Ebooks de arte, página 97 de 1252

A collection of stories from John Buchan, author of The Thirty-nine Steps. The pagan themes and classic adventures are set in Scottish countryside. John Buchan continues to stake his claim to being o

"It is difficult to compare the Aristophanic Comedy to any one form of modern literature, dramatic or other. It perhaps most resembles what we now call burlesque; but it had also very much in it of broad farce and comic opera, and something also (in the hits at the fashions and follies of the day with which it abounded) of the modern pantomime. But it was something more, and more important to the Athenian public than any or all of these could have been. Almost always more or less political, and sometimes intensely personal, and always with some purpose more or less important underlying its wildest vagaries and coarsest buffooneries, it supplied the place of the political journal, the literary review, the popular caricature and the party pamphlet, of our own times. It combined the attractions and influence of all these; for its grotesque masks and elaborate spectacle addressed the eye as strongly as the authors keenest witticisms did the ear of his audience."

What was it like to live in Britain during the Second World War? What kind of house did the average family live in? How did people cope with the ever-present threat of air-raids, not to mention the hardship of food and clothes rationing? How was a typical suburban home built? What were the choices open to householders when it came to interior decoration and furnishing? How did the war affect the domestic routines of an average household?The demands of a nation at war had many other far-reaching effects on the average home. How did women cope with bringing up a family single-handedly after their husbands were conscripted for military service? How did they use the rations and keep up their families spirits? What was it like to Make do and Mend or Dig for Victory, or to sleep in an Anderson shelter? By looking at the lives of ordinary people who inhabited the semi-detached world of suburbia, Mike Brown and Carol Harris have painted a vivid picture of daily life on the Home Front in wartime Britain.

The last day of June, 1559, was a gala day in Paris. The marriages of Philip II of Spain with Elizabeth of France, daughter of King Henry II and Catherine de Medici, and that of the French Kings sister, Marguerite with Emanuel Philibert, duke of Savoy, were to be celebrated. But "the torches of joy became funeral tapers" before nightfall, for Henry II was mortally wounded in the tournament given in honor of the occasion...

THE present volume, as its title imports, relates a complicated series of conflicts of which the origin or the pretext has for the most part to be sought in the great religious schism of Christianity. But the cause of the restoration of Catholic unity in the West was, in the minds of both the supporters and the opponents of that cause, inextricably interwoven with the purposes of dynastic ambition, and powerfully affected by influences traceable to the rapid advance of the monarchical principle and to the gradual growth of the conception of the modern national State. Although in graver peril than ever before from the persistent advance of the Ottoman Power, Europe no longer finds a real unifying force in either Papacy or Empire. The spiritual ardor of the Catholic Reaction, which might have served to strengthen the resistance to the general enemy of Christendom, is expended largely on internecine conflicts. It allies itself with the settled resolution of Philip of Spain to control the destinies of Western Europe; and thus there is not a phase of the religious and political struggle here described which remains unconnected with the rest. The Religious Wars of France, with an account of which this volume opens, furnish the most complete instance of the constant intersection of native and foreign influences; but it is illustrated by almost every portion of the narrative. Since, therefore, the story of no European country or group of countries in this troubled period admits of being told as detached from the contemporary history of its neighbors, allies, or adversaries, the same series of events must necessarily appear more than once in these pages as forming an organic part of the history of several countries, but treated in each case from a distinct point of view...

"The Warriors Barrow" (or, "The Burial Mound") was Henrik Ibsens second play and his first play to be performed. Written in 1850 when Ibsen was 22 years old, the play was first performed at the Christiania Theater on 26 September 1850, under Ibsens pseudonym Brynjolf Bjarme."The Warriors Barrow" is a one-act dramatic poem that portrays an incident from the heroic age of Norse conquest.Landing on an island off the coast of Sicily, Gandalf, a young pagan chieftain who personifies the rough Viking tradition, confronts the tempering Mediterranean influence of Christianity in young, innocent Blanka. Sworn to avenge his fathers death, Gandalf learns Blanka has in fact saved his life, and he subsequently returns to Norway with her so that her faith may be "transplanted in the north."Henrik Johan Ibsen was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the father of realism" and is one of the founders of Modernism in theatre.

No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than mans and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water.

The War of the Jews by Flavius JosephusA detailed historical account of the Jewish-Roman War (66-73 CE), Josephus provides firsthand insight into the conflict, the destruction of Jerusalem, and the fall of Masada. The work explores themes of leadership, betrayal, and the devastating consequences of rebellion against Roman rule.

OUR AIRSHIP ESCAPADES into "a Dystopian Retro-Future which never was" continue in the epic Zeppelin war novel by H. G. Wells, THE WAR IN THE AIR. Young Bert Smallways, a brilliant mechanist and accidental aeronaut, finds himself as a reluctant stowaway upon the very same airship which begins the Great War. This is "dieselpunk" at its finest, featuring petrol-powered war machines, ironclads, bombardments, espionage, intrigue and daring adventures in the wild skies of the earliest 1900s. Smallways is swept away aboard the Vaterland, the flagship piloted by a belligerent German Prince, whose mastery of technology shall herald in a new age of war. How long can Smallways keep his identity a secret from the Prince? Will Bert survive THE WAR IN THE AIR?

Guerra de los ángeles en el cielo

Vencedores da categoria Revelação do Peoples Choice Awards 2013, a banda The Wanted estourou mundialmente com as músicas "Glad You Came" e "Chasing The Sun". O grupo, formado em 2009 por Nathan Sykes

There was no life on the asteroid, but the miles of rock-hewn corridors through which the earth party wandered left no doubt about the purpose of the asteroid. It was a mighty fortress, stocked with weapons of destruction beyond mans power to understand. And yet there was no life here, nor had there been for untold centuries. What race had built this stronghold? What unimaginable power were they defending against? Why was it abandoned? There was no answer, all was dead. But-not quite all. For in a room above the tomb-like fortress a powerful transmitter beamed its birdlike, fluting sounds toward earth. Near it, on a huge star-map of the universe, with light-years measured by inches, ten tiny red sparks were moving, crawling inexorably toward the center. Moving, at many times the speed of light, with the acquired mass of suns ... moving, on a course that would pass through the solar system. The unknown aliens would not even see our sun explode from the force of their passing, would not even notice the tiny speck called Earth as it died....

There was no life on the asteroid, but the miles of rock-hewn corridors through which the earth party wandered left no doubt about the purpose of the asteroid. It was a mighty fortress, stocked with weapons of destruction beyond mans power to understand. And yet there was no life here, nor had there been for untold centuries. What race had built this stronghold? What unimaginable power were they defending against? Why was it abandoned? There was no answer, all was dead. But-not quite all. For in a room above the tomb-like fortress a powerful transmitter beamed its birdlike, fluting sounds toward earth. Near it, on a huge star-map of the universe, with light-years measured by inches, ten tiny red sparks were moving, crawling inexorably toward the center. Moving, at many times the speed of light, with the acquired mass of suns ... moving, on a course that would pass through the solar system. The unknown aliens would not even see our sun explode from the force of their passing, would not even notice the tiny speck called Earth as it died....

In "The Wagner Story Book," William Henry Frost deftly reinterprets the intricate tales of Richard Wagners operatic masterpieces, weaving together narrative and musicology in a rich tapestry that illuminates the cultural and historical landscape of 19th-century Europe. Frosts prose is both lyrical and analytical, offering readers a nuanced exploration of the themes, characters, and musical motifs that define Wagners oeuvre. Written at a time when Wagner was both revered and criticized, this work situates the operas within broader socio-political contexts, making it a significant contribution to operatic scholarship. William Henry Frost, an esteemed musicologist and a passionate advocate for Wagners works, drew upon his extensive studies of German opera and literature when crafting this volume. His profound appreciation for Wagners artistic vision, coupled with his ability to synthesize complex musical ideas into accessible narratives, reveals a deep understanding of the emotional and philosophical undertones present in Wagners compositions. Frosts academic background likely inspired him to bridge the gap between scholarly analysis and the pleasures of storytelling. For anyone captivated by the allure of opera or seeking to deepen their understanding of Wagners complex narratives, "The Wagner Story Book" is an essential read. It not only serves as an engaging introduction to Wagners operas but also enriches the readers appreciation of the underlying themes and artistic endeavors that continue to resonate in modern interpretations.In this enriched edition, we have carefully created added value for your reading experience:- Lastly, our handpicked Memorable Quotes distill pivotal lines and turning points, serving as touchstones for the collections central themes.

In "The Wagner Story Book," William Henry Frost artfully adapts key narratives from Richard Wagners legendary operas into a format accessible to both children and adults. Written in a lyrical prose style that echoes the grandeur of Wagners own musical themes, this collection captures the essence of epic tales such as "The Ring of the Nibelung" and "Tristan und Isolde." FrostAos nuanced storytelling provides readers with a rich understanding of the operatic context, while the vivid imagery and character-driven plots invite readers into an enchanting world where love, betrayal, and heroism prevail amidst a backdrop of mythical landscapes. William Henry Frost was a prominent literary figure in the late 19th century, known for his passionate engagement with the arts and a deep-seated admiration for Wagnerian opera. His background in music, coupled with his expertise in literature, enabled him to translate complex operatic themes into a cohesive narrative suitable for a wider audience. This blend of cultural knowledge and artistic ambition motivated Frost to create a work that not only entertains but also educates readers about WagnerAos monumental contributions to the world of opera. "The Wagner Story Book" is highly recommended for both Wagner enthusiasts and casual readers alike. It transcends age barriers, making it an excellent addition to family libraries while also serving as a resource for educators. Frosts engaging prose captivates the imagination, ensuring that readers will gain insight into the profound emotional landscapes that define Wagners operatic masterpieces.

People who take to the Wagner Experience encounter something wonderful, like gazing into a silver mirror which dissolves into a miraculous, self-contained world, glinting with life-changing possibilities. There are others who sense its appeal but find it difficult, and the first aim of this study is to provide an Open Sesame for anyone wanting it. From the authors introduction In this bicentenary celebration of Wagner and his music, Paul Dawson-Bowling introduces, deepens and enriches the Wagner Experience for the newcomer and the seasoned Wagnerian alike. Expounding in colourful style the stories, the sources and the lessons of Wagners great dramas, he offers unusual insights into the man, his works and their meaning, while grappling with the musics almost occult power. Before taking us through the ten great dramas themselves, he discusses Wagners formative experiences, his aspirations and his mentality; also his first wife Minna and her immense but unrecognised impact. This sets up lenses through which the reader may more accurately view not only Wagner the man and his less appealing aspects, but, more importantly, his stage works, since, as Dawson-Bowling insists, the best encounter with Wagners dramas is the direct one. Uniquely drawing on a lifetimes experience in General Medical Practice, the author brings a wisdom, humanity and psychological understanding to his study of the life and work of Wagner, with especial reference to the thought of Carl Jung. Above all, this book draws out the vital lessons which Wagners extraordinary, didactic dramas can offer us. It reveals their lessons as life-enhancing: capable of transforming our society, our lives and ourselves. There is no other book about Wagner quite like it.

For over a century the Wagners have presided over the Bayreuth Festival, playing host to many of the greatest and ghastliest figures in the arts and politics amidst family in-fighting and political controversy. Drawing on extensive interviews with members of the family and on both archive and recent material, Jonathan Carr presents a balanced but gripping portrait of the Wagners and their circle; a story which presents a mirror of Germanys rise, fall and resurrection.

Discover a New Dimension of Faith and Cinema with The Wages of CinemaIn a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truths manifestation.The Wages of Cinema uses examples ranging from the timeless genius of Charlie Chaplin to the cultural phenomenon of Barbie, illustrating how film theory can be enriched by the truths of the Christian faith.The Wages of Cinema will help readers appreciate artistry through:Enlightening Models: Learn how Christians can discuss films intelligently, transcending simple content critique. Historical Insights: Delve into the history of cinema and the evolution of film theories. Sayerss Legacy: Uncover little-known evidence of Dorothy Sayerss engagement with cinema, shedding light on her passion for truth and artistic integrity. Dive into The Wages of Cinema and transform your movie-watching into a meaningful dialogue between faith and art. Whether youre a student of film or a passionate movie lover, The Wages of Cinema will broaden your horizon and deepen your appreciation of cinema.

The W Street Family Travels to Africa introduces us to the familys adventure on a new continent - Africa. Aunt Wanda prepares the kids for a great adventure: a real safari. And the most amazing thing: Wowlet, who could not fly with them, is trained by Aunt Wanda to fly safely to Africa, across the Atlantic, and meet them at their hotel. What the family didnt expect is that, besides the Safari adventure where they meet various animals from the Savannah, they would experience another super cool adventure: getting to know the story of a real hero, Nelson Mandela. And learn that the fight for freedom and justice should not be forgotten.

The Voyage Out is the first novel by Virginia Woolf.The novel had a long and difficult gestation and was not published until 1915. It was written during a period in which Woolf was especially psychologically vulnerable. She suffered from periods of depression and at one point attempted suicide. The resultant work contained the seeds of all that would blossom in her later work: the innovative narrative style, the focus on feminine consciousness, sexuality and death.Rachel Vinrace embarks for South America on her fathers ship and is launched on a course of self-discovery in a kind of modern mythical voyage. The novel introduces Clarissa Dalloway, the central character of Woolfs later novel, Mrs Dalloway. Two of the other characters were modelled after important figures in Woolfs life.