Preventa de eBooks de Arquitectura

El manifiesto de uno de los urbanistas más influyentes del mundo para humanizar y hacer más habitables las ciudades.El poder de la proximidad invita a repensar la vida urbana desde una mirada más humana y transformadora. Carlos Moreno propone una autentica revolucion urbanistica: habitar la ciudad -no solo alojarse en ella- redescubriendo el valor de la cercania. Defiende una ciudad compacta, accesible y vivible, donde la proximidad mejore la calidad de vida y fortaleczca los lazos sociales, culturales y ambientales.--------------La coleccion Endebate es el hogar de aquellos textos breves que presentan una opinion, defienden una actitud o cuentan una historia, pero son mas un aperitivo que un banquete, estimulan la conversacion mas que saciarla e inician un festin (que no clausuran). Como los mejores bocados, entran por los ojos y dejan un largo poso en el paladar.La critica ha dicho: En un mundo donde las ciudades crecen sin pausa y el tiempo de las personas se disuelve entre desplazamientos y distancias, Moreno propone una revolucion silenciosa pero profunda: reorganizar la vida urbana en torno a la proximidad, la equidad y el bienestar cotidiano. Union de Ciudades Capitales Iberoamericanas

Charles Rennie Mackintosh was an innovator.He is undoubtedly one of Scotlands most celebrated architects. His astounding buildings creatively reinterpreted the past and opened the way for the Modern Movement. Architecture was his first love, though he was also a highly accomplished artist and designer of interiors, furniture, metalwork, glass and textiles. In addition his graphic design work, using nature and organic plant forms, made him an early exponent of Symbolism and Art Nouveau. In the later years of his life he produced watercolour paintings of intense power and subtlety. His extraordinary work is still regarded today as innovative and modern, and continues to astonish and delight art lovers everywhere.

The most inspirational buildings in the world, as chosen by well-known contemporary architects.In this book, published in conjunction with the Twentieth Century Society, 50 contemporary architects choose the buildings from around the world that have inspired them and made an impact on their own work. Architectural journalist Pamela Buxton interviewed each of the architects to create these outstanding portraits of the buildings that have influenced modern architecture . The diverse selection is introduced by Twentieth Century Society director Catherine Croft, and illustrated throughout with photographs by Gareth Gardner and Edward Tyler. The book features a diverse range of inspirational buildings, from housing estates to castles, coal mines to cathedrals. W ork by the giants of twentieth-century architecture including Le Corbusier, Mies van der Rohe and Alvar Aalto are featured, as well as lesser-known gems. Examples include Richard Rogers (of RHSP) on Maison de Verre (Paris, France); Chris Williamson (of Weston Williamson) on the Eames House by Charles and Ray Eames (Los Angeles, USA); Takero Shimazaki (of T-SA, UK) on Hexenhaus by Alison and Peter Smithson (Bad Karlshafen, Germany); Ted Cullinan (of Cullinan Studio) on Chapel of Notre Dame Du Haut by Le Corbusier (Ronchamp, France); Michael Squire (of Squire & Partners, UK) on Grundtvigs Church by Peder Vilhelm Jensen-Klint (Copenhagen, Denmark); and Jonathan Woolf (of Jonathan Woolf Architects) on Haus Esters and Haus Lange by Mies van der Rohe (Krefeld, Germany).This beautifully produced book offers a great insight into the power of existing architecture and its immense influence on the world we build today.

Beyond ready-made solutions design as a practice of critical questioning How can design education foster hope in times of crisis? Authored by Anab Jain, Nikolas Heep, and Stefan Zinell from the Department of Design Investigations at the University of Applied Arts Vienna, this reader introduces a groundbreaking approach to design pedagogy. At its core are speculative practices, world-building, material engagement, and storytelling, equipping students and practitioners to address urgent questions of our time from the climate crisis to technological acceleration. Rather than offering solutions, the book cultivates the essential ability to design questions. With contributions from internationally renowned authors such as Paola Antonelli, Fiona Raby, Vanessa de Oliveira Andreotti, Zoy Anastassakis, Nana Biamah-Ofosu, Lilli Hollein, and Rory Hyde, the volume opens up new perspectives on the role of design in a world in transformation. Highlights of the book Innovative reader from the Department of Design Investigations, University of Applied Arts Vienna Focus on speculative design, world-building, and storytelling A new approach: designing questions instead of predefined answers Interdisciplinary reflections on climate, technology, and society International contributions from leading voices in design, art, and theory An essential publication for students, educators, and researchers in design, as well as for all who seek new methods to respond to global challenges with creativity and hope.Led by award-winning designer and professor Anab Jain, Design Investigations at the University of Applied Arts Vienna fosters speculative, ecological and critical design education, supported by colleagues Nikolas Heep and Stefan Zinells interdisciplinary expertise.

Beyond ready-made solutions design as a practice of critical questioning How can design education foster hope in times of crisis? Authored by Anab Jain, Nikolas Heep, and Stefan Zinell from the Department of Design Investigations at the University of Applied Arts Vienna, this reader introduces a groundbreaking approach to design pedagogy. At its core are speculative practices, world-building, material engagement, and storytelling, equipping students and practitioners to address urgent questions of our time from the climate crisis to technological acceleration. Rather than offering solutions, the book cultivates the essential ability to design questions. With contributions from internationally renowned authors such as Paola Antonelli, Fiona Raby, Vanessa de Oliveira Andreotti, Zoy Anastassakis, Nana Biamah-Ofosu, Lilli Hollein, and Rory Hyde, the volume opens up new perspectives on the role of design in a world in transformation. Highlights of the book Innovative reader from the Department of Design Investigations, University of Applied Arts Vienna Focus on speculative design, world-building, and storytelling A new approach: designing questions instead of predefined answers Interdisciplinary reflections on climate, technology, and society International contributions from leading voices in design, art, and theory An essential publication for students, educators, and researchers in design, as well as for all who seek new methods to respond to global challenges with creativity and hope.Led by award-winning designer and professor Anab Jain, Design Investigations at the University of Applied Arts Vienna fosters speculative, ecological and critical design education, supported by colleagues Nikolas Heep and Stefan Zinells interdisciplinary expertise.

Tracks: A Journey Through Metroland tells the story of Metroland and the development of suburbia that grew alongside the Metropolitan Railway. Originally the brainchild of eminent Victorians, the Metropolitan grew to become the queen of underground lines, eventually expanding to a point some fifty miles outside London. Author Kevin J. Last describes how the concept of Metroland was an aspiration for several levels of society, promising a better lifestyle well away from the deprivations of wartime. The idea that the working man could live comfortably outside the smoke in individually designed houses would mean that he could also thrive at work, largely due to the regular service offered by the new railway. This was quite exceptional in that, while nominally an underground line, most of the Mets route was above ground and, in length, went far beyond other similar lines, far out into the Buckinghamshire countryside. Not marked on any map, Metroland is as much a concept of the mind as a real place.

This monograph presents a decade of O&O Baukunsts architectural achievements, showcasing all buildings realized since 2012. The firm has significantly shaped Germanys landscape, completing major administrative buildings, delivering sustainable infrastructure projects, and making a notable impact in the cultural and residential sectors. These projects underscore the intricate nature of contemporary construction, highlighting the challenge of integrating sustainability, CO2 certification, technical demands, and design excellence. The book also traces the evolution of O&O Baukunst, founded by artist-architect brothers Manfred and Laurids Ortner, and now led by architects Roland Duda, Florian Matzker, and Markus Penell from their offices in Berlin and Vienna.O&O BAUKUNST, a German-Austrian architecture firm based in Berlin and Vienna, was founded in 1987 by Laurids and Manfred Ortner. They had already developed projects with the artist group Haus-Rucker-Co, that blurred the lines between art and architecture. Since 2011, O&O Baukunst has been managed by the architects Roland Duda, Florian Matzker and Markus Penell.Patricia Grzonka is an art and architecture historian and critic. She works as a writer and lecturer in Vienna and teaches at the Institute of Fine and Media Arts at the University of Applied Arts Vienna.

This monograph presents a decade of O&O Baukunsts architectural achievements, showcasing all buildings realized since 2012. The firm has significantly shaped Germanys landscape, completing major administrative buildings, delivering sustainable infrastructure projects, and making a notable impact in the cultural and residential sectors. These projects underscore the intricate nature of contemporary construction, highlighting the challenge of integrating sustainability, CO2 certification, technical demands, and design excellence. The book also traces the evolution of O&O Baukunst, founded by artist-architect brothers Manfred and Laurids Ortner, and now led by architects Roland Duda, Florian Matzker, and Markus Penell from their offices in Berlin and Vienna.O&O BAUKUNST, a German-Austrian architecture firm based in Berlin and Vienna, was founded in 1987 by Laurids and Manfred Ortner. They had already developed projects with the artist group Haus-Rucker-Co, that blurred the lines between art and architecture. Since 2011, O&O Baukunst has been managed by the architects Roland Duda, Florian Matzker and Markus Penell.Patricia Grzonka is an art and architecture historian and critic. She works as a writer and lecturer in Vienna and teaches at the Institute of Fine and Media Arts at the University of Applied Arts Vienna.