Ebooks de música, página 38 de 358

I call this series I dont read music since Im targeting beginners of all ages: children, teens, parents, and grandparents.Folk music traditionally is not learned from sheet music or notes. Instead, it is learned by repetition and being passed from generation to generation. I believe in this method of teaching, which is easier and more enjoyable.This e-book includes 58 familiar and easy-to-play folk songs and melodies. Each song here is written with color circles and letter notes inside. All songs have been simplified and transposed for one octave. This learning sheet music will be most useful for the instrument with the color scheme below: C = red, D = orange, E = yellow, F = green, G = light blue, A = blue, B = violet, and C8 = red.Since this e-book is aimed at the absolute beginner without any knowledge of reading music, I do not use here the classical music staff and do not show the note duration. You can experiment with the duration on your own.If you have very little music experience, playing by note can be difficult. It is easier to follow color-coded circles with note letters. By simply following the color circles, you will sound like an experienced musician. I use here the Boomwhackers color system commonly used by American music teachers.My simple method of using circles as an aid allows the flexibility that existed in traditional ways of teaching. I recommend finding each of these songs on YouTube and listening to the rhythm before beginning to play. My sheet music is only a guide. The most important thing is to listen and repeat what is heard in the recordings.ContentsAlphabet SongA Hunting We Will GoA Sailor Went to SeaAcka BackaAre You Sleeping?Baa Baa Black SheepBaby Bumble BeeBell HorsesBim Bum BiddyBobby ShaftoBrahms LullabyChumbaraCobbler, Mend My ShoeCock-a-Doodle DooDing Dong DiggiDiggiDongDo You Know the Muffin Man?Doggie DoggieFiddle-Dee-DeeFive Little DucksFive Little MonkeysFrog in the MeadowHappy BirthdayHot Cross BunsIts RainingItsy Bitsy SpiderJack and JillJingle BellsJolly Old Saint NicholasKookaburraLa CucarachaLittle Jack HornerLondon BridgeMary Had a Little LambMiss Mary MackMy HatNinety-Nine BottlesOde to JoyOh SusannahOh We Can Play on the Big Bass DrumOld Bald EagleOld BlueOld McDonaldOld Mother HubbardRain, Rain, Go AwayRing Around the RosieRow Row Your BoatRub-a-Dub-DubSee-Saw Margery DawTen in the BedThe Bee and the PupThe Big SheepThe Mulberry BushThe Wheels on the BusThis Old ManTinga LayoTo Market, To MarketTwinkle, Twinkle Little StarWe Wish You a Merry Christmas

I call this series I dont read music since I am targeting beginners of all ages: children, teens, parents, and grandparents.Folk music traditionally is not learned from sheet music or notes. Instead, it is learned by repetition and being passed from generation to generation. I believe in this method of teaching, which is easier and more enjoyable.This songbook includes 65 familiar and easy-to-play songs and melodies.Most songs have been simplified and transposed for one octave.So the songbook is suitable even for a diatonic 8-note kalimba in C-scale, and 10- or 17-note as well.Since this e-book is aimed at the absolute beginner without any knowledge ofreading music, I do not use here the classical music staff and do notshow the note duration. You can experiment with the duration on your own.I recommend finding each of these songs on YouTube and listeningto the rhythm before beginning to play. My sheet music is only a guide.The most important thing is to listen and repeat the recordings.If you are a beginner, playing by note can be difficult.It is easier to follow number-coded circles in this songbook. By simply followingthe numbers, you will sound like an experienced musician.Contents:Alphabet SongA Hunting We Will GoA Sailor Went to SeaAcka BackaAre You Sleeping?Baa Baa Black SheepBaby Bumble BeeBell HorsesBim Bum BiddyBobby ShaftoBrahms LullabyChumbaraCobbler, Mend My ShoeCock-a-Doodle DooCotton Eyed JoeDing Dong DiggiDiggiDongDo You Know the Muffin Man?Doggie DoggieDoctor FosterFiddle-Dee-DeeFive Little DucksFive Little MonkeysFrog in the MeadowGood Night, LadiesHappy BirthdayHot Cross BunsHumpty DumptyI Like to Eat Apples and BananasI Love Little KittyIts RainingItsy Bitsy SpiderJack and JillJingle BellsJolly Old Saint NicholasKookaburraLa CucarachaLittle Jack HornerLondon BridgeMary Had a Little LambMiss Mary MackMy HatNinety-Nine BottlesOde to JoyOh SusannahOh We Can Play on the Big Bass DrumOld Bald EagleOld BlueOld McDonaldOld Mother HubbardOne, Two, Three, FourRain, Rain, Go AwayRing Around the RosieRow Row Your BoatRub-a-Dub-DubSee-Saw Margery DawTen in the BedThe Bee and the PupThe Big SheepThe Mulberry BushThe Wheels on the BusThis Old ManTinga LayoTo Market, To MarketTwinkle, Twinkle Little StarWe Wish You a Merry Christmas

Through music, we are brought together and we can gain a better understanding of people from all corners of the Earth.I call this series I Dont Read Music since I am targeting beginners of all ages: children, teens, parents, and grandparents.This e-book includes 54 popular, rhythmic, and easy-to-play folk songs and melodies from all over the world. Since this e-book is aimed at the absolute beginner without any knowledge of reading music, I do not use the classical music staff and do not show the note duration. Each song here is written without classic musical notation but only with circles and numbered notes inside. First of all, I recommend following the QR-code which you will find on each page, listening to the song on YouTube, and then trying to repeat what is heard in the recordings. It will help to understand the rhythm pattern and duration.Keep in mind that folk music traditionally is not learned from sheet music or notes. Instead, it is learned by repetition and through being passed from generation to generation. I believe in this method of teaching, which is easier and more enjoyable. For learning purposes, all songs have been simplified and adapted especially for kalimba. Most songs have been transposed for one octave.So you can use an 8-note kalimba, but if you want to play all 54 songs, you should have a 10- or 17-note kalimba.Getting to know music from around the world can be one of the most exciting and appealing ways to be introduced to new and different cultures. Music is a universal language, meaning that it transcends borders and opens up an entirely new way of thinking.Table of contentsNorth AmericaAlice the CamelAni Couni ChaouaniAura LeeChicken on a Fence PostBim Bum BiddyBuckeye JimLil Liza JaneThe Farmer in the DellKum-Ba-YahPeace Like a RiverLand of the Silver BirchMy PaddleLatin AmericaBrinca la TablitaCucarachaDoDo Petit PoPoTingalayoCumpleanos FelizLost my Gold RingAfricaBanuwaChe Che KoolayDo-Do-Ki-DoFunga AlafiaKanzenzenzeLabe-igi-OromboObwisanaSansa KromaShosholozaSiyanibingelelaWelcome SongEuropeFive Little DucksFive Little MonkeysHush Little BabyOld Mother HubbardThis Old ManSee-Saw Margery DawDonde estan las LlavesAu Clair de la LunePirouette CacahueteFrere Jacques (Are You Sleeping?)Un Petit CochonVous Diraije Maman (Twinkle Little Star)Giro-Giro-TondoMein Hut (My Hat)O, TannenbaumAsiaKalinkaEkmek BuldumKum Bachur AtzelAnile, AnileGayatri MantraMaha Mrityundjaya MantraZhao Peng YouHotaru KoiAustralia and OceaniaEpo-i-Tai-Tai-eKangaroo, Skippy Roo

Six Original Compositions for Brass QuintetComposed by Alessandro Macri: Heroes, Philips Theme, Symphonic Sounds, The Dream of a Knight, The nine days, Ecce crux domini. In questa raccolta di composizioni originali per quintetto di ottoni, scritte dal compositore ed arrangiatore Alessandro Macri, si racconta "Un viaggio attraverso colori e immagini evocative, sonori richiami ad un mondo cavalleresco, tra fanfare e eroiche visioni".

12 chapters about one of the greatest albums in Rock history: The Doors"Strange Days" (September 1967).Packed with details and insights (more than 180 footnotes), "The Doors Through Strange Days" presents the arrangements, instrumentation, techniques, sound effects, and structure of all the LPs songs. Not forgetting the deep meaning of the lyrics and the interplay between words and music.All instruments and sounds were "deciphered" (in some cases for the first time) with the help of professional musicians. In addition, within each chapter youll find listening suggestions to specific parts of the songs to supplement the reading.The book follows the evolution of this historic record from its conception to its lesser-known passages, using evocative images and metaphors.The reader will gain access to an unprecedented experience of "Strange Days," discovering its secrets, intensely experiencing its emotions and listening to it in a far more conscious and satisfying way.

12 capitoli che passano in rassegna uno dei piu grandi album nella storia del Rock: "Strange Days" dei The Doors (settembre 1967). Ricco di dettagli e approfondimenti (piu di 200 note), "The Doors Attraverso Strange Days" presenta tutti gli arrangiamenti, la strumentazione, le tecniche, gli effetti sonori e la struttura del secondo LP della band (canzone per canzone). Senza dimenticare il significato profondo dei testi e linterazione tra parole e musica. Tutti gli strumenti e i suoni sono stati "decifrati" (in diversi casi per la prima volta) con laiuto di musicisti professionisti. Inoltre, allinterno di ogni capitolo troverai suggerimenti per ascolti di specifici passaggi delle canzoni come complemento alla lettura. Il libro segue levoluzione di questo storico disco a partire dalla sua concezione fino ai suoi passaggi meno conosciuti, con un linguaggio attraversato da immagini evocative. Il lettore avra accesso ad una esperienza inedita di "Strange Days", scoprendone i segreti, vivendone intensamente le emozioni, ascoltandolo in modo piu consapevole e soddisfacente.

A fan from the moment the Doors first album arrived, Greil Marcus saw the band many times at the legendary Filmore Auditorium and the Avalon Ballroom in 1967. Five years later it was all over. Forty years after the singer Jim Morrison was found dead in Paris and the group disbanded, Greil Marcus muses on how one could drive from here to there, changing fom one FM pop station to another, and be all but guaranteed to hear two, three, four Doors songs in an hour. Whatever the demands in the music, they remained unsatisfied, in the largest sense unfinished, and absolutely alive. There have been many books on the Doors. This is the first to bypass their myth, their mystique, and the death cult both of Jim Morrison and the era he was made to personify, and focus solely on the music. It is a story untold; all these years later it is a new story.

The Doflein Method. The Violinists Progress. Volume I: The higher positions (4th to 10th positions)A course of violin instruction combined with musical theory and practice in duet-playing.

The Doflein Method: The Violinists Progress. Volume IV: Further technique in bowing and fingering chiefly in the first positionA course of violin instruction combined with musical theory and practice

The Doflein Method. The Violinists Progress. Volume III: The second and third positionsA course of violin instruction combined with musical theory and practice in duet-playing.

The Doflein Method. The Violinists Progress. Volume I: The BeginningA course of violin instruction combined with musical theory and practice in duet-playing.

The Doflein Method: The Violinists Progress. Volume II: Development of technique within the first positionA course of violin instruction combined with musical theory and practice in duet-playing.

The Devil Prefers Mozart is the first comprehensive collection of Anthony Burgesss writings about music. In this extensive compilation of essays and reviews, he covers a vast range of musical topics, from the hurdy-gurdy to Beatlemania and the Sex Pistols, with Burgesss love of English music represented by writings on Elgar, Holst, and Delius. There are essays on Handel, Mozart, Beethoven, Berlioz and Wagner and other great composers from Monteverdi to Weill, as well as writings about Burgesss favourite performers, including Yehudi Menuhin, Larry Adler and John Sebastian. Whether whimsical (Food and Music), satirical (Anybody Can Conduct) or controversial (Why Punk Had to End in Evil), Burgesss writing is consistently informative and entertaining.The music of Debussy sparked Burgesss musical imagination so powerfully when he was a boy in Manchester that he composed his first symphony at eighteen years of age and aspired to a career as a professional composer until his mid-thirties. Writings about his own music provides valuable information about many of Burgesss compositions, including his Symphony in C, his works for guitar quartet, and his opera Blooms of Dublin based on Joyces Ulysses.Carcanet also publishes The Ink Trade, a companion volume of literary essays.

Foreword by Jaz Ampaw-Farr.Forget data. Forget league tables. Forget the national curriculum. Teachers are the true weather gods in education. The default outlook in schools at present, however, seems to be gloom. Our schools staff are under relentless pressure, and their ever-increasing workloads can make it easy to forget about the humans they work with. So what can teachers do to bring back the sunny weather and make pupils school lives more joyous?Gary, Mick and Chris believe that the answer lies in harnessing the power of praise and positivity.In The Decisive Element they offer an uplifting antidote to the anxiety by sharing praise focused techniques that will help teachers and school leaders create an ethos of enthusiasm: one that reduces stress, fuels ambition and builds confidence for staff and pupils alike. Crammed full of sound research, fresh ideas and top tips, this manifesto for positive mindsets celebrates the value of meaningful, impactful praise and shines a light on the myriad ways positivity can be unleashed to spark pupils motivation and natural curiosity for learning.The book draws upon the authors vast experience and anecdotal insights to provide sage guidance on how to create a self-sustaining positive climate for learning, and contains a wealth of practical strategies to ramp up the feel-good factor in the school setting so that staff and pupils can feed off each others enthusiasm. It also flips the script on the stresses and strains of modern schooling by offering a more light-hearted perspective on teachers and pupils day-to-day interactions encouraging school staff to be proud of what they do and empowering them to make an even bigger difference in the lives of the young people in their care.Suitable for anyone lucky enough to work in education or with children.The quoted text on the cover of this title has been extracted from Ginott, H. (1972), Teacher and Child: A Book for parents and teachers (NY: Macmillan), p. 15.The Decisive Element has been named the Bronze Winner in the education category of the 2018 INDIES Book of the Year Awards.

The Day The Country Died is the long-awaited follow-up to Ian Glaspers successful Burning Britain, and sees the author exploring in minute detail the obscure, esoteric, UK anarcho-punk scene of the early Eighties. If the bands in Burning Britain were loud, political and uncompromising, those examined in The Day The Country Died were even more so, totally prepared to risk their liberty to communicate the ideals they believed in so passionately. With Crass and Poison Girls opening the floodgates, the arrival of bands such as Zoundz, Flux Of Pink Indians, Conflict, Subhumans, Dirt, The Mob, Rudimentary Peni, Anti-Sect, Omega Tribe and Icons Of Filth heralded a brand new age of honesty and integrity in underground music. It was a time when punk stopped being merely a radical fashion statement, and became a force for real social change; a genuine revolutionary movement, driven by some of the most challenging noises ever committed to tape. Anarchy, as regards punk rock, no longer meant cash from chaos, it meant freedom, peace and unity. Anarcho-punk took the rebellion inherent in punk from Day One to a whole new level of personal awareness. All the scenes biggest names, and most of the smaller ones, are comprehensively covered with brand new, exclusive interviews and hundreds of previously unseen photographs. The Day The Country Died is the perfect companion piece to Burning Britain for anyone even remotely interested in the UK punk scene.

In The Dark Stuff Nick Kent profiles twenty-two of the most gifted and self-destructive talents in rock history. From Brian Wilson to Syd Barrett, the Rolling Stones to Neil Young, Iggy Pop to Lou Reed, he offers intimate portraits that are unimaginable in the world of todays market driven music business.

The greatest book ever written on British independent musicGuardianOne of the best British music books of the last ten yearsMojoFounded by Alan McGee in 1983, Creation Records achieved notoriety as the home of Primal Scream, the Jesus and Mary Chain and other anti-Establishment acts. During the Britpop boom of the mid-90s, the astonishing success of Oasis brought Creation fame on the world stage. In 1999, however, McGee announced his shock departure as his labels influence over a generation of British music came to a confusing and disappointing end. Containing interviews with Creation musicians, employees, supporters and detractors, this is the inside story of Creation Records - and of British music since the 1980s.

Originally published in the 1940s, Paul Hindemiths remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician. Parts 1 and 2 of "Unterweisung im Tonsatz" were already translated into English during Hindemiths lifetime, when he was in exile in America during the Nazi era. The long-awaited translation of Part 3 with exercises for three-part composition completes the English edition "The Craft of Musical Composition".

Originally published in the 1940s, Paul Hindemiths remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician.

Originally published in the 1940s, Paul Hindemiths remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician.