eBooks de Arquitectura, página 9 de 99

Vitruvius Pollios "The Ten Books on Architecture" stands as a seminal text in the canon of architectural literature, offering a comprehensive treatise that intricately weaves theory, philosophy, and practical guidance. Composed in the first century BC, this work reflects the literary style of classical rhetoric rife with detailed explanations and systematic organization. Vitruvius, addressing a Roman audience, elucidates design principles, the scientific foundations of architecture, and the essential relationship between human life and architectural forms, underscoring the importance of proportion and symmetry in the built environment. Vitruvius himself was an accomplished architect and engineer, likely influenced by the tumultuous political landscape of Ancient Rome and the intertwining of architecture with civic identity. His experiences in military engineering and observations of preceding Hellenistic styles informed his views on institutional and residential design, emphasizing functionality and aesthetic harmony. Vitruvius sought to codify architectural practices of his day, ensuring that knowledge would be preserved for future generations. Readers interested in architecture, engineering, or classical history will find "The Ten Books on Architecture" invaluable, as it not only serves as a manual for practitioners but also as a philosophical exploration of space-making. Its enduring principles resonate across the centuries, providing insights into the essential elements of design, thereby securing its place as a cornerstone text that remains relevant in contemporary discourse on architecture.

In The Ten Books on Architecture, Vitruvius Pollio meticulously explores the principles of architecture, intertwining practical knowledge with philosophical insights. This seminal work is notable for its structured approach, dividing its teachings into ten distinct books that cover topics ranging from materials and construction techniques to the ideal proportions and aesthetic considerations of buildings. Written in the 1st century BCE, Vitruviuss treatise stands out not only for its technical rigor but also for its literary elegance, embodying the classical spirit of Roman thought that valued knowledge, utility, and beauty in harmonious proportions. Vitruvius, a Roman architect and engineer, drew upon his extensive experience in military and civil engineering, offering a unique perspective that reflects the challenges and innovations of his time. His background in architecture, combined with the broader cultural milieu of the Roman Republic, informed his belief in architecture as a reflection of moral and civic values. This confluence of theory and practice is a testament to Vitruviuss commitment to elevating the field of architecture into a respected discipline. I wholeheartedly recommend The Ten Books on Architecture not only to students and practitioners in the field but also to anyone interested in the enduring principles of design and harmony. Vitruviuss timeless insights continue to resonate, making this work essential reading for understanding the foundations of Western architecture.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

The architect should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory. Practice is the continuous and regular exercise of employment where manual work is done with any necessary material according to the design of a drawing. Theory, on the other hand, is the ability to demonstrate and explain the productions of dexterity on the principles of proportion.

The Symbolism of Churches and Church Ornaments is a book by Guillaume Durand. It provides an accurate medieval dissertation on the allegory of church design and some illustrious traditions of worship.

In "The Symbolism of Churches and Church Ornaments," Guillaume Durand presents a compelling exploration of the intricate relationship between architectural elements and their spiritual significance within the Christian faith. This scholarly work illuminates the rich tapestry of medieval church designs, employing a blend of theological insights and historical context to analyze how structures and decorations reflect doctrinal beliefs. Durands literary style is characterized by meticulous detail and an engaging narrative flow, making complex theological concepts accessible while placing them within the broader cultural framework of the time. Guillaume Durand, a prominent cleric and scholar of the 14th century, was deeply immersed in the theological and cultural currents of his era. His position as a bishop, along with his extensive involvement in ecclesiastical affairs, informed his understanding of the symbolic language employed in church architecture. As an advocate for the unification of faith and knowledge, Durand drew upon both his spiritual leadership and scholarly pursuits to articulate the profound meanings embedded in ecclesiastical designs, showcasing how they communicate divine truths to the faithful. This book is an invaluable resource for theologians, historians, and architects alike, inviting readers to appreciate the layers of meaning within sacred spaces. Whether you are seeking a deeper understanding of religious symbolism or the confluence of art and spirituality, Durands work offers a thought-provoking analysis that enriches our appreciation of medieval church heritage.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

The quartzite architectural block E16230 has been on display in the Penn Museum for 115 years. E16230 is one of the few large architectural pieces in the world surviving from the much-debated reign of the "heretic" king Akhenaten. This block is one of the most historically significant objects on display in the Egyptian galleries, yet it has never been analyzed or published. This volume addresses that glaring gap and provides for the first time a translation and discussion of the important texts on the object, along with analysis of the architectural evidence it provides. The block is part of the once intensely ornamented faCade of a solar chapel ("sunshade") dedicated to princess Meritaten, the eldest daughter of Akhenaten and Nefertiti. The large (1100 kg) block originates in a chapel that was part of a royal ceremonial palace of Akhenaten named Per-Waenre ("the house of the Unique-one-of-Re"). Later, after demolition of the building, the block was reused in the city of Heliopolis as the base for a sphinx of king Merenptah (Dynasty 19). Subsequently the block underwent a final stage of reuse in Cairo in the Islamic Period where it was found ca. 1898 in the Mousky district of central Cairo. Because the block is such a major architectural element it provides considerable detail in the reconstruction of the essential appearance, decoration, and other aspects of the Meritaten sunshade. The volume addresses the significance of the piece and the Meritaten sunshade in the context of Akhenatens monumental program. Major implications emerge from the analysis of E16230 providing further evidence on the royal women during Akhenatens reign. The book examines two possibilities for the original location of the Per-Waenre in which the Meritaten sunshade stood. It may be part of a large Amarna Period cult precinct at Heliopolis, which may, like the capital city at Tell el-Amarna, have born the wider name Akhet-Aten, "Horizon of the Aten." Alternatively it could derive from Tell el-Amarna itself, possibly belonging to a hitherto unidentified palatial complex at that site. The book is a contribution to the study of one of the most debated eras of ancient Egyptian history focused on this long-ignored treasure of the Penn Museums Egyptian collection.

In "The Story of My House," George H. Ellwanger delves into the intricate tapestry of domestic life and the profound connections formed between individuals and their living spaces. Through a poignant narrative, rich with vivid descriptions and an autobiographical touch, Ellwanger explores themes of memory, belonging, and the passage of time. The literary style is characterized by a blend of lyrical prose and stark realism, placing the reader in a reflective space reminiscent of 19th-century American literature, where home was a critical focal point in understanding ones identity. The book serves as both a personal memoir and a social commentary, revealing how architecture and environment shape human experience. George H. Ellwanger, known for his acumen in both horticulture and prose, draws upon his own life experiences in writing this work. Raised in a household deeply connected to nature and grounded in community, his passion for the subtleties of domestic settings shines through his eloquent lens. Ellwangers background and scholarly pursuits inform the depth and sensitivity with which he approaches the subject, enriching his examination of his familys legacy and the quintessential American home. This book is highly recommended for readers interested in the intersections of personal history and broader cultural narratives. Ellwanger invites us to reflect on our own domestic spaces and the stories they harbor, making it a profound exploration that resonates with anyone who has ever called a house their home.

In "The Story of Chartres," Cecil Headlam presents an engrossing exploration of the iconic French city, renowned for its magnificent cathedral and rich historical tapestry. Headlam employs a narrative style that weaves together evocative descriptions, detailed historical accounts, and biographical sketches of key figures, manifesting a deep appreciation for both the artistic and cultural significance of Chartres. Set against the backdrop of medieval Europe, the book contextualizes the cathedrals architectural splendor within the tumultuous events that shaped its history, creating a multifaceted portrait that resonates with both the grandeur and the fragility of human achievement. Cecil Headlam, a notable historian and writer, was deeply influenced by his extensive studies in European architecture and history. His academic pursuits and passion for medieval studies undoubtedly informed this meticulous examination of Chartres. Headlams background, coupled with his travels, provided him with an intimate understanding of the intricacies of Gothic architecture and the socio-political factors that influenced its development. His expertise not only enhances the narrative but positions him as a credible voice in the discourse surrounding historical architecture. "The Story of Chartres" is a recommended read for anyone intrigued by history, architecture, or the cultural evolution of cities. Headlams insightful storytelling unfolds like a journey through time, allowing readers to envision Chartres not just as a physical space, but as a living testament to the human spirit. This book offers both knowledge and inspiration, inviting readers to appreciate the enduring legacy of one of Frances most treasured locales.In this enriched edition, we have carefully created added value for your reading experience:- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

IT is not to the stalwart Celtic tribes which Csar found scattered about the low-lying sandy plain which stretches along the coast from the mouth of the Rhine to the Canche that this part of Europe owes either its name or its greatness.The Menapii and the Morini, the bravest of them all and the last to withstand the Roman legions, were at length compelled to bend their necks beneath the yoke of Romes enervating and effete civilization, and when, four centuries later, a whirlwind of Northern barbarism had swept the land, only a handful of them, sparsely scattered, abject, cringing, hidden away in forest and marsh, were left to tell the tale.The civilization of Rome had been clean wiped out in that quarter of Europe. Silence unbroken settled down on the land, and for two hundred years the Latin-Celts of the Netherlands slipped out of the worlds memory.It was not until the middle of the six hundreds that men began once more to think of them. The cause of their reappearance upon the stage of European history is chronicled for us in a contemporary life of St. Amand, Bishop of Bourges

Of all the buildings in Venice, later in date than the final additions to the Ducal Palace, the noblest is, beyond all question, that which, having been condemned by its proprietor, not many years ago, to be pulled down and sold for the value of its materials, was rescued by the Austrian government, and appropriatedthe government officers having no other use for itto the business of the Post-Office; though still known to the gondolier by its ancient name, the Casa Grimani. It is composed of three stories of the Corinthian order, at once simple, delicate, and sublime; but on so colossal a scale, that the three-storied palaces on its right and left only reach to the cornice which marks the level of its first floor. Yet it is not at first perceived to be so vast; and it is only when some expedient is employed to hide it from the eye, that by the sudden dwarfing of the whole reach of the Grand Canal, which it commands, we become aware that it is to the majesty of the Casa Grimani that the Rialto itself, and the whole group of neighboring buildings, owe the greater part of their impressiveness.

The decay of the city of Venice is, in many respects, like that of an outwearied and aged human frame; the cause of its decrepitude is indeed at the heart, but the outward appearances of it are first at the extremities. In the centre of the city there are still places where some evidence of vitality remains, and where, with kind closing of the eyes to signs, too manifest even there, of distress and declining fortune, the stranger may succeed in imagining, for a little while, what must have been the aspect of Venice in her prime. But this lingering pulsation has not force enough any more to penetrate into the suburbs and outskirts of the city; the frost of death has there seized upon it irrevocably, and the grasp of mortal disease is marked daily by the increasing breadth of its belt of ruin.

Since the first dominion of men was asserted over the ocean, three thrones, of mark beyond all others, have been set upon its sands: the thrones of Tyre, Venice, and England. Of the First of these great powers only the memory remains; of the Second, the ruin; the Third, which inherits their greatness, if it forget their example, may be led through prouder eminence to less pitied destruction.The exaltation, the sin, and the punishment of Tyre have been recorded for us, in perhaps the most touching words ever uttered by the Prophets of Israel against the cities of the stranger. But we read them as a lovely song; and close our ears to the sternness of their warning: for the very depth of the Fall of Tyre has blinded us to its reality, and we forget, as we watch the bleaching of the rocks between the sunshine and the sea, that they were once as in Eden, the garden of God.Her successor, like her in perfection of beauty, though less in endurance of dominion, is still left for our beholding in the final period of her decline: a ghost upon the sands of the sea, so weakso quiet,so bereft of all but her loveliness, that we might well doubt, as we watched her faint reflection in the mirage of the lagoon, which was the City, and which the Shadow.I would endeavor to trace the lines of this image before it be for ever lost, and to record, as far as I may, the warning which seems to me to be uttered by every one of the fast-gaining waves, that beat, like passing bells, against the Stones of Venice.

In The Stones of Venice, John Ruskin explores the intricate relationship between architecture, society, and morality, presenting a comprehensive critique of Venetian Gothic architecture. Through rich descriptions and detailed illustrations, Ruskin examines the aesthetic principles underlying the citys edifices and their cultural significance. The book stands as a manifesto for the importance of craftsmanship and beauty in architecture, juxtaposing the splendor of Venice with the emerging industrial practices of his time. Written in a highly ornate and poetic style, RuskinAos work transcends mere architectural criticism, delving into philosophical reflections on art and its moral implications, thus rooting the narrative firmly within the Victorian context of art appreciation and social critique. John Ruskin (1819-1900), a prominent art critic, social thinker, and leading figure of the Victorian era, was deeply influenced by his experiences in Venice and his passion for art. His travels in Italy profoundly impacted his understanding of aesthetic beauty and its alignment with ethical living. Ruskins advocacy for the Arts and Crafts movement, along with his fierce resistance to industrialization and mass production, is contextualized through this work, which serves not only as a celebration of Venices architectural grandeur but also as a cautionary tale against the loss of artistry in the modern world. Readers seeking a deeper understanding of the intersection between art, architecture, and morality will find The Stones of Venice an indispensable text. It invites reflection on the broader human experience and underscores the significance of preserving beauty in our environments. In a world increasingly dominated by utilitarianism, RuskinAos stirring prose and passionate arguments make this work not just relevant but essential for anyone interested in arts power to shape society.

In "The Stones of Venice," John Ruskin offers a profound exploration of architecture, art, and the moral underpinnings of society. This multi-volume work deftly combines vivid descriptions, detailed analyses, and historical insights, delving deep into the construction and aesthetics of Venetian architecture as a reflection of cultural values. Ruskin employs an evocative literary style rich in metaphor and symbolism, illuminating how the intricate details of buildings inspire both moral contemplation and societal critique. Its context emerges from the Victorian eras fascination with art and history, against the backdrop of burgeoning industrialization that threatened traditional craftsmanship. John Ruskin, a pivotal figure in the Victorian art movement, was an ardent advocate for craftsmanship and the beauty of nature, deeply influenced by his environmental convictions and a reverence for medieval artistry. His extensive travels in Europe, particularly his admiration for Venice, fueled his belief that architecture is a moral and philosophical reflection of its time. Ruskins commitment to social reform and his concern for the decline of artisan craftsmanship are evident throughout this work, as he seeks to reconnect art with ethical living. Readers seeking a rich, interdisciplinary examination of architecture and its role in society will find "The Stones of Venice" an indispensable tome. Ruskins eloquence and passionate advocacy for aesthetic and moral values resonate with contemporary issues in art and culture, making this seminal work a critical read for anyone interested in the intersections of art history, philosophy, and social criticism.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In "The Stones of Venice," John Ruskin embarks on a profound exploration of the architectural grandeur and aesthetic philosophies embedded within the gothic structures of Venice. Through meticulous descriptions and detailed analyses, Ruskin crafts a rich narrative that marries art and moral philosophy, arguing for a deeper appreciation of craftsmanship and the intrinsic value of beauty in society. His literary style is characterized by lyrical prose interwoven with historical references and socio-political critique, situating the work within the broader Victorian discourse on industrialization and its impact on artistry and culture. John Ruskin (1819-1900) was a leading art critic, social thinker, and advocate for the Arts and Crafts movement, influenced by his formative years steeped in the beauty of nature and architecture. His extensive travels across Europe and his deep convictions about the decline of moral integrity in art fueled his desire to engage with and preserve the artistic heritage of the past, particularly in the face of rapid industrialization. This background inspired him to examine Venice, a city emblematic of artistic richness and cultural decay. "The Stones of Venice" is a must-read for anyone interested in art history, architecture, or the interplay between ethics and aesthetics. Ruskins insights resonate powerfully today, inviting readers to reconsider the significance of beauty in our increasingly mechanized world, making it a timeless and essential work.

The Stones of Venice is a three-volume treatise on Venetian art and architecture by English art historian John Ruskin. Ruskin examines Venetian architecture in detail, describing for example over eighty churches. He discusses architecture of Venices Byzantine, Gothic and Renaissance periods, and provides a general history of the city. As well as being an art historian, Ruskin was a social reformer. He set out to prove how Venetian architecture exemplified the principles he discussed in his earlier works.

Another updated bestseller in the "Smart Approach" series, The Smart Approach to Kids Rooms starts with the premise: "Think like a professional." Parents will find all the inspiration and information they need to create any kids dream room. Chapters include a basic primer on the general principles of good design and how to apply them to individual needs and lifestyles. Topics include: working with color, choosing furniture, organizing space, storage, special ideas for walls, windows, and floors, plus safety tips. One chapter addresses designing for children with special needs.

In "The Seven Periods of English Architecture Defined and Illustrated," Edmund Sharpe offers a meticulous examination of English architectural styles from the Norman Conquest to the Gothic Revival. This seminal work is characterized by its clear, systematic delineation of architectural periods, accompanied by detailed illustrations that serve to enhance the readers understanding of each styles unique features. Sharpes scholarship reflects the Victorian eras burgeoning interest in historical architecture, situating the text within a context of both architectural theory and practice, as he seeks to foster an appreciation for Englands rich architectural heritage. Edmund Sharpe, a noted architect and antiquarian, was profoundly influenced by the prevailing Romantic ideals of his time, which emphasized a connection to the past and an appreciation of craftsmanship. His firsthand experience with architecture, coupled with his role as a member of the Cambridge Camden Society, positioned him well to create a work that not only documents but also celebrates the evolution of English architecture. Sharpes passion for the subject matter is evident in his thoughtful analysis and illustrative skill, showcasing his commitment to architectural education and heritage preservation. This book is an essential read for anyone interested in architecture, history, or the evolution of cultural identity in England. Sharpes authoritative voice and captivating revelations provide readers with a profound understanding of the aesthetic and academic significance of English architecture. Engaging for both scholars and enthusiasts, this work is a cornerstone text that transcends time, enriching our appreciation for the built environment.

In "The Seven Periods of English Architecture Defined and Illustrated," Edmund Sharpe meticulously delineates the evolution of English architecture from the Anglo-Saxon era to the Victorian age. Combining keen observation with detailed illustrations, the book is both an artistic and scholarly work, showcasing Sharpes commitment to elucidating the architectural styles, structural innovations, and aesthetic values of each period. His analytical approach situates the architectural developments within the broader cultural and historical context, making this work not merely an architectural treatise but a comprehensive study of Englands architectural heritage. Edmund Sharpe, a prominent Victorian architect and a key figure in the Gothic Revival, was deeply influenced by the architectural debates of his time. His extensive experience as both a practitioner and theorist fueled his determination to catalog and define English architecture. Sharpes dedication to preserving historical styles and promoting an appreciation for Gothic design is evident in this work, a reflection of his belief in the moral and cultural significance of architecture. This book is essential for anyone interested in architectural history, students of design, and enthusiasts of the Gothic Revival. Sharpes passion and expertise render this text a compelling and informative resource, making it indispensable for understanding the rich tapestry of English architectural tradition.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

Some years ago, in conversation with an artist whose works, perhaps, alone, in the present day, unite perfection of drawing with resplendence of color, the writer made some inquiry respecting the general means by which this latter quality was most easily to be attained. The reply was as concise as it was comprehensive"Know what you have to do, and do it"comprehensive, not only as regarded the branch of art to which it temporarily applied, but as expressing the great principle of success in every direction of human effort; for I believe that failure is less frequently attributable to either insufficiency of means or impatience of labor, than to a confused understanding of the thing actually to be done; and therefore, while it is properly a subject of ridicule, and sometimes of blame, that men propose to themselves a perfection of any kind, which reason, temperately consulted, might have shown to be impossible with the means at their command, it is a more dangerous error to permit the consideration of means to interfere with our conception, or, as is not impossible, even hinder our acknowledgment of goodness and perfection in themselves.