how these fledgling productions laid the foundation for future cinematic innovations. Arvidsons meticulous attention to detail, paired with evocative descriptions of the cultural backdrop of the era, invites readers to experience the excitement and challenges of a medium in its infancy. Linda Arvidson, a pioneering figure in film history, draws upon her extensive background in cinema studies and personal connections to the early film industry to offer this insightful glimpse into a bygone era. Her lifelong passion for storytelling and an academic career steeped in uncovering the intricacies of film development inform her narratives, allowing readers a unique perspective on how these historical narratives continue to resonate in contemporary cinema. This book is a must-read for film aficionados and scholars alike, as it not only celebrates the origins of an art form but also provokes thought about its implications for storytelling in modern media. Arvidsons engaging prose and extensive research make "When the Movies Were Young" an invaluable resource for anyone seeking to understand the significance of early cinema in shaping the visual culture of today.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

Just off Union Square, New York City, there is a stately old brownstone house on which future generations some day may place a tablet to commemorate the place where David W. Griffith and Mary Pickford were first associated with moving pictures. Here has dwelt romance of many colors. A bird of brilliant plumage, so the story goes, first lived in this broad-spreading five-story old brownstone that still stands on Fourteenth Street between Fifth Avenue and Broadway, vibrant with life and the ambitions and endeavors of its present occupants.

You can buy in the best behaviour tracking software, introduce 24/7 detentions or scream NO EXCUSES as often as you want but ultimately the solution lies with the behaviour of the adults. It is the only behaviour over which we have absolute control.Drawing on anecdotal case studies, scripted interventions and approaches which have been tried and tested in a range of contexts, from the most challenging urban comprehensives to the most privileged international schools, behaviour training expert and Pivotal Education director Paul Dix advocates an inclusive approach that is practical, transformative and rippling with respect for staff and learners. An approach in which behavioural expectations and boundaries are exemplified by people, not by a thousand rules that nobody can recall.When the Adults Change, Everything Changes illustrates how, with their traditional sanction- and exclusion-led methods, the punishment brigade are losing the argument. It outlines how each school can build authentic practice on a stable platform, resulting in shifts in daily rules and routines, in how we deal with the angriest learners, in restorative practice and in how we appreciate positive behaviour.Each chapter is themed and concludes with three helpful checklists Testing, Watch out for and Nuggets designed to help you form your own behaviour blueprint. Throughout the book both class teachers and school leaders will find indispensable advice about how to involve all staff in developing a whole school ethos built on kindness, empathy and understanding.Suitable for all head teachers, school leaders, teachers, NQTs and classroom assistants in any phase or context, including SEND and alternative provision settings who are looking to upgrade their own classroom management or school behaviour plan.When the Adults Change Everything Changes was a silver winner 2017 Foreword INDIES Awardsin the Education category.Named one of Book Authoritys best education reform books of all time.Named one of Book Authoritys best education books of all time.

A Liverpool boy from the same cohort as John Lennon, Paul McCartney and George Harrison, Peter Sissons was destined for great things. Then he was caught on the wrong side of rebel lines during the Nigerian Civil War and shot through both legs his blossoming career as a war reporter came abruptly to an end. But another door was about to open, and Sissons went on to guide a generation through every momentous event of the last forty-five years. Surprisingly funny, dramatic and often poignant, When One Door Closes is the bestselling story of Britains most distinguished newsreader and reveals what he really thinks about the state of the British media, global affairs, Climategate and the workings of the BBC.

This is a love story between a Palestinian young man named Ahmed and an Israeli young woman named Rabin. They fall deeply in love with each other. Their love remains strong and on track to be consummated with marriage, when Ahmed discovers Rabins past romantic affair that is about to change everything.

Enthralling . . . an essential read, particularly for fans of 007. - Cinema RetroWhen Harry Met Cubby is a fitting tribute to two extraordinary men. If you love behind the scenes stories about the making of movies, theres plenty of drama to sate you here. - Entertainment FocusAlbert R. Cubby Broccoli and Harry Saltzman remain the most successful producing partnership in movie history. Together they were responsible for the phenomenally successful James Bond series; separately they brought kitchen-sink drama to the screen, made a star out of Michael Caine in the Harry Palmer films and were responsible for the childrens classic Chitty Chitty Bang Bang. But their relationship was fraught almost from the very beginning. With such contrasting personalities, their interactions often span out of control. They managed to drive away their coveted star, Sean Connery, and ultimately each other.Loved and hated in equal measure, respected and feared by their contemporaries, few people have loomed as large over the film industry as Broccoli and Saltzman, yet their lives went in very different directions. Broccoli was feted as Hollywood royalty, whereas Saltzman ended up a forgotten recluse. When Harry Met Cubby charts the changing fortunes and clashing personalities of two titans of the big screen.

This book takes a profound look at exhibition design, or scenography, as an artistic medium. Mathilde Romans introductory essay highlights the pioneering historical contributions by designers and architects like Lily Reich, Franco Albini, Lina Bo Bardi, Carlo Scarpa, and others who revolutionized their discipline. It examines how during the 20th and early 21st century experimentation with the display, the frame, the pedestal, the picture rails has become an artistic act in its own right. In-depth interviews with thirteen renowned international artists and designersamong them Philippe Parreno, Rosa Barba, Berger&Berger, or Monster Chetwyndfurther highlight the relevance of scenography in contemporary culture. They show how artists integration of technical and perceptual aspects of exhibiting has fundamentally changed our understanding of art, thereby encouraging us to take a fresh look at art history.Mathilde Roman is an art historian (PhD Paris 1 Sorbonne) and art critic living in Nice. Since 2006, she has worked as a Professor of Art History at Pavillon Bosio, Monaco. She contributes regularly to catalogues and magazines and is an active member of AICA France. She is the author of several essays, including "Habiter lexposition. Lartiste et la scenographie,""Swimming with Laure Prouvost," and "On Stage: The Theatrical Dimension of Video Image." In addition, she has organized several symposiums and curated shows, among them "Faire, nager et senvoler" (Nice), "Performance TV" ( Nogent-sur-Marne).