eBooks de Poesía contemporánea española del XIX al XXI, página 3 de 543

La leyenda del Cid es una de las leyendas de José Zorrilla, poemas en clave de ficción basados leyendas castellanas, a modo similar a como ya hiciese Gustavo Adolfo Bécquer en su obra homónima, pero desde un punto de vista lirico. En este caso la presente leyenda se basa en la historia del Cid Campeador.

Catalecto de orações poéticas por autores clássicos, incluindo Camões, São José de Anchieta, António Ferreira, Gil Vicente, Padre Souza Caldas, Gregório de Matos, Eusébio de Matos, José Albano. Ao na

This work captures personal experience of the Armys Surgeon General as a military doctor in crisis and war, spanning 30 years from Northern Ireland; through Kosovo to the Iraq and Afghanistan campaigns; culminating in the COVID-19 pandemic and the Russo-Ukraine war.Poetry provides the ability to say what is otherwise difficult or unpalatable. Some of the poems are critical and challenging. Some are humorous, as dark humour is a well-recognised resilience tool of the soldier. All are observationaland all are grounded in the realities of crisis and conflict.It is likely you have read war poetry from the perspectives of the combat soldier: but this book is the alternative perspective of those who manage the consequences of war. The work exposes that saving lives in conflict, picking up the human pieces, takes a toll on the carers. Writing these poems has been a means for the author to sustain mental resilience and to cope with serial morally injurious events.

Mit Dearly veroffentlicht Margaret Atwood nach zehn Jahren erstmals wieder einen Lyrikband. Es geht darin um all das, womit sie sich, beruhmtermaen, auseinandersetzt: ob hinreiend genaue Naturbeschreibungen oder witzige Begegnungen mit Auerirdischen, ob drangende politische Fragen oder Mythen und Legenden. Klug, dabei oft verspielt sprechen die Gedichte von Abwesenheit, Altern und Ruckschau, aber auch von Neubeginn und Gluck. Dearly ist Atwood pur, voller Einsichten, Empathie und Humor.

Esta obra poética es un viaje transformador hacia el corazón de nuestra propia esencia. Con versos que resuenan en el alma, invita al lector a explorar temas universales como la superación personal, la resiliencia, la fe y la conexion innata que tenemos con la naturaleza. Los poemas estan acompañados de relatos que no solo inspiran, sino que tambien ofrecen una perspectiva renovada sobre el amor y la esperanza. Cada pagina esta enriquecida con ilustraciones que capturan la energia vibrante y el mensaje profundo de cada palabra, creando una experiencia visual y emocional completa. Es un libro ideal para aquellos que buscan un faro de inspiracion y un recordatorio constante de que la luz interior siempre brilla, incluso en los momentos mas oscuros. Esta obra es una invitacion a mantener viva la chispa que reside en cada ser humano, alentando a encontrar belleza y magia en lo cotidiano.

La autobiografía de Juan Francisco Manzano (1797-1853) es un testimonio único sobre la esclavitud, escrito en español por un esclavo. Su composición en 1835 fue posible gracias a los esfuerzos de Domingo del Monte, que alento al poeta a escribir un relato autobiografico. Manzano tuvo que aprender a leer y escribir antes de aventurarse a narrar los episodios de su vida en un manuscrito legible, aunque con multitud de errores. Para hacerla mas accesible a los lectores Del Monte encomendo el manuscrito a Anselmo Suarez y Romero para que le diera forma e hiciera las correcciones necesarias. Suarez y Romero cumplio cabalmente con la peticion, pero tambien modifico la vida del esclavo con la intencion de que el testimonio cobrara mayor fuerza en favor de la abolicion de la trata de esclavos y la esclavitud. Tanto la autobiografia original como la version corregida por Suarez y Romero desaparecieron. El original, encontrado un siglo mas tarde en la Biblioteca Nacional Jose Marti, fue publicado en 1937 por Jose Luciano Franco. La version de Suarez y Romero, hallada a mediados de la decada de los ochenta en la Biblioteca de Sterling de la Universidad de Yale e inedita hasta el momento, es la que se da a conocer a los lectores en este libro.

Rodó hoy es recordado principalmente por ser el autor de Ariel, ensayo filosófico que marcó la transición entre los siglos XIX y XX con su llamado a formar una élite latinoamericana de espiritualidad "elevada", que se inspirara en la caridad y los ideales grecolatinos en lugar de hacerlo en el utilitarismo. Menos se tiene en cuenta que Ariel integraba un ciclo mas amplio La vida nueva y que su propuesta modernista se desarrollo luego en otros titulos, como Liberalismo y jacobinismo y Motivos de Proteo. Esos libros y algunos mas se incluyen en estas Obras completas junto con sus poesias y su correspondencia personal.

Frances greatest poet of the last half century, Yves Bonnefoy wrote many books of poetry and poetic prose, as well as celebrated critical essays on literature and art (to which a second volume will be devoted). At his death in 2016 aged ninety-three, he was Emeritus Professor of Comparative Poetics at the College de France. The selection for this volume (and the second one) was made in close collaboration with the poet. The lengthy introduction by John Naughton is a significant assessment of Bonnefoys importance in French literature.Bonnefoy started out as a young surrealist poet at the end of the Second World War and, for seven decades, he produced poetry and prose of great, and changing, depth and richness. In his lines we encounter the horizon of a voice where stars are falling, / Moon merging with the chaos of the dead. Fellow poet Philippe Jaccottet spoke of his abiding gravite enflammee.Bonnefoy knew what translation demands, having himself translated Shakespeare, Donne, Yeats, and Keats; Petrarch and Leopardi from Italian; and, from Greek, George Seferis. This volume is edited and translated by three of Bonnefoys long-time translators Anthony Rudolf, John Naughton, and Stephen Romer with contributions from Galway Kinnell, Richard Pevear, Beverley Bie Brahic, Emily Grosholz, Susanna Lang, and Hoyt Rogers.A dual language edition.

Um Poeta de Tempo e Ouro é uma coletânea de poemas e prosas sentimentais sobre encontrar sua identidade e o perdão em meio a problemas, desilusões amorosas e mudanças com a passagem do tempo. Com uma

that which appears gathers together four book-length sequences; The Hundred Thousand Places, Yellow & Blue and Farm by the Shore, all previously published by Carcanet, plus the title book, that which appears, published by Paragon Press (1994).The poems gathered in that which appears emerge from a practice of walking in the varied landscapes of the highlands and islands of Scotland. They attempt to attend and respond to the evidence, to snow on moss on stone, with small continual adjustments.A conviction grows that environmental damage can only begin to be repaired by many careful and repeated acts of attention. How can we move here with resourcefulness and least intrusion? Can poetry be generous in response while subject to an ethic of care for place and particularity? Can it provide spaces that will allow for, that welcome and celebrate, that which appears?

Apresento-lhe bilhetes para viagens sombrias, necessárias, arrepiantes que, a princípio, podem parecer aterradoras e fruto de desvairos, no entanto, em suas entranhas há para além da intimidade com a morte, sobretudo, um grito pela vida ignorada, pisoteada pelas estruturas de poder que se desenrola do micro ao macro. Claro, precisara dançar com as metaforas, cinzel do embelezar textual do que aos olhos apenas parece feio... Boa leitura!

Apresento-lhe bilhetes para viagens sombrias, necessárias, arrepiantes que, a princípio, podem parecer aterradoras e fruto de desvairos, no entanto, em suas entranhas há para além da intimidade com a morte, sobretudo, um grito pela vida ignorada, pisoteada pelas estruturas de poder que se desenrola do micro ao macro. Claro, precisara dançar com as metaforas, cinzel do embelezar textual do que aos olhos apenas parece feio... Boa leitura!

Dóri Vargas Gedichte sind einzigartige Klangereignisse, die sie mit den einfachsten Mitteln schafft. Schmerz, Glück, Verlust, Verbundenheit, Freiheit, Heimat, Frausein, Muttersein, Beziehungsein: Sin

A collaboration between one of the worlds most eminent poets, Nobel Prize-winner Derek Walcott, and one of its most coveted painters, Peter Doig. Through a long-standing friendship and creative affinity the two great artists have together produced a stunning full-colour book of fifty paintings and original poems.

Basil Buntings work was published haphazardly throughout most of his life, and in many cases he did not oversee publication. This is the first critical edition of the complete poems, and offers an accurate text with variants from all printed sources. Don Share annotates Buntings often complex and allusive verse, with much illuminating quotation from his prose writings, interviews and correspondence. He also examines Buntings use of sources (including Persian literature and classical mythology), and explores the Northumbrian roots of Buntings poetic vocabulary and use of dialect.

When Stevie Smith died in 1971 she was one of the twentieth-centurys most popular poets; many of her poems have been widely anthologised, and Not Waving but Drowning remains one of the nations favourite poems to this day.Satirical, mischievous, teasing, disarming, her characteristically lightning-fast changes in tone take readers from comedy to tragedy and back again, while her line drawings are by turns unsettling and beguiling. In this wholly new edition of her work, Smith scholar Will May collects together the illustrations and poems from her original published volumes for the first time, recording fascinating details about their provenance, and describing the various versions Smith presented both on stage and page. Including over 500 works from Smiths 35-year career, The Collected Poems and Drawings of Stevie Smith is the essential edition of modern poetrys most distinctive voice.I was much further out than you thought And not waving but drowning.- Not Waving but Drowning

In the decades since his death in 1963, Louis MacNeices reputation as a poet (and, indeed, amongst poets) has grown steadily, and there are now several generations of readers in Ireland, Britain, and beyond, for whom he is one of the essential poets of the twentieth century. His work has also received increasing attention from academic writers and students. For both readers and critics, the nature of MacNeices poetic work as a whole is a matter of importance, and the second posthumous Collected Poems, entirely re-edited by Peter McDonald, attempts, for the first time, to print MacNeices poetry in groupings corresponding closely to the collections published by Faber between 1935 and 1963. This makes it easier to read the poet in the published forms in which he was read by his contemporaries. In choosing to re-create the environments of MacNeices individual volumes of poetry, moreover, this new Collected reflects the opinion that MacNeice works best in and through those separate volumes, particularly so in the brilliant return to form - and unique kinds of return on lyric form itself - of the last three collections. The texts of the poems in the new edition are based on a comparison of all printed versions, as revised in the light of the poets later thoughts. This has resulted in a large number of changes. It is hoped that the present edition presents MacNeices poetry more accurately, as well as more fully, than all previous collections. The new Collected Poems also includes, as appendices, The Last Ditch - the short book of poems which MacNeice published with the Cuala Press in 1940 - and The Revenant, a cycle of songs written for MacNeices wife, the singer Hedli Anderson, a selection of uncollected early poems, and from Blind Fireworks, MacNeices first published book of verse.

Combining the poignant appeal of a love story cut short with the theme of personal growth and the spiritual search for meaning, this book will help to give comfort to those who have shared the pain of bereavement. It shows them that they are not alone, and that the cycle of grieving is normal and that life does get better. Presented as a verse journal, Can I Let You Go, My Love? is more than an outpouring of one womanis experience of bereavement and life beyond grief. It is also a way of letting other people know what the bereaved are going through and so broadening understanding. The verses are full of lifeis lessons and the thoughts and feelings expressed are powerful, profound and heart-rending. It is a book that not only can be used bycounsellors and their clients (the manuscript has already been adopted as a therapeutic aid by counsellors) but is just the gift to give to a friend who has lost a loved one or who is going through a crisis in life. Can I Let You Go, My Love? was cited as an Outstanding Contender for the CRUSE Excellence in Communication Award 1997.

Combining the poignant appeal of a love story cut short with the theme of personal growth and the spiritual search for meaning, this book will help to give comfort to those who have shared the pain of bereavement. It shows them that they are not alone, and that the cycle of grieving is normal and that life does get better. Presented as a verse journal, Can I Let You Go, My Love? is more than an outpouring of one womanis experience of bereavement and life beyond grief. It is also a way of letting other people know what the bereaved are going through and so broadening understanding. The verses are full of lifeis lessons and the thoughts and feelings expressed are powerful, profound and heart-rending. It is a book that not only can be used bycounsellors and their clients (the manuscript has already been adopted as a therapeutic aid by counsellors) but is just the gift to give to a friend who has lost a loved one or who is going through a crisis in life. Can I Let You Go, My Love? was cited as an Outstanding Contender for the CRUSE Excellence in Communication Award 1997.

Gather it from memory. Let it touch the earth.In Touch the Earth, Drew Jackson continues the project he began in God Speaks Through Wombs, reflecting on the Gospel of Luke through poetry. Touch the Earth picks up in chapter nine and continues through the end of Lukes Gospel. Part protest poetry, part biblical commentary, Jackson presents the gospel story in all its liberative power. Here the gospel is the "fresh words / that speak of / things impossible."From the feeding of the multitude ("The best hosts always provide / take home containers") to the resurrection of Jesus ("the belly of mother Earth / is, indeed, a womb . . . the humus of life is where we become fully human"), this collection helps us hear the hum of deliveranceagainst all hopethats been in the gospel all along.