eBooks de Poesía, página 5 de 639

Apresento-lhe bilhetes para viagens sombrias, necessárias, arrepiantes que, a princípio, podem parecer aterradoras e fruto de desvairos, no entanto, em suas entranhas há para além da intimidade com a morte, sobretudo, um grito pela vida ignorada, pisoteada pelas estruturas de poder que se desenrola do micro ao macro. Claro, precisara dançar com as metaforas, cinzel do embelezar textual do que aos olhos apenas parece feio... Boa leitura!

Dóri Vargas Gedichte sind einzigartige Klangereignisse, die sie mit den einfachsten Mitteln schafft. Schmerz, Glück, Verlust, Verbundenheit, Freiheit, Heimat, Frausein, Muttersein, Beziehungsein: Sin

Os Lusíadas, de Luís de Camões, inclui-se na pequena lista dos seis ou sete maiores poemas narrativos da literatura ocidental e apresenta, como tema central, a história e os feitos da nação portugues

A collaboration between one of the worlds most eminent poets, Nobel Prize-winner Derek Walcott, and one of its most coveted painters, Peter Doig. Through a long-standing friendship and creative affinity the two great artists have together produced a stunning full-colour book of fifty paintings and original poems.

Basil Buntings work was published haphazardly throughout most of his life, and in many cases he did not oversee publication. This is the first critical edition of the complete poems, and offers an accurate text with variants from all printed sources. Don Share annotates Buntings often complex and allusive verse, with much illuminating quotation from his prose writings, interviews and correspondence. He also examines Buntings use of sources (including Persian literature and classical mythology), and explores the Northumbrian roots of Buntings poetic vocabulary and use of dialect.

When Stevie Smith died in 1971 she was one of the twentieth-centurys most popular poets; many of her poems have been widely anthologised, and Not Waving but Drowning remains one of the nations favourite poems to this day.Satirical, mischievous, teasing, disarming, her characteristically lightning-fast changes in tone take readers from comedy to tragedy and back again, while her line drawings are by turns unsettling and beguiling. In this wholly new edition of her work, Smith scholar Will May collects together the illustrations and poems from her original published volumes for the first time, recording fascinating details about their provenance, and describing the various versions Smith presented both on stage and page. Including over 500 works from Smiths 35-year career, The Collected Poems and Drawings of Stevie Smith is the essential edition of modern poetrys most distinctive voice.I was much further out than you thought And not waving but drowning.- Not Waving but Drowning

In the decades since his death in 1963, Louis MacNeices reputation as a poet (and, indeed, amongst poets) has grown steadily, and there are now several generations of readers in Ireland, Britain, and beyond, for whom he is one of the essential poets of the twentieth century. His work has also received increasing attention from academic writers and students. For both readers and critics, the nature of MacNeices poetic work as a whole is a matter of importance, and the second posthumous Collected Poems, entirely re-edited by Peter McDonald, attempts, for the first time, to print MacNeices poetry in groupings corresponding closely to the collections published by Faber between 1935 and 1963. This makes it easier to read the poet in the published forms in which he was read by his contemporaries. In choosing to re-create the environments of MacNeices individual volumes of poetry, moreover, this new Collected reflects the opinion that MacNeice works best in and through those separate volumes, particularly so in the brilliant return to form - and unique kinds of return on lyric form itself - of the last three collections. The texts of the poems in the new edition are based on a comparison of all printed versions, as revised in the light of the poets later thoughts. This has resulted in a large number of changes. It is hoped that the present edition presents MacNeices poetry more accurately, as well as more fully, than all previous collections. The new Collected Poems also includes, as appendices, The Last Ditch - the short book of poems which MacNeice published with the Cuala Press in 1940 - and The Revenant, a cycle of songs written for MacNeices wife, the singer Hedli Anderson, a selection of uncollected early poems, and from Blind Fireworks, MacNeices first published book of verse.

Liz Lochhead is one of the countrys leading poets. Her work has paved the way and inspired some of the most inspirational voices writing in Scotland today, including Ali Smith, Kathleen Jamie, Jackie Kay and Carol Ann Duffy. In A Handsel, the first new poems from Scotlands second modern Makar since 2016s Fugitive Colours, the poet celebrates people and those small momentous moments that encapsulate so much of her work. It is human relationships that sit at the heart of these poems; each one is a beautifully realised snapshot that explores the poets past, her friendships and revisits favourite characters from earlier collections. This landmark publication collects for the first time the poetry of Liz Lochhead. Bringing work back into print, this collected poems publishes all of the poets collections, presented in their entirety: Memo for Spring, Islands, The Grimm Sisters, Dreaming Frankenstein, The Colour of Black and White and Fugitive Colours, as well as poems from Bagpipe Muzak and True Confessions.

Combining the poignant appeal of a love story cut short with the theme of personal growth and the spiritual search for meaning, this book will help to give comfort to those who have shared the pain of bereavement. It shows them that they are not alone, and that the cycle of grieving is normal and that life does get better. Presented as a verse journal, Can I Let You Go, My Love? is more than an outpouring of one womanis experience of bereavement and life beyond grief. It is also a way of letting other people know what the bereaved are going through and so broadening understanding. The verses are full of lifeis lessons and the thoughts and feelings expressed are powerful, profound and heart-rending. It is a book that not only can be used bycounsellors and their clients (the manuscript has already been adopted as a therapeutic aid by counsellors) but is just the gift to give to a friend who has lost a loved one or who is going through a crisis in life. Can I Let You Go, My Love? was cited as an Outstanding Contender for the CRUSE Excellence in Communication Award 1997.

Combining the poignant appeal of a love story cut short with the theme of personal growth and the spiritual search for meaning, this book will help to give comfort to those who have shared the pain of bereavement. It shows them that they are not alone, and that the cycle of grieving is normal and that life does get better. Presented as a verse journal, Can I Let You Go, My Love? is more than an outpouring of one womanis experience of bereavement and life beyond grief. It is also a way of letting other people know what the bereaved are going through and so broadening understanding. The verses are full of lifeis lessons and the thoughts and feelings expressed are powerful, profound and heart-rending. It is a book that not only can be used bycounsellors and their clients (the manuscript has already been adopted as a therapeutic aid by counsellors) but is just the gift to give to a friend who has lost a loved one or who is going through a crisis in life. Can I Let You Go, My Love? was cited as an Outstanding Contender for the CRUSE Excellence in Communication Award 1997.

Gather it from memory. Let it touch the earth.In Touch the Earth, Drew Jackson continues the project he began in God Speaks Through Wombs, reflecting on the Gospel of Luke through poetry. Touch the Earth picks up in chapter nine and continues through the end of Lukes Gospel. Part protest poetry, part biblical commentary, Jackson presents the gospel story in all its liberative power. Here the gospel is the "fresh words / that speak of / things impossible."From the feeding of the multitude ("The best hosts always provide / take home containers") to the resurrection of Jesus ("the belly of mother Earth / is, indeed, a womb . . . the humus of life is where we become fully human"), this collection helps us hear the hum of deliveranceagainst all hopethats been in the gospel all along.

Edición, estudio y notas de Juan Casas RigallJuan de Mena (Córdoba, 1411-Torrelaguna, 1456) fue testigo de excepción de las vicisitudes políticas y culturales en la corte castellana de Juan II y protagonizo un proceso que pocos autores han podido arrogarse: la creacion de una nueva lengua poetica, constituida en modelo indiscutible durante mas de medio siglo, en el transito de la Edad Media al Renacimiento.Conservamos una cincuentena larga de composiciones poeticas de Mena, entre las que descuellan las tres grandes visiones alegoricas: la Coronacion a Don Iñigo Lopez de Mendoza, con un cumplido comentario en prosa del propio autor; la obra maestra, el Laberinto de Fortuna, y el inconcluso Debate de la Razon contra la Voluntad. Tampoco faltan ejemplos de los otros cauces señeros del tiempo: composiciones amorosas, poesia laudatoria, piezas de disputa literaria o versos burlescos. Desde mediados del Cuatrocientos, los principales cancioneros acogieron su obra y Mena se convirtio, a finales de siglo, en el primer poeta clasico español.La edicion de Juan Casas Rigall para la Biblioteca Clasica de la Real Academia Española edita la totalidad de su obra poetica conocida y de plausible atribucion, sometida a un minucioso analisis critico de la tradicion textual (manuscrita, incunable e impresa posterior), en algunos casos muy copiosa y compleja, y acompañada de una contextualizacion y una anotacion que restituyen la singularidad del empeño poetico, intelectual y politico de Juan de Mena, de tan elevados horizontes en su tiempo.

Ningún poeta contemporáneo ha sido interpretado y traducido de manera tan detallada y extensa como Paul Celan, sin duda uno de los poetas más importantes del siglo XX. «Fuga de la muerte» tal vez el

La poesía completa de Hugo Mujica desde el año 1983 hasta 2011.Este volumen reúne la poesía que Hugo Mujica ha dado a la imprenta desde la aparición, en 1983, de Brasa blanca. Es la suya una escritura que ha sabido despojarse de todo lo accesorio, de toda distraccion y ornamento, para interpelar los ejes de la condicion humana con una seductora convergencia de lirismo y metafisica, elegancia verbal y lucidez existencial. Su poesia se acerca al silencio para mejor escucharlo y entenderlo, para incorporar su leccion y entrañarlo en su abordaje al mundo, esa "lluvia del mundo" que da titulo a uno de sus libros. Lo metafisico en Mujica es una disciplina del pensar y una escenografia: una grieta en la pared, un ruido en la cocina, una calle vacia donde brilla debilmente una farola... Llevando el lenguaje a su esencia, esta poesia logra dar voz a lo esencial de la vida misma, el misterio en que se asienta.

En grado de tentativa. Poesía reunida reúne en dos tomos -el primero prologado por Christian Peña y el segundo por Hernán Bravo Varela- cuatro décadas de trayectoria literaria de Francisco Hernández. En estas paginas se encuentran desde poemarios como Antojo de trampa, pasando por Mi vida con la perra hasta Odioso caballo, el ultimo libro publicado del autor; se incluyen tambien poemas y coplas ineditos.

Between now and then, I will offer you A fist full of rock cress fresh from the bank The valley tips of garlic red with dew Cooler than shallots, a breath you can swankIn the village when you come. At noon-day I will offer you a choice bowl of cawl Served with a lovers spoon and a chopped spray Of leeks or savori fach, not used now,In the old way youll understand. The din Of children singing through the eyelet sheds Ringing smith hoops, chasing the butt of hensLynette Roberts is one of the most astonishing and brilliant poets of the twentieth century. Though published by T.S. Eliot and Faber in the 1940s and 50s her work unjustly fell off the radar for many years until the groundbreaking edition of her collected poems published by Carcanet in 2005. Twenty years on, this new edition contains an additional sixty-five previously uncollected and unpublished poems by Roberts, and a new epilogue highlighting her growing importance to our understanding of twentieth-century poetry.

Após publicar o Livro do Desassossego e a obra dos heterónimos de Fernando Pessoa – como Alberto Caeiro, Álvaro de Campos e Ricardo Reis – a Global Editora dá início a uma etapa de suma relevância do

Fotos e Versos é um livro para ler e pensar com calma, com atenção aos temas e para apaziguar ânimos.São poesias e poemas com sentimentos verdadeiros que ocorrem com todos os que vivenciam o dia a di

Featuring the work of Black women poets from Botswana to Brazil, in this collection, we encounter ancestors who made love, just for the sake of love, and women who die with each orgasm while attempting to mark the extent of their own humanities.This is for the nuns, the singers, the clowns, the diviners and the conjurers who reject the constant attempt to clean up history. The wildly imperfect women of slick braids, shiny skin and succulent lips, building new homes from clouds for future legions.Here congregate the women, womxn and womyn who do not believe in tough love that disguises hurt just to prove a point. They dance with the dead with exquisite feet, cheekbones high, reflecting their mothers smiles.Because no one claps for martyrs, these dirty/pretty women learn to walk cities like they own them, choosing the battles of their hearts.If this collection teaches anything, it is that love is always messy, that our sacrament requires wet wipes and that we are just flesh and bone honing practice.

Esta obra tráz poemas menores (Poesias Máximas) com o objetivo de nos aproximar dos pequenos pensamentos e grandes sentimentos que deles derivam.