eBooks de Poesía clásica española hasta el siglo XVIII, página 2 de 21

En las Canciones de Garcilaso de la Vega relata, como si de un breve cancionero se tratara, el proceso amoroso, en general, doloroso y desgarrador. Este amor predestinado, provoca en el amante melancolia y dolor por no poder gozar del objeto amado. A continuacion comentamos muy brevemente el contenido de cada cancion.Cancion I. A flor de Gnido. Lamenta la esquivez de la dama. El poeta muestra una actitud de sumision ante el dominio de una dama tiranica por inaccesible. Cancion II. Con un manso ruido. El poeta contrasta la belleza del lugar en el que se encuentra con el dolor que siente por su amor no correspondido. Cancion III. El aspereza de mis males quiero. Escrita durante el cautiverio, destaca el contraste entre la descripcion del paisaje que abre y cierra el poema, y el tema de la integridad de espiritu. Expuesto en las estrofas centrales, en las que domina la queja contenida por las penas del destierro y el amor. Cancion IV. La soledad siguiendo. Tiene como punto de partida la equiparacion lucreciana entre las penas del infierno y los dolores de la vida humana. Cancion V. Si a la region desierta inhabitable. Escrita durante su estancia en Napoles. El poeta la dedica a Violante Sanseverino, para que acepte el favor amoroso de Mario Galeota, amigo suyo que sufre el desden de la dama. Esta cancion destaca especialmente porque con ella Garcilaso creo una nueva forma estrofica: la lira. La obra poetica de Garcilaso de la Vega, compuesta por treinta y ocho sonetos, cinco canciones, una oda en liras, dos elegias, una epistola, tres eglogas, siete coplas castellanas y tres odas latinas, se publico por vez primera en 1543, a modo de apendice de las Obras de Juan Boscan. La produccion lirica de Garcilaso de la Vega, maxima expresion del Renacimiento castellano, se convirtio, desde muy pronto, en una referencia inexcusable para los poetas españoles, que desde entonces no pudieron ignorar la revolucion metrica y estetica operada por el en la lirica española.

Sofronía es una obra romántica del célebre poeta y dramaturgo español José Zorrilla. Este relato se centra en la figura de Sofronía, una joven cristiana que vive bajo el régimen del emperador bizantino Majencio.En la obra, Zorrilla muestra el martirio que Sofronia sufre a manos de Majencio debido a su fe cristiana. Su tormento se convierte en una poderosa representacion de la lucha entre el bien y el mal, la fe y la opresion, temas comunes en la literatura romantica.Zorrilla, conocido por su maestria en la construccion de personajes fuertes y vividos, presenta a Sofronia como una figura de virtud y fortaleza, cuya devocion a su fe es inquebrantable a pesar de las pruebas que enfrenta. Su historia es un recordatorio de la capacidad del espiritu humano para resistir la opresion y mantenerse firme en sus creencias.Sofronia es un ejemplo sobresaliente de la obra de Zorrilla, que a menudo exploro temas como la fe, amor y sacrificio. Al igual que en otras de sus obras, Zorrilla emplea un lenguaje poetico rico y evocador para contar la historia de Sofronia, creando una narrativa que es tan conmovedora como emocionalmente resonante.

El estilo y rasgos del Polifemo están también presentes, si no intensificados, en las Soledades. Este poema de Luis de Góngora está escrito en silvas, forma más adecuada que las octavas para la complejidad sintactica y formal de la nueva poesia gongorina. Se estructura en cuatro cantos (soledad primera a cuarta), asociados a cuatro unidades escenograficas: la de los cabreros y cazadores de la montaña nomadas, la de una aldea campesina, la de los pescadores que habitan una isla y la de un señorio feudal, con su castillo y sus nobles practicando la cetreria. El arranque narrativo alude a un peregrino que arriba a un poblado de pastores que le dan albergue, y a partir de ahi va transcurriendo por diferentes paisajes donde encuentra los personajes y comunidades antes descritos.El trasfondo del poema se asienta en multiples alusiones. Una seria el reflejo del paso del mundo renacentista de la verdad a otro representado por el caos o la confusion respecto al destino (el oscuro y complejo barroco).Otra alude mas directamente a la situacion de vertiginosa perdida de influencia mundial que experimentaba España.Otra ejemplificaria el desengaño del mismo Gongora respecto a la Corte y al destino politico español, y otra mas a la situacion del individuo enfrentado a un mundo en crisis donde domina la vanidad. En este desengaño gongorino al autor se siente exiliado y busca su propio cambio individual para contrarrestar el desastre (actitud que parece relacionarse con un regreso de signo epicureo a la sencillez y la armonia mundanas).

En 1582 se publicó Llanto de Venus a la muerte de Adonis de Juan de la Cueva, un poema mitológico en octavas reales. En esta versión, Marte al saber que Venus lo desprecia por estar enamorada de Adonis, se transforma en jabali y mata al muchacho. Los dioses intentan consolar a Venus en su llanto y, al ser imposible devolver la vida a Adonis, la diosa lo transforma en una flor purpurea:Al punto, el prado parecio cubiertode rojas amapolas producidasde la sangre real del joven muertoal nombre suyo desde alli ofrecidas.

Poemas de Pero López de AyalaLa presente edición es en castellano antiguo, aunque algunas grafías han sido actualizadas.PreliminarEn el nombre de Dios, que es uno en TrinidatPadre, Fijo, Espíritu Santo, en sinple unidateguales en la gloria, eternal majestad,e los tres ayuntados en la divinidat.El Padre non es fecho, nin de otro engendrado,nin por otra materia de ninguno criado;el engendrado del Fijo, su solo muy amadode los dos el Espiritu proçede inflamado.Es alta teologia sçiençia muy escura;los señores maestros de la Santa Escripturalo pueden declarar, ca lo tienen en cura:yo podrie, como sinple, errar por aventura.Desta Santa Escriptura abastante creer,en nuestra madre Eglesia firmemente tener,quien bien asi obrare podra seguro ser,e quien mal lo fiziere aver sa de perder.Aquesta Trinidat llamo con grant amor,que me quiera valer e ser meresçedorde ordenar mi fazienda en todo lo mejorque a mi alma conpliere, que so muy pecador.El pecado de Adam, nuestro padre primero,nos trae obligado a pecar de ligero;por ende, yo, Señor, la tu merçed espero,que Tu eres juez justo e verdadero.Pensando yo en la vida deste mundo mortal,que es poca e peligrosa, llena de mucho mal,fare mi confesion en la manera qualmejor se me entendier, si Dios aqui me val.Lo primero, encomiendo en este escripto yola mi alma a Dios, que la formo e criopor su preçiosa sangre despues la redimioque quiera perdonarla, si en algo fallesçio.Fallesçio, non es dubda, contra su Criador,que la crio muy linpia e sin ningunt vigor,siguiendo los deleites del cuerpo pecador,que esta muy manzellada delante el Salvador.A El pido merçed, que non quiera catarlas mis grandes maldades, en que le fui errarque nunca yo podria sofrir nin soportarlas penas que meresco, si san de egualar.Del limo de la tierra muy baxo so formado,de materia muy vil; por eso so inclinadoen pecar a menudo e ser asi errado.por ende yo devia ser ante perdonado.Justiçia sera asaz, con piedat, Señor,perdonar al errado que cae en errorpor la flaca materia, que l faz mereçedor,si ha de sus pecados contriçion e dolor.Para esto la tu graçia sera muy menester,ca sin ella el omne non puede bien fazer.Otorga me, Señor, que yo la pueda aver,e aya la mi alma por ende salva ser.Cobdiçia la mi alma a Ti, Señor, servir,como a mi Criador, a quien ella ha de ir;El cuerpo sin ventura luego me va fallir:¿Quien puede tal batalla soportar e sofrir?A Tu noble figura, Señor Tu me formastede espiritu de vida Tu me bivificaste,por Tu preçiosa sangre carament me conpraste,de poder del enemigo cruel Tu me libraste.

En su madurez, el marqués de Santillana escribió obras de tipo moral y político. Entre ellas destaca este Prohemio a proverbios. Esta obra es resultado de un encargo de Juan II para la educación del principe Enrique.La Carta Prohemio al Condestable Don Pedro de Portugal (c. 1445) es una especie de introduccion al conjunto de sus poemas que le envio al condestable Alvaro de Luna (su gran enemigo). Se trata del primer ensayo critico en castellano sobre la situacion de las literaturas castellana, gallega, catalana, francesa e italiana, y tambien la exposicion de su teoria literaria.En la concepcion aristocratica del marques de Santillana, expuesta en el Prohemio a proverbios, la poesia no debe ser un mero pasatiempo, sino algo util, de contenidos profundos y trascendentes. Distingue entre poesia sublime, mediocre e infima; la primera solo se expresa en griego y latin.Edicion en castellano antiguo.

Noche oscura; Cántico espiritual; Llama de amor viva y otros poemas reúne las tres principales obras del poeta místico San Juan de la Cruz (1542-1591), al que muchos otros poetas —desde Rubén Darío o

Los Poemas de Vicente Espinel transformaron la estructura de la décima, conocida hoy como espinela en su homenaje. También se le conoce por añadir a la guitarra antigua su quinta cuerda (mi aguda o prima). Durante los siglos XVII y XVIII, la espinela se uso con frecuencia para el epigrama y la glosa de otros poemas. Felix Lope de Vega, en su El arte nuevo de hacer comedias en este tiempo de hacer comedias, escribio que las decimas son buenas para quejas en las obras teatrales, pero las empleo indistintamente para cualquier tema. Se usan en la poesia castellana como forma que, al igual que el soneto, es cerrada y apropiada para el poema redondo y el epigrama.Espinel debio su fama y la difusion mundial de su trabajo a otros dos grandes de las letras: Miguel de Cervantes y Saavedra y Lope. Ambos, al leer sus espinelas en el libro Diversas Rimas, quedaron impresionados. La expresividad de la estructura poetica alcanzo otro nivel con los cambios que ideo Espinel. Tanto asi, que le elogiaron a menudo en sus publicaciones.Sin embargo, cuando hay que citar alguna decima como modelo, se recurre a las de Pedro Calderon de la Barca, Felix Lope de Vega, Gaspar Nuñez de Arce o incluso a autores contemporaneos. Porque las espinelas de Espinel, siendo buenas, no alcanzan el mismo nivel de excelencia que las de sus discipulos barrocos.Los Poemas de Vicente Espinel recorren casi toda la metrica de entonces, ensayando todas las estrofas posibles, incluida la llamada decima. En esta edicion recogemos algunos de sus poemas sueltos dispersos en otras obras, siguiendo la agitada trayectoria literaria del autor.Esta seleccion contiene: Octavas Sonetos Carta Canciones Egloga de Liseo

In "Hesiod & The Hesiodic Corpus," the ancient Greek poet Hesiod presents a foundational text of Western literature that encompasses themes of mythology, agriculture, and moral philosophy. With a style that merges didactic verses and narrative storytelling, Hesiod crafts a unique voice that resonates with the concerns of everyday life in ancient Greece. Through works like "Theogony" and "Works and Days," he explores the origins of the cosmos and practical advice for agrarian life, embedding moral teachings in his observations of nature and human existence. This corpus stands as a crucial lens through which to understand Greek thought and its intersection with the evolution of poetic form during the Archaic period. Hesiod, often regarded as a contemporary of Homer, emerged from the region of Boeotia around the 8th century BCE. His background as a farmer and his experiences with the societal upheavals of the time deeply influenced his perspectives on labor, justice, and divine order. Hesiods focus on personal ethics and communal morality illustrates the struggles of his life while also providing insights into the values of early Greek society, capturing a shift from mythic tradition to practical wisdom. Recommended for scholars and enthusiasts alike, "Hesiod & The Hesiodic Corpus" is an essential text that offers profound insights into the human condition through its exploration of myth and practical living. HesiodAos work invites readers to reflect on the virtues of hard work, piety, and the balance between human striving and divine influence, making it a timeless piece that resonates even in the modern world.

The Song of Roland is a book of poems by an anonymous author. It depicts a gory French tale of war, where General Charlemagne was ambushed in a remote Pyrenean pass, showcasing a symbolic struggle be

In King Lears Wife; The Crier by Night; The Riding to Lithend; Midsummer-Eve; Laodice and Danae, Gordon Bottomley presents a collection of plays that delve into the intricacies of human emotions, familial bonds, and societal norms. His literary style combines lyrical poetry with dramatic dialogue, evoking the metaphorical depths behind each characters plight. Thematically, Bottomleys works resonate with the complexities of love, betrayal, and redemption often found in Shakespearean narratives, yet he takes bold strides to explore these themes through a modern lens, making the ancient seem refreshingly relevant and poignant. Gordon Bottomley (1874-1948) was an English playwright and poet, whose diverse experience as a writer came from a background steeped in the artistic movements of his time. His journey through literature led him to examine the lives of isolated, often overlooked characters, paralleling his own struggles with identity and artistic expression. Bottomleys fascination with Shakespearean drama, combined with his interest in the metaphysical, culminates in this collection, reflecting both personal and universal dilemmas. This collection is a compelling read for those who appreciate the richness of character-driven narratives and the emotional resonance of poetic language. Literature enthusiasts, theatrical practitioners, and scholars alike will find Bottomleys work not only enlightening but also a celebration of the human experiencea must-have addition to any literary collection.

In "Grimhilds Vengeance: Three Ballads," George Borrow delves into the rich tapestry of folklore and myth, weaving a narrative that explores themes of love, betrayal, and revenge. The three ballads encapsulate Borrows distinctive literary style, characterized by vivid imagery, rhythmic cadence, and a deep reverence for the oral traditions of storytelling. Drawing on influences from both British folklore and Scandinavian mythology, this work invites readers to immerse themselves in a world where the boundaries between the mystical and the mundane blur, and characters are driven by insatiable passions and fateful choices. George Borrow, a pivotal figure in 19th-century literature, was known for his fascination with language, culture, and the marginalized communities of his time. His extensive travels across Europe and his encounters with various cultures, especially the Romani people, profoundly shaped his literary voice. "Grimhilds Vengeance" reflects Borrows interest in mythological narratives and his desire to explore the psychological complexities of his characters, further highlighting his commitment to elevating folk tales to the realm of high literature. For readers seeking to explore the depths of human emotion through the lens of folklore, "Grimhilds Vengeance" is a captivating read. Borrows masterful blend of lyrical storytelling and historical resonance will appeal to lovers of poetry and those interested in the intersection of culture and narrative. This collection stands not only as a tribute to folklore but also as a testament to the enduring power of storytelling in understanding the human experience.

In The Death of Balder, Johannes Ewald intertwines the evocative themes of tragedy and myth in a profound exploration of the human condition. The play, steeped in Norse mythology, reincarnates the poignant tale of Balder, whose demise casts a shadow over the realms of gods and mortals alike. Ewalds lyrical style combines rich poetic language with dramatic dialogue, capturing the tension between fate and free will, while positioning his work in a broader Romantic context that favors emotion and nature as dominant forces. Johannes Ewald, a pivotal figure of the Danish Golden Age, drew inspiration from the tumultuous socio-political landscape of his time, as well as from his own personal struggles with illness and despair. His foray into mythology can be seen as an attempt to reconcile his own existential crises with timeless tales of gods and heroes, reflecting a deep-seated yearning for meaning amid chaos. Ewalds innovative blend of narrative and lyrical techniques marks his enduring legacy in Scandinavian literature. Readers intrigued by the intersections of mythology, philosophy, and poetry will find The Death of Balder an essential addition to their literary repertoire. Ewalds masterful treatment of myth and emotion not only elevates the tragic narrative but also resonates with contemporary themes of loss and redemption, making it an evocative read for those seeking both beauty and depth.

Dante Alighieris "The Vision of Hell"more commonly known as the first part of "The Divine Comedy"is an unparalleled exploration of the moral landscape of the human soul. Through rich, allegorical verses and vivid imagery, Dante guides readers through the nine circles of Hell, each representing different sins and their consequential everlasting punishments. Written in the early 14th century during a pivotal time of philosophical and theological inquiry, this seminal work employs the terza rima rhyme scheme, a hallmark of Dantes innovative literary style, weaving together personal experience with profound moral and spiritual contemplation. Dantes background as a poet, politician, and philosopher in Florence profoundly influenced his writing. His exile from Florence ignited a deep reflection on justice, redemption, and the human condition, themes that permeate "The Vision of Hell." The text serves as a cautionary tale infused with Dantes unique merging of classical mythology and Christian theology, ultimately seeking to illuminate the path to personal and societal morality amidst the tumult of his era. Readers are wholeheartedly encouraged to delve into "The Vision of Hell" not only as a foundational work of Italian literature but as an enduring examination of ethical dilemmas still relevant today. Dantes masterful narrative invites reflection on the nature of sin, justice, and redemption, making it essential reading for those seeking a deeper understanding of the human experience.

"King Hacons Death, and Bran and the Black Dog: Two Ballads" presents an enthralling journey into the rich tapestry of medieval Scandinavian folklore. The two ballads, steeped in the oral tradition, intertwine themes of heroism, loss, and the supernatural, employing a lyrical style that evokes the stark beauty of the North. With vibrant imagery and rhythmic cadences, these narratives reflect the cultural and existential dilemmas faced by their characters, emblematic of the broader Viking Age context that shaped their creation. The anthology encompasses contributions from various authors whose lives were profoundly influenced by the historical and mythical heroism associated with Norse culture. Their collective insights yield a nuanced understanding of the values and struggles during an era marked by exploration, conquest, and spirituality. The history encapsulated within these ballads resonates with themes of fate and destiny, mirroring the influences that compelled these poets to re-tell age-old tales. This collection is an essential read for anyone interested in the fusion of history and literature, offering a gateway into the poetic and narrative traditions of ancient Scandinavia. The timeless relevance and emotional depth of these ballads make them not only a source of entertainment but also an enduring reflection of humanitys relationship with its legends.

In "The Vision of Sir Launfal," James Russell Lowell crafts a captivating narrative that intertwines elements of Arthurian legend with profound moral and social commentary. Written in a rich, lyrical style, the poem follows Sir Launfal on his journey toward spiritual enlightenment, prompting readers to reflect on the nature of true nobility and the interplay between wealth and virtue. Set against the backdrop of a medieval quest, Lowell employs vivid imagery and allegorical references, aligning himself with the transcendentalist movement that seeks to explore the depths of human experience and the divine. The poem not only resonates with themes of charity and redemption but also critiques the societal norms of his time, making it both timeless and relevant. James Russell Lowell, a prominent American Romantic poet and critic of the 19th century, drew inspiration from his own experiences with social reform and transcendental philosophies. His commitment to abolitionism and educational reform profoundly influenced his literary output, as he endeavored to merge his poetic voice with pressing societal issues. Lowells background in literature and his advocacy for social justice undoubtedly shaped his vision of a more humane society, which is poignantly encapsulated in this poem. "The Vision of Sir Launfal" invites readers to embark on a reflective journey alongside its protagonist, making it an essential read for those interested in the intersections of morality, spirituality, and social consciousness. Through Lowells masterful storytelling and heartfelt eloquence, the poem encourages a deeper understanding of nobility that transcends material wealth, challenging readers to explore their own values in the pursuit of a just society.

The Aeneid, Virgils magnum opus, is an epic poem that intricately weaves the founding myths of Rome through the journey of its hero, Aeneas. Written in dactylic hexameter, the poem resonates with the grandeur and gravitas typical of classical epics, reminiscent of Homers Iliad and Odyssey. Its rich narrative details not only highlight Aeneass trials and tribulations but also delve into themes of fate, piety, and national identity, illuminating the socio-political context of Augustan Rome. Virgils exquisite language and emotional depth craft a multifaceted portrayal of a hero whose personal sacrifices serve a greater purpose, ultimately linking the past to Romes imperial destiny. Virgil, a pivotal figure in Latin literature, was deeply influenced by the political turmoil of his time, having lived through the fall of the Roman Republic and the rise of Augustus. His first-hand experiences with the struggles of displacement and conflict resonate throughout The Aeneid. The poet sought not only to celebrate Roman leadership but also to impart moral and ethical lessons, positioning Aeneas as a model of virtuous conduct amidst adversity. The Aeneid is an essential read for anyone interested in classical literature, history, or the intricate construction of cultural identity. Its themes remain profoundly relevant, providing insight into the human experience and the complexities of legacy. Readers will find in Virgils timeless verse a powerful exploration of duty, resilience, and the destinies that shape nations.

Ovids "Remedia Amoris" serves as both a companion and a counterpoint to his earlier work, "Amores," delving into the intricacies of love and its discontents. Written in elegiac couplets, this poem adopts a wry, playful tone as it presents remedies for the heartache wrought by love. Ovid engages with themes of desire, passion, and the art of seduction, offering a satirical yet earnest exploration of the human condition. In the literary context of Ancient Rome, Ovids approach reflects the Augustan ideals, blending the personal with the universal, while also critiquing romantic loves often destructive nature. Ovid, a key figure in Latin literature, was deeply influenced by his own experiences and the societal norms of his time. His tumultuous love life and exiled status allowed him to reflect critically on the fleeting nature of passion and the emotional turmoil it brings. "Remedia Amoris," written during a period of self-reflection, showcases Ovids mastery in navigating themes of love while employing humor and irony to engage his readers. This text is an essential read for those interested in classical literature and the complexities of romantic relationships. Ovids engaging style and profound insights into loves remedies make it a valuable addition to both literary study and personal reflection on the nature of desire.

Kalevala: The Epic Poem of Finland is a monumental work that serves as both a cultural cornerstone and a literary masterpiece, collecting and reimagining ancient Finnish oral traditions into a cohesive narrative. Elias Lonnrot employs a strikingly lyrical style, employing alliteration and repetition reflective of the oral tradition while weaving together tales of heroism, creation, and the struggles between shamanistic elements and Christian ideologies. The poem not only reflects the rich tapestry of Finnish folklore but also situates itself within the burgeoning nationalistic movements of the 19th century, championing Finnish identity at a time of cultural resurgence. Elias Lonnrot, a physician and philologist, dedicated much of his life to collecting folk songs and oral legends from diverse regions of Finland. His extensive travels across the Finnish countryside and meticulous documentation of these traditions became an integral part of his identity as a scholar. Lonnrots own experiences with the clash of modernity and tradition deeply informed the themes of Kalevala, as he sought to preserve the vanishing folk culture and assert a sense of national pride amidst growing Russian influence. Kalevala is highly recommended for readers who wish to explore the foundations of Finnish literature and culture. Its vivid imagery and rich storytelling not only captivate the reader but also invite reflection on universal themes of struggle and resilience, making it a timeless work that resonates with audiences around the globe.

Lascelles Abercrombies "The Epic" delves into the intricate fabric of epic poetry, exploring its origins, evolution, and the cultural significance it holds across various civilizations. Through a blend of critical analysis and poetic expression, Abercrombie employs a sophisticated yet accessible literary style that invites readers to engage deeply with the characteristics defining epic narratives. The text is enriched by its historical context, highlighting how epics reflect the values and struggles of their respective societies, from Homers Greece to modern interpretations, making it a vital resource for understanding the genres profound impact on literature. Abercrombie, an influential figure in the English literary scene of the early 20th century, was both a poet and a critic, known for his advocacy of the craft of poetry. His keen interest in form and thematic depth led him to dissect epic poetry with a penetrating insight and passion, which is evident throughout this work. Being acquainted with various literary movements, including Georgian poetry, Abercrombie synthesized these influences into a coherent exploration of the epic form, drawing on his own extensive readings of classic works. "The Epic" is highly recommended for scholars, students, and literary enthusiasts alike, as it provides a comprehensive and critical lens through which to appreciate the grandeur of epic poetry. Abercrombies thoughtful examination not only enhances our understanding of the genre but also offers inspiration for contemporary writers, making it an essential addition to any literary collection.