Ebooks de música, página 27 de 357

In "The Wagner Story Book," William Henry Frost deftly reinterprets the intricate tales of Richard Wagners operatic masterpieces, weaving together narrative and musicology in a rich tapestry that illuminates the cultural and historical landscape of 19th-century Europe. Frosts prose is both lyrical and analytical, offering readers a nuanced exploration of the themes, characters, and musical motifs that define Wagners oeuvre. Written at a time when Wagner was both revered and criticized, this work situates the operas within broader socio-political contexts, making it a significant contribution to operatic scholarship. William Henry Frost, an esteemed musicologist and a passionate advocate for Wagners works, drew upon his extensive studies of German opera and literature when crafting this volume. His profound appreciation for Wagners artistic vision, coupled with his ability to synthesize complex musical ideas into accessible narratives, reveals a deep understanding of the emotional and philosophical undertones present in Wagners compositions. Frosts academic background likely inspired him to bridge the gap between scholarly analysis and the pleasures of storytelling. For anyone captivated by the allure of opera or seeking to deepen their understanding of Wagners complex narratives, "The Wagner Story Book" is an essential read. It not only serves as an engaging introduction to Wagners operas but also enriches the readers appreciation of the underlying themes and artistic endeavors that continue to resonate in modern interpretations.

In "The Wagner Story Book," William Henry Frost artfully adapts key narratives from Richard Wagners legendary operas into a format accessible to both children and adults. Written in a lyrical prose style that echoes the grandeur of Wagners own musical themes, this collection captures the essence of epic tales such as "The Ring of the Nibelung" and "Tristan und Isolde." FrostAos nuanced storytelling provides readers with a rich understanding of the operatic context, while the vivid imagery and character-driven plots invite readers into an enchanting world where love, betrayal, and heroism prevail amidst a backdrop of mythical landscapes. William Henry Frost was a prominent literary figure in the late 19th century, known for his passionate engagement with the arts and a deep-seated admiration for Wagnerian opera. His background in music, coupled with his expertise in literature, enabled him to translate complex operatic themes into a cohesive narrative suitable for a wider audience. This blend of cultural knowledge and artistic ambition motivated Frost to create a work that not only entertains but also educates readers about WagnerAos monumental contributions to the world of opera. "The Wagner Story Book" is highly recommended for both Wagner enthusiasts and casual readers alike. It transcends age barriers, making it an excellent addition to family libraries while also serving as a resource for educators. Frosts engaging prose captivates the imagination, ensuring that readers will gain insight into the profound emotional landscapes that define Wagners operatic masterpieces.

People who take to the Wagner Experience encounter something wonderful, like gazing into a silver mirror which dissolves into a miraculous, self-contained world, glinting with life-changing possibilities. There are others who sense its appeal but find it difficult, and the first aim of this study is to provide an Open Sesame for anyone wanting it. From the authors introduction In this bicentenary celebration of Wagner and his music, Paul Dawson-Bowling introduces, deepens and enriches the Wagner Experience for the newcomer and the seasoned Wagnerian alike. Expounding in colourful style the stories, the sources and the lessons of Wagners great dramas, he offers unusual insights into the man, his works and their meaning, while grappling with the musics almost occult power. Before taking us through the ten great dramas themselves, he discusses Wagners formative experiences, his aspirations and his mentality; also his first wife Minna and her immense but unrecognised impact. This sets up lenses through which the reader may more accurately view not only Wagner the man and his less appealing aspects, but, more importantly, his stage works, since, as Dawson-Bowling insists, the best encounter with Wagners dramas is the direct one. Uniquely drawing on a lifetimes experience in General Medical Practice, the author brings a wisdom, humanity and psychological understanding to his study of the life and work of Wagner, with especial reference to the thought of Carl Jung. Above all, this book draws out the vital lessons which Wagners extraordinary, didactic dramas can offer us. It reveals their lessons as life-enhancing: capable of transforming our society, our lives and ourselves. There is no other book about Wagner quite like it.

For over a century the Wagners have presided over the Bayreuth Festival, playing host to many of the greatest and ghastliest figures in the arts and politics amidst family in-fighting and political controversy. Drawing on extensive interviews with members of the family and on both archive and recent material, Jonathan Carr presents a balanced but gripping portrait of the Wagners and their circle; a story which presents a mirror of Germanys rise, fall and resurrection.

The W Street Family Travels to Africa introduces us to the familys adventure on a new continent - Africa. Aunt Wanda prepares the kids for a great adventure: a real safari. And the most amazing thing: Wowlet, who could not fly with them, is trained by Aunt Wanda to fly safely to Africa, across the Atlantic, and meet them at their hotel. What the family didnt expect is that, besides the Safari adventure where they meet various animals from the Savannah, they would experience another super cool adventure: getting to know the story of a real hero, Nelson Mandela. And learn that the fight for freedom and justice should not be forgotten.

The fields of performance studies, empirical musicology, and the musicology of recordings have seen a tremendous development in recent years, shedding new light on the recent history of our performing tradition and conveying essential information to music practitioners, critics and audiences.This innovative work considers the notion of bel canto and the manner in which this vibrant tradition lives in the records of Luisa Tetrazzini (1871-1940), one of the most celebrated sopranos ever. Tetrazzini, whose discographic career includes about 120 recordings, belongs to that generation of inspirational performers who heralded the dawn of a new era of music appreciation, alongside such iconic figures as Enrico Caruso, Adelina Patti and Nellie Melba.Drawing on a vast body of scholarship and a number of contemporary reviews, Massimo Zicari establishes Tetrazzinis role in the Italian operatic tradition and its much disputed set of performing conventions. His transcriptions of her recorded interpretations from Rossini, Donizetti, Bellini and Verdi will prove invaluable to singers and conductors interested in a tradition that goes back to legendary figures such as Jenny Lind and Maria Malibran. The author also discusses her voice quality and technique, tempo flexibility, her use of vibrato and portamentofeatures of musical performance that question several widely-held, normative views about aesthetics and interpretative tradition.The volume includes eighty-eight musical examples and its closing section consists of the vocal scores of thirteen operatic arias. The musical material (both examples and transcriptions) is entirely original. This unique approach seeks to combine an academic perspective with the making of the music, in the hope that the plea for originality may be enhanced by models from the past.

The famous finger training exercises by Hanon for specifically improving strength, dexterity and independence: They cover basic techniques and typical musical contexts which can be transferred to all kinds of styles. New edition with clearly legible notation and modernized texts.

E possibile acquisire e mantenere un buon livello tecnico avendo poco tempo da dedicare allo studio del violino?Come si puo ottenere una conoscenza integrale della tastiera, una piu precisa intonazione nella lettura dei brani, una maggiore sicurezza nellesecuzione e un volume di suono piu ampio?Questo metodo per violino e realizzato attraverso esercizi basati su scale e arpeggi che si soffermano principalmente sulle posizioni alte delle quattro corde del violino mettendo il violinista in condizione di acquisire sicurezza nelle zone scomode e poco usate della tastiera; inoltre, il braccio e la mano sinistra assumeranno naturalmente la posizione corretta grazie allazione dello stretching che i muscoli svolgono nellesercizio delle posizioni alte.The Violinsts Workout e, dunque, rivolto sia ai violinisti professionisti che agli studenti di livello superiore per allenarsi e mantenersi sempre in forma.Is it possible to reach and maintain a good technical level even when time to study violin is limited?How can a violinist know his fingerboard thoroughly, perform pieces with more intonation, play with more confidence and reach a higher volume of sound?This method for violin is based on exercises with scales and arpeggios that focus on high positions on the strings. It enables the violinist to get familiar with hard-to-reach and little-used spots on the fingerboard. Plus, the left arm and the left hand naturally sit in their correct position thanks to the stretching action performed by muscles in high positions.The Violinsts Workout is intended for both professional violinists and high-level students who want to practice and stay in good shape.

E possibile acquisire e mantenere un buon livello tecnico avendo poco tempo da dedicare allo studio del violino?Come si puo ottenere una conoscenza integrale della tastiera, una piu precisa intonazione nella lettura dei brani, una maggiore sicurezza nellesecuzione e un volume di suono piu ampio?Questo metodo per violino e realizzato attraverso esercizi basati su scale e arpeggi che si soffermano principalmente sulle posizioni alte delle quattro corde del violino mettendo il violinista in condizione di acquisire sicurezza nelle zone scomode e poco usate della tastiera; inoltre, il braccio e la mano sinistra assumeranno naturalmente la posizione corretta grazie allazione dello stretching che i muscoli svolgono nellesercizio delle posizioni alte.Is it possible to reach and maintain a good technical level even when time to study violin is limited?How can a violinist know his fingerboard thoroughly, perform pieces with more intonation, play with more confidence and reach a higher volume of sound?This method for violin is based on exercises with scales and arpeggios that focus on high positions on the strings. It enables the violinist to get familiar with hard-to-reach and little-used spots on the fingerboard. Plus, the left arm and the left hand naturally sit in their correct position thanks to the stretching action performed by muscles in high positions.

In "The Violin," George Dubourg masterfully intertwines narrative and musicality, offering a profound exploration of the historical and emotional significance of the violin. Through rich, lyrical prose, Dubourg delves into the instruments evolution, its role in various cultural contexts, and its influence on composers and musicians throughout history. The book is meticulously crafted, employing vivid imagery and detailed descriptions that not only evoke the aesthetic experience of music but also illuminate the intimate relationship between the violinist and their instrument. Situating his work within the broader scope of literary and musical scholarship, Dubourg engages with themes of artistry, identity, and the essence of sound, making his text a crucial contribution to the field of musicology and literature alike. George Dubourg, a celebrated musician turned author, draws from his extensive experience and passion for music to craft this illuminating work. Having spent decades performing and teaching the violin, Dubourg possesses a unique insight into the instruments technical complexities and emotional depths. His firsthand encounters with legendary violinists, as well as his studies in the intricate interplay of music and narrative, have shaped his understanding of the violin as not just an instrument, but a vessel of human expression. I highly recommend "The Violin" to readers, both aficionados of music and those new to its appreciation. Dubourgs incisive analysis and lyrical storytelling create an engaging entry point into the world of classical music and its cultural ramifications. This book serves not only as an enriching resource for scholars and musicians but also as a captivating read for anyone seeking to understand the profound impact of the violin on the human experience.

In "The Violin," George Dubourg masterfully intertwines the intricate history of the violin with a deeply personal narrative that reflects on the instruments emotional resonance in the lives of musicians. With a unique literary style that seamlessly blends scholarly insight and poetic reflection, Dubourg delves into the technical evolution of the violin, examining its craftsmanship, cultural significance, and the profound connections it fosters between performer and audience. The book serves not only as a historical account but also as a meditative exploration of art and identity, offering readers an enlightening journey through the violins storied past. George Dubourg, a renowned violinist and musicologist, draws upon his extensive experience in both performance and academia to create this illuminating work. His passion for the violin is evident, shaped by years of study and a personal commitment to preserving its legacy. Dubourgs background in music education and historical research informs his authoritative perspective, allowing him to convey the violins complexities with both clarity and depth, inviting readers to appreciate its multifaceted allure. For those intrigued by music history, the artistry of string instruments, or the personal narratives woven through musical expression, "The Violin" is an essential read. Dubourgs eloquent prose and thorough research invite both scholars and casual readers alike to explore the significant role the violin plays in shaping human experience and creativity.In this enriched edition, we have carefully created added value for your reading experience:- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

La última y más profunda biografía sobre la mítica banda The Velvet Underground que revolucionó los parámetros de la música para siempre, publicada con motivo del 10º aniversario de la muerte de Lou Reed.Una extraordinaria obra que se sumerge en la naturaleza vanguardista del grupo, de como impusieron un lenguaje que rompia con lo heteronormativo, su aportacion al feminismo a traves de Moe Tucker y Nico, de como Lou Reed introdujo la literatura en el rock y como Cale relaciono las musicas de vanguardia, de como crean el patron de lo que años mas tarde sera la musica independiente, a la vez que plantaron las semillas del glam y el punk, y de como la influencia de Warhol sobre la Velvet origina un modelo que muchas otras bandas neoyorquinas como Blondie o Talking Heads aplicaron a su manera.En definitiva, una historia apasionante que ocurre en un lugar Nueva York, y un momento de la historia los años sesenta, que se desarrolla como un drama humano amistad, celos, juegos de poder, pasiones que terminaran dejando una huella profunda en la cultura futura.

Paul McCartney has often initiated and participated in projects that have taken him a long way from the kind of music associated with The Beatles, Wings and his work as a solo artist. These projects include the psychedelic tape loop experiments of the 1960s, the Percy Thrillington diversion in the 1970s and more recent albums recorded, as The Fireman as well as even more obscure activity, much of which this book reveals in depth for the first time. Ian Peel has interviewed many of McCartneys intimate musical associates from this less familiar side of his career. These include Youth, Super Furry Animals, Nitin Sawhney, playwright Arnold Wesker and, perhaps most surprisingly of all, Yoko Ono. What emerges is a unique insight into an apparently over-familiar public figurePaul McCartney, experimental musician.

Irvine Arditti, der auergewohnliche Geiger, Spezialist fur Neue Musik und Primarius des phanomenalen Arditti Quartetts, und der Komponist und Dirigent Robert HP Platz haben sich zusammengetan, um uber zeitgenossische Violintechniken zu schreiben. Detaillierte Erklarungen des technisch auf der Violine Moglichen werden hier fur Interpreten, aber auch fur Komponisten gegeben.Dabei wird die Virtuositat einer neuen Generation von Solisten berucksichtigt, die durch ihre auerordentlichen Fahigkeiten den Weg zu einem tieferen Verstandnis sowohl von klassischer als auch von neuer Musik geebnet haben.Die Kapitel zur Bogentechnik, zum Vibrato, Pizzicato, Glissando, zu Flageoletts, Tabulaturen, zum Rhythmus und zu speziellen Aspekten der elektronischen Klangerzeugung werden durch zahlreiche anschauliche Notenbeispiele und Schemata illustriert.Besonders hilfreich sind die Videoaufnahmen, auf die aus dem eBook heraus verlinkt wird. Darin realisiert und erlautert Arditti selbst die im Buch beschriebenen Techniken auf der Geige. Kapitel zu den Grundlagen der Violintechnik und zu Irvine Ardittis ganz personlichen Erfahrungen mit namhaften Komponisten machen das Buch auch fur Nicht-Geiger interessant.

Dieses Buch fur die Tuba ist ein Wegbegleiter fur Komponisten und Instrumentalisten. Es vertieft das Verstandnis fur diese eher wenig beachtete Instrumentenfamilie. Fur Tubisten bietet das Handbuch die Moglichkeit, neue Klangtechniken ihres Instrumentes naher kennenzulernen und diese besonders im Bereich der Neuen Musik spezifisch einzusetzen.Jack Adler-McKean gibt hilfreiche Anleitungen zu verschiedenen Stimmmechanismen, zu Resonanzeigenschaften, neuen Notationsprinzipien und zeitgenossischen Praktiken. Mit Hilfe neuer Forschungstechniken werden Klangerzeugungs- und -modifikationsprozesse segmentiert und neu aufgebaut, um die breite Palette der klanglichen Besonderheiten der Tubafamilie darzustellen. Viele davon sind auch fur andere Blechblasinstrumente anwendbar.Zahlreiche Notenbeispiele und Grafiken erlautern den Text, der zudem durch instruktive Klangbeispiele, herunterladbar von der Barenreiter-Website, ausgestattet ist.

Mike Svoboda hat zur "Spieltechnik der Posaune" ein Buch geschrieben, das als wertvoller Begleiter fur Komponisten und Posaunisten gedacht ist.Fur den Komponisten, um die aktuelle spieltechnische Praxis kennenzulernen und sie kreativ weiterzuentwickeln.Fur den Posaunisten, um sein vielfaltiges Instrument als multifunktionalen Klangkorper zu verstehen und einzusetzen.In Zusammenarbeit mit dem Komponisten Michel Roth erkundet Mike Svoboda das, was man heute als "die unbegrenzte Erweiterung neuer spieltechnischer Moglichkeiten" bezeichnen konnte: Mikrointervalle, Multiphonics und die Kombination des Posaunenklangs mit der Stimme alles technisch genau beschrieben und mit vielen kommentierten Werkbeispielen illustriert. Mit zahlreichen Tabellen und Notenbeispielen zu Grundlagen und zu erweiterten Spieltechniken der Posaune Mit praktischen Informationen u.a. zu Dampfern, Repertoire etc. Mit 92 Sound-Files und 5 neu komponierten Etuden zum Download auf der Barenreiter-HomepageDie AutorenMike Svobodaist seit September 2007 Professor fur Posaune und zeitgenossische Kammermusik an der Hochschule fur Musik in Basel. Von entscheidender Bedeutung fur seinen kunstlerischen Weg war die beinahe 11 Jahre wahrende Zusammenarbeit mit Karlheinz Stockhausen in den 1980- und 1990-Jahren. Durch den Austausch mit ihm und anderen Komponisten wie Peter Eotvos, Beat Furrer, Helmut Lachenmann, Wolfgang Rihm und Frank Zappa brachte Svoboda in den vergangenen 30 Jahren mehr als 400 Werke zur Urauffuhrung.Michel Rothist Professor fur Komposition und Musiktheorie an der Hochschule fur Musik Basel und Mitglied der dortigen Forschungsabteilung. Als Komponist ist er regelmaiger Gast an diversen internationalen Musikfestivals, in jungerer Zeit besonders im Bereich Musiktheater. Mehrere Radio- und CD-Produktionen dokumentieren sein Schaffen, fur das er u. a. den Kompositionspreis der Musica Viva Munchen erhalten hat. Daneben forscht und publiziert er uber musik- und kunsttheoretische Themen.

Gegenuber der traditionellen Literatur verlangt die Musik des 20. und 21. Jahrhunderts den Sangern ein wesentlich groeres Spektrum an Fahigkeiten ab.Nicholas Isherwood erlautert diese Techniken anhand zahlreicher Literatur-Beispiele, gibt praktische Ubungstipps und fuhrt die Techniken in Klangbeispielen vor.Anhand von Berios "Sequenza III" zeigt Isherwood exemplarisch, wie sich Sanger ein solches Werk Schritt fur Schritt erarbeiten konnen. Das Buch enthalt zudem einen Uberblick uber das Repertoire fur Solo-Stimme mit Markierung derjenigen Stucke, die auch fur Einsteiger geeignet sind.Komponisten werden vor allem von den Informationen zu verschiedenen Stimmregistern, ihren Moglichkeiten und Grenzen profitieren. Daruber hinaus geben die Literatur-Beispiele einen Einblick in die verschiedenen moglichen Notationsweisen.Mit Kapiteln unter anderem zu folgenden Themen:- Von Flustern bis Schreien- Umgang mit elektrischer Verstarkung- Mikrointervalle- Multiphonics- Vibrato- Register- Beweglichkeit- Gesang und darstellendes Spiel- Improvisation

Der renommierte Schlagzeuger Christian Dierstein hat zusammen mit einer Forschungsgruppe der Hochschule fur Musik Basel die Spieltechniken auf dem Schlagzeug aus neuartiger Perspektive erforscht. Im Zentrum stehen nicht die Schlaginstrumente, sondern ihre Anreger: Schlagel, Hammer, Bogen, spezifische Handtechniken bis hin zu elektronischen Impulsgebern. Sie alle werden im Buch detailliert beschrieben und ihr Anwendungsspektrum in sorgfaltig ausgewahlten und kommentierten Literaturbeispielen dargestellt.Zahlreiche Essays von Gastautoren wie Nicolaus A. Huber, Steven Schick, Fritz Hauser und Bernhard Wulff verankern die spieltechnischen Beschreibungen im zeitgenossischen asthetischen Diskurs. Sie verdeutlichen, dass im aktuellen Komponieren und seinem erweiterten Material- und Performancebegriff gerade die Frage der Anregung und der Interaktion mit Klangobjekten ins Zentrum ruckt. Entstanden ist ein umfassendes Nachschlagewerk fur Komponisten und Interpreten, das sich auch als Inspiration fur zukunftige und innovative Herangehensweisen ans Schlagzeugspiel versteht.Die AutorenChristian Dierstein absolvierte sein Musikstudium bei Bernhard Wulff in Freiburg, bei Gaston Sylvestre in Paris und bei Wassilios Papadopulus in Mannheim. Er ist Preistrager zahlreicher Wettbewerbe. Seit 1988 ist er Schlagzeuger des "ensemble recherche", seit 1994 des "Trio accanto" zusammen mit Nic Hodges und Marcus Weiss und seit 2001 Professor fur Schlagzeug und neue Kammermusik an der Hochschule fur Musik in Basel.Michel Roth ist Professor fur Komposition und Musiktheorie an der Hochschule fur Musik Basel und Mitglied der dortigen Forschungsabteilung. Als Komponist ist er regelmaiger Gast bei internationalen Musikfestivals, in jungerer Zeit besonders im Bereich Musiktheater. Zusammen mit Mike Svoboda veroffentlichte er 2017 bei Barenreiter den Band "Die Spieltechniken der Posaune".Jens Ruland studierte von 2007 bis 2012 bei Carlos Tarcha an der HfMT Koln Schlagzeug und schloss das kunstlerische und padagogische Diplom mit Auszeichnung ab. Seit 2012 vertieft er seine Studien in Basel bei Christian Dierstein. Er ist Grundungsmitglied bei "handwerk" (Koln), "232 percussion" (Koln), "Ensemble New4Art" (Schweiz) und dem Musiktheaterduo "Akt-tkA" (Spanien/Schweiz).

Der Gitarrist Seth F. Josel und der Komponist Ming Tsao geben in ihrem gemeinsam geschriebenen Buch einen umfassenden Uberblick uber zeitgenossische Spieltechniken der klassischen Gitarre. Pragend war hierbei eine neue Generation von Gitarren-Solisten, die durch ihre auerordentlichen technischen und virtuosen Fahigkeiten einem neuen Verstandnis von instrumentaler Auffuhrungspraxis den Weg geebnet haben. Detallierte Erklarungen uber das, was technisch auf dem Instrument moglich ist, werden prasentiert und im Hinblick auf die traditionelle Gitarrentechnik in einen historischen Zusammenhang gestellt. Fur Komponisten interessant sind die ausfuhrlichen Analysen von zeitgenossischer Gitarrenliteratur, die viele Beispiele aus Kammer- und Ensemblemusik mit einbeziehen.Vier Hauptkapitel beschreiben Techniken der rechten und der linken Hand Besondere Harmonien und perkussive Techniken Die Hauptinstrumente der Gitarrenfamilie und ihre Moglichkeiten Notationsmoglichkeiten fur zeitgenossische GitarrenliteraturDetaillierte Grafiken zu Multiphonics-, Bitones- und Perkussions-Techniken sowie Audio-Tracks, auf die aus dem Buch heraus verlinkt wird, erganzen die im Buch beschriebenen Beispiele.