eBooks de Poesía, página 3 de 639

In late 2013, preeminent Hebrew poet Tuvia Ruebner published his fifteenth poetry collection, which he titled Last Ones. But it was not his last; he continued writing and publishing, even into the summer of his death in 2019. The translated poems in Now at the Threshold: The Late Poems of Tuvia Ruebner are from Ruebners final three collections, poems all written from 2014 onward, after the poets 90th birthday. Translated into English by award-winning translator Rachel Tzvia Back, these late and last poems both celebrate lifes enduring small graces and converse quietly-even negotiate- with death. With love and loss ever intertwined, and a protesting voice still fierce, this collection offers the reader illuminating and beautiful poetry from a great humanist and a great poet. The Interim World: The Poetics of Tuvia Ruebner From Love to Loss and Back Again: The Tragic Story of Israeli Poet Tuvia Ruebner

On the Surface of Silence offers for the first time in English the final poems of Lea Goldberg, pre-eminent and central poet of modern Hebrew poetry. These extraordinary texts, composed in the last years and even last days of the poets life and published posthumously after her untimely death, exhibit a level of lyrical distillation and formal boldness that mark them as distinctive in the poets oeuvre. Often employing a fragment-like structure, where the unspoken is as present and forceful as the spoken, stripped of adornments and engaging the reader with an uncompromising, even disarming, directness, Goldbergs last poems enact and manifest a poetics of intrepid truth-telling. The play between revelation and concealment, the language precision and the unflinching end-of-life gaze transform these texts into powerfully moving, and often surprising, poems. The book itself, in the original format as masterfully edited by Tuvia Ruebner and with drawings by Goldberg herself interspersed among the poems, is a significant and beautiful artifact of modern Hebrew culture. This bilingual edition, with translations by award-winning translator Rachel Tzvia Back, brings us poems from a singular poetic voice of the 20th century - poems which will enrich, reflect, and stir the readers heart.

Esta es la primera edición filológica de Temblor de Lima, año de 1609, gobernando el Marqués de Montes Claros, virrey excelentísimo, y una canción real panegírica en la venida de su excelencia a estos reinos (Lima, 1609) obra que, junto a la Cancion real (1612) tambien editada aqui, constituye la produccion poetica de Pedro de Oña (Angol, Chile, 1570-Lima, ¿1643?) dirigida a Juan de Mendoza y Luna, virrey del Peru (1607-1615). Este corpus es una magnifica muestra de las expectativas criollas respecto del alter ego del monarca en Indias y de los medios retoricos y poeticos que la elite criolla empleo para reivindicarse a traves del panegirico de la maxima autoridad virreinal. Por otro lado, el estudio pormenorizado de esta obra panegirica de Oña evidencia la complejidad de los procedimientos retoricos empleados por el encomio, lo que significa devolver a la poesia encomiastica el importante rol que tuvo en la epoca.

A Times Literary Supplement , Telegraphand Financial TimesBest Book of 2025The glorious gathering-in of his achievement that is The Poems of Seamus Heaney, edited with meticulous care and luminous clarity. . . allows us for the first time to see his dozen formal collections as only the most visible peaks in a constantly rolling range of creativity. Fintan OToole, ObserverThis book is a landmark. [and] lets us see Heaneys work, whose ripples we are still learning to navigate, for the colossal achievement it is, and it reminds us that Heaney is not only a keeper but an enricher of the word-hoard. Philip Terry, GuardianThis is the long-awaited, definitive edition of Seamus Heaneys poetry. It encompasses all the poems Heaney published in his lifetime as well as the small number that appeared after his death: twelve single volumes, from Death of a Naturalist (1966) to Human Chain (2010), and those poems published in pamphlets, journals and magazines or with limited circulation. In addition, the book includes a selection of unpublished material chosen by the poets family.It is a body of work that, in its entirety, resounds with the lyrical beauty and ethical depth cited by the Nobel committee: poems which exalt everyday miracles and the living past.Critical introductions to each collection and notes that illuminate the history and development of the poems make this the essential volume for admirers of Heaneys work.Heaneys voice, by turns mythological and journalistic, rural and sophisticated, reminiscent and impatient, stern and yielding, curt and expansive, is one of a suppleness almost equal to consciousness itself. Helen VendlerMore than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of. John CareyHis is "closeup" poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does. John BanvilleThese poems find - in the dowsers gift and the childs perception of the world - images of the marvellous that are also wonderfully grounded. . . Heaney is a poet who deserves to be read in entirety. Jamie McKendrickFor Heaney, there were marvels enough in this world, and never mind the next. Ordinary objects and places - a sofa, a wireless, a satchel, a gust of wind, the sound of rain - were sanctified. Blake Morrison

Loss defines the crossbeams and chronicles of Tuvia Ruebners life. Born in 1924 into a semi-secular Jewish family in Slovakia, Ruebner was also born into the catastrophe that would follow-the extermination of European Jewry and of his own family in the Holocaust. Hitler became chancellor of Germany on Ruebners ninth birthday. Six years later, the race-laws enacted in Slovakia banned all Jewish students from school, and Ruebners formal education ended with ninth grade. His involvement in the Socialist-Zionist youth movement bought him a ticket out to Palestine and, in 1941, the seventeen-year-old bid his family farewell at the Pressburg Bratislava train station, unaware that he would never see them again. The disasters of the twentieth century swept Ruebner from Europe to Israel, from German to Hebrew, from the familiar to the strange. Despite his truncated formal education, he became a poet and man of letters in Israels fledgling intellectual community alongside other Jewish immigrant-refugee-survivors like Ludwig Strauss, Werner Kraft, Lea Goldberg, and Dan Pagis, eventually gaining international esteem as professor of comparative literatures at Haifa University and as translator of Nobel prize winner S.Y.Agnons stories into German. Ruebners early work in Israel took shape in German, the language he spoke to his lost beloveds and the language of Kafka, Hoelderlin, and Rilke, whose work he loved, a language that protected him from the overwhelming strangeness of his new land and life. He began composing poetry in Hebrew in the 1950s, beginning a life-long relationship with the newly-revived ancient tongue. The result: fifteen poetry collections in Hebrew, from The Fire in the Stone in 1957 to Last Ones in 2013, a poetic oeuvre that has received countless awards and accolades in Israel and Europe alike and has established Ruebner as an elder of the tribe. Ruebners poetry offers us an exquisite and indispensable voice of the twentieth century. His little sister, murdered in Auschwitz, and his youngest son, who disappeared in South America, wander unceasingly through his poems. Beyond the personal losses, the devastation of the century informs all of his work. Textual rupture and fragmentation echo historical rupture and fragmentation. The wonder of Tuvia Ruebner is that, after a lifetime of loss and tragedies, he remains open to the possibility of happiness. This openheartedness accommodates the many paradoxes and conflicts of life and infuses his poetry with an enduring and encompassing compassion for the lost and for the living alike. Rachel Tzvia Backs graceful translations of select poems representative of Ruebners seven-decade poetic trajectory are ever-faithful and beautifully attuned to the Hebrew originals, even as they work to create a new music in their English incarnations. Her comprehensive introduction and annotations supply the context in which these poems were produced. This first-ever bilingual edition, published as Ruebner marks his 90th birthday, gives readers in both Hebrew and English access to stunning poetry that insists on shared humanity across all border lines and divides.

Obra de referencia para conocer y apreciar lo mejor de la actual producción poética de México.Un ambicioso proyecto editorial que reúne, por primera vez en un solo volumen, a 167 voces de la lírica nacional mas reciente.La presente obra constituye un compendio amplio y diverso de la produccion poetica de Mexico durante las ultimas decadas. Son autores nacidos entre 1951 y 1987 que, en conjunto, constituyen una muestra representativa del vigor, dinamismo y originalidad que distingue a la actual produccion poetica de nuestro pais. Juan Domingo Arguelles, gran conocedor del genero y poeta el mismo, ofrece esta antologia para uso y disfrute de estudiantes, maestros y publico en general. La seleccion de autores y obras permite hacerse una idea justa de la diversidad y calidad que la poesia ha tenido en nuestra tierra.

Poemas à Profissional Técnico de Segurança do Trabalho é uma coletânea de poemas que celebram e exploram a vida, desafios e responsabilidades dos profissionais técnicos de segurança no local de traba

Este é um livro de 490 páginas. Na tradição judaico-cristã, o número 490 carrega uma conotação espiritual profunda. Baseando-se no simbolismo bíblico do número sete, que representa a perfeição, a com

Immerse yourself in the sublime words of the Bard with this sumptuous anthology of Shakespeare, with one entry for every night of the year.Chosen especially by a Shakespeare fanatic to reflect the changing seasons and daily events, the entries in this glorious book include:Romeo and Juliet on Valentines Day.A Midsummer Nights Dream in Midsummer.The witches of Macbeth around their cauldron on Halloween.Also featured is one of Shakespeares only two mentions of football for the anniversary of the first FA cup final. Beautifully illustrated with favourite scenes from Shakespeares best-loved plays, this magnificent volume is a fun introduction to the well-known work and lesser known plays and poetry and is designed to be accessible to both adults and curious children.Keep this book by your bedside and luxuriate in the rich language of the greatest writer the world has ever known, for entertainment, relaxation and timeless wisdom every night of the year.

Pensamentos de um Jovem, expressos através de poemas e poesias, que mostram os conflitos internos, sonhos e sentimentos borbulhante numa mente juvenil.

I am a new European author of a book divided into two volumes that will cost 18 euros each to purchase in a digital PDF format. Each volume s title is the same as above, and it focuses on global events, especially those occurring in the United States of America, a nation experiencing enormous unrest, and in Europe. I had intended to write only one book, but I was carried away and had to split it into two. I communicate my ideas and the realities of what is actually occurring in the world around us in a way that is politically incorrect, as I am not the type of person who likes walking on eggshells unless I deem it necessary. Political correctness is something I vehemently oppose in every sense of the word. Political correctness should only be used in the context of international relations within the political and corporate worlds. To fully express our freedoms, political correctness should be removed from all public discourse. It is possible to conduct debates without violating decorum through the use of political incorrectness. Political correctness gone mad hinders communication by limiting what we may say, think, write, and do. The rise of political correctness gone mad has a very Orwellian feel to it. I know that political correctness, in small doses, aims to foster balance in how we communicate with one another, but sadly, this goal has been perverted and exploited to the point of madness and to shield those who find offence in just about everything. I was inspired to publish my own opinions and the truthswhich left-wing politics likes to refer to as conspiracy theories since they concern them and their transgressionsby what is occurring around the globe, particularly in the United States. My two books are not for anyone who is easily offended, insulted, or micro aggressed. Your comments, no matter how bizarre or sane they may seem, are always welcome, without any guarantee that I will agree with them. Your feelings regarding the topics I am covering in my books are of very little concern to me. If you are a snowflake who is triggered easily by other peoples opinions and the truth, I suggest that you do not read my works, but it is ultimately up to you to make that choice since they are extremely alluringeven to people who practise political correctness to the hilt.

Zum 250. Geburtstag von Samuel Taylor Coleridge erscheint diese Auswahl von Gedichten, die den unbestrittenen Kern seines Werkes bilden und mit denen er sich als einer der groen sechs Dichter der englischen Romantik etablierte, neben Blake, Wordsworth, Byron, Shelley und Keats.Die vorliegende handliche Auslese ist abwechslungsreich und lohnend, zumal es bis heute nie eine Ubertragung einer solchen Auswahl in deutscher Sprache gab. Immer wieder nachgedichtet wurden der Alte Seemann und Kubla Khan, doch entzog sich beispielsweise die fesselnde und ratselhafte Christabel neben vielen anderen Blankversen bis anhin der Ubersetzung.

Experience the Kaleidoscopic Mystery of the CrossEverything about the gospel message leads to the cross, and proceeds from the cross. In fact, within the narrative of Scripture, the crucifixion of Jesus is literally the crux of the storythe axis upon which the biblical story turns. But it would be a mistake to think we could sum up the significance of the crucifixion in a tidy sentence or two. That kind of thinking only insulates us from the magnificence of what God has done. In our ongoing quest to make meaning of the cross, we need to recognize that this conversation will never concludethat there is always something more to be said.Brian Zahnd reminds us that the meaning of the cross is multifaceted and should touch every aspect of our lives. Just as gazing through the eyepiece of a kaleidoscope reveals a new geometric image with every turn, Zahnd helps us see that there are infinite ways to behold the cross of Christ as the beautiful form that saves the world. In The Wood Between the Worlds, youll find: A compelling theopoetics of the cross that will bring deeper curiosity, appreciation, and wonder for the cross of Christ, References to music, art, literature, and culture that bring new perspectives to our understanding of the cross, and Zahnds keen insights that liberate readers from flawed atonement theories and open us to experience anew the mystery of the cross. The Wood Between the Worlds is an invitation to encounter the cross of Christ anew.

During her lifetime Marianne Moore was that rarest of combinations, a genuine leader in the art of poetry, as well as a bona fide celebrity. She was an instantly recognisable symbol of Brooklyn, New York, appearing on the cover of Life magazine, asked by the Ford Motor Company to christen their new family sedan, and by the New York Yankees to throw the opening pitch of their baseball season. However, because of Moores restless, seldom-ceasing, decade-spanning revision of her own poems, creating a stable text of her work has posed editors a challenge ever since. Moore tackled the problem herself: Complete Poems (1967) was her own selection, but she favoured the later work, including less than half of her output up to that point. Omissions are not accidents, she wrote pointedly in that edition, but for some readers the absence of more than one hundred poems constituted a wilful neglect of her startlingly innovative, highly influential early work, and contributed to Moores undervaluing as a modernist poet. Marianne Moore scholar Heather Cass White has prepared an edition of poems that, for the first time, presents the full range of Moores work in its published order, while honouring the complex textual lives of the poems. With an inviting introduction and meticulous notes, the New Collected Poems of Marianne Moore is the first definitive text of this most celebrated writer, whose poems form part, as T. S. Eliot declared, of the small body of durable poetry written in our time.

Christians throughout the ages have written poetry as a way to commune with and teach about God, communicating rich truths and enduring beauty through their art. These poems, when read devotionally, provide a unique way for Christians to deepen their spiritual insight and experience. In this collection of over 90 poems by poets such as Emily Dickinson, T. S. Eliot, Ralph Waldo Emerson, Robert Frost, William Shakespeare, and over 30 more, literary expert Leland Ryken introduces readers to the best of the best in devotional poetry, providing commentary that helps them see and appreciate not only the literary beauty of these poems but also the spiritual truths they contain. Literary-inclined readers and first-time poetry readers alike will relish this one-of-a-kind anthology carefully compiled to help them encounter God in fresh ways.

La leyenda del Cid es una de las leyendas de José Zorrilla, poemas en clave de ficción basados leyendas castellanas, a modo similar a como ya hiciese Gustavo Adolfo Bécquer en su obra homónima, pero desde un punto de vista lirico. En este caso la presente leyenda se basa en la historia del Cid Campeador.

"Luz que fue sombra. Diecisiete poetas polacas (1963-1981)" permitirá a los lectores de español sumergirse en la poesía polaca, cuya importancia en el mundo es indiscutible. Poetas de una calidad literaria y autenticidad extraordinarias, singulares, y que suenan con voz propia en el panorama actual. En esta antologia, ellas desnudan su alma y nos permiten compartir su libertad de sentir, de hacer, de pensar. Huyendo de etiquetas, fiel cada unaa su individualidad y a su lenguaje poetico propio, pero todas con un lirismo sencillo, preciso y cautivador en sus poemas, nos hablan de emociones, de recuerdos, del tiempo, de la niñez, de la memoria, de liberacion, de desengaño, de lo cotidiano, de amor, de experiencias personales, de sorpresa, de sensibilidad, de vacio, de soledad, de optimismo, de ilusion, de esperanza Nos hablan de vida. Es poesia y es nuestra realidad humana la que sale a la luz¡Luz que fue sombra!

El PACK LITERATOS 2 de la colección EN 90 MINUTOS reúne a 6 de los más destacados literatos de finales del XIX y comienzos del XX: TOLSTOY, POE, VIRGINIA WOOLF, DOSTOYEVSKI, KAFKA Y D.H. LAWRENCE.Paul Strathern nos ofrece el relato conciso de un experto sobre la vida e ideas de cada autor y explica su influencia sobre la literatura y la lucha de los hombres por entender su lugar en el mundo. El libro tambien incluye una seleccion de textos de las obras de cada autor, una cronologia de su vida y epoca y una seleccion de lecturas recomendadas para quienes deseen seguir leyendo mas acerca de cada uno de estos literatos.

Primer volumen que recoge la obra poética de Miguel de Unamuno, con poemas que abarcan desde el compromiso político hasta el lirismo obsesionado con la relevancia del ser humano, la filosofía, la trascendencia, el pasado y el transcurrir del tiempo.