eBooks de Poesía contemporánea española del XIX al XXI, página 3 de 554

Zum 250. Geburtstag von Samuel Taylor Coleridge erscheint diese Auswahl von Gedichten, die den unbestrittenen Kern seines Werkes bilden und mit denen er sich als einer der groen sechs Dichter der englischen Romantik etablierte, neben Blake, Wordsworth, Byron, Shelley und Keats.Die vorliegende handliche Auslese ist abwechslungsreich und lohnend, zumal es bis heute nie eine Ubertragung einer solchen Auswahl in deutscher Sprache gab. Immer wieder nachgedichtet wurden der Alte Seemann und Kubla Khan, doch entzog sich beispielsweise die fesselnde und ratselhafte Christabel neben vielen anderen Blankversen bis anhin der Ubersetzung.

During her lifetime Marianne Moore was that rarest of combinations, a genuine leader in the art of poetry, as well as a bona fide celebrity. She was an instantly recognisable symbol of Brooklyn, New York, appearing on the cover of Life magazine, asked by the Ford Motor Company to christen their new family sedan, and by the New York Yankees to throw the opening pitch of their baseball season. However, because of Moores restless, seldom-ceasing, decade-spanning revision of her own poems, creating a stable text of her work has posed editors a challenge ever since. Moore tackled the problem herself: Complete Poems (1967) was her own selection, but she favoured the later work, including less than half of her output up to that point. Omissions are not accidents, she wrote pointedly in that edition, but for some readers the absence of more than one hundred poems constituted a wilful neglect of her startlingly innovative, highly influential early work, and contributed to Moores undervaluing as a modernist poet. Marianne Moore scholar Heather Cass White has prepared an edition of poems that, for the first time, presents the full range of Moores work in its published order, while honouring the complex textual lives of the poems. With an inviting introduction and meticulous notes, the New Collected Poems of Marianne Moore is the first definitive text of this most celebrated writer, whose poems form part, as T. S. Eliot declared, of the small body of durable poetry written in our time.

Christians throughout the ages have written poetry as a way to commune with and teach about God, communicating rich truths and enduring beauty through their art. These poems, when read devotionally, provide a unique way for Christians to deepen their spiritual insight and experience. In this collection of over 90 poems by poets such as Emily Dickinson, T. S. Eliot, Ralph Waldo Emerson, Robert Frost, William Shakespeare, and over 30 more, literary expert Leland Ryken introduces readers to the best of the best in devotional poetry, providing commentary that helps them see and appreciate not only the literary beauty of these poems but also the spiritual truths they contain. Literary-inclined readers and first-time poetry readers alike will relish this one-of-a-kind anthology carefully compiled to help them encounter God in fresh ways.

El PACK LITERATOS 2 de la colección EN 90 MINUTOS reúne a 6 de los más destacados literatos de finales del XIX y comienzos del XX: TOLSTOY, POE, VIRGINIA WOOLF, DOSTOYEVSKI, KAFKA Y D.H. LAWRENCE.Paul Strathern nos ofrece el relato conciso de un experto sobre la vida e ideas de cada autor y explica su influencia sobre la literatura y la lucha de los hombres por entender su lugar en el mundo. El libro tambien incluye una seleccion de textos de las obras de cada autor, una cronologia de su vida y epoca y una seleccion de lecturas recomendadas para quienes deseen seguir leyendo mas acerca de cada uno de estos literatos.

Primer volumen que recoge la obra poética de Miguel de Unamuno, con poemas que abarcan desde el compromiso político hasta el lirismo obsesionado con la relevancia del ser humano, la filosofía, la trascendencia, el pasado y el transcurrir del tiempo.

Primer volumen que recoge la obra poética de Miguel de Unamuno, con poemas que abarcan desde el compromiso político hasta el lirismo obsesionado con la relevancia del ser humano, la filosofía, la trascendencia, el pasado y el transcurrir del tiempo.

Cancionero es un poemario de Miguel de Unamuno escrito en su mayor parte en el exilio. Contiene un número considerable de poemas de corte político y otros más simbólicos o sensoriales.

La leyenda del Cid es una de las leyendas de José Zorrilla, poemas en clave de ficción basados leyendas castellanas, a modo similar a como ya hiciese Gustavo Adolfo Bécquer en su obra homónima, pero desde un punto de vista lirico. En este caso la presente leyenda se basa en la historia del Cid Campeador.

Catalecto de orações poéticas por autores clássicos, incluindo Camões, São José de Anchieta, António Ferreira, Gil Vicente, Padre Souza Caldas, Gregório de Matos, Eusébio de Matos, José Albano. Ao na

This work captures personal experience of the Armys Surgeon General as a military doctor in crisis and war, spanning 30 years from Northern Ireland; through Kosovo to the Iraq and Afghanistan campaigns; culminating in the COVID-19 pandemic and the Russo-Ukraine war.Poetry provides the ability to say what is otherwise difficult or unpalatable. Some of the poems are critical and challenging. Some are humorous, as dark humour is a well-recognised resilience tool of the soldier. All are observationaland all are grounded in the realities of crisis and conflict.It is likely you have read war poetry from the perspectives of the combat soldier: but this book is the alternative perspective of those who manage the consequences of war. The work exposes that saving lives in conflict, picking up the human pieces, takes a toll on the carers. Writing these poems has been a means for the author to sustain mental resilience and to cope with serial morally injurious events.

A classic Batsford poetry collection, now reissued with a stunning new cover.A Nature Poem for Every Day of the Year is a glorious collection of 366 poems that celebrate nature and the changing seasons. It is the perfect morning companion for any nature or poetry enthusiast, featuring famous odes from big-name poets alongside unsung poems from less well-known writers.Each poem is chosen to chime with the natural world through the seasons. Spring is a time of hope, a season of new life accompanied by William Wordsworths famous daffodils, John Clares lambs and Christina Rossettis birdsong. Summer shifts into a time of leisure, with long, idyllic holidays in the countryside: according to Henry James, the two most beautiful words in the English Language were summer afternoon, a sentiment echoed by Edward Thomas and Emily Dickinson. John Keats, William Blake and W. H. Auden are the poets we associate with autumn, with the natural world, and the human one, holding onto the last lingering memories of summer before they turn to face the oncoming hardships of winter. Amy Lowell and George Meredith perfectly frame this time of year, with their silver-fringed leaves and crimson berries. Winter can be savoured in poetry, rather than endured; bleak grey days are transformed into a world of glittering frost and snow-blanketed landscapes. Even in the darkest days life continues, and soon we can turn our attention to the rebirth of spring.A wonderful collection of poems that help mark the daily turn of the seasons and all the rituals marking the significant moments of the year, from Candlemas to Christmas.

The complete text of John Gowers Confessio Amantis is a three-volume edition, including all Latin components - with translations - of this bilingual poem and extensive glosses, bibliography, and explanatory notes. Volume 2 contains Books 2, 3, and 4, which follow in their structure the outline of Vice and its children found in the early French poem the Mirour de lOmme.

The complete text of John Gowers Confessio Amantis is a 3-volume edition, including all Latin components - with translations - of this bilingual poem and extensive glosses, bibliography, and explanatory notes. Volume 3 contains Books 5, 6, and 7, which follow another kind of development as Gower shifts from romance banter and formulaic confession to philosophical inquiry.

"El argentino-húngaro-brasileño Jorge Schwartz es uno de los máximos conocedores del modernismo de su país adoptivo y de la modernidad continental. Su suma Las vanguardias latinoamericanas, que el lector tiene en sus manos en version actualizada, es un utilisimo artefacto. Un mapa imprescindible para quien quiera orientarse por la fascinante selva de los ismos novomundicos" (Juan Manuel Bonet). En sus origenes, las vanguardias artisticas asumieron la responsabilidad de guiar la reivindicacion politica y cultural de la sociedad, tomando una actitud revolucionaria. Dentro de las letras latinoamericanas, no se apartaron de la idea de cambio radical como punto de partida. La voluntad de construir y moldear una realidad distinta se hizo con la exaltacion de lo transitorio y volatil por encima del culto a lo eterno e inmutable.En este libro Schwartz recopila ensayos, manifiestos, prologos, poemas, reflexiones y autoconfesiones en torno a las corrientes "vanguardistas" del siglo xx latinoamericano, desde el criollismo ultraista del joven Borges, pasando por el indigenismo de Mariategui, hasta la glorificacion del dinamismo de la ciudad y de la maquina en el manifiesto antropofago del brasileño Oswald de Andrade. Sin duda, la lectura de estos textos garantiza una osada exploracion del mapa literario que abarca de la urbe a la pampa, cruzando por la orografia del futurismo, el constructivismo, el estridentismo, el surrealismo, la negritud y la raza cosmica.

Esta obra poética es un viaje transformador hacia el corazón de nuestra propia esencia. Con versos que resuenan en el alma, invita al lector a explorar temas universales como la superación personal, la resiliencia, la fe y la conexion innata que tenemos con la naturaleza. Los poemas estan acompañados de relatos que no solo inspiran, sino que tambien ofrecen una perspectiva renovada sobre el amor y la esperanza. Cada pagina esta enriquecida con ilustraciones que capturan la energia vibrante y el mensaje profundo de cada palabra, creando una experiencia visual y emocional completa. Es un libro ideal para aquellos que buscan un faro de inspiracion y un recordatorio constante de que la luz interior siempre brilla, incluso en los momentos mas oscuros. Esta obra es una invitacion a mantener viva la chispa que reside en cada ser humano, alentando a encontrar belleza y magia en lo cotidiano.

La autobiografía de Juan Francisco Manzano (1797-1853) es un testimonio único sobre la esclavitud, escrito en español por un esclavo. Su composición en 1835 fue posible gracias a los esfuerzos de Domingo del Monte, que alento al poeta a escribir un relato autobiografico. Manzano tuvo que aprender a leer y escribir antes de aventurarse a narrar los episodios de su vida en un manuscrito legible, aunque con multitud de errores. Para hacerla mas accesible a los lectores Del Monte encomendo el manuscrito a Anselmo Suarez y Romero para que le diera forma e hiciera las correcciones necesarias. Suarez y Romero cumplio cabalmente con la peticion, pero tambien modifico la vida del esclavo con la intencion de que el testimonio cobrara mayor fuerza en favor de la abolicion de la trata de esclavos y la esclavitud. Tanto la autobiografia original como la version corregida por Suarez y Romero desaparecieron. El original, encontrado un siglo mas tarde en la Biblioteca Nacional Jose Marti, fue publicado en 1937 por Jose Luciano Franco. La version de Suarez y Romero, hallada a mediados de la decada de los ochenta en la Biblioteca de Sterling de la Universidad de Yale e inedita hasta el momento, es la que se da a conocer a los lectores en este libro.

Rodó hoy es recordado principalmente por ser el autor de Ariel, ensayo filosófico que marcó la transición entre los siglos XIX y XX con su llamado a formar una élite latinoamericana de espiritualidad "elevada", que se inspirara en la caridad y los ideales grecolatinos en lugar de hacerlo en el utilitarismo. Menos se tiene en cuenta que Ariel integraba un ciclo mas amplio La vida nueva y que su propuesta modernista se desarrollo luego en otros titulos, como Liberalismo y jacobinismo y Motivos de Proteo. Esos libros y algunos mas se incluyen en estas Obras completas junto con sus poesias y su correspondencia personal.

Frances greatest poet of the last half century, Yves Bonnefoy wrote many books of poetry and poetic prose, as well as celebrated critical essays on literature and art (to which a second volume will be devoted). At his death in 2016 aged ninety-three, he was Emeritus Professor of Comparative Poetics at the College de France. The selection for this volume (and the second one) was made in close collaboration with the poet. The lengthy introduction by John Naughton is a significant assessment of Bonnefoys importance in French literature.Bonnefoy started out as a young surrealist poet at the end of the Second World War and, for seven decades, he produced poetry and prose of great, and changing, depth and richness. In his lines we encounter the horizon of a voice where stars are falling, / Moon merging with the chaos of the dead. Fellow poet Philippe Jaccottet spoke of his abiding gravite enflammee.Bonnefoy knew what translation demands, having himself translated Shakespeare, Donne, Yeats, and Keats; Petrarch and Leopardi from Italian; and, from Greek, George Seferis. This volume is edited and translated by three of Bonnefoys long-time translators Anthony Rudolf, John Naughton, and Stephen Romer with contributions from Galway Kinnell, Richard Pevear, Beverley Bie Brahic, Emily Grosholz, Susanna Lang, and Hoyt Rogers.A dual language edition.

Um Poeta de Tempo e Ouro é uma coletânea de poemas e prosas sentimentais sobre encontrar sua identidade e o perdão em meio a problemas, desilusões amorosas e mudanças com a passagem do tempo. Com uma

that which appears gathers together four book-length sequences; The Hundred Thousand Places, Yellow & Blue and Farm by the Shore, all previously published by Carcanet, plus the title book, that which appears, published by Paragon Press (1994).The poems gathered in that which appears emerge from a practice of walking in the varied landscapes of the highlands and islands of Scotland. They attempt to attend and respond to the evidence, to snow on moss on stone, with small continual adjustments.A conviction grows that environmental damage can only begin to be repaired by many careful and repeated acts of attention. How can we move here with resourcefulness and least intrusion? Can poetry be generous in response while subject to an ethic of care for place and particularity? Can it provide spaces that will allow for, that welcome and celebrate, that which appears?