eBooks de Poesía clásica española hasta el siglo XVIII, página 2 de 27

El Ejemplar Poético de Juan de la Cueva, escrito hacia 1606 y dividido en tres epístolas, es un arte poética manierista en tercetos encadenados. Fragmento de la obra Epístola I Sobre el ingenio y arte disputaronPalas y el fiero hijo de la Muertea quien del cielo por odioso echaron.La sabia diosa su razon convierteen decir que el ingenio sin el artees ingenio sin arte cuando acierte.De estas dos causas seguire la partepor do el ingenio inspira, el arte adiestrasin que de su proposito me aparte.Si admite la deidad sagrada vuestra,Febeas cultoras de Helicon divino,comunicarse a la bajeza nuestra.Y adiestrandome vos por el caminode la vulgar rudeza desviado,a su brutez profana siempre indino,llegare al punto en que vereis cantadolo que el Arte al ingenio perfecciona,y de quien es, si ha de acertar, guiado.Sujeto es que repugna y abandonade la mortal graveza la ignorancia,y con puros espiritus razona.Entre ellos hace dulce consonancia,de quien recibe el numeroso acentoque lo adorna de afectos, y elegancia.Vos a quien Febo Apolo da su asientoy las Musas celebran en su cantoy el vuestro escuchan con discurso atento;en mi temor que dificulta tantola extraña empresa, y me promete cierto,la caida en el vuelo que levanto:por este perturbado mar inciertonaufragando mi nave va a buscaros,pues sois mi norte, a que seais su puerto.No va cargada gran Fernando a darosricas piedras de Oriente, ni preciososaromas, con que pueda regalaros.Dones son los que os lleva mas gloriosos,de mas estima, y de mayor riquezapara la eternidad mas poderosos.De esta segura suerte la grandezase adquiere con los numeros, que el vuelocortan al tiempo en su mortal presteza.Estos, son los que igualan con el cielolos nombres, y asi deben adornarsecon esplendor cual su lustroso velo.

Poemas de Pero López de AyalaLa presente edición es en castellano antiguo, aunque algunas grafías han sido actualizadas.PreliminarEn el nombre de Dios, que es uno en TrinidatPadre, Fijo, Espíritu Santo, en sinple unidateguales en la gloria, eternal majestad,e los tres ayuntados en la divinidat.El Padre non es fecho, nin de otro engendrado,nin por otra materia de ninguno criado;el engendrado del Fijo, su solo muy amadode los dos el Espiritu proçede inflamado.Es alta teologia sçiençia muy escura;los señores maestros de la Santa Escripturalo pueden declarar, ca lo tienen en cura:yo podrie, como sinple, errar por aventura.Desta Santa Escriptura abastante creer,en nuestra madre Eglesia firmemente tener,quien bien asi obrare podra seguro ser,e quien mal lo fiziere aver sa de perder.Aquesta Trinidat llamo con grant amor,que me quiera valer e ser meresçedorde ordenar mi fazienda en todo lo mejorque a mi alma conpliere, que so muy pecador.El pecado de Adam, nuestro padre primero,nos trae obligado a pecar de ligero;por ende, yo, Señor, la tu merçed espero,que Tu eres juez justo e verdadero.Pensando yo en la vida deste mundo mortal,que es poca e peligrosa, llena de mucho mal,fare mi confesion en la manera qualmejor se me entendier, si Dios aqui me val.Lo primero, encomiendo en este escripto yola mi alma a Dios, que la formo e criopor su preçiosa sangre despues la redimioque quiera perdonarla, si en algo fallesçio.Fallesçio, non es dubda, contra su Criador,que la crio muy linpia e sin ningunt vigor,siguiendo los deleites del cuerpo pecador,que esta muy manzellada delante el Salvador.A El pido merçed, que non quiera catarlas mis grandes maldades, en que le fui errarque nunca yo podria sofrir nin soportarlas penas que meresco, si san de egualar.Del limo de la tierra muy baxo so formado,de materia muy vil; por eso so inclinadoen pecar a menudo e ser asi errado.por ende yo devia ser ante perdonado.Justiçia sera asaz, con piedat, Señor,perdonar al errado que cae en errorpor la flaca materia, que l faz mereçedor,si ha de sus pecados contriçion e dolor.Para esto la tu graçia sera muy menester,ca sin ella el omne non puede bien fazer.Otorga me, Señor, que yo la pueda aver,e aya la mi alma por ende salva ser.Cobdiçia la mi alma a Ti, Señor, servir,como a mi Criador, a quien ella ha de ir;El cuerpo sin ventura luego me va fallir:¿Quien puede tal batalla soportar e sofrir?A Tu noble figura, Señor Tu me formastede espiritu de vida Tu me bivificaste,por Tu preçiosa sangre carament me conpraste,de poder del enemigo cruel Tu me libraste.

Noche oscura; Cántico espiritual; Llama de amor viva y otros poemas reúne las tres principales obras del poeta místico San Juan de la Cruz (1542-1591), al que muchos otros poetas —desde Rubén Darío o

En las Canciones de Garcilaso de la Vega relata, como si de un breve cancionero se tratara, el proceso amoroso, en general, doloroso y desgarrador. Este amor predestinado, provoca en el amante melancolia y dolor por no poder gozar del objeto amado. A continuacion comentamos muy brevemente el contenido de cada cancion.Cancion I. A flor de Gnido. Lamenta la esquivez de la dama. El poeta muestra una actitud de sumision ante el dominio de una dama tiranica por inaccesible. Cancion II. Con un manso ruido. El poeta contrasta la belleza del lugar en el que se encuentra con el dolor que siente por su amor no correspondido. Cancion III. El aspereza de mis males quiero. Escrita durante el cautiverio, destaca el contraste entre la descripcion del paisaje que abre y cierra el poema, y el tema de la integridad de espiritu. Expuesto en las estrofas centrales, en las que domina la queja contenida por las penas del destierro y el amor. Cancion IV. La soledad siguiendo. Tiene como punto de partida la equiparacion lucreciana entre las penas del infierno y los dolores de la vida humana. Cancion V. Si a la region desierta inhabitable. Escrita durante su estancia en Napoles. El poeta la dedica a Violante Sanseverino, para que acepte el favor amoroso de Mario Galeota, amigo suyo que sufre el desden de la dama. Esta cancion destaca especialmente porque con ella Garcilaso creo una nueva forma estrofica: la lira. La obra poetica de Garcilaso de la Vega, compuesta por treinta y ocho sonetos, cinco canciones, una oda en liras, dos elegias, una epistola, tres eglogas, siete coplas castellanas y tres odas latinas, se publico por vez primera en 1543, a modo de apendice de las Obras de Juan Boscan. La produccion lirica de Garcilaso de la Vega, maxima expresion del Renacimiento castellano, se convirtio, desde muy pronto, en una referencia inexcusable para los poetas españoles, que desde entonces no pudieron ignorar la revolucion metrica y estetica operada por el en la lirica española.

Garcilaso de la Vega escribió la mayoría de sus Sonetos en la década de 1520, durante el periodo en que su obra deja notar el influjo de Petrarca y de los poetas del Renacimiento italiano. En sus Sonetos Garcilaso se ocupa de temas mundanos como la belleza y el amor al tiempo que admite su caracter efimero. Pero ademas de rescatar los topicos de la poesia clasica latina, con los sonetos el poeta adapto los versos de once silabas a la lengua española.Asi paso de las ocho a las once silabas. Introdujo en España el estilo lirico del Renacimiento italiano y una forma que cambiaria para siempre la poesia en nuestra lengua. Ello explica que se lo considere como el precursor del llamado Siglo de Oro. Su obra influyo en la mayoria de los grandes poetas españoles posteriores, desde fray Luis de Leon, Miguel de Cervantes Saavedra, san Juan de la Cruz Felix Lope de Vega, Luis de Gongora, hasta Francisco de Quevedo.

Tirso de Molina, el gran dramaturgo español del Siglo de oro (1579-1648), fue también autor de una sustanciosa obra poética que incluye: coplas, romances y sonetos inscritos en la estética conceptista. La obra poetica de Tirso de Molina asocia con ingenio el sentido y la forma de las palabras mediante el empleo de recursos retoricos muy variados.

Arte de poesía castellana es el tratado introductorio del Cancionero (Salamanca, 1496), formado por las primeras composiciones de Juan de la Encina. Es un texto escrito en la España del siglo XV que puede ser considerado un puente entre la poetica trovadoresca y el Renacimiento.El Arte de la poesia castellana es un aporte teorico a la creacion literaria en el que se establecen leyes y reglas para el buen trovar, asi como para identificar a los buenos trovadores o poetas y diferenciarlos de los que no conocen este arte.

Artes poéticas de Lope de Vega es un compendio de observaciones y textos de Lope sobre la poesía y sus formas más difundidas en su época.Al igual que con Arte nuevo de hacer comedias, el genio español realiza un analisis ensayistico de la lirica de su epoca. Fragmento de la obra Para escribir Virgilio de las abejas, hablando con Mecenas, dijo: Admiranda tibi levium spectacula rerum .Si V.M. ha pasado mi Angelica, ni viene mal esto mismo, y asi dice el Tasso en su Poetica que se pueden tratar las cosas humildes con ornamento grande, que responde a lo que en la Arcadia tengo escrito. Este poema no es heroico ni epico, ni le toca la distincion de Poema y Poesis que pone Plinio. Basta que le venga bien lo que dijo Tulio de Anacreonte, que tota poesis amatoria est. Algunos llevan mal las exornaciones poeticas contra el consejo de Bernardino Danielo, que no quiere que se use de palabras bajas, y realmente eso se concede a comicos y satiricos, como se ve en Terencio y Persio. A la Arcadiaobjetan el efecto. Aquella prosa es poetica que, a diferencia de la historial, guarda su estilo como se ve en el Sanazaro. ¿Y que tiene de diferencia azules lirios y siempre verdes mirtos a este principio?Sogliono il piu delle gli alti e spaziosi alberi negli orridi monti dalla natura prodotti piu che le coltivate piante, da dotte mani espurgati negli adorni, giardini ariguandanti aggradare.

Íñigo López de Mendoza, el Marqués de Santillana (1398-1458), con sus cuarenta y dos Sonetos fechos al itálico modo, es el primero en adaptar el soneto a la lengua castellana.Sus sonetos suelen tener rima alterna en los cuartetos (ABAB-ABAB), y en los tercetos siguen el esquema CDC-CDC, o, a veces, CDE-CDE.Los hay de distinto contenido: amor cortes, politico, religioso, y otros.

Los Poemas de Vicente Espinel transformaron la estructura de la décima, conocida hoy como espinela en su homenaje. También se le conoce por añadir a la guitarra antigua su quinta cuerda (mi aguda o prima). Durante los siglos XVII y XVIII, la espinela se uso con frecuencia para el epigrama y la glosa de otros poemas. Felix Lope de Vega, en su El arte nuevo de hacer comedias en este tiempo de hacer comedias, escribio que las decimas son buenas para quejas en las obras teatrales, pero las empleo indistintamente para cualquier tema. Se usan en la poesia castellana como forma que, al igual que el soneto, es cerrada y apropiada para el poema redondo y el epigrama.Espinel debio su fama y la difusion mundial de su trabajo a otros dos grandes de las letras: Miguel de Cervantes y Saavedra y Lope. Ambos, al leer sus espinelas en el libro Diversas Rimas, quedaron impresionados. La expresividad de la estructura poetica alcanzo otro nivel con los cambios que ideo Espinel. Tanto asi, que le elogiaron a menudo en sus publicaciones.Sin embargo, cuando hay que citar alguna decima como modelo, se recurre a las de Pedro Calderon de la Barca, Felix Lope de Vega, Gaspar Nuñez de Arce o incluso a autores contemporaneos. Porque las espinelas de Espinel, siendo buenas, no alcanzan el mismo nivel de excelencia que las de sus discipulos barrocos.Los Poemas de Vicente Espinel recorren casi toda la metrica de entonces, ensayando todas las estrofas posibles, incluida la llamada decima. En esta edicion recogemos algunos de sus poemas sueltos dispersos en otras obras, siguiendo la agitada trayectoria literaria del autor.Esta seleccion contiene: Octavas Sonetos Carta Canciones Egloga de Liseo

Canciones y decires es una colección de poemas breves, compuestos de versos cortos en los que se narra con estilo cortesano el encuentro de un caballero con una pastora a la que corteja. El Marqués de Santillana, Iñigo Lopez de Mendoza, escribio varias obras al estilo Grecolatino, pero las que le han dado fama han sido sus poesias de tipo popular (Serranillas, Canciones y decires). El autor hace alarde de su manejo del idioma, de la rima y del dominio de los estilos literarios.

En su madurez, el marqués de Santillana escribió obras de tipo moral y político. Entre ellas destaca este Prohemio a proverbios. Esta obra es resultado de un encargo de Juan II para la educación del principe Enrique.La Carta Prohemio al Condestable Don Pedro de Portugal (c. 1445) es una especie de introduccion al conjunto de sus poemas que le envio al condestable Alvaro de Luna (su gran enemigo). Se trata del primer ensayo critico en castellano sobre la situacion de las literaturas castellana, gallega, catalana, francesa e italiana, y tambien la exposicion de su teoria literaria.En la concepcion aristocratica del marques de Santillana, expuesta en el Prohemio a proverbios, la poesia no debe ser un mero pasatiempo, sino algo util, de contenidos profundos y trascendentes. Distingue entre poesia sublime, mediocre e infima; la primera solo se expresa en griego y latin.Edicion en castellano antiguo.

In "The Complete Poetry - Premium Sir Walter Scott Collection," Walter Scott offers readers a rich tapestry of poetic works that navigate the realms of historical narrative, romance, and the sublime beauty of the Scottish landscape. Scotts literary style is marked by its rhythmic cadence and vivid imagery, blending ballads with lyrical fervor that reflects his deep engagement with Scottish folklore and history. This collection serves as a window into the early 19th century Romantic movement, showcasing Scotts ability to marry narrative depth with lyrical elegance, allowing his readers to experience both the grandeur and the intimacy of his subjects. Walter Scott, a prominent figure in the Romantic literary tradition, dedicated his life to preserving and celebrating Scottish heritage. His own experiences as a Scottish borderer, as well as his legal and historical pursuits, permeate his poetic endeavors, helping him articulate the complexities of identity and nationalism. Scotts unique position as both a poet and a novelist placed him at the forefront of literary innovation, influencing contemporaries such as Byron and Wordsworth through his distinctive blend of narrative and verse. This collection is highly recommended for any reader interested in the evolution of Romantic poetry or those who seek to immerse themselves in the beauty of both language and landscape. Scotts works resonate with timeless themes of love, loss, and the inextricable bond between people and their land, making this premium collection an essential addition to any literary library.In this enriched edition, we have carefully created added value for your reading experience:- A comprehensive Introduction outlines these selected works unifying features, themes, or stylistic evolutions.- The Author Biography highlights personal milestones and literary influences that shape the entire body of writing.- A Historical Context section situates the works in their broader erasocial currents, cultural trends, and key events that underpin their creation.- A concise Synopsis (Selection) offers an accessible overview of the included texts, helping readers navigate plotlines and main ideas without revealing critical twists.- A unified Analysis examines recurring motifs and stylistic hallmarks across the collection, tying the stories together while spotlighting the different works strengths.- Reflection questions inspire deeper contemplation of the authors overarching message, inviting readers to draw connections among different texts and relate them to modern contexts.- Lastly, our handpicked Memorable Quotes distill pivotal lines and turning points, serving as touchstones for the collections central themes.

In "The Complete Poetry of Sir Walter Scott," the renowned Scottish novelist and poet presents a comprehensive anthology of his lyrical works, encapsulating the romantic spirit and nationalistic fervor of the early 19th century. Scotts poetry blends personal emotion with rich historical narrative, often drawing inspiration from the Scottish landscape and folklore. His varied poetic style ranges from the ballads of the "Lay of the Last Minstrel" to the reflective verses of "Marmion," highlighting his ability to evoke a wide spectrum of themes, including chivalry, love, and the clash of cultures, while reflecting the influences of Romanticism that dominated his era. Walter Scott, often dubbed the father of the historical novel, was deeply influenced by his Scottish heritage and the turbulent history of his homeland. His background as a lawyer and an avid antiquarian fueled his fascination with Scottish history and legend, which finds ample representation in his poetry. Scotts literary career was not only shaped by his personal experiences but also by the broader cultural movements of his time, addressing themes of identity and nationhood, which would resonate throughout his works. This curated collection is essential reading for anyone interested in the interplay of history and poetry, as it reveals Scotts profound impact on the literary landscape. The volume not only serves as an introduction to Scotts poetic genius but also invites readers to engage with the vibrant tapestry of early 19th-century Scottish culture.In this enriched edition, we have carefully created added value for your reading experience:- A comprehensive Introduction outlines these selected works unifying features, themes, or stylistic evolutions.- The Author Biography highlights personal milestones and literary influences that shape the entire body of writing.- A Historical Context section situates the works in their broader erasocial currents, cultural trends, and key events that underpin their creation.- A concise Synopsis (Selection) offers an accessible overview of the included texts, helping readers navigate plotlines and main ideas without revealing critical twists.- A unified Analysis examines recurring motifs and stylistic hallmarks across the collection, tying the stories together while spotlighting the different works strengths.- Reflection questions inspire deeper contemplation of the authors overarching message, inviting readers to draw connections among different texts and relate them to modern contexts.- Lastly, our handpicked Memorable Quotes distill pivotal lines and turning points, serving as touchstones for the collections central themes.

In "Hesiod & The Hesiodic Corpus," the ancient Greek poet Hesiod presents a foundational text of Western literature that encompasses themes of mythology, agriculture, and moral philosophy. With a style that merges didactic verses and narrative storytelling, Hesiod crafts a unique voice that resonates with the concerns of everyday life in ancient Greece. Through works like "Theogony" and "Works and Days," he explores the origins of the cosmos and practical advice for agrarian life, embedding moral teachings in his observations of nature and human existence. This corpus stands as a crucial lens through which to understand Greek thought and its intersection with the evolution of poetic form during the Archaic period. Hesiod, often regarded as a contemporary of Homer, emerged from the region of Boeotia around the 8th century BCE. His background as a farmer and his experiences with the societal upheavals of the time deeply influenced his perspectives on labor, justice, and divine order. Hesiods focus on personal ethics and communal morality illustrates the struggles of his life while also providing insights into the values of early Greek society, capturing a shift from mythic tradition to practical wisdom. Recommended for scholars and enthusiasts alike, "Hesiod & The Hesiodic Corpus" is an essential text that offers profound insights into the human condition through its exploration of myth and practical living. Hesiods work invites readers to reflect on the virtues of hard work, piety, and the balance between human striving and divine influence, making it a timeless piece that resonates even in the modern world.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

The Song of Roland is a book of poems by an anonymous author. It depicts a gory French tale of war, where General Charlemagne was ambushed in a remote Pyrenean pass, showcasing a symbolic struggle be

In King Lears Wife; The Crier by Night; The Riding to Lithend; Midsummer-Eve; Laodice and Danae, Gordon Bottomley presents a collection of plays that delve into the intricacies of human emotions, familial bonds, and societal norms. His literary style combines lyrical poetry with dramatic dialogue, evoking the metaphorical depths behind each characters plight. Thematically, Bottomleys works resonate with the complexities of love, betrayal, and redemption often found in Shakespearean narratives, yet he takes bold strides to explore these themes through a modern lens, making the ancient seem refreshingly relevant and poignant. Gordon Bottomley (1874-1948) was an English playwright and poet, whose diverse experience as a writer came from a background steeped in the artistic movements of his time. His journey through literature led him to examine the lives of isolated, often overlooked characters, paralleling his own struggles with identity and artistic expression. Bottomleys fascination with Shakespearean drama, combined with his interest in the metaphysical, culminates in this collection, reflecting both personal and universal dilemmas. This collection is a compelling read for those who appreciate the richness of character-driven narratives and the emotional resonance of poetic language. Literature enthusiasts, theatrical practitioners, and scholars alike will find Bottomleys work not only enlightening but also a celebration of the human experiencea must-have addition to any literary collection.

In "Grimhilds Vengeance: Three Ballads," George Borrow delves into the rich tapestry of folklore and myth, weaving a narrative that explores themes of love, betrayal, and revenge. The three ballads encapsulate Borrows distinctive literary style, characterized by vivid imagery, rhythmic cadence, and a deep reverence for the oral traditions of storytelling. Drawing on influences from both British folklore and Scandinavian mythology, this work invites readers to immerse themselves in a world where the boundaries between the mystical and the mundane blur, and characters are driven by insatiable passions and fateful choices. George Borrow, a pivotal figure in 19th-century literature, was known for his fascination with language, culture, and the marginalized communities of his time. His extensive travels across Europe and his encounters with various cultures, especially the Romani people, profoundly shaped his literary voice. "Grimhilds Vengeance" reflects Borrows interest in mythological narratives and his desire to explore the psychological complexities of his characters, further highlighting his commitment to elevating folk tales to the realm of high literature. For readers seeking to explore the depths of human emotion through the lens of folklore, "Grimhilds Vengeance" is a captivating read. Borrows masterful blend of lyrical storytelling and historical resonance will appeal to lovers of poetry and those interested in the intersection of culture and narrative. This collection stands not only as a tribute to folklore but also as a testament to the enduring power of storytelling in understanding the human experience.

Dante Alighieris "The Vision of Hell"more commonly known as the first part of "The Divine Comedy"is an unparalleled exploration of the moral landscape of the human soul. Through rich, allegorical verses and vivid imagery, Dante guides readers through the nine circles of Hell, each representing different sins and their consequential everlasting punishments. Written in the early 14th century during a pivotal time of philosophical and theological inquiry, this seminal work employs the terza rima rhyme scheme, a hallmark of Dantes innovative literary style, weaving together personal experience with profound moral and spiritual contemplation. Dantes background as a poet, politician, and philosopher in Florence profoundly influenced his writing. His exile from Florence ignited a deep reflection on justice, redemption, and the human condition, themes that permeate "The Vision of Hell." The text serves as a cautionary tale infused with Dantes unique merging of classical mythology and Christian theology, ultimately seeking to illuminate the path to personal and societal morality amidst the tumult of his era. Readers are wholeheartedly encouraged to delve into "The Vision of Hell" not only as a foundational work of Italian literature but as an enduring examination of ethical dilemmas still relevant today. Dantes masterful narrative invites reflection on the nature of sin, justice, and redemption, making it essential reading for those seeking a deeper understanding of the human experience.

In The Death of Balder, Johannes Ewald intertwines the evocative themes of tragedy and myth in a profound exploration of the human condition. The play, steeped in Norse mythology, reincarnates the poignant tale of Balder, whose demise casts a shadow over the realms of gods and mortals alike. Ewalds lyrical style combines rich poetic language with dramatic dialogue, capturing the tension between fate and free will, while positioning his work in a broader Romantic context that favors emotion and nature as dominant forces. Johannes Ewald, a pivotal figure of the Danish Golden Age, drew inspiration from the tumultuous socio-political landscape of his time, as well as from his own personal struggles with illness and despair. His foray into mythology can be seen as an attempt to reconcile his own existential crises with timeless tales of gods and heroes, reflecting a deep-seated yearning for meaning amid chaos. Ewalds innovative blend of narrative and lyrical techniques marks his enduring legacy in Scandinavian literature. Readers intrigued by the intersections of mythology, philosophy, and poetry will find The Death of Balder an essential addition to their literary repertoire. Ewalds masterful treatment of myth and emotion not only elevates the tragic narrative but also resonates with contemporary themes of loss and redemption, making it an evocative read for those seeking both beauty and depth.