Ebooks de arte, página 25 de 1245

Este livro se caracteriza como resultado de uma pesquisa etnomusicológica e histórica do músico recifense Walter Wanderley (1932-1986), conhecido como representante da Bossa Nova. Organista, pianista, arranjador e compositor bissexto, Walter Wanderley lançou dezenas de discos por gravadoras como Odeon, Philips, a norte-americana Verve e muitas outras, tanto como instrumentista e arranjador para cantores e cantoras, quanto como em discos de trabalho solo instrumental. Mesmo com uma produço discografica to robusta, Walter Wanderley parece ter sido esquecido pela maioria dos registros da Historia da Musica Popular Brasileira. Este livro tenta ajudar a compreender de que forma esse sucesso aconteceu predominantemente apenas fora de seu pais de origem e as razes pelas quais seu nome foi praticamente omitido pela historiografia e por importantes referencias da Bossa Nova. Como aconteceu sua atuaço em outros generos como Samba, Bolero, Sambalanço e Sambajazz, que se mostram muito mais presentes em sua obra do que a propria Bossa Nova, genero pelo qual o artista passou a ser rotulado como representante, principalmente apos sua morte. O livro traz uma contribuiço na construço do conhecimento para a Etnomusicologia, Musicologia e outras areas de estudo da Musica Popular Brasileira nas suas relaçes com a industria cultural e com os aspectos entre Memoria e Esquecimento

In "Walter Sickert: A Conversation," Virginia Woolf delves into the life and artistic philosophy of the controversial British painter Walter Sickert. Through a series of imagined dialogues, Woolf presents Sickerts insights on art, society, and the human experience, weaving a narrative that reflects her signature stream-of-consciousness style. The prose is evocative and expressive, capturing not only the essence of Sickerts subjectivity but also Woolfs modernist concerns regarding the interplay of art and reality. Her exploration of Sickerts complex character offers a unique depth, situating the work in the broader context of 20th-century artistic and feminist discourse, as Woolf both critiques and highlights the struggles of modern artists in a rapidly changing cultural landscape. Virginia Woolf, an iconic figure in modernist literature and a pioneering feminist thinker, often grappled with themes of identity, perception, and the role of women in society, which undoubtedly influenced her portrayal of Sickert. Her relationships with contemporary artists and her own innovative narrative techniques reflect a deep engagement with the artistic struggles of her time. Woolfs personal experiences and her immersion in artistic circles further enrich her commentary on Sickerts work, imbuing it with an urgency that transcends mere biographical exploration. I highly recommend "Walter Sickert: A Conversation" to readers interested in modernist literature, as it provides valuable insights into the intersection of art and feminist thought. Woolfs exploration of Sickert not only enhances our understanding of his complexities but also encourages reflection on the nature of creativity itself. This text serves as a profound example of how dialogue can illuminate the relationship between an artists life and the broader cultural currents of their era.

In "Walter Sickert: A Conversation," Virginia Woolf intricately weaves a dialogue that transcends the traditional biographical narrative, offering profound insights into the life and work of the enigmatic British painter, Walter Sickert. Written in Woolfs signature stream-of-consciousness style, the book reflects her mastery of blending personal reflection with critical analysis, situating Sickert within the vibrant tapestry of the early 20th-century artistic milieu. Woolf deftly explores themes of identity, creativity, and the interplay between art and life, making this work a compelling addition to modernist literature and art criticism. Virginia Woolf, a central figure of the modernist movement, was deeply engaged with the complexities of human experience and expression. Her own experiences with art, combined with her friendships with contemporary artists, inform her perspective in this work. Woolfs keen intellect and revolutionary thoughts on the nature of perception and reality provide a rich backdrop for her examination of SickertAos artistic contributions and innovations, as she navigates the intersections of gender, sexuality, and societal constraints. This book is a must-read for anyone interested in the intersection of art and literature, as well as those seeking a deeper understanding of Woolfs unique approach to biographical storytelling. WoolfAos conversation with Sickert presents a thought-provoking exploration of the creative spirit, inviting readers to engage in a dialogue with the past and consider the broader implications of artistic legacy.

This carefully crafted ebook: "Walter Sickert: A Conversation" is formatted for your eReader with a functional and detailed table of contents. Walter Sickert was a british painter, printmaker, teacher and writer of German birth. Sickert was one of the most influential British artists of this century. He is often called a painters painter, appealing primarily to artists working in the figurative tradition; there are few British figurative painters of the 20th century whose development can be adequately discussed without reference to Sickerts subject-matter or innovative techniques. He had a direct influence on the Camden Town Group and the Euston Road School, while his effect on Frank Auerbach, Howard Hodgkin and Francis Bacon was less tangible. Sickerts active career as an artist lasted for nearly 60 years. His output was vast. He may be judged equally as the last of the Victorian painters and as a major precursor of significant international developments in later 20th-century art, especially in his photo-based paintings.

Timeless sculptures between presence and absence an insight into the unique artistic world of Walter MoroderWalter Moroder is one of the most distinctive sculptors of our time. His life-size figures, which refuse any imitation of human existence, embody a state of waiting, silence, and stillness creating a powerful interplay of presence and absence. This monograph presents, for the first time, a comprehensive overview of more than three decades of his artistic career. Structured into 16 chapters and enriched with large-format images, it allows readers to experience the depth and uniqueness of Moroders work. Book Highlights: Comprehensive monograph covering 30 years of artistic creation Life-size sculptures of existential intensity 16 chapters offering a clear overview and art-historical context Large-format illustrations and sophisticated book design A must-have volume for collectors, art lovers, and anyone fascinated by the power of contemporary sculpture.Markus Klammer is an editor, art critic, and curator of numerous exhibitions of modern and contemporary art, with publications and texts on Heinz Gappmayr, Remy Zaugg, Gerhard Merz, Michele Bernardi, Hugo Vallazza (selection). Hatje Cantz published his monograph on Gianpietro Carlesso in 2014. Markus Klammer lives and works in Bolzano (Italy).Walter Moroder (born 1963) comes from a renowned family of sculptors in Val Gardena (Italy). During his training, he went through all the stages of the regions craft and artistic tradition, only to leave them behind after studying at the Academy of Fine Arts in Munich (graduating in 1988) and making a decisive decision about his future direction. His sculptural exploration of the forms of the human body confirms his affinity for classical sculpture, but in conjunction with a decidedly postmodern visual thinking that goes beyond figurative, abstract, or neo-expressive conventions.

Este libro reúne los principales escritos en los que Walter Gropius expresó sus ideas y motivaciones antes de su emigración a Inglaterra en 1934. Su lectura ofrece hoy visiones diferenciadas de su obra, pero tambien de la arquitectura moderna en general.Por sorprendente que pueda parecer, Gropius es en la actualidad, y en el ambito cultural de habla hispana, una figura tan paradigmatica como poco conocida, al menos en lo tocante a sus presupuestos teoricos e ideologicos. Hasta la fecha, muy pocos de sus textos se habian traducido al español casi siempre los mismos y casi siempre en versiones parciales, lo cual genero ideas equivocadas con respecto a su ideario y a su bagaje intelectual.Esta lectura parcial provoco obstinados malentendidos, cuando no interpretaciones interesadamente equivocas, y en todo ello se basaron tanto la admiracion incondicional como el rechazo ciego.Valgan como ejemplo las variadas reacciones que suscito su presunta radicalidad racionalista, una condicion univoca que el mismo siempre desmintio desde sus convicciones vitalistas. Lo mismo vale para su internacionalismo programatico, pues, lejos de propugnar un universalismo transnacional, en sus escritos Gropius incluyo siempre la cualidad nacional de la nueva arquitectura. Asimismo, la funcionalidad postulada por Gropius no respondia a un enfoque utilitarista, sino que implicaba una dimension trascendente que la emparentaba con la nocion de tradicion.Uno de los objetivos de este libro es justamente precisar tanto estos tres conceptos (racionalidad, intencionalidad y funcionalidad) como algunas otras ideas centrales de lo que se ha dado en llamar la modernidad.El prologo es obra de Simon Marchan Fiz, catedratico emerito de Estetica y Teoria de las Artes, y pionero en la traduccion y divulgacion de las ideas modernas, entre ellas las de Gropius, en el mundo de habla hispana.

"El centenario de la Bauhaus vuelve a poner en el foco de nuestro interés la figura de su fundador, el arquitecto Walter Gropius (1883-1969), que en sus escritos y conferencias supo plantear muchos de los temas que, pese al profundo cambio de las condiciones y de nuestros juicios, nos siguen ocupando.La presente antologia quiere dar a conocer este ideario, mostrando su diversidad y complejidad, contribuyendo asi a una reconsideracion critica de la modernidad arquitectonica como la busqueda de un arte omnimodo de alcance total que derribara los muros y las convenciones sociales que separaban al arte de la vida."

"El centenario de la Bauhaus vuelve a poner en el foco de nuestro interés la figura de su fundador, el arquitecto Walter Gropius (1883-1969), que en sus escritos y conferencias supo plantear muchos de los temas que, pese al profundo cambio de las condiciones y de nuestros juicios, nos siguen ocupando.La presente antologia quiere dar a conocer este ideario, mostrando su diversidad y complejidad, contribuyendo asi a una reconsideracion critica de la modernidad arquitectonica como la busqueda de un arte omnimodo de alcance total que derribara los muros y las convenciones sociales que separaban al arte de la vida."

*A Times and New Statesman Book of the Year**BBC Radio 4 Book of the Week*Illustrated with over 130 colour photographs and drawings A masterpiece. Edmund de WaalCommanding, intelligent, gripping.The Times*** From 1910 to 1930 Gropius was at the very centre of European modern art and design, as the founder of the German art school, the Bauhaus. Yet Gropiuss beliefs and affiliations left him little choice but to leave Germany when Hitler came to power. In this riveting book, Fiona MacCarthy draws on new research to re-evaluate Gropiuss work and life. From his shattering experiences in the First World War to his turbulent marriage to the notorious Alma Mahler and the tragic early death of their daughter, MacCarthy leads us through his disorientating years in London, to his final peaceful and productive life in America. This is biography at its finest and most vivid.

Walter Cranes Painting Book serves as a fascinating exploration of artistic expression, merging instructional elements with whimsical illustrations that epitomize the spirit of the late 19th century art movement. This volume transcends mere technique, inviting readers into a world where art and imagination converge. Cranes employment of vibrant colors and intricate patterns reflects his deep understanding of the aesthetics of childrens literature and decorative arts, situating his work within the broader context of the Arts and Crafts movement, which sought to fuse decorative arts with fine art. Walter Crane (18451915) was a seminal figure in the British art world, known for his contributions to childrens books, illustrations, and tapestry designs. His artistic journey was influenced by the evolving cultural landscape of Victorian England, particularly the desire for moral and educational content in childrens media. Cranes commitment to promoting creativity and literacy through art is evident in his own formative experiences and training, embodying a philosophy that art should be accessible to all. This book is highly recommended for educators, art enthusiasts, and anyone interested in the intersection of art and pedagogy. With its rich visual palette and thoughtful insights, Walter Cranes Painting Book not only teaches the fundamentals of painting but also inspires a deeper appreciation for creativity, making it a valuable resource for both novice artists and seasoned practitioners alike.

Walter Cranes Painting Book serves as both a practical guide and artistic manifesto, reflecting the late 19th-century ideals of the Arts and Crafts movement. This richly illustrated volume encapsulates Cranes vision of childrens education through art, effectively merging instructional content with whimsical illustrations. The text encourages hands-on creativity, promoting a holistic development where visual arts play a vital role in cultivating the imagination of the young. The aesthetic appeal of the book is underscored by Cranes unique blend of vibrant colors and intricate designs, which immerse readers in an enchanting world where learning and artistry coexist. Walter Crane (1845-1915) was a pioneering figure in the evolution of childrens literature and illustration. A firm advocate for the importance of visual literacy, Cranes background in book design and mural painting deeply influenced his approach to art education. His personal experiences and training led him to create a work that emphasized the importance of creativity and self-expression in the formative years, solidifying his status as a key player in the development of modern artistic pedagogy. This timeless volume is highly recommended for educators, parents, and aspiring artists alike. Cranes Painting Book is not only a treasure trove of educational techniques but also a source of inspiration that encourages readers to engage with the world creatively. Those who seek to foster artistic expression in themselves or in others will find Cranes insights invaluable in an age where imagination is more essential than ever.

El andar es un acto cognitivo y creativo capaz de transformar simbólica y físicamente tanto el espacio natural como el antrópico. Este libro narra una historia de la percepción del paisaje a través del acto de caminar: del nomadismo primitivo a las vanguardias artisticas de principios siglo XX, de la Internacional Letrista a la Internacional Situacionista, del minimalismo al land art, Francesco Careri repasa algunas de las propuestas historicas que han concebido el acto de deambular no solo como una herramienta de configuracion del paisaje, sino como una forma de arte autonoma, un instrumento estetico de conocimiento y modificacion fisica del espacio atravesado que pasa a convertirse en intervencion urbana. Esta nueva edicion actualizada del clasico de Careri incorpora un epilogo del propio autor donde hace un balance de la trayectoria del libro desde que fuera publicado por primera vez en 2002.

Inspired by the tours featured in travel guides or educational offerings at public museums, Walking, Finding, Sharing offers children and families, but also comic fans and experienced exhibition visitors, alternative perspectives on documenta fifteen. Here eight international illustrators and authors have reinvented ruangrupas universe for documenta fifteen and stimulate the imagination of readers and visitors alike with their visual worlds. Five tours invite you to experience the lumbung values of Humor, Local Anchor, Independence, Generosity, and Transparency, offering complementary ideas and aspects to the exhibition. With entertaining stories, Walking, Finding, Sharing encourages you to find your own approach to these values, so each path is to be understood as a suggestion and can be explored spontaneously, completely or only in part. This original book will also appeal to and inspire younger visitors.

Inspired by the tours featured in travel guides or educational offerings at public museums, Walking, Finding, Sharing offers children and families, but also comic fans and experienced exhibition visitors, alternative perspectives on documenta fifteen. Here eight international illustrators and authors have reinvented ruangrupas universe for documenta fifteen and stimulate the imagination of readers and visitors alike with their visual worlds. Five tours invite you to experience the lumbung values of Humor, Local Anchor, Independence, Generosity, and Transparency, offering complementary ideas and aspects to the exhibition. With entertaining stories, Walking, Finding, Sharing encourages you to find your own approach to these values, so each path is to be understood as a suggestion and can be explored spontaneously, completely or only in part. This original book will also appeal to and inspire younger visitors.

Charlotte Metcalf has made documentary films all over Africa, and her directors eye for unforgettable people, location and attention to detail now transfers vividly to the printed page. We feel the heat, smell the smells, and sweat with Charlotte as she battles against bureaucratic inertia and incompetence, hostility and political pressure to record the often unwelcome truth. Charlottes journal, like her award-winning films, is a close-up of Africas deep-rooted problems from survival issues like AIDS, famine and cholera, to the unspeakable and ritual maltreatment of women. She presents a moving picture of African heroism in the face of the kind of suffering we would all prefer to walk away from but know we no longer can. This is a book for anyone who cares about the human condition.

Un apasionante ensayo sobre la influencia de Wagner, en ocasiones luminosa, otras veces nefasta, en la literatura, las artes, el cine, la vida intelectual y la política.Para bien o para mal, Wagner es la figura mas influyente en la historia de la musica. Creaciones tan colosales como El anillo del Nibelungo, Tristan e Isolda y Parsifal sirvieron en el arte como modelos de obras osadas en la forma, como ejemplos en la creacion de mitos, la libertad erotica y especulacion mistica. En Wagnerismo, Alex Ross restaura la magnifica confusion de lo que significa ser wagneriano: un pandemonio de genios, locos y profetas que luchan por el legado multifacetico del compositor, y convierte la experiencia de lectura en un constante descubrimiento a traves de esas figuras, de Nietzsche, Van Gogh, Dali y Buñuel a Baudelaire, Virginia Woolf o Proust.En muchos sentidos, Wagnerismo cuenta una historia tragica. Un artista que podria haber rivalizado con Shakespeare en alcance universal se ve arruinado por una ideologia de odio. Aun asi, su sombra perdura sobre la cultura del siglo XXI y sus motivos miticos recorren peliculas de superheroes y fantasia. Ni una apologia ni una condena, Wagnerismo es una obra de apasionante descubrimiento, que nos ofrece una idea mas honesta de como actua el arte en el mundo.

Nicolas Slonimsky nos presenta aquí un delicioso recopilatorio de descarnadas, venenosas e ingeniosas críticas musicales al compositor Richard Wagner.«Esta música solo puede despertar los instintos m

Esta edición digital en formato ePub se ha realizado a partir de una edición impresa digitalizada que forma parte de los fondos de la Biblioteca Nacional de España.El proyecto de creación de ePubs a partir de obras digitalizadas de la BNE pretende enriquecer la oferta de servicios de la Biblioteca Digital Hispanica y se enmarca en el proyecto BNElab, que nace con el objetivo de impulsar el uso de los recursos digitales de la Biblioteca Nacional de España.En el proceso de digitalizacion de documentos, los impresos son en primer lugar digitalizados en forma de imagen. Posteriormente, el texto es extraido de manera automatizada gracias a la tecnologia de reconocimiento optico de caracteres (OCR).El texto asi obtenido ha sido aqui revisado, corregido y convertido a ePub (libro electronico o publicacion electronica), formato abierto y estandar de libros digitales. Se intenta respetar en la mayor medida posible el texto original (por ejemplo en cuanto a ortografia), pero pueden realizarse modificaciones con vistas a una mejor legibilidad y adaptacion al nuevo formato.Si encuentra errores o anomalias, estaremos muy agradecidos si nos lo hacen saber a traves del correo bnelab@bne.es.Las obras aqui convertidas a ePub se encuentran en dominio publico, y la utilizacion de estos textos es libre y gratuita.

With the Tristan chord at the start of Wagners opera Tristan und Isolde, the composer launched modern music. The political refugee, a former revolutionary, was living in Zurich when the lovely Mathilde Wesendonck, the wife of a rich businessman, inspired him to break off from working on Siegfried, part of his Ring cycle, and refocus his efforts on Tristan. Expelled from there, Wagner continued to work on the opera in the Palazzo Giustiniani in Venice, and finished it in Lucerne in 1859. The premiere, in Munich, was delayed until 1865, after the Mad King Ludwig of Bavaria came to Wagners financial rescue. Wagner blended Gottfried von Strasburgs medieval epic with Schopenhauers philosophy and his own idiosyncratic views on the psychology and metaphysics of love. (As well, Wagner reflected his views on Greek drama and the integrated Gesamtkunstwerk, or art-work.) The result is a torrent of sound which depicts almost indecent passion. The Liebestod, in which the sexual love of Tristan and Isolde is consummated through death, and which is often presented in concert performance, is some of the most glorious music ever written. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, Short Guides to Great Operas are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other Short Guides to Great Operas that you may enjoy include The Magic Flute, Eugene Onegin and Peter Grimes.

In Wagners Theatre, Patrick Carnegy presents the turbulent story of Wagner and his interpreters over the course of the twentieth century. Carnegy gives vivid accounts of Gustav Mahlers radical reinvention of the Wagnerian stage, and of the post-war rehabilitation of Wagner and his work after Hitlers appropriation. He also offers sharply written reappraisals of those great Wagnerian conductors Klemperer, Toscanini, Karajan and Solti. Carnegy provides revealing accounts of the inside-workings of the Royal Opera House and of English National Opera at troubled points in their recent history. In a fascinating conversation with Sir Michael Tippett, the composer talks with unique authority about the problems facing would-be musical dramatists today. Wagners Theatre is an essential insight into how interpretations of Wagner have developed, and how we can respond to them.